Language: English
Published by Editions Rodopi B.V., 2012
ISBN 10: 9042035269 ISBN 13: 9789042035263
Seller: Anybook.com, Lincoln, United Kingdom
US$ 28.91
Quantity: 1 available
Add to basketCondition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9789042035263.
Language: English
Published by University of Massachusetts Press, 1992
ISBN 10: 0870237810 ISBN 13: 9780870237812
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Seller: Any Amount of Books, London, United Kingdom
First Edition
US$ 49.44
Quantity: 1 available
Add to basket8vo. pp 252. Colour illustrated wraps. ISBN: 9789042035263 Fine.
Published by U. of Massachusetts Press, Amherst, MA, 1992
First Edition
Hardcover in dust jacket. First edition, first printing. Fine in fine dust jacket, in mylar cover.
Seller: Revaluation Books, Exeter, United Kingdom
US$ 120.72
Quantity: 1 available
Add to basketHardcover. Condition: Brand New. 244 pages. 9.10x6.00x0.90 inches. In Stock.
Seller: moluna, Greven, Germany
First Edition
US$ 134.88
Quantity: Over 20 available
Add to basketCondition: New.
Taschenbuch. Condition: Neu. Neuware - Ideological debates about economics and aesthetics raged hotly in nineteenth-century France. French political economy was taking shape as a discipline that would support free-market liberalism, while l'art pour l'art theories circulated, and utopian systems with aesthetic and economic agendas proliferated. Yet, as this book argues, the discourses of art and literature worked in tandem with market discourses to generate theories of economic and social order, of the model of the self-individuating and desiring subject of modernity, and of this individual's relationship to a new world of objects. Baudelaire as a poet and art critic is exemplary: Rather than a disaffected artist, Baudelaire is shown to be a spectator desirous of both art and goods whose sensibilities reflect transformations in habits of perception. The book includes chapters on equilibrium and utility in economic and aesthetic theory, on the place of the aesthetic in press coverage of the industrial exhibitions, on the harmonic theories of Baudelaire's early art criticism, aimed at a bourgeois audience, on Baudelaire's radical cosmopolitanism learned through viewing 'objects' on display at the Universal Exhibition of 1855, and on Les Fleurs du Mal and Le Spleen de Paris, where language makes visible the traits of a new material world.
Language: English
Published by Editions Rodopi B.V., 2012
ISBN 10: 9042035269 ISBN 13: 9789042035263
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new. Questo è un articolo print on demand.