Original Lithograph (512 results)

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Over 90 illustrations, 50 in full color, with an original Lithograph (illustrator). 1st. First Edition, First Printing; dj in mylar; 191 clean, unmarked pages.

Soft cover. Condition: Near Fine. Alexander Calder (illustrator). First Edition. One Owner (Myself) Since 1968. Touch Of Rubbing To Covers. With The Brightly Colored Original Litho By Rivers, With Its Paper Guard.

paperback. Condition: Very Good.

Soft cover. Condition: Near Fine. No Jacket. Limited Edition. Number 284 of 560 copies. Frontispiece illustration is an original lithograph by Luc-Albert Moreau. Text in French. Octavo in paper wraps. Near fine condition. 451 pages.

Soft cover. Condition: Near Fine. No Jacket. Original Lithograph, 28 Plates, Frontispiece Portrait Photograph By Edward Weston (illustrator). 1st Edition. Large Format 8 Pp Brochure, Two Pages Of Text; 8 Pp "Millard Sheets / Biographical Data" Laid In Loosely. Also With, A Copy Of Millard Sheet's Own Promotional Bio Summary, 3 Pp., Dated 10/7/83, Also Laid In Loosely.

No Binding. Condition: Near Fine. Original Lithograph (illustrator). Original Artwork. Lithograph With Ink Wash. Unsigned. 9" X 5 7/8" Plus 1 1/4" Margins.

No Binding. Condition: Near Fine. Original Lithograph (illustrator). Original Artwork. Lithograph11" X 8 1/2". Unsigned. 9" X 5 7/8" Plus 1 1/4" Margins.

No Binding. Condition: Very Good. 1st Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Henry Barraud (1811 -1874) Was An English Portrait, Subject And Animal Painter. Like His Brother William Barraud, Henry Excelled In Painting Animals, But His Works Were Chiefly Portraits, With Horses And Dogs, And Subject Pictures, Such As 'The Pope Blessing The Animals' (Painted In 1842), Many Of Which Were Executed In Conjunction With His Brother. He Exhibited At The Royal Academy From 1833 To 1859, And At The British Institution And Society Of British Artists Between The Years 1831 And 1868. The Two Brothers Shared A Studio From 1835 Until William's Death In 1850, And In Their Joint Pictures William Painted The Animals And Henry The Figures. They Also Produced A Book Entitled "Sketches Of Figures And Animals", (H. Graves And Co., C.1850).

No Binding. Condition: Near Fine. 1st Edition. Original Lithograph.7 5/16 X 5 9/16". One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.

No Binding. Condition: Very Good. 1st Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Henry Barraud (1811 -1874) Was An English Portrait, Subject And Animal Painter. Like His Brother William Barraud, Henry Excelled In Painting Animals, But His Works Were Chiefly Portraits, With Horses And Dogs, And Subject Pictures, Such As 'The Pope Blessing The Animals' (Painted In 1842), Many Of Which Were Executed In Conjunction With His Brother. He Exhibited At The Royal Academy From 1833 To 1859, And At The British Institution And Society Of British Artists Between The Years 1831 And 1868. The Two Brothers Shared A Studio From 1835 Until William's Death In 1850, And In Their Joint Pictures William Painted The Animals And Henry The Figures. They Also Produced A Book Entitled "Sketches Of Figures And Animals", (H. Graves And Co., C.1850).

No Binding. Condition: Very Good. 1st Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Henry Barraud (1811 -1874) Was An English Portrait, Subject And Animal Painter. Like His Brother William Barraud, Henry Excelled In Painting Animals, But His Works Were Chiefly Portraits, With Horses And Dogs, And Subject Pictures, Such As 'The Pope Blessing The Animals' (Painted In 1842), Many Of Which Were Executed In Conjunction With His Brother. He Exhibited At The Royal Academy From 1833 To 1859, And At The British Institution And Society Of British Artists Between The Years 1831 And 1868. The Two Brothers Shared A Studio From 1835 Until William's Death In 1850, And In Their Joint Pictures William Painted The Animals And Henry The Figures. They Also Produced A Book Entitled "Sketches Of Figures And Animals", (H. Graves And Co., C.1850).

No Binding. Condition: Very Good. 1st Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Henry Barraud (1811 -1874) Was An English Portrait, Subject And Animal Painter. Like His Brother William Barraud, Henry Excelled In Painting Animals, But His Works Were Chiefly Portraits, With Horses And Dogs, And Subject Pictures, Such As 'The Pope Blessing The Animals' (Painted In 1842), Many Of Which Were Executed In Conjunction With His Brother. He Exhibited At The Royal Academy From 1833 To 1859, And At The British Institution And Society Of British Artists Between The Years 1831 And 1868. The Two Brothers Shared A Studio From 1835 Until William's Death In 1850, And In Their Joint Pictures William Painted The Animals And Henry The Figures. They Also Produced A Book Entitled "Sketches Of Figures And Animals", (H. Graves And Co., C.1850).

No Binding. Condition: Good. 1st Edition. Original Lithograph. Browning. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. The Reverend Thomas Price (2 October 1787 - 7 November 1848) (Known By The Bardic Name Of Carnhuanawc) Was A Historian And A Major Welsh Literary Figure Of The Early 19Th Century. Price Was Also "An Essayist, Orator, Naturalist, Educationalist, Linguist, Antiquarian, Artist And Musician". He Contributed To Learned And Popular Journals And Was A Leading Figure In The Revival Of The Eisteddfod. Lowes Cato Dickinson (1819 - 1908) Was An English Portrait Painter And Christian Socialist. He Taught Drawing With John Ruskin And Dante Gabriel Rossetti. He Was A Founder Of The Working Men's College In London. Dickinson Obtained His First Apprenticeship With His Father, A Bond Street Lithographer And Art Publisher, After Attending Topsham School, And Dr Lord's School In Tooting. ]After His Father's Death In 1849, He Became A Partner With His Two Eldest Brothers, Gilbert Bell Dickinson And William Robert Dickinson, In The Firm Of Dickinson Brothers Of Bond Street. As Well As Continuing To Publish Lithographs, The Firm Were Photographers, By Appointment To Queen Victoria, And Many Of Dickinson's Portraits Were Painted From Photographs (When Portraits Were Required Of People Too Busy To Sit For Them, Abroad, Or Dead). Dickinson Frequently Painted Only The Faces, With Other Artists Hired To Paint The Clothes. Some Of Dickinson's Group Pictures Were Also "Subscription Pictures", In Which People Would Pay To Have Themselves Portrayed More Or Less Prominently In The Painting. He Corresponded And Worked With The Central Participants Of The Pre-Raphaelite Brotherhood. Lecturing With Both Dante Gabriel Rossetti And John Ruskin. He Had A Studio In The Same Building As John Everett Millais And Taught Ford Madox Brown, Who Worked For A Time At Dickinson Brothers. Before Touring Italy For Three Years Around 1850, He Had Exhibited At The Royal Academy, At Which Exhibited Every Year, Except Three, Between 1848 And 1891. With Other Christian Socialists, Dickinson Founded The Working Men's College, London, In 1854,[8] A College To Provide A Liberal Education For Artisans. He Was An Enthusiastic Follower Of The Christian Socialist Movement, And Painted Other Christian Socialists. Other Subjects For Portraits Included Queen Victoria, The Prime Minister And His Cabinet, George Eliot, And Scientists Such As Arthur Cayley, William Thomson, Sir George Stokes And James Clerk Maxwell.

No Binding. Condition: Very Good. 2nd Edition. Original Lithograph,9 3/8" X 6 7/8". First Published 1830 In Scenes Of Chartsowrth, As One Of Six Plates; This Example Is A Reprint In 1831 For Rayner's "Sketches Of Derbyshire Scenery". Some Foxing In Decorated Margins. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Samuel A. Rayner ( April 1806 - 1879) Was An English Landscape Artist, Known For His Paintings Of Buildings And Their Interiors, Including Abbeys, Churches And Old Mansions. He Achieved The Distinction Of Having A Work Accepted For Exhibition At The Royal Academy At Only 15 Years Of Age. His Wife, Ann Rayner, Was An Engraver On Ashford Black Marble And Six Of Their Children Went On To Be Professional Artists. James Duffield Harding (1798 - 1863), Was An English Landscape Painter, Lithographer And Author Of Drawing Manuals. His Use Of Tinted Papers And Opaque Paints In Watercolour Proved Influential. Harding Was Born At Deptford In 1798, The Son Of A Drawing-Master Who Had Been A Pupil Of Paul Sandby. He Was Taught Perspective By His Father, And Had Lessons From Samuel Prout. At The Age Of Thirteen He Exhibited Two Drawings Of Buildings In The Style Of Prout At The Royal Academy. He Was Apprenticed To The Engraver Charles Pye, But Left Him After Only A Year To Concentrate On Painting Watercolours, And When He Was 18 He Was Awarded A Silver Medal By The Society Of Arts. In 1818 He Showed With The Society Of Painters In Watercolours, (Known As The "Old Watercolour Society Or Owcs From 1831) For First Time. He Was To Contribute To Its Exhibitions For The Rest Of His Life. He Was Elected An Associate Of The Society In 1820 And A Full Member In 1821. In 1843 He Took Up Oil Painting, And Exhibited Many Landscapes In That Medium At The Royal Academy. In 1847 He Resigned His Membership Of The Owcs , Hoping To Be Elected A Member Of The Academy; But, After Nine Years Without Success, He Withdrew His Candidature, And Was Re-Elected To The Owcs. From An Early On In His Career Harding Was A Successful And Popular Teacher. When Lithography Became Popular In Britain, He Quickly Adopted It As A Means Of Reproducing Good Examples For The Use Of Pupils And Students. His First Productions Were Drawing-Books, Consisting Of Pencil Sketches And Studies Of Trees; They Were Printed In Tints With Two Stones, Allowing The Reproduction Of More Elaborate Drawings. His Sketches At Home And Abroad, A Series Of Fifty Plates Using This Method, Was Published In 1836. In 1841 He Published The Park And The Forest, A Set Of Sketches Drawn On The Stone With A Brush Instead Of The Crayon, A Technique Of His Own Invention Which He Called "Lithotint". His Other Lithographic Works Included A Series Of Subjects From The Works Of R. P. Bonington (1829-30); Recollections Of India (1847, From Drawings By C. S. Hardinge) And Picturesque Selections (1861). In 1830, Harding Exhibited A Series Of Italian Views Sketched On Papers Of Various Colours And Textures, The Syyle Of Which Was Widely Imitated. His Use Of Opaque Body Colourin Watercolour, Following The Example Set By J.M.W. Turner Also Proved Influential. His Drawings Were Praised By John Ruskin In Modern Painters. From The 1830S A Range Of Papers Was Produced Under The Name Of "Jdh Pure Drawing Paper", Initially For Winsor And Newton. The Papers, Which Proved Popular Amongst Both Amateur And Professional Artists, And Which Harding Used Himself, Were Produced In White, And In Shades Of Cream, Buff And Grey Until Around 1910. Winsor And Newton Also Produced Pencils Under Harding's Name. Harding Was Also A Prolific Author Of Art Manuals.

No Binding. Condition: Very Good. Original Lithograph (illustrator). 1st Edition. Original Lithograph, Unidentified Book Illustration, Some Foxing. Not Signed Io The Plate. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An.

No Binding. Condition: Very Good. 1st Edition. Original Engraving. Foxing In Margins. Portrait Of Cornelis Van Der Geest (Wrongly Titled Gevartius), Bust To Left, Wearing Ruff And Cloak; After Anthony Van Dyck; Illustration To Allan Cunningham's 'The Gallery Of Pictures By The First Masters Of The English And Foreign Schools', 2 Vols (London: George Virtue, 1836). Engraving With Etching One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. William Henry Worthington (Circa 1795-After 1839) Was A British Engraver And Painter. His Subjects Are Mainly Genre Scenes And Portraits On Shakespearian Themes, Which He Exhibited From 1819 To 1839 At The Royal Academy And The British Institution. He Made Reproductions Of The British Museum's Elgin Marbles For A Description Of The Collection Of Ancient Marbles In The British Museum (1812-45) And Provided Engraved Illustrations For Several Works Including The History Of England , Edited By William Pickering.

No Binding. Condition: Very Good. 2nd Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.

No Binding. Condition: Near Fine. 1st Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Eugene Hippolyte Forest (18089-1891) Was A French Painter And Lithographer.

No Binding. Condition: Near Fine. 1st Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Eugene Hippolyte Forest (18089-1891) Was A French Painter And Lithographer.

No Binding. Condition: Near Fine. 1st Edition. Original Lithograph.Browning Alon Top 1" Of Entire Lithograpoh. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Eugene Hippolyte Forest (18089-1891) Was A French Painter And Lithographer.

No Binding. Condition: Near Fine. 1st Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Alphonse Leon Noel (1807-1884) Was A French Illlustrator. He Studied At The Ecole Des Beaux-Arts As Well As With With Artists Antoine-Jean Gros And Louis Hersent. In 1827 Noel'S First Lithograph Was Published And He Quit Painting To Work As A Lithographer, Creating Over 600 Portraits In A Print Oeuvre Of Over 1000 Images Between 1827 And 1866. His Early Work Was Loose And Painterly But By 1839 It Had Become More Meticulous And Traditional. His Portraits Documented The Royalty And Personalities Of The Time. Noel Was Made A Knight Of The Legion Of Honor In 1855.

No Binding. Condition: Near Fine. 1st Edition. Original Lithograph. Browning In Entire Top 1 1/2" Of Liothograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Eugene Hippolyte Forest (18089-1891) Was A French Painter And Lithographer.

No Binding. Condition: Very Good. 1st Edition. Original Lithograph, 10 7/8" X 7 1/4". One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Bernard Romain Julien Or Bernard-Romain Julien (1802 - 1871) Was A French Printmaker, Lithographer, Painter And Draughtsman.

No Binding. Condition: Near Fine. 1st Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Alphonse Leon Noel (1807-1884) Was A French Illlustrator. He Studied At The Ecole Des Beaux-Arts As Well As With With Artists Antoine-Jean Gros And Louis Hersent. In 1827 Noel'S First Lithograph Was Published And He Quit Painting To Work As A Lithographer, Creating Over 600 Portraits In A Print Oeuvre Of Over 1000 Images Between 1827 And 1866. His Early Work Was Loose And Painterly But By 1839 It Had Become More Meticulous And Traditional. His Portraits Documented The Royalty And Personalities Of The Time. Noel Was Made A Knight Of The Legion Of Honor In 1855.

No Binding. Condition: Near Fine. 1st Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Alphonse Leon Noel (1807-1884) Was A French Illlustrator. He Studied At The Ecole Des Beaux-Arts As Well As With With Artists Antoine-Jean Gros And Louis Hersent. In 1827 Noel'S First Lithograph Was Published And He Quit Painting To Work As A Lithographer, Creating Over 600 Portraits In A Print Oeuvre Of Over 1000 Images Between 1827 And 1866. His Early Work Was Loose And Painterly But By 1839 It Had Become More Meticulous And Traditional. His Portraits Documented The Royalty And Personalities Of The Time. Noel Was Made A Knight Of The Legion Of Honor In 1855.

No Binding. Condition: Near Fine. Original Lithograph (illustrator). 1st Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.

No Binding. Condition: Near Fine. 1st Edition. 20" X 15", Three Lithographed Scenes, Black Matting. Signed And Dated By The Artist. Signed by Illustrator(s).

No Binding. Condition: Near Fine. 1st Edition. Original Lithograph. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Alphonse Leon Noel (1807-1884) Was A French Illlustrator. He Studied At The Ecole Des Beaux-Arts As Well As With With Artists Antoine-Jean Gros And Louis Hersent. In 1827 Noel'S First Lithograph Was Published And He Quit Painting To Work As A Lithographer, Creating Over 600 Portraits In A Print Oeuvre Of Over 1000 Images Between 1827 And 1866. His Early Work Was Loose And Painterly But By 1839 It Had Become More Meticulous And Traditional. His Portraits Documented The Royalty And Personalities Of The Time. Noel Was Made A Knight Of The Legion Of Honor In 1855.

No Binding. Condition: Near Fine. 1st Edition. Original Lithograph. All Edges Foxed. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Alphonse Leon Noel (1807-1884) Was A French Illlustrator. He Studied At The Ecole Des Beaux-Arts As Well As With With Artists Antoine-Jean Gros And Louis Hersent. In 1827 Noel'S First Lithograph Was Published And He Quit Painting To Work As A Lithographer, Creating Over 600 Portraits In A Print Oeuvre Of Over 1000 Images Between 1827 And 1866. His Early Work Was Loose And Painterly But By 1839 It Had Become More Meticulous And Traditional. His Portraits Documented The Royalty And Personalities Of The Time. Noel Was Made A Knight Of The Legion Of Honor In 1855.

Lithograph. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. This charming original Vanity Fair 'Spy' lithograph is in very good condition, full borders as published, original color. Images available. ; 16" x 10".