Padgett Ron Kenneth Koch Allen Ginsberg (7 results)

Encuadernación de tapa blanda. Condition: Nuevo.

15 x 21 cm. Kriller 71 ediciones, 2020, edición bilingüe. El 9 de mayo de 1979 Allen Ginsberg y Kenneth Koch realizan un espectáculo en el Poetry Project bajo la atenta escucha y mirada de centenares de seguidores y curiosos que llenan la iglesia de St. Mark, en Manhattan. Ron Padgett es el encargado de moderar el encuentro y proponer las precisas consignas a partir de las cuales los dos poetas y buenos amigos, en ese entonces figuras consagradas, deben improvisar composiciones en colaboración. Poemas de una palabra o dos por verso, sextinas, baladas, pentámetros yámbicos y diálogos dramáticos en verso libre se suceden a lo largo de una perfomance donde la Escuela de Nueva York sale al cruce de la poesía beatnik, y en un arriesgado ejercicio de espontaneidad Ginsberg y Koch dejan al descubierto, como señala Padgett, sus modelos compositivos y sus mentes. Nos lo inventamos todo es la transcripción integral de las improvisaciones poéticas que tienen lugar aquella noche de finales de los setenta, y el documento de una performance experimental y lúdica que trasciende, sin embargo, los límites del simple juego y pone en jaque todo intento de sacralizar el oficio poético, siguiendo así una línea trazada por el surrealismo y el dadaísmo, y abriendo a su vez el camino para el poetry slam. Cuarenta años más tarde, este libro a tres voces se erige no sólo como una ventana privilegiada a una época, sino también como una muestra cabal de los procesos creativos de Ginsberg y Koch, y de la genialidad, inventiva y humor que caracterizan a su poesía. Poesía. Ediciones independientes ENVIO POR CONTRAREEMBOLSO LLEVA UN CARGO ADICIONAL DE 3 EUROS.

Soft cover. Condition: Fine. Fine copy in softcover. 8vo. 33 pages.

Condition: Very Good. New York: Catchword Papers, 1994. 1st trade paperback. 8vo. vii,35pp. Very Good book. (poetry, improvisation, collaboration) Inquire if you need further information.

Trade Paperback. Condition: Near Fine. First Edition. A clean, unmarked book with a tight binding. 36 pages. Stated First Edition trade paperback (not numbered). Poetry from an evening of spontaneous poetry collaborations by Allen Ginsberg and Kenneth Koch moderated by Ron Padgett at St. Mark's Poetry Project.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition, First Printing. vii, 35 p ; 24 cm. Hardcover. Publisher's original pale gray-green linen over boards, gilt lettering and white paper label lettered in black to spine. Book Condition: Fine. Dust Jacket Condition: Fine. A sharp copy. (Though not marked in any way this copy comes from the library of Brigid Berlin).

Summer 1964 number of Ted Berrigan's C: A Journal of Poetry, signed by contributor William S. Burroughs. In 1963, administrators at Columbia University pulled one of Berrigan's poems from The Columbia Review, objecting to his use of the word "fuck." In response, Berrigan and his friend Ron Padgett borrowed an off-campus mimeograph to print their own literary magazine, The Censored Review. That act of protest gave rise to C: A Journal of Poetry, a cornerstone of the Mimeo Revolution in New York City. Between 1963 and 1967, Berrigan published a freewheeling mix of New York School poets, Beat writers, and downtown artists; Andy Warhol's first experiments with silkscreened Polaroids serve as the covers of the September 1963 number. In addition to Berrigan and Padgett, contributors to this Summer 1964 number include John Ashbery, Kenneth Koch, Frank O'Hara, Barbara Guest, Allen Ginsberg, and William S. Burroughs, who has signed this copy. The issue contains two pieces by Burroughs, including "Givers of Winds Is My Name," which is accompanied by pages of scrawled hieroglyphics. Throughout his career, Burroughs was fascinated by the energy of visual writing systems, including "mathematical formulae which are nothing but glyphs after all:" "Now take dates for instance the Mayans and the Egyptians wrote their dates as pictures You can do the same . . . You can make the dates sing you can make the numbers sing." This copy from the collection of Alan Arikian, Gregory Corso's publisher at Death Press. Collated complete, per Birmingham. For more on C, see Clay and Phillips, A Secret Location on the Lower East Side. A near-fine example, signed by William S. Burroughs. Side-stapled volume, measuring 14 x 8.5 inches: cover and 67 mimeographed leaves, printed recto only. Cover design by Joe Brainard; hand-pasted collage element on leaf 29. Leaves 38-43 and 55-58 stapled out of order, leaf 39 stapled upside down, all present. Signed by William S. Burroughs at his name in the table of contents.