Marina Grzinic (104 results)

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Paperback. Condition: new. Paperback. Travesti writers, voices, performers, artists, and historians present a collective narrative of survival.Travesti writers, voices, performers, artists, and historians present a collective narrative of survival.Despite its long history, the unique Latin American phenomenon of sexual identity, travesti, has been largely overlooked in Western European discourse. Travesti brings to life systems of knowledge and the attitude of autonomy that occupies a distinct position within the clash of class, gender, and race. The development of long-term forms of ephemerality sheds light on processes of travesti anti-capitalist revolt, as well as the capacity of travesti to exploit and/or migrate themselves in order to make life possible and worth living, and the dynamics of practices and reflections to emerge anew. Despite the necropolitical grip on their lives, the swaying of travesti bodies is both witty and powerful. They themselves have taken detailed steps to find a way to exist and build communities.Drawing together numerous writers, voices, performers, artists, and historians, this book is not merely about travesti, it is travesti.ContributorsPadra Costa, Johan Mijail, R. Marcos Mota, Marina Grzinic and Jovita Pristovsek, Claudia Rodriguez, Juan Pablo Sutherland, Marlene Wayar, Gabriela Wiener, Sergio ZevallosInterviews With Frau Diamanda and Padra Costa, Diego Marchante, Diego Falconi Travez, Iki Yos Pina Narvaez And Francisco Godoy VegaThe second part of the book is a translation of Frau Diamanda/Hector Acuna's book Escenas Catalana. With Forewords by Diego Falconi Travez and Hernan Migoya, and illustrations by Juan Carlos Cajigas "Juka", Cesar "Chechi" Chavez, Jesos Garcia, and Rapha Hu.Copublished by Academy of Fine Arts Vienna Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New.

Paperback. Condition: New.

Condition: New.

Soft cover. Condition: Very Good. Soft cover book in very good condition. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.

OPbd. / Hardcover mit CD. 127 S. Gebundene Ausgabe.Transparente Schutzhülle + CD SEHR GUTER ZUSTAND. Size: 22 x 17 Cm. 600 Gr.

Paperback. Condition: Brand New. 3,000 edition. 176 pages. 8.30x5.70x1.20 inches. In Stock.

Condition: New. 2025. paperback. . . . . .

Condition: New.

Condition: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Soft cover. Condition: Very Good. Very good condition, clean, tight, unread textblock. light shelf wear.

Softcover. Condition: Sehr gut. 1. Auflage. Z : 86 Seiten, pages, 18 x 28 cm, numerous ills. in color und b/w - Over three decades as an art teacher, artist Franz Part worked with his students to reproduce works of art that range from Classical Modernism to present-day pieces, thus transforming the corridors of the school building. These have become home to replicas of iconic works from the history of art by artists such as Marcel Duchamp, Man Ray, Méret Oppenheim, Joseph Kosuth, Ellsworth Kelly, Art & Language, Cosima von Bonin, and Sherrie Levine, among others.

Condition: Neuf.

Softcover, 220 pages, very good condition, first 2 pages dog-eard at lower right corner; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: new. Paperback. Belgian colonialism in the Congo. Antisemitism in Austria. Turbo-nationalism in former Yugoslavia. Over the last two centuries, these three historic lines of violence and annihilation (re)enforced a process of oblivion that to this day prevents a processing of the genocides they caused. Today involuntary or performed amnesia again threatens to destroy what has already come to a point of possible coexistence.This catalogue goes back to these traumatic events in history and the recent past, which had such a violent impact on communities and people, states and territories, and confront them with a system of interventions. The scars that remain after atrocities, although hidden and obliterated, are recovered through artistic, scientific, and political reflections.Exhibition details:Weltmuseum WienOctober 8, 2020 - April 3, 2021 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Brand New. Paperback.Width: 11 cm. Height: 18cm. 264 pages. English text.

Paperback. Condition: Brand New. Paperback.Width: 16 cm. Height: 22cm. 308 pages. English text.

Taschenbuch. Condition: Neu. Neuware -Belgian colonialism in the Congo. Anti-Semitism in Austria. Turbo-nationalism in former Yugoslavia. Over the last two centuries, these three historic lines of violence and annihilation (re)enforced a process of oblivion that to this day prevents a processing of the genocides they caused. Today, involuntary or performed amnesia again threatens to destroy what has already come to a point of possible coexistence. This exhibition catalogue goes back to these traumatic events in history and the recent past, which had such a violent impact on communities and people, states and territories, and confront them with a system of interventions. The scars that remain after atrocities, although hidden and obliterated, are recovered through artistic, scientific, and political reflections.Participating artists Valerie Wolf Gang Nicolas Pommier Joëlle Sambi Nzeba Adela Jusic Lana Cmajcanin Bojan Djordjev Sinisa Ilic Dani Gal Monique Mbeka Phoba Anja Salomonowitz Martin Krenn Arye Wachsmuth Elisabeth Bakambamba Tambwe 204 pp. Englisch.

Taschenbuch. Condition: Neu. Neuware -Belgian colonialism in the Congo. Anti-Semitism in Austria. Turbo-nationalism in former Yugoslavia. Over the last two centuries, these three historic lines of violence and annihilation (re)enforced a process of oblivion that to this day prevents a processing of the genocides they caused. Today, involuntary or performed amnesia again threatens to destroy what has already come to a point of possible coexistence. This exhibition catalogue goes back to these traumatic events in history and the recent past, which had such a violent impact on communities and people, states and territories, and confront them with a system of interventions. The scars that remain after atrocities, although hidden and obliterated, are recovered through artistic, scientific, and political reflections.Participating artists Valerie Wolf Gang Nicolas Pommier Joëlle Sambi Nzeba Adela Jusic Lana Cmajcanin Bojan Djordjev Sinisa Ilic Dani Gal Monique Mbeka Phoba Anja Salomonowitz Martin Krenn Arye Wachsmuth Elisabeth Bakambamba Tambwe 204 pp. Englisch.

Soft cover. Condition: New. No Jacket. 1st Edition. Book softcover First English Edition illustrated pp220. Condition New.

Condition: New.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: new. Paperback. Travesti writers, voices, performers, artists, and historians present a collective narrative of survival.Travesti writers, voices, performers, artists, and historians present a collective narrative of survival.Despite its long history, the unique Latin American phenomenon of sexual identity, travesti, has been largely overlooked in Western European discourse. Travesti brings to life systems of knowledge and the attitude of autonomy that occupies a distinct position within the clash of class, gender, and race. The development of long-term forms of ephemerality sheds light on processes of travesti anti-capitalist revolt, as well as the capacity of travesti to exploit and/or migrate themselves in order to make life possible and worth living, and the dynamics of practices and reflections to emerge anew. Despite the necropolitical grip on their lives, the swaying of travesti bodies is both witty and powerful. They themselves have taken detailed steps to find a way to exist and build communities.Drawing together numerous writers, voices, performers, artists, and historians, this book is not merely about travesti, it is travesti.ContributorsPadra Costa, Johan Mijail, R. Marcos Mota, Marina Grzinic and Jovita Pristovsek, Claudia Rodriguez, Juan Pablo Sutherland, Marlene Wayar, Gabriela Wiener, Sergio ZevallosInterviews With Frau Diamanda and Padra Costa, Diego Marchante, Diego Falconi Travez, Iki Yos Pina Narvaez And Francisco Godoy VegaThe second part of the book is a translation of Frau Diamanda/Hector Acuna's book Escenas Catalana. With Forewords by Diego Falconi Travez and Hernan Migoya, and illustrations by Juan Carlos Cajigas "Juka", Cesar "Chechi" Chavez, Jesos Garcia, and Rapha Hu.Copublished by Academy of Fine Arts Vienna Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: New. In.

Paperback. Condition: New. This book articulates a contemporary, globalized world as one in which radical disparities in distribution of wealth are being reproduced as the basis for depoliticized social, institutional, and ideological discourses. At its center is a reorientation of global capitalism from the management of life towards making a surplus value from death. This change is presented as a reorientation of biopolitics (bio meaning life) to necropolitics (necro meaning death). Therefore in the book we work with processes of change, of a historicization of biopolitics and its turn into necropolitics that leads to a theoretical trajectory from M. Foucault to A. Mbembe and beyond. This book interprets the sustained perception of existence of dichotomy between these provisional extremes as a trademark of apolitical and/or post-political logics on which contemporary institutional, political, and social discourses tend to be structured upon. More, contrary to the majority of approaches that insists on a profound dichotomy between democracy and totalitarianism, between poverty and free market, and between democracy and capitalism, this book does not interpret these relations as dichotomous, but as mutually fulfilling. The book elaborates, in the context of articulation of these logics, contemporary, imperial racism (racialization) as an ideology of capitalism and states that the First World's monopoly on definition of modernity has its basis in contemporary reorganization of colonialism.In the book, the authors trace a forensic methodology of global capitalism with which life, art, culture, economy, and the political are becoming part of a detailed system of scrutiny presented and framed in relation to criminal or civil law. Criminalization of each and every segment of our life is working hand in hand with a depoliticization of social conflicts and pacification of the relation between those who rules and those who are ruled. The outcome is a differentiation of every single concept that must from now bear the adjectives of the necropolitical or forensic; therefore we can talk about forensic images, art, projects, and necropolitical life, democracy, citizenship. This will change radically the perspectives of an emancipative project of politics (if it is any possible to be named as such) for the future.