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Junius B., And Luza, Reynaldo Bird

Published by Center for Inter-American Relations And The American Federation of the Arts (1973)

Used Soft Cover

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From: The Book Escape (Baltimore, MD, U.S.A.)

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About this Item: Center for Inter-American Relations And The American Federation of the Arts, 1973. Soft Cover. Condition: Very Good. White covers have light toning and just mild wear. Pages are clean, bright and free of markings. Binding is tight and secure. ***Ships today or next business day. Our books are carefully described and packaged in boxes (not envelopes). A gift card and personalized message can be included upon request.*** Size: 9 x 8.5. Seller Inventory # 221200

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Lucile Buchanan, Marjorie Howard, Amory Hare, Fleta Campbell Springer, Elisabeth Finley Thomas, W. B. Trites, Roger Boutet de Monvel, Frank Swinnerton, Mrs. Thomas Wells Durant, Grace Carley Harriman, Gertrude Atherton, Edna Ferber, et al.

Published by International Magazine Company, Inc., New York (1927)

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From: William Chrisant & Sons FABA, ABAA, ILAB (Ft Lauderdale, FL, U.S.A.)

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About this Item: International Magazine Company, Inc., New York, 1927. Condition: Very Good. Illustrated by Erté, Baron de Meyer, Grace Hart, Reynaldo Luza, MaryMacKinnon, Malaga Grenet, Enid Engel, Samuel Davis Otis, John LaGatta,Wallace Morgan, Everett Shinn (illustrator). First. Includes 'What Men Think of Women's Clothes' by Marjorie Howard with Illustrations by Reynaldo Luza featuring 'The New Paris Mode in Short Hair', pp. 78-85. A thick copy with 168 pages as well as unnumbered color advertisements. LACKS FRONT COVER which is supplied in a smaller (8.5 X 11 inch) color facsimile.; folio 9.75 x 13.25. Seller Inventory # 1961

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AUTOMOBILES-PEUGEOT.

Published by DRAEGER, Montrouge (1933)

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From: Librairie Chretien (PARIS, ., France)

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About this Item: DRAEGER, Montrouge, 1933. . Illustrateur : EDY-LEGRAND, LUZA (Reynaldo), EDY-LEGRAND (Edouard-Léon-Louis Legrand, dit), BRISSAUD (Pierre). (illustrator). Montrouge, Draeger, 1933, grand in-4, reliure spiralée, couverture illustrée en couleurs du célèbre Lion Peugeot et rempliée, in-fine 4 planches hors-texte en couleurs représentant les derniers modèles Peugeot, (24) pages. Superbe catalogue "aux accents patriotiques qui exalte l'entreprise familiale. Draeger a mobilisé la variété des talents de ses créateurs édité par les Automobiles Peugeot" (in Pages d'Or de l'Edition publicitaire, Bibliothèque Forney, N°78, p.200). Il est illustré de trois compositions, en noir et en double pages, par Pierre BRISSAUD et Edy LEGRAND, magnifique illustration en couleurs par Reynaldo LUZA portant la célèbre légende "Conduire une Peugeot c'est "ETRE A LA MODE".". Une vue aérienne en couleurs montre les usines Peugeot. In-fine suite des quatre planches recto-verso descriptives des automobiles Peugeot. Petites déchirures, taches et légers manques de papiers à la couverture Livre. Seller Inventory # 21570

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Luza, Reynaldo

Published by Grupo Editorial COSAS, Lima (2016)

ISBN 10: 6124532891 ISBN 13: 9786124532894

New Hardcover First Edition

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From: Libros Latinos (Redlands, CA, U.S.A.)

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About this Item: Grupo Editorial COSAS, Lima, 2016. Paperback. Condition: New. First edition. 246p., photos, b&w plates, boards, dj. A collection of previously unpublished photography by Peruvian photographer and fashion designer Reynaldo Luza, taking as his subjects architecture, landscapes, people in times of liesure, and more. Inclues commentary and analysis. Seller Inventory # 178846

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Fashion) Luza, Reynaldo

Published by Au Printemps, Paris (1932)

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About this Item: Au Printemps, Paris, 1932. 1 vols. Image 11-1/2 x 8 inches, matted to 17-1/2 x 14 inches. Color Printed Brochure by Fashion Artist Reynaldo Luza. Reynaldo Luza (1893-1978), pre-eminent fashion artist, was born in Lima, Peru. He began training as an architect at the University of Louvain, Belgium, but returned to Peru at the outbreak of World War I, where he changed his studies from architecture to art. In 1918 he came to the United States, where he earned his living by contributing drawings to several fashion publications, principally VOGUE, HARPERS BAZAAR, and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist, a position he was to hold for 27 years. He divided his time between New York, Paris and London, working closely with all of the leading fashion designers of the times--Poiret, Patou, Lelong, Paquin, Douillet, Doucet, Cheruit, Worth, Drecoll, Callot Soeurs, Redfern, Martial et Amand, Premet, Reboux, Chanel, Vionnet, Molyneaux, Schiaparelli, Hartnell, Steibel, and Balenciaga, among others.In 1940 Luza made New York his principal base, where, over the next few years, he continued his activities at Harpers as well as creating fabric and furniture designs, and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions, he received several honorary appointments from the government of Peru, including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.In 1950 Luza returned to Peru, where he began a second career as a portrait painter, exhibiting his work over the next few years in Paris, New York, and Washington, D.C. 1 vols. Image 11-1/2 x 8 inches, matted to 17-1/2 x 14 inches. Seller Inventory # 25922

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Original fabric design: gouache on paper: Fashion) Luza, Reynaldo

Fashion) Luza, Reynaldo

Published by n.p. (1950)

Used

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From: James Cummins Bookseller, ABAA (New York, NY, U.S.A.)

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About this Item: n.p., 1950. Approximately 11 x 10 inches. Sold individually. Please inquire for images of each. Approximately 11 x 10 inches. Original Fabric Designs by Fashion Artist Reynaldo Luza. Reynaldo Luza (1893-1978), pre-eminent fashion artist, was born in Lima, Peru. He began training as an architect at the University of Louvain, Belgium, but returned to Peru at the outbreak of World War I, where he changed his studies from architecture to art. In 1918 he came to the United States, where he earned his living by contributing drawings to several fashion publications, principally VOGUE, HARPERS BAZAAR, and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist, a position he was to hold for 27 years. He divided his time between New York, Paris and London, working closely with all of the leading fashion designers of the times--Poiret, Patou, Lelong, Paquin, Douillet, Doucet, Cheruit, Worth, Drecoll, Callot Soeurs, Redfern, Martial et Amand, Premet, Reboux, Chanel, Vionnet, Molyneaux, Schiaparelli, Hartnell, Steibel, and Balenciaga, among others.In 1940 Luza made New York his principal base, where, over the next few years, he continued his activities at Harpers as well as creating fabric and furniture designs, and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions, he received several honorary appointments from the government of Peru, including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.In 1950 Luza returned to Peru, where he began a second career as a portrait painter, exhibiting his work over the next few years in Paris, New York, and Washington, D.C. Sold individually. Please inquire for images of each. Seller Inventory # 25924

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About this Item: n.p., 1950. 1 vols. Image approximately 6 x 4-1/2 inches, matted to 12 x 10-1/2 inches. Reynaldo Luza (1893-1978), pre-eminent fashion artist, was born in Lima, Peru. He began training as an architect at the University of Louvain, Belgium, but returned to Peru at the outbreak of World War I, where he changed his studies from architecture to art. In 1918 he came to the United States, where he earned his living by contributing drawings to several fashion publications, principally VOGUE, HARPERS BAZAAR, and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist, a position he was to hold for 27 years. He divided his time between New York, Paris and London, working closely with all of the leading fashion designers of the times--Poiret, Patou, Lelong, Paquin, Douillet, Doucet, Cheruit, Worth, Drecoll, Callot Soeurs, Redfern, Martial et Amand, Premet, Reboux, Chanel, Vionnet, Molyneaux, Schiaparelli, Hartnell, Steibel, and Balenciaga, among others. In 1940 Luza made New York his principal base, where, over the next few years, he continued his activities at Harpers as well as creating fabric and furniture designs, and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions, he received several honorary appointments from the government of Peru, including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru, where he began a second career as a portrait painter, exhibiting his work over the next few years in Paris, New York, and Washington, D.C. Creased across upper left corner, light spotting 1 vols. Image approximately 6 x 4-1/2 inches, matted to 12 x 10-1/2 inches. Seller Inventory # 245213

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Harper's Bazar (Harper's Bazaar), November, 1928: Philip Gibbs, Albert

Philip Gibbs, Albert Kinross, Gene Markey, Hunter Stinson, William J. Locke, et al.

Published by International Magazine Company, Inc., New York (1928)

Used

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From: William Chrisant & Sons FABA, ABAA, ILAB (Ft Lauderdale, FL, U.S.A.)

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About this Item: International Magazine Company, Inc., New York, 1928. Condition: Very Good. Illustrated by Erté, Harriet Fish, Mary MacKinnon, Malaga Grenet, GraceHart, Helen Thurlow, Fern Forrester, Maria Saravi, Baron De Meyer,Reynaldo Luza, Bernard Boutet de Monvel, Charles Martin, Enid Engel, RalphBarton, F. R. Gruger, Oscar Frederick Howard (illustrator). First. Includes 'Malice in Blunderland: Just a real good Nightmare with a Gentle Horse-Laugh for Hollywood' by Hunter Stinson.; folio 9.75 x 13.25. Seller Inventory # 1977

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ROCHAS (Marcel).

Published by Tisné, Paris (1951)

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From: Librairie Chretien (PARIS, ., France)

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About this Item: Tisné, Paris, 1951. . Illustrateur : BOUTET DE MONVEL (Bernard), BERARD (Christian), LUZA (Reynaldo), VAN DONGEN (Kees,) GRUAU (René), SEM, BENITO (Eduardo-Garcia), ... (illustrator). Ouvrage composé par Geneviève Perreau avec des illustrations de BENITO, REYNALDO LUZA, VAN DONGEN, BOUTET de MONVEL. Paris, Éditions Tisné, Rochas, 1951, grand in-4, broché, couverture rempliée imprimée en 2 tons, 116 pages. Superbe ouvrage consacré à l'histoire de la mode et à tout ce qui la touche, entre 1925 et 1950 à Paris. Belles illustrations d'artistes tels que : BENITO, Reynaldo LUZA , SEM, VAN DONGEN, Christian BERARD, René GRUAU, Pierre JAHAN, BOUTET de MONVEL, Sur des textes de Cocteau, Jouhandeau, Valéry, L. de Vilmorin, Mac Orlan, Sachs. Joint cahier publicitaire "Vingt-cinq années de créations". Infimes usures, manque l'étui. Livre. Seller Inventory # 21910

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AUTOMOBILES-PEUGEOT.

Published by DRAEGER, Montrouge (1933)

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From: Librairie Chretien (PARIS, ., France)

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About this Item: DRAEGER, Montrouge, 1933. . Illustrateur : BRISSAUD (Pierre), EDY-LEGRAND, LUZA (Reynaldo), ... (illustrator). Montrouge, Draeger, 1933, grand in-4, reliure spiralée, couverture illustrée en couleurs du célèbre Lion Peugeot et rempliée, in-fine 4 planches hors-texte en couleurs représentant les derniers modèles Peugeot, (24) pp. Superbe catalogue "aux accents patriotiques qui exalte l'entreprise familiale. Draeger a mobilisé la variété des talents de ses créateurs édité par les Automobiles Peugeot" (in Pages d'Or de l'Edition publicitaire, Bibliothèque Forney, N°78, p.200). Il est illustré de trois compositions, en noir et en double pages, par Pierre BRISSAUD et Edy LEGRAND, magnifique illustration en couleurs par Reynaldo LUZA portant la célèbre légende "Conduire une Peugeot c'est "ETRE A LA MODE".". Une vue aérienne en couleurs montre les usines Peugeot. In-fine suite des quatre planches recto-verso descriptives des automobiles Peugeot. Petites piqures, rognures, salissures et déchirures à la couverture. Livres. Seller Inventory # 20204

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Original fabric design: gouache on paper, signed: Fashion) Luza, Reynaldo

Fashion) Luza, Reynaldo

Published by n.p. (1950)

Used

Quantity Available: 17

From: James Cummins Bookseller, ABAA (New York, NY, U.S.A.)

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About this Item: n.p., 1950. Sold individually. Please inquire for images of each. Image approximately 12 x 10 inches, plus margins. Original Fabric Designs by Fashion Artist Reynaldo Luza. Reynaldo Luza (1893-1978), pre-eminent fashion artist, was born in Lima, Peru. He began training as an architect at the University of Louvain, Belgium, but returned to Peru at the outbreak of World War I, where he changed his studies from architecture to art. In 1918 he came to the United States, where he earned his living by contributing drawings to several fashion publications, principally VOGUE, HARPERS BAZAAR, and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist, a position he was to hold for 27 years. He divided his time between New York, Paris and London, working closely with all of the leading fashion designers of the times--Poiret, Patou, Lelong, Paquin, Douillet, Doucet, Cheruit, Worth, Drecoll, Callot Soeurs, Redfern, Martial et Amand, Premet, Reboux, Chanel, Vionnet, Molyneaux, Schiaparelli, Hartnell, Steibel, and Balenciaga, among others.In 1940 Luza made New York his principal base, where, over the next few years, he continued his activities at Harpers as well as creating fabric and furniture designs, and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions, he received several honorary appointments from the government of Peru, including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.In 1950 Luza returned to Peru, where he began a second career as a portrait painter, exhibiting his work over the next few years in Paris, New York, and Washington, D.C. Image approximately 12 x 10 inches, plus margins Sold individually. Please inquire for images of each. Seller Inventory # 25923

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INDÉPENDANCE [wrapper title].: Luza, Reynaldo (illus)]:

Luza, Reynaldo (illus)]:

Published by [NP: La Société Anonyme des Automobiles Peugeot, Septembre 1933]. (1933)

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About this Item: [NP: La Société Anonyme des Automobiles Peugeot, Septembre 1933]., 1933. [24] leaves (two of them foldouts) plus four loose color plates inserted in pocket in rear. Folio (35 x 27.5cm). Plastic comb-bound stiff pictorial boards. Profusely illustrated in color. Very near fine. First edition of this elaborate and beautiful promotional for Peugeot, printed in an edition of 1560 numbered copies, of which this is one of 1500 in the 'Luxe' issue. Illustrations by Pierre Brissaud, Edy Legrand and Reynaldo Luza. The large color folding plate "Conduire une Peugeot, c'est 'Être a la Mode'." by Luza is a classic of Art Nouveau advertisement illustration. The other illustrative material includes Peugeot posters from 1850, 1900 and 1905, a superb four panel panoramic rendering of the Peugeot plant framed by the undercarriage of an auto, and the stylized "Le Profile de la Peugeot.". Seller Inventory # WRCLIT 75200

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Presenting Silhouette: A New Pattern in 1847: Luza, Reynaldo (Illustrations

Luza, Reynaldo (Illustrations by)

Published by Rogers Bros Silverplate, International Silver and Co, Meriden, CT (1930)

Used Softcover First Edition

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From: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB) (Santa Monica, CA, U.S.A.)

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About this Item: Rogers Bros Silverplate, International Silver and Co, Meriden, CT, 1930. Softcover. Condition: g- to vg. First edition. Folio. Unpaginated. [14]pp. Original spiral bound black and silver decorative stiff wrappers. This splendid work introduces "Silhouette," the new silverware pattern from 1847 Rogers Bros.* Illustrated with two tipped-in heliogravures and two striking pochoir plates by Reynaldo Luza, this catalogue was created and printed in Paris by Draeger. Head and tail of spine slightly chipped. Moderate and sporadic creasing to covers. Wrappers in overall good-, interior in very good, pochoir plates in near fine to fine condition. * The Rogers Brothers (Simeon, and William) had established a shop in Hartford, Connecticut in the 1840s. The brothers were known for the high quality of their wares and when they felt they had perfected the electroplating process** in 1847 they marked their product with their name. In 1862 the Rogers brothers moved to Meriden, Connecticut, the center of the Britannia ware industry. Britannia ware, an alloy that resembled pewter, could easily be cast into fancy hollowware pitchers and other decorative articles, which were then electroplated. Rogers Bros. became part of the Meriden Britannia company. The Meriden Britannia company absorbed dozens of other silverware makers in the area and expanded its operation overseas, after which it became known as the International Silver Company. International Silver may have used the 1847 Rogers mark as early as 1852. The successor to the International Silver Company is still in business and uses the 1847 trademark to this day. Popular patterns in 1847 Rogers Bros. include Columbia (1893), Charter Oak (1906), Ancestral (1924), Adoration (1930), First Love (1937), Vintage (1940), and the later version of Daffodil (1950). ** The technique of electroplating a thin coat of silver over a base metal became feasible in the 1840s. The base metal selected for flat tableware was usually nickel silver, a misnomer which actually contained no silver but was an alloy of nickel, zinc and copper. Seller Inventory # 39569

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Fashion) Luza, Reynaldo

Published by New York (1923)

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About this Item: New York, 1923. Condition: Matted and framed. Fine. Pencil, ink and gouache on paper, signed (lower left). 1 vols. Image 13 x 9-1/2 inches, matted and framed to 20 x 16 inches overall. Original Fashion Art by Reynaldo Luza. Reynaldo Luza (1893-1978), pre-eminent fashion artist, was born in Lima, Peru. He began training as an architect at the University of Louvain, Belgium, but returned to Peru at the outbreak of World War I, where he changed his studies from architecture to art. In 1918 he came to the United States, where he earned his living by contributing drawings to several fashion publications, principally VOGUE, HARPERS BAZAAR, and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist, a position he was to hold for 27 years. He divided his time between New York, Paris and London, working closely with all of the leading fashion designers of the times - Poiret, Patou, Lelong, Paquin, Douillet, Doucet, Cheruit, Worth, Drecoll, Callot Soeurs, Redfern, Martial et Amand, Premet, Reboux, Chanel, Vionnet, Molyneaux, Schiaparelli, Hartnell, Steibel, and Balenciaga, among others.In 1940 Luza made New York his principal base, where, over the next few years, he continued his activities at Harpers as well as creating fabric and furniture designs, and the costumes for the movie "The Bridge of San Luis Rey." Among other distinctions, he received several honorary appointments from the government of Peru, including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport.In 1950 Luza returned to Peru, where he began a second career as a portrait painter, exhibiting his work over the next few years in Paris, New York, and Washington, D.C. Literature: Harpers Bazaar (October 1923) Pencil, ink and gouache on paper, signed (lower left). 1 vols. Image 13 x 9-1/2 inches, matted and framed to 20 x 16 inches overall. Seller Inventory # 25810

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Luza, Reynaldo (1893-1978)

Published by n.p. (1941)

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About this Item: n.p., 1941. Condition: Framed and glazed. 1 vols. Image 20-1/2 x 17-1/2 inches, matted and framed to 28 x 25 inches overall. Original Portrait by Fashion Artist Reynaldo Luza. Reynaldo Luza (1893-1978), pre-eminent fashion artist, was born in Lima, Peru. He began training as an architect at the University of Louvain, Belgium, but returned to Peru at the outbreak of World War I, where he changed his studies from architecture to art. In 1918 he came to the United States, where he earned his living by contributing drawings to several fashion publications, principally VOGUE, HARPERS BAZAAR, and VANITY FAIR. In 1921 he joined HARPERS BAZAAR as the principal fashion artist, a position he was to hold for 27 years. He divided his time between New York, Paris and London, working closely with all of the leading fashion designers of the times--Poiret, Patou, Lelong, Paquin, Douillet, Doucet, Cheruit, Worth, Drecoll, Callot Soeurs, Redfern, Martial et Amand, Premet, Reboux, Chanel, Vionnet, Molyneaux, Schiaparelli, Hartnell, Steibel, and Balenciaga, among others. In 1940 Luza made New York his principal base, where, over the next few years, he continued his activities at Harpers as well as creating fabric and furniture designs, and the costumes for the movie "The Bridge of San Luis Rey". Among other distinctions, he received several honorary appointments from the government of Peru, including that of Artistic Director of the Paris Exposition of 1938 and the New York World's Fair of 1939-40; he also did the interior design of the new Lima airport. In 1950 Luza returned to Peru, where he began a second career as a portrait painter, exhibiting his work over the next few years in Paris, New York, and Washington, D.C. This portrait is an early one, done on the artist's return from Europe. 1 vols. Image 20-1/2 x 17-1/2 inches, matted and framed to 28 x 25 inches overall. Seller Inventory # 25814

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