Miklos Dora (11 results)

Soft cover. Condition: Near Fine. Spotless inside and out. Just a trace of wear to front and back covers. Will be packed with a backing card, bubble-wrapped and shipped in a sturdy, flat box to ensure safe transit. This issue includes: "A Shot at the Title" by Jim Kravets; "How do You Measure a Wave?" by Ricky Grigg; "Carpe Diem" by Tor Johnson; "Magique en Mediterranee" by Fred Brignone; "The Aquatic Ape" by Miklos S. Dora; "Reinventing the Sport" by Joel T. Smith; "On High" (Aerial Photography); "John Warren: Making It" by Steve Pezman; "Landfall" by David Parmenter; "Ted Grambeau: Recon Man" by Tim Baker; "Undercurrents"; and "Liner Notes".

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 222 pages. 9.25x6.25x0.75 inches. In Stock.

Condition: New.

Condition: New.

Condition: New. Dora Piroska has been a Lecturer at the Department of Government at the University of Texas at Austin, an Associate Professor at the Corvinus University of Budapest and currently a Visiting Professor at the Central Europ.

Condition: Near Fine. Exhibition poster. najnowsza sztuka wegierska (The latest in Hungarian Art), Galeria Sztuki Najnowszej, 1976. Size: 610 x 430 mm. Size (folded): 305 x 215 mm. Screen printed red on white stock. A series of events and exhibition of Hungarian Art, 20/04//76 - 05/05/76. Contributors include: Gabor Attalai, Imre Bak, Dora Maurer, Tibor Gayor, Tamas Hencze, Endre Tot, Kalman Szijarto, Miklos Erdely, Istvan Geller, Ferenc Ficzek, Laszlo Vidovszki, Andras Baranyai, Istvan Nadler and others. Unsigned, no edition size given. Folded as issued. Condition: minor handling marks. No tears or pinholes. Overall: Near Fine.

No Binding. Condition: Fine. 1st Edition. Book. 170 x 150mm. A special hand-stamped book with individual sheets to accompany the World Art Post exhibition. An attractive item, "a refunctioned object by G.Galantai", Edition 81 of 125 Budapest 1982. A stamped card folder containing 22 cards, each with postal stamp glued onto coloured ground square on cream stock with corresponding rubber stamp by the same artist. Condition: fine. Bookseller Inventory #000063L.

Condition: In fine condition. Cover by Dora Maurer. (illustrator). First edition. Cover by Dora Maurer. First edition. In original paper. Illustrated with photos. 112 p. Very rare exhibition catalogue of the Hungarian graffitis. Texts have been written by important art historians. With the very rare xerox version of the catalogue. In original paper. Illustrated with photos.

Condition: Very Good. György Galántai and Júlia Klaniczay eds., AL: Artpool letter = Aktuális levél No.1-11 (Complete Set), György Galántai, Budapest, Hungary, 1983 -1985. A complete set of this historic samizdat art magazine, published from 1983 to 1985 by Galántai/Artpool. Texts mainly in Hungarian with some English summaries. Design, layout, and production by György Galántai. Contributors include: György Galántai and Júlia Klaniczay (Eds.), Francesca Alinovi, Imre Bak, Bela Bartok, Miklos Beladi, Akos Birkas, Julien Blaine, William Burroughs, Monty Cantsin, Henri Chopin, Miklos Erdely, Wolfgang Ernst, Eva Forgacs, Tibor Hajas, Istvan Haraszty, Jozef Jakovits, Joan Jonas, Beke Laszlo, Kassak Theatre, Dora Maurer, Erdely Miklos, Tobit Papp, Gyula Pauer, Geza Perneczky, Mark Perry, Miklos Szentkuthy, Janos Szirtes, Annamaria Szoke, Adam Tabor, Min Tanaka, Gabor Toth, Ben Vautier, Janos Veto and others. A list of contributions can be seen at www.artpool.hu/Al/al01.html."AL tries to establish a little known art-from in Hungary - bookwork - and to explore its possibilities while looking for solutions only possible in workshop activities" - György Galántai statement on back cover of issue 2. In fact, this is definitely a Samizdat magazine but had to be declared as a bookwork as Júlia Klaniczay has written to us "We declared our Artpool Letter to be a bookwork (a graphic work). This way we by-passed the need to ask for a permission for publishing (which we would never get)."The first 9 issues have various interventions including rubber stamps, stickers, inserts, folded poster, plastic envelope inserts with printed cards etc. Very unusually, we have the complete set of envelopes for the first 9 issues (A5 format) which are each uniquely hand-stamped with three numbers. When you correspond this with the information on the booklets, one understands the numbering system. The first number on the envelope is the issue number. The second number is the the print run for that issue (there appears to be 5 print runs of 50 copies each). The final number is the individual number within that print run. The envelopes are in poor condition with tears and wear, but it is still important to have them to work out the unusual numbering system. All copies of the magazine have a slightly different but corresponding numbering system handwritten and signed by Galántai either on the back cover on inside back cover where the print run of 50 copies is indicated by roman numerals. 300 - 500 copies of each issue were printed.The complex numbering system was due to restrictions by the authorities on publications. As Júlia Klaniczay explains, artists could produce books u to an edition of 50 copies without applying for permission from the authorities. In the case of this magazine, "whenever a series of 50 was sold, we printed another 50." On page 69 of AL 5, there is a pencil-ticked book reference for publications relating to Galántai's Balatonboglari Chapel exhibition project in the early 1970s. Further to this a previous owner has added their own more expansive list of related publications to this important collective art project (loose sheet, biro and pencil on both sides, over 25 publications listed by hand).Together with double-sided broadsheet, describing the AL Letters published by Artpool at the same time as AL 4 was published, dated March 1984. Issues 1-9 measure 210x145 mm. Issues 10-11 measure 293x210 mm.