Nicolaes Pietersz Berchem (25 results)

~ Etching, early 19th century. Painter: Nicolaes Pietersz BERCHEM (1620?-1683). Oil on table, 1650, 32 cm x 40 cm. Paris, Musée du Louvre & Drawn by: Jacques François Joseph Swebach de Fontaine (1769-1823) & Etched by: Jean Duplessis-Bertaux (1750?-1819) & Finished by: Edme Bovinet (1767-1837?). Size approx. 111 mm x 140 mm. Overall 17cm x 26cm. In very good condition. Fine Art Print.

Bild-Maße: ca. 17 x 21 cm. Blatt-Maße: ca. 26 x 42 cm. -- Original Kupferstich. -- leicht fleckig, sonst gut erhalten. || Original copper engraving. -- slightly stained, otherwise in good condition. Sprache: Französisch Gewicht in Gramm: 1550.

Bild-Maße: ca. 17,5 x 20,5 cm. Blatt-Maße: ca. 26 x 42 cm. -- Original Kupferstich. -- im Außenrand leicht fleckig, gut erhalten. || Original copper engraving. -- slightly stained on the outer margin, otherwise in good condition. Sprache: Französisch Gewicht in Gramm: 1550.

Bild-Maße: ca. 19 x 21 cm. Blatt-Maße: ca. 26 x 42 cm. -- Original Kupferstich. -- leicht fleckig, sonst gut erhalten. || Original copper engraving. -- slightly stained, otherwise in good condition. Sprache: Französisch Gewicht in Gramm: 1550.

Condition: Gut. Format (Bildbereich) / size (image): 158 x 206 mm. Blattgröße / sheet: 410 x 275 mm. *Aus dem wertvollen Galeriewerk der Sammlung des Jean Baptiste Pierre le Brun (1748-1813) "Galerie des Peintres Flamands, Hollandais et Allemands" (Paris, 1792-1796 mit 201 Tafeln). Le Brun stammte aus der bedeutenden französischen Künstlerfamilie der Lebrun, er selbst war vor allem ein großer Kunsthändler und Sammler. Er kaufte das Pariser Hotel Lubert in der Rue de Clery. Dort eröffnete er 1788 seine Galerie, den "Salle Lebrun" mit wertvollen Gemälden der großen alten Meister. Durch den Zusammenbruch des Kunstmarktes in der französischen Revolution mußte er seine komplette Sammlung verkaufen. Zuvor wurden seine Gemälde von den besten französischen Kupferstechern in Kupfer gestochen und in dem o.g. Galeriewerk dokumentiert. Le Brun selbst war den neuen Machthabern in Paris in den Folgejahren unentbehrlich für die Neuausrichtung des Nationalmuseums / Jean Baptiste Pierre le Brun (1748-1813), husband of Vigee Lebrun, besides being a great dealer in paintings. 1788 he opened his art gallery "Salle Lebrun" in Paris with paintings from famous old masters. During the French Revolution the art market lay down and he must sell his complete collection. The paintings has been engraved before from the best French engravers and published in the gallery work "Galerie des Peintres Flamands, Hollandais et Allemands" which appeared 1792-1796 in Paris with 201 engravings. Sprache: Deutsch Gewicht in Gramm: 500.

Condition: Gut. Format (Bildbereich) / size (image): 155 x 208 mm. Blattgröße / sheet: 410 x 275 mm. *Aus dem wertvollen Galeriewerk der Sammlung des Jean Baptiste Pierre le Brun (1748-1813) "Galerie des Peintres Flamands, Hollandais et Allemands" (Paris, 1792-1796 mit 201 Tafeln). Le Brun stammte aus der bedeutenden französischen Künstlerfamilie der Lebrun, er selbst war vor allem ein großer Kunsthändler und Sammler. Er kaufte das Pariser Hotel Lubert in der Rue de Clery. Dort eröffnete er 1788 seine Galerie, den "Salle Lebrun" mit wertvollen Gemälden der großen alten Meister. Durch den Zusammenbruch des Kunstmarktes in der französischen Revolution mußte er seine komplette Sammlung verkaufen. Zuvor wurden seine Gemälde von den besten französischen Kupferstechern in Kupfer gestochen und in dem o.g. Galeriewerk dokumentiert. Le Brun selbst war den neuen Machthabern in Paris in den Folgejahren unentbehrlich für die Neuausrichtung des Nationalmuseums / Jean Baptiste Pierre le Brun (1748-1813), husband of Vigee Lebrun, besides being a great dealer in paintings. 1788 he opened his art gallery "Salle Lebrun" in Paris with paintings from famous old masters. During the French Revolution the art market lay down and he must sell his complete collection. The paintings has been engraved before from the best French engravers and published in the gallery work "Galerie des Peintres Flamands, Hollandais et Allemands" which appeared 1792-1796 in Paris with 201 engravings. Sprache: Deutsch Gewicht in Gramm: 500 Mit 2 kleinen Braunfleckchen im oberen und rechten Seitenrand.

Condition: Gut. Format (Bildbereich) / size (image): 126 x 208 mm. Blattgröße / sheet: 410 x 275 mm. *Aus dem wertvollen Galeriewerk der Sammlung des Jean Baptiste Pierre le Brun (1748-1813) "Galerie des Peintres Flamands, Hollandais et Allemands" (Paris, 1792-1796 mit 201 Tafeln). Le Brun stammte aus der bedeutenden französischen Künstlerfamilie der Lebrun, er selbst war vor allem ein großer Kunsthändler und Sammler. Er kaufte das Pariser Hotel Lubert in der Rue de Clery. Dort eröffnete er 1788 seine Galerie, den "Salle Lebrun" mit wertvollen Gemälden der großen alten Meister. Durch den Zusammenbruch des Kunstmarktes in der französischen Revolution mußte er seine komplette Sammlung verkaufen. Zuvor wurden seine Gemälde von den besten französischen Kupferstechern in Kupfer gestochen und in dem o.g. Galeriewerk dokumentiert. Le Brun selbst war den neuen Machthabern in Paris in den Folgejahren unentbehrlich für die Neuausrichtung des Nationalmuseums / Jean Baptiste Pierre le Brun (1748-1813), husband of Vigee Lebrun, besides being a great dealer in paintings. 1788 he opened his art gallery "Salle Lebrun" in Paris with paintings from famous old masters. During the French Revolution the art market lay down and he must sell his complete collection. The paintings has been engraved before from the best French engravers and published in the gallery work "Galerie des Peintres Flamands, Hollandais et Allemands" which appeared 1792-1796 in Paris with 201 engravings. Sprache: Deutsch Gewicht in Gramm: 500.

Couverture rigide. - Landry 1660 (S.d.), In-8 oblong (20,5x31cm), relié. - Premier tirage de cette suite de 4 gravures numérotées de 1 à 4. Reliure XXe en demi velin de réemploi. Dos muet. Papier marbré type XVIIIe sur les plats. Gravures montées sur onglets. Bon exemplaire. Première estampe doublée de papier ancien comblant une déchirure et petits manques en marge basse. La seconde estampe contient une déchirure en marge sur 1cm, une tache dans le bas de la gravure, et un manque au coin droit restauré. Nicolaes Pietersz. Berchem (1620-1683) est un peintre, dessinateur et graveur hollandais qui compte parmi les principaux italianisants neerlandais. Son oeuvre influença durablement la peinture de paysages. Il excellait dans la représentation d'animaux. Outre 800 peinture et 500 dessins, il est l'auteur de 50 gravures dont les 4 présentes dans ce recueil sont emblématiques de son style mêlant dans un paysage fantasmagorique des animaux domestiques et des paysans, des bergers, des lavandières. Nombreuses de ses oeuvres furent gravées au XVIIIe. [ENGLISH DESCRIPTION ON DEMAND].

Condition: Good. Nicolaes Pietersz. Berchem (illustrator). Etching on hand laid (verge) paper. Sheet size: 13 x 11 cm. (5,1 x 4,3 inch). Image size: 11,2 x 10 cm. (4,4 x 3,9 inch).Source unknown, to be determined.Made by 'Nicolaes Pietersz. Berchem' after own design. Nicolaes Pietersz. Berchem (1622-1683) was a Dutch painter, draughtsman and engraver. Condition: Good, given age. Thin paper in the upper corners. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: ANIMAL-SHEEP-LAMBRBOS-A1-16.

Nicolaes Pietersz. Berchem (illustrator). 'LE SOIR.'This print shows a pastoral landscape with shepards on horseback, accompanied by cows and sheep, pointing from a hill to a village, river and mountain in the distanceMade by Antonio Suntach after Nicolaes Pietersz. Berchem.Etching / engraving on handlaid (verge) paper. Watermark: No.Sheet size: 32.4 x 22.7 cm (12.76 x 8.94 inch). Image size: 17.5 x 15 cm. (6.89 x 5.91 inch).SHEPARD-HERD-PASTORAL LANDSCAPE-COWS-SHEEP-MOUNTAINRB-A7-13BACKGROUND INFORMATIONThis attractive print was published by Giovanni Suntach (1754-1842) in Italy.Admin: RB-T23. Condition: good, given age. Some stains in margin. Two small holes of binding in left margin. Vertical fold. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Nicolaes Pietersz. Berchem (illustrator). A shepherd leaning on his staff by a stream with his flock of cows and goats.Made by Jan de Visscher after Nicolaes Pietersz. Berchem.Medium: Etching and engraving on hand laid (verge) paper. Watermark: French lily.Sheet size: 35.3 x 26.5 cm (13.9 x 10.43 inch). Image size: 33.8 x 25.5 cm. (13.31 x 10.04 inch).SHEPHERD-POND-COWS-GOATS | PCO-A15-37BACKGROUND INFORMATIONPublished by Gerard Valck (c.1651-1726) in c. 1692.Biography engraver: Jan de Visscher (born c.1636 - died 1692-1712), was a Dutch Golden Age engraver who became a painter in later life.Biography artist: Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. Condition: good, given age. Light soiling. Remains of tape and glue on rear from attacment. Irregular paper edges. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Nicolaes Pietersz. Berchem (illustrator). 'ANIMALIA AD VIVUM DELINEATA ET AQUA FORTI AERI IMPRESSA STUDIO ET ARTE NICOLAI BERCHEMI.'Seated shepherd with a dog. Title print to a series.Made by Nicolaes Pietersz. Berchem after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 11.3 x 10 cm (4.45 x 3.94 inch). Image size: 11.3 x 10 cm. (4.45 x 3.94 inch).SEATED-SHEPHERD-WITH-DOG | PCO-C3-20BACKGROUND INFORMATIONPublished by Clemendt de Jonge c. 1648-1652.Reference: Bartsch 49, Hollstein Dutch 49-3(7).Biography engraver: Nicolaes Pietersz. Berchem (1620-1683) was a Dutch painter and etcher, known for his landscapes and pastoral scenes. Condition: good, given age. 2 Small stains at top right. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Nicolaes Pietersz Berchem (illustrator). Landscape with standing and lying cow and shepherdess in front of a ruinMade by Pieter Gerardus van Os after Nicolaes Pietersz Berchem.Medium: Etching on hand laid (verge) paper.Sheet size: 32 x 39.7 cm (12.6 x 15.63 inch). Image size: 23.8 x 30 cm. (9.37 x 11.81 inch).COW-HERDING-HERDSMAN-HERDSWOMAN-SHEPHERD-SHEPHERDESS-COWHERD | EXPO-DUTCH/FLEMISHBACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Pieter Gerardus van Os (1776-1839) was a Dutch painter and engraver and a member of the renowned Van Os family of artists.Biography artist: Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. Condition: good, given age. Age related paper toning and foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condition: ACEPTABLE. Estampa litográfica con escena de batalla a caballo en el río Rin, en Alemania, basada en la obra de Berchem. Restaurado. Formato (cm): 50,5x69.

Condition: ACEPTABLE. Nicolaes Pietersz. Berchem (Haarlem, c. 1621/1622-Ámsterdam, 1683) fue un pintor barroco neerlandés. Su producción incluye numerosos dibujos y aguafuertes, paisajes italianizantes con especial atención al estudio de los animales, paisajes de invierno y puertos mediterráneos, pintura de historia sobre temas cristianos y mitológicos, alegorías, pintura de género, retratos y naturalezas muertas. Se trata de la primera edición de este grabado, editado por Nicolaes Visscher (Ámsterdam, 1618-1679), conocido por su mapa grabado de los dos hemisferios, Orbis Terrarum Nova et Accuratissima Tabula, de 1658. [Delineat. et Sculpt. per NBerchem.] ; [et in licem edit. per N.Visscher cum Privil.] . Formato (cm): 28x37,5.

Three long-horned goats in a landscape. Etching on laid paper, by Nicolaes Pietersz. Berchem (1620-1683) after their own design, and published by Huquier. Sheet size 135 x 125 mm., platemark 114 x 102 mm. This print bears number 5 (of a series of 8: 'Animalia ad vivum delineata et aqua forti aeri impressa Studio et Arte Nicolai Berchemi', also known as 'Le cahier à l'homme assis sous les arbres'). In good condition, the margins lightly soiled, a dampstain in the top right and right margin (minimally affecting the image area). References: Hollstein Dutch 53 (vi/7); Dutuit 53; LeBlanc i.285: 31 (vi/7).

A billy-goat resting on the ground, a female goat stading behind that, and a grazing kid, all three of a long-horned goat species. Etching on laid paper, by Nicolaes Pietersz. Berchem (1620-1683) after their own design, and possibly published by Theodor Matham (if this is the third state; without the series title it cannot be distinguished from the second state). Sheet size 120 x 105 mm., platemark 112 x 98 mm. This print is number 6 of a series of 8: 'Animalia ad vivum delineata et aqua forti aeri impressa Studio et Arte Nicolai Berchemi', also known as 'Le cahier à l'homme assis sous les arbres'. In very good condition, top margin cropped to the platemark. References: Hollstein Dutch 53 (ii or iii/7); Dutuit 53; LeBlanc i.285: 32 (ii or iii/7).

Nicolaes Pietersz. Berchem (illustrator). A shepherd playing a bagpipe while a girl milks a sheep in a pastoral landscape with cows and sheep.Made by Jan de Visscher after Nicolaes Pietersz. Berchem.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 35.8 x 27.5 cm (14.09 x 10.83 inch). Image size: 33.5 x 25.5 cm. (13.19 x 10.04 inch).SHEPHERD-PLAYING-BAGPIPES-WHILE-A-GIRL-MILKING-A-SHEEP | PCO-A15-38BACKGROUND INFORMATIONPublished by Gerard Valck (c.16451-1726) c. 1700.Biography engraver: Jan de Visscher (born c.1636 - died 1692-1712), was a Dutch Golden Age engraver who became a painter in later life.Biography artist: Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. Condition: good, given age. Light foxing. Remains of tape on rear from attachment. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Landscape with a shepherd entertaining a shepherdess who is seated to left by playing flute; cow, goat and donkey to the right.[NL] Fluitspelende herder. Antieke prent gemaakt door Nicolaes Pietersz. Berchem (1622-1683). Etching on hand laid paper cut within plate mark; total: 187 x 140 mm; despite traces of handling, in good condition. Mounted on a fine cardboard passepartout. Hollstein 6.

Nicolaes Pietersz. Berchem (illustrator). Cow seen from behind and cow on a slope with resting figures in het background.Made by Nicolaes Pietersz. Berchem after own design.Medium: Etching on hand laid (verge) paper.Sheet size: 9 x 9 cm (3.54 x 3.54 inch). Image size: 9 x 9 cm. (3.54 x 3.54 inch).COWS-SLOPE-LANDSCAPE | EXPO-219BACKGROUND INFORMATIONCows (series title), #5. With previous owner indication on rear : 'Thomas Srob'.Reference: B.27: H.Dutch 27-2(3).Biography engraver: Nicolaes Pieterszoon Berchem (1620-1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces. Condition: good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condition: guter Zustand. Feder und Pinsel in Grau, auf Bütten mit Fragment eines Wasserzeichens. 19,8:17,4 cm. - Horizontale Mittelfalte geglättet.

Condition: Good. Nicolaes Pietersz. Berchem (illustrator). Engraving, etching on hand laid (vergé) paper. Watermark: Vryheyd with countermark RB. Sheet size: 23 x 28,8 cm. (9,1 x 11,3 inch). Image size: 21 x 26 cm. (8,3 x 10,2 inch).This attractive print was published in 1655. Ref: Hollstein Dutch 12-5(6), Bartsch 12. Provenance: collectorsmark V in stamp on reverse.Made by 'Nicolaes Pietersz. Berchem' after own design. Nicolaes Pietersz. Berchem (1620-1683) Condition: Good, given age. brownish, General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: SHEPHERDESS-MULE-HORSE-COW-LANDSCAPERBOS-A6-48.

Condition: Good. Nicolaes Pietersz. Berchem (illustrator). Etching on hand laid (verge) paper. Watermark: unclear coat of arms. Sheet size: 20,5 x 28,5 cm. (8,1 x 11,2 inch). Image size: 14,5 x 19 cm. (5,7 x 7,5 inch).This attractive print was published in 1644. Ref: Hollstein Dutch 6-4(5).Made by 'Nicolaes Pietersz. Berchem' after own design. Nicolaes Pietersz. Berchem (1620-1683) the elder. Condition: Good, given age. Brownish. On reverse remain of cardboard in one corner General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: SHEPHERD-GIRL-FLUTE-GOAT-COW-LANDSCAPERBOS-A6-48.

Der Kupferstich ist undatiert, wohl um 1810. Bildmaß der Darstellung ca. 33 x 46 cm ( Höhe x Breite ). Rahmenmaß ca. 58 x 66 cm ( ungeöffnet ). Der Kupferstich ist gering fleckig, gering stockfleckig, oben rechts mit 3 kleinen Löchern im Bereich des blauen Himmels, die untenstehende Bildlegende ist gebräunt und etwas stockfleckig. Der Rahmen ist gering bestoßen. ( Lagerort KG )( Bitte beachten: Hier wegen Bruchgefahr nur ausgerahmter Versand mit Sperrgutschlag möglich - wenn der Rahmen gewünscht wird, so bitte ich um Selbstabholung nach Absprache // please notice: shipment only outframed ) ( Weitere Pics erhältlich // further images on request / die eingestellten Pics leider mit Lichtreflexion auf dem Glas, sich diese bitte wegdenken ).

Condition: Gut. 20,4 x 25,7 cm (mit kleinem Rändchen um die Darstellung). *Bartsch 2; Dutuit 2; Hollstein 2 - Rückseitig mit Sammlerstempel "C.W. Lüdert" (Lugt 1697). - Gut erhalten. Sprache: Deutsch Gewicht in Gramm: 500.