Results (91 - 120) of 2022
UNDZERE FARPAINIKTE (farpaynikte) KINSTLER NOS ARTISTES MARTYRS: Fenster, Hersh (1893-1964).

Fenster, Hersh (1893-1964). Forward by Marc Chagall (1887-1985)

Published by Hersh Fenster. Printer: Abece, 11, rue Louis-Blanc, Paris., Paris, France (1951)

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From: Meir Turner (New York, NY, U.S.A.)

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About this Item: Hersh Fenster. Printer: Abece, 11, rue Louis-Blanc, Paris., Paris, France, 1951. Hardcover. Condition: Very Good. No Jacket. Kolnik, Arthur (1890-1972) (illustrator). 262. [2] pages. Limited edition of 375 copies. In Yiddish. With illustrations, facsimiles, portraits. Seller Inventory # 008495

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Les Vitraux de Jerusalem: Chagall, Marc

Chagall, Marc

Published by 0, Paris

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About this Item: 0, Paris. Soft cover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. SIGNED LIMITED FIRST EDITION, one of only 300 copies signed by Chagall. Illustrated with an original black and white lithograph and 27 full-page plates (several double-page). The twelve stained glass Jerusalem Windows, one for each of the twelve tribes of Israel, were designed by Chagall for the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem. Les Vitraux de Jerusalem includes excerpts from Chagall's Ma vie, discussions of the windows and Chagall's work, and Biblical passages corresponding to the windows. Paris: Musee des Arts Decoratifs, 1961. A few smudges to wrappers. A fine copy. Rare. Seller Inventory # 999

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Chagall Lithographe 1957-1962 [COMPLETE WITH 12 ORIGINAL: Chagall, Marc; Fernand

Chagall, Marc; Fernand Mourlot; Andre Sauret (ed.)

Published by André Sauret, Paris (1963)

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From: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB) (Santa Monica, CA, U.S.A.)

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About this Item: André Sauret, Paris, 1963. Hardcover. Condition: vg+ to near fine. First French edition. Small folio. 209, [1]pp. Original illustrated dust-jacket over beige cloth with black lettering on spine and front cover. Original mylar over dust jacket. Signed and dated (1964) by Marc Chagall, on the title page with a small abstract drawing of a leaf or plant along the left margin of the page. This is the second volume of Chagall's catalogue raisonné of lithographs, with listings for all lithographic work from 1957 - 1962. This work is magnificently illustrated with numerous b/w and color reproductions in gravure, and 12 original lithographs. There are 7 lithographs in color (including the dust jacket) and 5 in b/w. Text in French.Protective mylar with a large closed tear, and some light chipping along the top edges. Minor rubbing to the extremities of the illustrated dust jacket. Binding with minor rubbing to the bottom corner of the back cover. Dj and binding in very good+, interior in near fine condition overall. Seller Inventory # 42885

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ROSE DES VENTS: SOUPAULT, Philippe and

SOUPAULT, Philippe and CHAGALL, Marc

Published by Au Sans Pareil, Paris (1920)

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From: Mullen Books, ABAA (Marietta, PA, U.S.A.)

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About this Item: Au Sans Pareil, Paris, 1920. Softcover. Printed opversize wraps with glassine jacket. Half-title. Title-page with woodcut vignette, and 4 woodcut illustrations by Marc Chagall. (48) pp. Among Marc Chagall's earliest book illustrations, preceded only by appearances in 1914 and 1918. With Andre Breton, Soupault was one of the founders of the Surrealist movement: "Soupault's earliest verse collection, 'Aquarium' (1917), was published with the help of Guillaume Apollinaire, who introduced Soupault to André Breton. In 1919 Soupault, Breton, and Louis Aragon cofounded the review 'Littérature'. Originally drawn to the antirationalism of the Dada movement, Soupault soon rejected its nihilism, and he and Breton experimented with other revolutionary techniques. One result of their experimentation was the "automatic writing" of the jointly authored 'Les Champs magnétiques' (1920; 'The Magnetic Fields'), known as the first major Surrealist work. Soupault soon abandoned automatic writing to produce carefully crafted verses such as those in 'Westwego' (1922) and 'Georgia' (1926). As the Surrealist movement became increasingly dogmatic and political, Soupault grew dissatisfied with it and eventually broke with it and Breton" (Encyclopedia Britannica online). Exceptionally rare, one of 9 such copies. VG or better, glassine jacket with minor chipping, few tiny tears no significant loss (microscopic at best) 1 of 9 copies on Japon Imperial paper, Copy No. IV. Seller Inventory # 165270

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He wrote in the Tables the wordes: CHAGALL Marc

CHAGALL Marc

Published by AMIEL Léon (1966)

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From: Librairie Le Feu Follet (Paris, France)

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About this Item: AMIEL Léon, 1966. Pas de couverture. - AMIEL Léon, Paris, New-York 1966, 36x49.5cm, une feuille. - Lithographie originale en couleur, une des 15 épreuves imprimées sur papier japon impérial et réservées à l'artiste et à ses collaborateurs, seul tirage avec 20 autres japon et 250 Arches. Epreuve non signée, comme toutes les épreuves de cette série, hormis le frontispice. Superbe épreuve sur Japon réalisée spécialement pour The Story of Exodus paru en 1966, dont Chagall réalisa les 24 lithographies hors-texte imprimés par Mourlot. Fernand Mourlot, incontestablement le meilleur artisan lithographe du XXeme siècle, fut naturellement l'imprimeur et l'ami des plus grands artistes de son temps. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti.ont enrichi leurs expressions propres et l'art contemporain d'un domaine de recherches nouveau. Avec Mourlot, et grâce à lui, la lithographie a acquis à la fois une personnalité et un avenir." (Pierre Cabanne, in Cinquante années de lithographie). Déjà imprimeur des deux volumes de la Bible illustrée par Chagall, Mourlot contribua à la formation de l'artiste à l'art de la lithographie dans les années 1950. C'est à cette époque que Chagall commence en effet à fréquenter l'atelier de Mourlot afin d'apprendre les procédés lithographiques et qu'il se lie d'amitié avec les artisans de l'imprimerie, notamment Charles Sorlier. Ainsi est-ce au sommet de son art que Chagall réalise cette histoire de l'Exode qui coincide avec l'achèvement de son immense travail lithographique et pictural sur la Bible entamé en 1930 à l'initiative d'Ambroise Vollard. Ce Cycle décoratif intitulé Le Message Biblique sera d'ailleurs à l'origine de la création du Musée Marc Chagall, originellement Musée national du message biblique Marc-Chagall. Rarissime épreuve originale imprimée sur Japon, le plus beau papier et le meilleur pour les gravures en couleur. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece. Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot. Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti . have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography). Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier. So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall. Extremely rare first test printed on Japan, the best paper and the best for color prints. Seller Inventory # 57370

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Then Moses assembled all the Congregation of: CHAGALL Marc

About this Item: AMIEL Léon, 1966. Pas de couverture. - AMIEL Léon, Paris, New-York 1966, 36x49.5cm, une feuille. - Lithographie originale en couleur, une des 15 épreuves imprimées sur papier japon impérial et réservées à l'artiste et à ses collaborateurs, seul tirage avec 20 autres japon et 250 Arches. Epreuve non signée, comme toutes les épreuves de cette série, hormis le frontispice. Superbe épreuve sur Japon réalisée spécialement pour The Story of Exodus paru en 1966, dont Chagall réalisa les 24 lithographies hors-texte imprimés par Mourlot. Fernand Mourlot, incontestablement le meilleur artisan lithographe du XXeme siècle, fut naturellement l'imprimeur et l'ami des plus grands artistes de son temps. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti.ont enrichi leurs expressions propres et l'art contemporain d'un domaine de recherches nouveau. Avec Mourlot, et grâce à lui, la lithographie a acquis à la fois une personnalité et un avenir." (Pierre Cabanne, in Cinquante années de lithographie). Déjà imprimeur des deux volumes de la Bible illustrée par Chagall, Mourlot contribua à la formation de l'artiste à l'art de la lithographie dans les années 1950. C'est à cette époque que Chagall commence en effet à fréquenter l'atelier de Mourlot afin d'apprendre les procédés lithographiques et qu'il se lie d'amitié avec les artisans de l'imprimerie, notamment Charles Sorlier. Ainsi est-ce au sommet de son art que Chagall réalise cette histoire de l'Exode qui coincide avec l'achèvement de son immense travail lithographique et pictural sur la Bible entamé en 1930 à l'initiative d'Ambroise Vollard. Ce Cycle décoratif intitulé Le Message Biblique sera d'ailleurs à l'origine de la création du Musée Marc Chagall, originellement Musée national du message biblique Marc-Chagall. Rarissime épreuve originale imprimée sur Japon, le plus beau papier et le meilleur pour les gravures en couleur. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece. Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot. Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti . have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography). Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier. So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall. Extremely rare first test printed on Japan, the best paper and the best for color prints. Seller Inventory # 57371

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Kornfeld, Eberhard W. Catalogue raisonné de l: Chagall, Marc
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About this Item: Bern, Editions Kornfeld et Klipstein, 1971, 4°, 248 S., mit zahlreichen, teils farbigen Abbildungen, Original-Leinwandeinband mit Original-Schutzumschlag (dieser mit leichten Gebrauchsspuren, innen die Seitenränder minimal gebräunt). *1 von 50 Exemplaren der französischen Vorzugsausgabe mit einer Radierung von Marc Chagall aus dem Jahr 1961, auf Japan ausgeführt von Jacques Frélaut 1969. Dieses Exemplar als "h.c." nummeriert, im Impressum mit eigenhändiger Signatur von Marc Chagall. Seller Inventory # 100944

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Chagall, Marc / Kornfeld, Eberhard W.

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About this Item: Bern, Éditions Kornfeld et Klipstein, 1971, in4°, 248 pp., avec beaucoup des illustrations, reliure sur toile avec jacquette. (248 S., mit zahlreichen Abbildungen, Original-Leinwandeinband mit Original-Schutzumschlag in guter Erhaltung *Nr. 1 de 50 exemplaires de l édition de luxe en francais. Avec une eau-forte originale gravée par l artiste en 1961 et tirée sur Japon pelure en 1969 par Jacques Frélaut. *Signée par Marc Chagall. *Mit handschriftlicher Signatur von Chagall. Seller Inventory # 102415

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Marc Chagall Lithographies II-1963 Book: Chagall, Marc

Chagall, Marc

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From: Art Wise (Brooklyn, NY, U.S.A.)

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About this Item: 1963. Hardcover w/Jacket. Condition: Fine. "Marc Chagall Lithographies II" by Marc Chagall, Unsigned Book printed in 1963. The overall size of the Book is 12.75 x 10 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Book: Vintage book of Chagall lithographs. All lithographs are intact. The text is in English. Not Signed. Book. Seller Inventory # BK7069

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Moïse et Josué] Then came Amalek and: CHAGALL Marc

About this Item: AMIEL Léon, 1966. Pas de couverture. - AMIEL Léon, Paris, New-York 1966, 36x49.5cm, une feuille. - Lithographie originale en couleur, une des 15 épreuves imprimées sur papier japon impérial et réservées à l'artiste et à ses collaborateurs, seul tirage avec 20 autres japon et 250 Arches. Epreuve non signée, comme toutes les épreuves de cette série, hormis le frontispice. Superbe épreuve sur Japon réalisée spécialement pour The Story of Exodus paru en 1966, dont Chagall réalisa les 24 lithographies hors-texte imprimés par Mourlot. Fernand Mourlot, incontestablement le meilleur artisan lithographe du XXeme siècle, fut naturellement l'imprimeur et l'ami des plus grands artistes de son temps. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti.ont enrichi leurs expressions propres et l'art contemporain d'un domaine de recherches nouveau. Avec Mourlot, et grâce à lui, la lithographie a acquis à la fois une personnalité et un avenir." (Pierre Cabanne, in Cinquante années de lithographie). Déjà imprimeur des deux volumes de la Bible illustrée par Chagall, Mourlot contribua à la formation de l'artiste à l'art de la lithographie dans les années 1950. C'est à cette époque que Chagall commence en effet à fréquenter l'atelier de Mourlot afin d'apprendre les procédés lithographiques et qu'il se lie d'amitié avec les artisans de l'imprimerie, notamment Charles Sorlier. Ainsi est-ce au sommet de son art que Chagall réalise cette histoire de l'Exode qui coincide avec l'achèvement de son immense travail lithographique et pictural sur la Bible entamé en 1930 à l'initiative d'Ambroise Vollard. Ce Cycle décoratif intitulé Le Message Biblique sera d'ailleurs à l'origine de la création du Musée Marc Chagall, originellement Musée national du message biblique Marc-Chagall. Rarissime épreuve originale imprimée sur Japon, le plus beau papier et le meilleur pour les gravures en couleur. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece. Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot. Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti . have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography). Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier. So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall. Extremely rare first test printed on Japan, the best paper and the best for color prints. Seller Inventory # 57216

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Moïse, Aaron et les Tables de la: CHAGALL Marc

About this Item: AMIEL Léon, 1966. Pas de couverture. - AMIEL Léon, Paris, New-York 1966, 36x49.5cm, une feuille. - Lithographie originale en couleur, une des 15 épreuves imprimées sur papier japon impérial et réservées à l'artiste et à ses collaborateurs, seul tirage avec 20 autres japon et 250 Arches. Epreuve non signée, comme toutes les épreuves de cette série, hormis le frontispice. Superbe épreuve sur Japon réalisée spécialement pour The Story of Exodus paru en 1966, dont Chagall réalisa les 24 lithographies hors-texte imprimés par Mourlot. Fernand Mourlot, incontestablement le meilleur artisan lithographe du XXeme siècle, fut naturellement l'imprimeur et l'ami des plus grands artistes de son temps. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti.ont enrichi leurs expressions propres et l'art contemporain d'un domaine de recherches nouveau. Avec Mourlot, et grâce à lui, la lithographie a acquis à la fois une personnalité et un avenir." (Pierre Cabanne, in Cinquante années de lithographie). Déjà imprimeur des deux volumes de la Bible illustrée par Chagall, Mourlot contribua à la formation de l'artiste à l'art de la lithographie dans les années 1950. C'est à cette époque que Chagall commence en effet à fréquenter l'atelier de Mourlot afin d'apprendre les procédés lithographiques et qu'il se lie d'amitié avec les artisans de l'imprimerie, notamment Charles Sorlier. Ainsi est-ce au sommet de son art que Chagall réalise cette histoire de l'Exode qui coincide avec l'achèvement de son immense travail lithographique et pictural sur la Bible entamé en 1930 à l'initiative d'Ambroise Vollard. Ce Cycle décoratif intitulé Le Message Biblique sera d'ailleurs à l'origine de la création du Musée Marc Chagall, originellement Musée national du message biblique Marc-Chagall. Rarissime épreuve originale imprimée sur Japon, le plus beau papier et le meilleur pour les gravures en couleur. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] CHAGALL Marc. Moreover they made garments of ministration to minister in the Sanctuarie; they made also the holy garments for Aaron, as the Lorde had commanded Moses - The Story of Exodus Amiel Léon, Paris, New-York 1966, 36 x 49.5 cm, one single leaf Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece. A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot. An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs. Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti.added to their own expression and contemporary art a new field of research. With Mourlot, and thanks to him, lithography acquired both a personality and a future" (Pierre Cabanne, in Cinquante années de lithographie). Having already printed two volumes of the Bible illustrated by Chagall, Mourlot contributed to the artist's lithographic training in the 1950s. It was during this period that Chagall began to visit Mourlot's workshop regularly in order to learn lithographic techniques and that he developed bonds of friendship with the staff of the workshop, most notably Charles Sorlier. It was thus at the peak of his powers that Chagall made this story of Exodus, which coincided with the termination of his immense lithographic and pictoral work on the Bible, undertaken in 1930 at the urging of Ambroise Vollard. This decorative cycle, entitled Le Message Biblique [The Biblical Message] was in fact the basis for the creation of the Chagall Museum, originally called the Musée national du message biblique Marc-Chagall. Seller Inventory # 57373

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Aaron rencontre Moïse] Then the Lorde sayde: CHAGALL Marc

About this Item: AMIEL Léon, 1966. Pas de couverture. - AMIEL Léon, Paris, New-York 1966, 36x49.5cm, une feuille. - Lithographie originale en couleur, une des 15 épreuves imprimées sur papier japon impérial et réservées à l'artiste et à ses collaborateurs, seul tirage avec 20 autres japon et 250 Arches. Epreuve non signée, comme toutes les épreuves de cette série, hormis le frontispice. Superbe épreuve sur Japon réalisée spécialement pour The Story of Exodus paru en 1966, dont Chagall réalisa les 24 lithographies hors-texte imprimés par Mourlot. Fernand Mourlot, incontestablement le meilleur artisan lithographe du XXeme siècle, fut naturellement l'imprimeur et l'ami des plus grands artistes de son temps. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti.ont enrichi leurs expressions propres et l'art contemporain d'un domaine de recherches nouveau. Avec Mourlot, et grâce à lui, la lithographie a acquis à la fois une personnalité et un avenir." (Pierre Cabanne, in Cinquante années de lithographie). Déjà imprimeur des deux volumes de la Bible illustrée par Chagall, Mourlot contribua à la formation de l'artiste à l'art de la lithographie dans les années 1950. C'est à cette époque que Chagall commence en effet à fréquenter l'atelier de Mourlot afin d'apprendre les procédés lithographiques et qu'il se lie d'amitié avec les artisans de l'imprimerie, notamment Charles Sorlier. Ainsi est-ce au sommet de son art que Chagall réalise cette histoire de l'Exode qui coincide avec l'achèvement de son immense travail lithographique et pictural sur la Bible entamé en 1930 à l'initiative d'Ambroise Vollard. Ce Cycle décoratif intitulé Le Message Biblique sera d'ailleurs à l'origine de la création du Musée Marc Chagall, originellement Musée national du message biblique Marc-Chagall. Rarissime épreuve originale imprimée sur Japon, le plus beau papier et le meilleur pour les gravures en couleur. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece. Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot. Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti . have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography). Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier. So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall. Extremely rare first test printed on Japan, the best paper and the best for color prints. Seller Inventory # 57209

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Moïse et l'Ange] And Moses beheld all: CHAGALL Marc

About this Item: AMIEL Léon, 1966. Pas de couverture. - AMIEL Léon, Paris, New-York 1966, 36x49.5cm, une feuille. - Lithographie originale en couleur, une des 15 épreuves imprimées sur papier japon impérial et réservées à l'artiste et à ses collaborateurs, seul tirage avec 20 autres japon et 250 Arches. Epreuve non signée, comme toutes les épreuves de cette série, hormis le frontispice. Superbe épreuve sur Japon réalisée spécialement pour The Story of Exodus paru en 1966, dont Chagall réalisa les 24 lithographies hors-texte imprimés par Mourlot. Fernand Mourlot, incontestablement le meilleur artisan lithographe du XXeme siècle, fut naturellement l'imprimeur et l'ami des plus grands artistes de son temps. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti.ont enrichi leurs expressions propres et l'art contemporain d'un domaine de recherches nouveau. Avec Mourlot, et grâce à lui, la lithographie a acquis à la fois une personnalité et un avenir." (Pierre Cabanne, in Cinquante années de lithographie). Déjà imprimeur des deux volumes de la Bible illustrée par Chagall, Mourlot contribua à la formation de l'artiste à l'art de la lithographie dans les années 1950. C'est à cette époque que Chagall commence en effet à fréquenter l'atelier de Mourlot afin d'apprendre les procédés lithographiques et qu'il se lie d'amitié avec les artisans de l'imprimerie, notamment Charles Sorlier. Ainsi est-ce au sommet de son art que Chagall réalise cette histoire de l'Exode qui coincide avec l'achèvement de son immense travail lithographique et pictural sur la Bible entamé en 1930 à l'initiative d'Ambroise Vollard. Ce Cycle décoratif intitulé Le Message Biblique sera d'ailleurs à l'origine de la création du Musée Marc Chagall, originellement Musée national du message biblique Marc-Chagall. Rarissime épreuve originale imprimée sur Japon, le plus beau papier et le meilleur pour les gravures en couleur. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] CHAGALL Marc. And Moses beheld all the worke, and beholde, they had done it as the Lorde had commanded; and Moses blessed them - The Story of Exodus Amiel Léon, Paris, New-York 1966, 36 x 49,5 cm, one single leaf Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece. A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot. An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs. Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti.added to their own expression and contemporary art a new field of research. With Mourlot, and thanks to him, lithography acquired both a personality and a future" (Pierre Cabanne, in Cinquante années de lithographie). Having already printed two volumes of the Bible illustrated by Chagall, Mourlot contributed to the artist's lithographic training in the 1950s. It was during this period that Chagall began to visit Mourlot's workshop regularly in order to learn lithographic techniques and that he developed bonds of friendship with the staff of the workshop, most notably Charles Sorlier. It was thus at the peak of his powers that Chagall made this story of Exodus, which coincided with the termination of his immense lithographic and pictoral work on the Bible, undertaken in 1930 at the urging of Ambroise Vollard. This decorative cycle, entitled Le Message Biblique [The Biblical Message] was in fact the basis for the creation of the Chagall Museum, originally called the Musée national du message biblique Marc-Chagall. Seller Inventory # 57374

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CHAGALL, Marc (1887 - 1985),

Published by Farblithographie "Die Bibel" (1956)

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From: Kunsthandlung Goyert (Köln-Cologne, Germany)

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About this Item: Farblithographie "Die Bibel", 1956. Aufl. 6500, 35,5 x 26,3 cm Lithograph I.; Mourlot 134 ** Photos auf Wunsch im JPG-Format erhältlich.** Sprache: Deutsch. Seller Inventory # 15098

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MARC CHAGALL

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From: dominique besson (Paris, France)

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About this Item: Pas de couverture. Condition: Très bon. MARC CHAGALL (illustrator). Affiche originale imprimée en lithographie par Mourlot en 1967 Ref. "les affiches de Chagall" n°107 - Sorlier Format : 100 x 66 cm Tirage à 5.000 exemplaires avec le texte. Seller Inventory # 000065

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Chagall, Marc

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From: Art Wise (Brooklyn, NY, U.S.A.)

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About this Item: 1963. Hardcover w/Jacket. Condition: Fine. "Chagall Lithographe II (1957-1962)" by Marc Chagall, Unsigned Book printed in 1963 from an edition size of 150. The overall size of the Book is 15 x 11 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Book: ‘Chagall Lithographe II' Andre Sauret, Paris, 1963. Text in French by Fernand Mourlot. The second of five catalogues raisonnes of Chagall's lithographs. Chagall Lithographe II was published in 1963 and covered the lithographs of Chagall from 1957 through 1962. Twelve original lithographs, six in color and six in black and white. Edition sizes for these original Chagall lithographs were not given but it is generally believed that they exist in impressions of two thousand or less. Not Signed. Book. Seller Inventory # XX3046-R

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CHAGALL MARC

Published by Mourlot - Paris (1962)

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From: La Basse Fontaine (VENCE, France)

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About this Item: Mourlot - Paris, 1962. Condition: . Chagall (illustrator). Lithographic poster - Affiche lithographique exécutée pour le compte du Commissariat au Tourisme francais afin de servir de publicité pour Nice et La Cote D'Azur à l'étranger. Lithographie originale tirée à 5000 exemplaires avec le texte. Formats: papier 99 X 62 cm - Illustration 77.5 X 56,5 cm. Sorlier "Les affiches de Marc Chagall" page 39. Seller Inventory # aff003

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Chagall Marc

Published by Commissariat au Tourisme, Paris (1962)

Art / Print / Poster

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From: La Basse Fontaine (VENCE, France)

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About this Item: Commissariat au Tourisme, Paris, 1962. Condition: . Lithographie originale imprimée par Mourlot, la plus célèbre affiche de Marc Chagall. 99 X 62 cm. Original lithographic poster printed by Mourlot . From an edition of 5000 prints. One of the most famous Chagall posters. Seller Inventory # 5306

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CHAGALL - Dessin original signé en page: Marc CHAGALL

Marc CHAGALL

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From: Manuscripta (LYON, France)

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About this Item: Couverture rigide. Condition: Bon. Dust Jacket Condition: Bon. Dessin signé et daté de Marc Chagall sur la page de garde du livre « Les céramiques et sculptures de Chagall ». Volume in-4° (33 x 25,4 cm) de 249 pages illustrées des œuvres du peintre en couleur et en noir et blanc, enrichi d’une lithographie, couverture entoilée avec jaquette. Edition originale de 1972 aux éditions André Sauret imprimé à Lausanne (Suisse) Précieux dessin exécuté aux crayons de couleurs signé et daté de 1973 représentant des pommes, dédicacé au politique Pierre Briatore : «Pour Mr Pierre Briatore Marc Chagall 1973» Provenance : collection privée (Nice). Dédicacé par l'auteur. Seller Inventory # ABE-1512568364193

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About this Item: Paris (1956). B/w illus, 14.5 x 10.5", pict boards, spine defective, covers very worn (esp at edges), contents very loose, eps soiled, spotted & stained, ffep wrinkled, title page a touch soiled. MISSING ORIGINAL COLOR LITHOGRAPHS!!! (except for cover) BUT BOLDLY INSCRIBED & SIGNED TWICE BY MARC CHAGALL (ONCE IN PARIS 1956, ONCE IN CHICAGO 1958). Sold for autographs, only. Seller Inventory # 96-2732

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Derrière Le Miroir Numéro 99 - 100: Collectif

Collectif

Published by Maeght, Paris (1957)

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From: Librairie Artcurial (Paris, France)

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About this Item: Maeght, Paris, 1957. Couverture souple. Condition: Très bon. Marc Chagall (illustrator). Edition originale numéro 99 - 100 de la revue " Derrière le miroir ", consacrée à Marc Chagall. Couverture en lithographie + 5 lithographies originales ( dont 2 en double page ). Livre. Seller Inventory # 000582

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Chagall, Marc; Text and Notes by Jean Leymarie

Published by George Braziller, New York (1962)

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First Edition

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From: Raptis Rare Books, ABAA/ ILAB (Palm Beach, FL, U.S.A.)

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About this Item: George Braziller, New York, 1962. First edition. Folio, original red cloth. With two original color lithographs specially prepared by Chagall for this edition. Fine in a fine dust jacket. Contains the rarely seen original slipcase, also present is the original blue ribbon. The rear panel of the acetate shows some wear. Jerusalem Windows illustrates and chronicles the creation of twelve stained glass windows, one for each of the twelve tribes of Israel, designed by Chagall for the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem. Seller Inventory # 4235

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Chagall, Marc.

Published by Paris, Musée des Arts Décoratifs. (1961)

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From: Wittenborn Art Books (San Francisco, CA, U.S.A.)

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About this Item: Paris, Musée des Arts Décoratifs., 1961. Condition: Good. Large 8vo. 247 x 182mm. Wraps in dust-jacket with an original lithograph by Chagall. Mourlot, no. 358. Cramer, Chagall Illus. Books, no. 47.One of 300 signed and numbered impressions, on the colophon. Seller Inventory # 51-0431

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The Lithographs of Chagall: CAIN, Julien; CHAGALL,

CAIN, Julien; CHAGALL, Marc (Intro); MOURLOT, Fernand (ed.); JOLAS, Maria (trans.).

Published by Andre Sauret, Monte Carlo (1960)

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From: Attic Books (ABAC, ILAB) (London, ON, Canada)

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About this Item: Andre Sauret, Monte Carlo, 1960. Hardcover. Condition: Very good. Dust Jacket Condition: Very good. CHAGALL, Marc (illustrator). 220 p. 33 cm. 194 illustrations, 70 in colour. Beige cloth hardcover in mylar-covered pictorial dustjacket. Label residue on front free endpaper. Chagall, one of the most successful artists of the 20th century, was well-known for his lithographs as well as other art forms. This, the first of six volumes of Chagall's lithographs, includes 12 original lithographs. Ten are in colour, one of which is the wrapper. An attractive and gently-used book. Seller Inventory # 107078

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Arland, Marcel, Illustrated by Marc Chagall (1889-1974)

Published by Paris : Au Sans Pareil (1926)

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From: Lirolay (Wilmington, DE, U.S.A.)

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About this Item: Paris : Au Sans Pareil, 1926. Condition: Fine. Marc Chagall (1889-1974) (illustrator). First Edition. ~ Illustré de 5 eaux-fortes originales de Chagall, dont le frontispice et 4 hors-texte, tirées à Paris par le maitre taille-doucier L. Fort ~ Édition originale. Exemplaire No. 797, un des 765 numérotés de 196 à 960 sur Lafuma de Voiron, après 195 sur différent papiers ~ Demi maroquin à grands coins, dos à 5 nerfs très saillants avec titre et date en queue dorés, filets dorés sur les plats, tête doré, autres tranches non rognées, conservant les 2 couvertures de brochure et le dos. Reliure signée ZENDEL ~ 3f+95p+4f ~ 22x17x2cm. ~ Papier des couvertures de brochure légèrement bruni aux marges, d'ailleurs superbe exemplaire. Belle reliure ~ LANGUAGE: Français / Additional images available/. Seller Inventory # 9722B

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Chagall, Marc) Van Vechten, Carl

Published by New York (1941)

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From: James Cummins Bookseller, ABAA (New York, NY, U.S.A.)

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About this Item: New York, 1941. Condition: Matted. Reproduced in PORTRAITS: the Photography of Carl Van Vechten, (1978), edited by Saul Mauriber. Half-length portrait of the artist glancing to the side. Gelatin silver print. 1 vols. 24.5 x 17.2 cm. (approximately 9-5/8 x 6-3/4 inches). Provenance: The estate of Saul Mauriber, Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of PORTRAITS: THE PHOTOGRAPHY OF CARL VAN VECHTEN (1978) Half-length portrait of the artist glancing to the side. Gelatin silver print. 1 vols. 24.5 x 17.2 cm. (approximately 9-5/8 x 6-3/4 inches) Reproduced in PORTRAITS: the Photography of Carl Van Vechten, (1978), edited by Saul Mauriber. Seller Inventory # 222109

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Chagall, Marc

Published by George Braziller / Andre Sauret, New York (1962)

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About this Item: George Braziller / Andre Sauret, New York, 1962. Cloth. Condition: Very Fine. Dust Jacket Condition: Very Fine. Marc Chagall (illustrator). First American Edition. Original red cloth in mylar protected dust jacket, housed in publisher's cardboard slipcase. First edition in English. 211 pp., 1 blank, [1], 1 blank pp. 104 plates, 64 of which are in full color, 2 original colored lithographs done expressly for this edition. Text and notes by Jean Leymarie; translated by Elaine Desautels; compiled by Andre Sauret. The text was composed by hand and printed by Imprimerie Nationale de France. The 36 preparatory color designs, some in twenty colors, were transferred to the stones by Charles Sorlier under the direction of Marc Chagall. These designs, along with two original lithographs by Chagall were printed by Mourlot Freres. The other reproductions and the binding are by Draeger Freres. In RARE original publishers' cardboard slipcase and protective acetate cover, price intact. An exceptionally clean, tight and bright copy. Cramer 49 Size: Folio. Seller Inventory # 001241

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Derriere Le Miroir - 10 ANS D'EDITION: Limbour, Georges -

Limbour, Georges - Braque, Georges - Mirò, Jean - Chagall, Marc - Matisse, Henri - Giacometti, Alberto - Tal-Coat, Pierre - Ubac, Raoul - Palazuelo, Pablo

Published by Paris: Maeght Éditeur, 1956 (1956)

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About this Item: Paris: Maeght Éditeur, 1956, 1956. Soft cover. Condition: Fine. 1st Edition. Gr.4° - Original Color Lithographs by Marc Chagall & Joan Mirò, 1 Original lithograph by and Color & B/w reproductions by J. Bazaine and 2 original etching (cancelled) by Alberto Giacometti & Joan Mirò). Issue dedicated to the first 10 years of Maeght Edition: Original prints (Etchings & Lithographs) Illustrated Books, "Pierra feu" Collection, Derrière le Miroir & Posters. First edition text in French language. Original boards (woodcut by Raoul Ubac). In Fine condition. Seller Inventory # 375

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MARC CHAGALL

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From: dominique besson (Paris, France)

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About this Item: 1956. Pas de couverture. Condition: Très bon. MARC CHAGALL (illustrator). Affiche originale imprimée en lithographie par Mourlot en 1956 Ref. "les affiches de Chagall" n°29 - Mourlot Format : 62 x 42 cm Un des rares exemplaires sur Arches. Seller Inventory # 000003

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Chagall, Marc

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About this Item: Original-Farblithographie, Paris bei Moulrot, 1956, 35x26 cm (Mourlot 132). Seller Inventory # 102417

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