Meridel Rubenstein (20 results)

Hardcover with dustjacket; 104 pages; good condition; small tears to edges of dj; bumps to upper right corner of covers and last 6 pages crumpled at same place; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bending and bowing to boards and page block. Light bumping visible to corners of boards and ends of spine strip. Corner clipped from front flap. Secure packaging for safe delivery.

Soft cover. Condition: Fine. Rubenstein, Meridel; Etc. (illustrator). First Edition. 61pp. + Photo-illustrations. Interview of Sontag. Feature section on Rubenstein. No wear to this copy. Q9.

Trade Paperback. Condition: VERY GOOD. 16pp. B/w photos. Wrappers a bit worn, fore tail corner bumped, sound and unmarked otherwise. With type-written title list of the entire 40 exhibition photographs.

Soft Cover. Condition: Fine. First Edition; First Printing. Numerous full page photographs including a portfolio by Meridel Rubenstein. Essays by Robert Adams, Jack Welpott and Gerry Badger. Interview with Susan Sontag by James Alinder. ; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; 4to; 72 pages.

First edition. Softcover. Features articles by Robert Adams, Jack Welpott and Gerry Badger. Includes an interview of Susan Sontag by James Alinder along with a portfolio of black and white images of by Meridel Rubenstein and images from many other photographers. A near fine copy in wrappers with some minor wear. One of the best issues of this important photography periodical.

Oversized Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Thus. First St. Ann's Edition; Inscribed by Meridel Rubenstein at front free end-page; Tight binding; Clean, sturdy boards in black cloth w/ immaculate gilt text at spine; Pages free of markings; Un-clipped dust jacket Very Good w/ no significant flaws to disclose; Jacket housed in protective mylar to ensure further preservation; An excellent copy.

Paperback. Condition: Fine.

hardcover. Condition: fine. Dust Jacket Condition: very good. Inscribed by the photographer. Small tear to jacket's crown.

First edition Gallery Gemini, Palm Beach, Florida. Near fine pictorial stapled tall wraps. A lovely showcase of the photographers' work. With an introduction by Beaumont Newhall along with biographies of each photographers. Full page scale black and white photographs. Has become scarce.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Original large hardcover in onion-like jacket, full-color plates throughout - illustrated endpapers. This is the first printing. Clothbound book is in excellent condition with minor reference wear. Onion skin jacket has a few small chips/tears and some light, general wear. Overall, very nice.

Softcover. Condition: Very Good. Exhibition booklet. Short essays by Meridel Rubenstein, Van Deren Coke, Beaumont Newhall, and John Nichols. Small quarto. 16pp. Illustrated from photographs by Meridel Rubenstein. Stapled pictorial wrappers. Light wear on the wraps, with a bit of creasing, modest foxing on the page edges and faintly on the first and last few pages, very good. Published on occasion of the exhibition held in Sante Fe at the Museum of Fine Arts, May 22 - June 26, 1977.

First edition. Softcover. 16 pages. Exhibition catalog for a show that ran May 22 through June 26, 1977. Features brief texts by Van Deren Coke, Beaumont Newhall, and John Nichols. Includes, with the cover, 11 sepia toned portraits. A near fine copy in stapled wrappers. Uncommon.

Hardcover. Condition: Like New. Dust Jacket Condition: Like New. First Edition. First Edition, First Printing. Not price-clipped ($65.00 price intact). Published by St. Ann's Press, 2004. Folio. Book is like new. Dust jacket is like new with light scratches on back cover. A lovely copy of this book displaying the photoworks and installations of Meridel Rubenstein. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Inscribed First Edition of this collection of photographs and installations by Meridel Rubenstein. Also includes essays by Rebecca Solnit, Terry Tempest Williams, James Crump, Elaine Scarry, and Lucy R. Lippard. Inscribed by Meridel Rubenstein to a previous owner on the front endaper. Minimal sign of previous use. Because of the weight of this volume, shipping is available only in the U.S. Signed by Author(s).

Condition: Good. 4to. 186 pp. Oblong. Hard Cover. Very Good+. Black cloth covered boards. Dust Jacket Very Good+. Minor bump on bottom right corner. Color and B&W plates throughout. ISBN: 9780975330203.Contents: Millennial forest --Soror mystica by Terry Tempest Williams --The low riders --An extended landscape --Labyrinths & constellations --Drawing the constellations by Rebecca Solnit --Critical mass --In Critical mass by Meridel Rubenstein and Ellen Zweig --If Archimedes by Ellen Zweig --Philosophical fallout by Lucy R. Lippard --Oppenheimer's chair --Joan's arc I --In the darkroom by Roz Driscoll --Joan's arc/Vietnam --Solidarity and lift by Elaine Scarry --Trees at sea --The passion of Meridel Rubenstein by James Crump --Belonging by Meridel Rubenstein.

VG/VG. near fine hardcovers. clean crisp dj. delightful condition/gift quality appears unread. no markings. or inscriptions. not price clipped. internally a good crisp clean copy. From the personal collection of a dealer/collector.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition, first printing. Limited edition of 30 copies, with an original, unique "pre-ambertype" photographic print (made with digital vegetable inks on tree bark paper coated with gum arabic and gold mica), "Millennial Forest," (13-3/4 x 16-5/8 inches), signed, numbered and dated (2000/2006) verso in pencil by Rubenstein, and contained in a black cloth-covered folio. The book is signed and numbered in black ink on the first page by Rubenstein. Hardcover. Black cloth, with debossed title on cover and spine; with photographically illustrated dust jacket. The book and print are enclosed in a black cloth-covered clamshell box with title debossed on lid. Photographic works, installations and text by Meridel Rubenstein. Additional essays by Terry Tempest Williams, Rebecca Solnit, Ellen Zweig, Lucy R. Lippard, Roz Driscoll, Elaine Scarry and James Crump. Designed by Olga Zaferatos Karras and Meridel Rubenstein. 192 pp., with four-color plates throughout. The book measures 11 x 11-5/8 inches; the clamshell box is 15 x 18 inches. Fine. (The book and print are in flawless, pristine condition; the corners of the clamshell box are slightly bumped). From the publisher: "Meridel Rubenstein mixes mediums and metaphors to make art about our tenuous connection to place. Originally trained as a photographer, she combines disparate materials such as earthy palladium prints with cold steel mounts, transparent photographic imagery sandblasted onto glass, video imagery projected onto cast glass, and digital still imagery on floating vellum and hand-coated tree bark papers. A sense of fragility, transparency, and passage in her works underscores a possibility for change. Her complex narrative photoworks and installations derive from a sense of place, personal and collective history, and myth-the landscape of the cultural mind. Nine intersecting bodies of work compose this book. The Lowriders is a series of color photographs of the customized cars owned by Latinos from northern New Mexico. Critical Mass is a collaborative work about the making of the first bomb at Los Alamos. The intersecting of the world of the Native American and the Nuclear Scientist is told through the story of one woman who they met. Oppenheimer';s Chair is a meditation on nature and the shedding of defensive postures after 50 years of the cold war. Also included is a series that stems from Rubenstein's 1997 trip to Vietnam, where she commenced a body of work tracing the trajectories of uprooting and replanting in relation to the Vietnam War." Signed by Author.

No. 3 OF 25 COPIES. 615 x 510 mm. (24 1/4 x 20"). [2] leaves of text. Original linen portfolio, with gray paper folder, cover with paper label, linen ribbon ties. Eight photocollage plates, numbered and signed in pencil on verso by Rubenstein, all with tissue guards. With pencilled signature and inscription: "For Arnold [Horwitch] with admiration and gratitude 7/15/95." The tiniest bit of soiling to label on portfolio, otherwise in mint condition. This is a very rare portfolio based on Rubenstein's photo/text/video installation "Critical Mass," created between 1989 and 1993 in collaboration with Ellen Zweig, with technical assistance from Steina and Woody Vasulka. According to the Exhibition description at the MIT List Visual Arts Center, "The 50th anniversary of the atomic bomb, developed at the Los Alamos Laboratory and first detonated in the southern New Mexico desert on July 16, 1943, inspired artists Meridel Rubenstein, Woody and Steina Vasulka, and Ellen Zweig to probe the ironic juxtaposition of two very different elements of American society. 'Critical Mass,' a multimedia installation, examines the unusual meeting of J. Robert Oppenheimer and other Manhattan Project scientists with the American Indians of San Ildefonso Pueblo, whose land adjoins Los Alamos, New Mexico. Their worlds fused at 'the house at Otowi Bridge,' Edith Warner's Rio Grande riverside home where both groups patronized a small restaurant she operated during the 1940s." Born in Detroit, Michigan, in 1948, Rubenstein received her bachelor's degree in social science, with a film-making emphasis, from Sarah Lawrence College, and a Master's and M.F.A. degree from the University of New Mexico. She is the recipient of fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Pollock-Krasner Foundation, and has taught photography at San Francisco State University and the Institute of American Indian Arts. The New Mexico Museum of Art, the San Francisco Museum of Modern Art, and Smithsonian American Art Museum are among the institutions with her works in their collections. She currently lives and works in Santa Fe. Rubenstein inscribed our copy to its original owner, Arizona collector Arnold Horwitch. We could find no record of this item being offered or sold at auction.