Michael Formica (5 results)

Condition: Good. Good condition. No Dust Jacket A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Magazine. The Fall 2004 Design issue of the October 10, 2004, Sunday New York Times Style Magazine, with: a tour of the estate of Princess Wilhelmina in Bayreuth, Bavaria, photographed by Jason Schmidt; a weekend home on Long Island designed by David Piscuskas and Juergen Riehm photographed by Nikolas Koenig; The Originals, portraits by Robert Maxwell; Herbert Muschamp on the maniacal backdrops of David Rockwell's "Team America," photographed by Todd Eberle; Pilar Viladas explores the Manhattan Apartment of designer Michael Formica with photos by Bob Hiemstra; Modern Baroque industrial design photographed by Raymond Meier; a show at SF MoMA traces the trajectory of glamour, from a 1965 Jaguar to a Prada store in Tokyo; an interview with designer Jonathan Adler; articles on Ted Muehling barware for Steuben, daybeds, printers, modern terrariums, new floor lamps, Inga Sempe, an ashtray designed by Arne Jacobsen, Brazilian Modern, shopping in Santa Fe, design hideaways in Tokyo, Andrei Dmitriev, and much more. Staple-bound magazine; 158 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine with a hint of handling. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Leatherette. Condition: NEW CONDITION. Dust Jacket Condition: NO DUST JACKET (AS ISSUED). First Edition, First Printing. // NO REMAINDER MARK// NO PREVIOUS OWNER MARKS OF ANY KIND (no names or inscriptions, no bookplate, no underlining, etc) // lengthy, respectful inscriptions by both editors to an individual who was materially helpful in supporting the Brigade. .INSCRIBED SIGNED AND DATE.

Condition: NEW.

Brossura. Condition: new. A cura di Catalano G., Ciccarini M., Marcialis N.Roma, 2015; br., pp. 248.(I Libri di Viella. 199). Il vero e il falso sono inestricabilmente intrecciati in molti campi della comunicazione umana. Ma non si tratta di opposti che si escludono a vicenda. Confrontandosi con prodotti canonici, giocando con le aspettative, riempiendo vuoti lasciati nei testi o nelle curve della storia, sfruttando l'onda di un successo di pubblico, il falso appare sempre contiguo al vero, paradossalmente mimetico in forme cangianti (dalle manipolazioni alle copie, dai travestimenti ai plagi e ai pastiches) che impediscono qualsiasi approccio normativo o rigidamente unitario. Poiché nelle diverse circostanze il metodo e l'intenzione della falsificazione saranno differenti, lo studio dei falsi e della loro fenomenologia richiede allo stesso tempo attenzione filologica e fantasia, passione per il dettaglio e capacità di ascolto della sottile dialettica, oppositiva e integrativa insieme, che unisce il falso alla verità. Libro.