Lochner Oona (20 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condition: new.

Condition: New.

Paperback. Condition: New. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2020. Paperback. . . . . .

Condition: New. pp. 375.

Condition: As New. Unread book in perfect condition.

Condition: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: new. Paperback. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Brand New. 256 pages. 7.50x4.75x1.00 inches. In Stock.

Condition: New. pp. 375.

Paperback. Condition: Brand New. bilingual edition. 67 pages. German language. 11.00x9.00x0.25 inches. In Stock.

Condition: New. Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidiz.

Softcover. Condition: g+. First edition. 1/2000. Large quarto. [4], 252, [8]pp. Original photo-illustrated wrappers. Illustrated with numerous color photographic reproductions, the central focus of this monographic catalogue is Zenita, as a woman, an individual, an artist, a part of the art community. The goal is nothing less than tearing down the walls between art and life. She has succeeded in doing this light-handedly, without any proclamations of pathos, with a twinkle in her eye. She draws from the world of things, of commodities, ideas and art, selecting what appears useful to her, transforming it and incorporating it in her "Zenita Universe" in the guise of texts, images, reliefs, sculptures, but usually hybrids and ensembles that transgress the boundaries of genres. Komad's oeuvre reveals great stylistic openness, even when she has elaborated a repertory of signs and symbols to which she returns time and again. It is striking how often the eye figures as a mode of expression in her pictures either in realistic form or in the style of a comic even from the light bulb head of her air work, which we can also read as a personification of the artist such wide-open eyes stare at a world replete with miracles and mysteries, waiting for something to appear in full light. Wrappers partly rubbed and creased along edges. Text in German and English. Wrappers in overall good- to good, interior in very good condition.

Taschenbuch. Condition: Neu. Neuware - Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as topoi such as the break, the marginalization, the tearing and opening indicate. However, these multifarious attempts to 'build on the structure through demolition' (Benjamin) testify to the dependence of all articulation on the forms of (re)presentation ['Darstellung']. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated which generate their critical statements less argumentatively than through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects and instruments, visibly enters the critical scene-whereas the theatrical scene as a stage of critique has been contested intensively during the 20th century. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.

Taschenbuch. Condition: Neu. Critique: The Stakes of Form | Critical Stances | Beate Söntgen | Taschenbuch | 352 S. | Englisch | 2020 | DIAPHANES AG | EAN 9783035802405 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu.

Paperback. Condition: New. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.

Paperback. Condition: new. Paperback. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Softcover. Condition: Sehr gut. 1. Auflage. Paperback, very good, 262 Seiten auf deutsch und englisch (bilingual), mit zahlr. Illustr., sauber, keine Markierungen o.ä., Ebd. fest, clean pages, no markings, in stock, sofort lieferbar.