Published by Watson-Guptill, 2009
ISBN 10: 0823099210 ISBN 13: 9780823099214
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by Abrams Image, 2007
ISBN 10: 0810992841 ISBN 13: 9780810992849
Condition: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
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Published by AK Press, 2004
ISBN 10: 1902593553 ISBN 13: 9781902593555
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Good. Maloney, Tim (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by Renaissance Publishing, LLC, 2016
ISBN 10: 0997743654 ISBN 13: 9780997743654
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Tiffani Reding Amedeo; Marianna Massey (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.55.
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Published by Open Universe, 2024
ISBN 10: 1637700598 ISBN 13: 9781637700594
Seller: Books Unplugged, Amherst, NY, U.S.A.
Condition: New. Buy with confidence! Book is in new, never-used condition 1.4.
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Published by Land Force Command, Kington, 2003
Seller: Capricorn Books, Oakville, ON, Canada
Soft Cover. Condition: Very Good+. 92 pp (English text); 104 pp (French text), 10 15/16" H, soft cover. Bilingual (English/French). B&w illustrations. Contents: Tactical Aviation Update; From the Canadian Land Force Command and Staff College - Conduct of the Army Operations Course - Winter 2003 Update; The Administrative Estimate in the Operation Planning Process; From The Combat Training Centre: The LAV III/Leopard C2 M obile Automated Instrumentation Suite Field Trial; A Self-Evident Truth: Special Operations Forces and Intelligence in Asymmetric Warfare; Jomini on Battlefield Tactics; The Army Reserve on Operations: Reconsidering How Reservists are Integrated on Overseas Operations; "Dying Like So Many Rats In A Trap": Gas Warfare and the Great War Soldier; Purple Haze: Joint Planning in the Canadian Forces from Mobile Command to J-Staff, 1975-1991 (Part 1); The Return of the Canadian Mounted Rifles; Book Reviews; The Stand-Up Table; Tactical Problem: Building Combat Power Though Grouping. Interior - clean and tight with no previous ownership marks. Exterior - minor wear at top/bottom of spine.
Published by Harry N. Abrams, 2007
ISBN 10: 0810992841 ISBN 13: 9780810992849
Seller: ThriftBooksVintage, Tukwila, WA, U.S.A.
First Edition Signed
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Dust jacket in very good condition. First edition, fifth printing. SIGNED and inscribed by the author. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Signed by Tim Gun on the front end page. Has a ticket from the book signing event. Secure packaging for safe delivery. 1. signed and inscribed by author.
Published by CreateSpace Independent Publishing Platform, 2013
ISBN 10: 1484076524 ISBN 13: 9781484076521
Seller: Starx Products, North York, ON, Canada
The book is in a good readable condition. The spine and cover shows minimal signs of wear and edges may have dents. May have limited notes or highlighting/underlining. Name of previous owner written on first blank page of the book.
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Published by U.S. Camera, Publishers, New York, 1944
Seller: Bibliodisia Books, IOBA, MWABA, Chicago, IL, U.S.A.
First Edition Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. Mariinsky (illustrator). First Edition. SIGNED BY THE AUTHOR. Has all the first edition points. Book is fine and unmarked with light rubbing to bottom edges. Except for rubbing at spine edges and two small spine edge chips, jacket is very good, clean and bright, and protected by Mylar. Signed.
Published by London: The Saatchi Gallery, 2001, 2001
Seller: °ART...on paper - 20th Century Art Books, Lugano, Switzerland
Association Member: ILAB
Soft cover. Condition: Very Good. 8° (29,5x21) - unpaginated - Color illustrations. "New Labour" introduces a predominantly British group of young artists who incorporate the idea of fabrication through all media in their work. A new wave of artists using traditional, hands-on skills in progressive new ways. Text in English language. In very good condition.
Published by ASSOULINE, 2003
ISBN 10: 2843235057 ISBN 13: 9782843235054
Seller: CivicoNet, Libreria Virtuale, NAPOLI, NA, Italy
First Edition
Brossura. Condition: come nuovo. Dust Jacket Condition: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.