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Rauschenberg, Robert ; Robbe-Grillet, Alain

Published by Universal Limited Art Editions, West Islip, NY (1978)

Used Softcover First Edition Signed

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Item Description: Universal Limited Art Editions, West Islip, NY, 1978. Rauschenberg, Robert (illustrator). First edition. Portfolio with 36 lithographs by Rauschenberg and text by Robbe-Grillet. It comprises 31 pages plus the title page and 4 colophon pages, printed from 37 stones for the images and 27 aluminum plates for the text, numbered [1],1-31, I-IV. Pages measure 20-1/2 x 26-3/16 inches (52 x 69 cm.), folded as issued. Printed on specially made Twinrocker paper, with the watermark of the artist's and author's signatures. One of seven artist proof copies from the total edition of 42 copies. Each of the 31 pages is signed and dated by Rauschenberg and signed and numbered by Robbe-Grillet; each page also carries the embossed folio number and publisher's seal. Fine condition in original red cloth clamshell box, designed by the artist, as issued, and the publisher's specially constructed wooden case. "Long enamored of French literature and language, [publisher] Tatyana Grosman attended a lecture by Alain Robbe-Grillet in April 1972. When the writer mentioned Robert Rauschenberg's work, Mrs. Grosman, already aware of stylistic similarities between the two, felt that a collaboration was fated. Two days later, it was underway. During the next four years, Mrs. Grosman sent offset plates to Paris and proofed and translated Robbe-Grillet's text in West Islip; Rauschenberg added images one chapter at a time. The completed pages were sent back to Robbe-Grillet with plates for the next chapter. It soon became clear that Robbe-Grillet was not working in the spirit of sympathetic collaboration but providing a massive text that presented great problems in page design. Rauschenberg responded with images that are much more aloof than in previous books yet responsive to the elegance of the text," Esther Sparks, Universal Limited Art Editions, pp. 447-459. "The title is police jargon, loosely meaning that things are not as they seem.To Robbe-Grillet's mysterious story of lost romance and murder in the city, Rauschenberg responded with a portrayal of everyday life, with supermarkets, underwear, and bicycles. Mrs Grosman saw both contributions as equally nostalgic and sad. 'The effect was a Last Year at Marienbad quality,' she said," Mary Lynn Kotz, Rauschenberg / Art and Life, (1990), p. 148. Bookseller Inventory # 29227

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Robert Rauschenberg-Fashion (Tribute 21)-1994 Offset Lithograph-SIGNED: Rauschenberg, Robert

Rauschenberg, Robert

Used Signed

Quantity Available: 1

From: Rare Posters (Brooklyn, NY, U.S.A.)

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Item Description: 1994. Book Condition: Fine. 41 x 27 inches. "Fashion (Tribute 21)" by Robert Rauschenberg, Signed Offset Lithograph printed in 1994 from an edition size of 50. The overall size of the Offset Lithograph is 41 x 27 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Offset Lithograph: Hand signed and numbered out of 50 by Raushcenberg. Signed. Art, Prints & Posters. Bookseller Inventory # CB2923-B

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WARHOL, ANDY and Red Grooms, Bob Rauschenberg, Robert Whitman, Marisol, and Tom Gormley

Published by Experiments in Art and Technology (1971)

Used

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From: Indexbooks/Peter Gidal (london, United Kingdom)

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Item Description: Experiments in Art and Technology, 1971. No Binding. Book Condition: As New. Complete set of the three "different but the same" lithographed posters of artist’s dollar bills. Warhol’s black artcash bill, black on one side, green (back) on the other, with the Andy Warhol signature stamp (printed), as well as the word "ONES". Printed along with both sides of the artcash bills by Robert Whitman ($3), Rauschenberg ($12), Tom Gormley ($24), Red Grooms ($51), and Marisol ($88). "Through Ted Kheel, these bills were printed at the American Banknote Company which printed currency for the United States as well as for other countries" (Guatemala, Israel, Nicaragua, Chile, "client states" as they used to be called by some, "banana republics" as they were called by others ), on the same paper but without the threads. Artcash was a project for a gambling night, one night only, at Automation House to benefit E.A.T’s Arts and Technology project. Each poster signed and numbered 19/75, in Warhol’s case rubberstamp-signed with his signature. Bookseller Inventory # INDE-C70698

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RAUSCHENBERG, Robert & OPPENHEIMER, Joel.

Published by Black Mountain, NC: Sad Devil Press, 1951. (1951)

Used Hardcover First Edition

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From: Skyline Books (Forest Knolls, CA, U.S.A.)

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Item Description: Black Mountain, NC: Sad Devil Press, 1951., 1951. 16mo. Single sheet with asymmetric fold. First edition. Limited to 150 copies. Published as the second offering in Jonathan Williams' acclaimed Jargon series, this small pamphlet-style publication presented both Joel Oppenheimer's first printed poem, "The Dancer," and Robert Rauschenberg's first printed artwork (an abstract of swirling arrows). Text on the verso states the piece was produced in honor of Katherine Litz, an accomplished modern dancer, "on the occasion of her dance recital at the YMHA in New York, 12 23 51." Fine. Housed in a specially-made folding cloth chemise with leather label. Rare. Bookseller Inventory # SKB-15883

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Robert Rauschenberg-St Louis Symphony Orchestra-1968 Offset Lithograph-SIGNED: Rauschenberg, Robert

Rauschenberg, Robert

Used Signed

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From: Rare Posters (Brooklyn, NY, U.S.A.)

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Item Description: 1968. Book Condition: Very Good. 31 x 26 inches. "St Louis Symphony Orchestra" by Robert Rauschenberg, Signed Offset Lithograph printed in 1968 from an edition size of 250. The overall size of the Offset Lithograph is 31 x 26 inches. The condition of this piece has been graded as B: Very Good Condition, with signs of handling or age. Here is some supplemental information about the Offset Lithograph: Hand signed and numbered out of 250 in marker by Rauschenburg. Signed. Art, Prints & Posters. Bookseller Inventory # EF1220-B

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Rauschenberg, Robert

Used First Edition Signed

Quantity Available: 4

From: Rare Posters (Brooklyn, NY, U.S.A.)

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Item Description: 1977. Book Condition: Very Good. 72 x 50 inches. "Ace Gallery, Venice, California (lg)" by Robert Rauschenberg, Unsigned Offset Lithograph printed in 1977. The overall size of the Offset Lithograph is 72 x 50 inches. The condition of this piece has been graded as B: Very Good Condition, with signs of handling or age. Here is some supplemental information about the Offset Lithograph: First printing 1977 poster designed by Robert Rauschenberg for his exhibition at ACE Gallery in Venice, California. The poster is fully catalogued and referenced in the 'Rauschenberg Posters' book by Prestel, number 13. The poster was printed in two sizes, this being the larger size. This offset lithograph was published by Sammlung von der Osten in Hamburg for ACE Gallery in 1977. Not Signed. Art, Prints & Posters. Bookseller Inventory # YY5003

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Robert Rauschenberg-Earth Day-1970 Offset Lithograph-SIGNED: Rauschenberg, Robert

Rauschenberg, Robert

Used Signed

Quantity Available: 1

From: Rare Posters (Brooklyn, NY, U.S.A.)

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Item Description: 1970. Book Condition: Fine. 33.75 x 25.25 inches. "Earth Day" by Robert Rauschenberg, Signed Offset Lithograph printed in 1970. The overall size of the Offset Lithograph is 33.75 x 25.25 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Offset Lithograph: Signed and dated by Rauschenberg in felt pen in lower center part of the poster. Signed. Art, Prints & Posters. Bookseller Inventory # EF5238-B

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Marilyn Monroe I Love Your Kiss Forever: WARHOL, Andy /

WARHOL, Andy / Robert Rauschenberg

Published by Bern Kornfeld 1964 (1964)

Used No Binding

Quantity Available: 1

From: DR FINE ARTS (New York, NY, U.S.A.)

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Item Description: Bern Kornfeld 1964, 1964. No Binding. Book Condition: Very Good. This is an original 2 sheet lithograph by Andy Warhol, from the "1 Cent Life" (One Cent Life) portfolio; some times the image is titled: "Marilyn Monroe I Love Your Kiss Forever", and the text poem at the very bottom is by Walasse Ting titled " Jade White Butterfly"; on back right side of the "lips" images is one lithograph by Robert Rauschenberg (page 114) with part of the poem "you do not know what means", and on other left back side is the text part of the poem "the last day of myself" (page 111); paper size of the 2 sheets together: 16 -1/8 x 23 in.; the lithograph is printed on Arches on two separate sheets as issued by publisher; published in an edition of 2000 copies; these are not signed; just a tiny crease at the top & bottom at the center's left & right edges, otherwise in VERY GOOD COND. Bookseller Inventory # 7293

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Royc Lichtenstein: "spray can": 3 original Limited.: LICHTENSTEIN, Roy /

LICHTENSTEIN, Roy / Robert Rauschenberg & Fahlstrom

Published by Bern Kornfeld 1964 (1964)

Used No Binding

Quantity Available: 1

From: DR FINE ARTS (New York, NY, U.S.A.)

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Item Description: Bern Kornfeld 1964, 1964. No Binding. Book Condition: Very Good. First Thus. This is an original lithograph by Roy Lichtenstein, titled "spray can", from the "1 Cent Life" (One Cent Life) portfolio; opposite page of the Lichtenstein is an origianl lithograph by Robert Rauschenberg; image size: 12-3/4 x 10-5/8in, full paper size with bottom text: 16 x 11-1/2in; on the back of the "spray can" & Rauschenber lithographs is the full page of Oyvind Fahlstrom's print (page 120 &121) and the title part of Ting's poem "my dear white skeleton"; the lithographs are printed on Arches; published in an edition of 2000 copies; it is not signed; the Lichtenstein & Raushenberg have just some small creases at top & bottom of the center's fold, the 1/2 of the Fahlstrom's print and the text side of Ting's poems have a small faint crease at the top's of each; over all lithographs are in VERY GOOD COND. Bookseller Inventory # 7300

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Robert Rauschenberg-St. Louis Symphony Orchestra-1968 Offset Lithograph-SIGNED: Rauschenberg, Robert

Rauschenberg, Robert

Used First Edition Signed

Quantity Available: 3

From: Rare Posters (Brooklyn, NY, U.S.A.)

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Item Description: 1968. Book Condition: Fine. 34.75 x 24.25 inches. "St. Louis Symphony Orchestra" by Robert Rauschenberg, Signed Offset Lithograph printed in 1968. The overall size of the Offset Lithograph is 34.75 x 24.25 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Offset Lithograph: First printing poster created for the opening of the St. Louis Symphony Orchestra, Powell Symphony Hall, January 24th, 1968, signed by Rauschenberg. Not Numbered. Slight creasing in the middle part. Signed. Art, Prints & Posters. Bookseller Inventory # YY8328-B

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Robert Rauschenberg-ROCI: Chile-1985 Offset Lithograph-SIGNED: Rauschenberg, Robert

Rauschenberg, Robert

Used First Edition Signed

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From: Rare Posters (Brooklyn, NY, U.S.A.)

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Item Description: 1985. Book Condition: Fine. 34.5 x 24 inches. "ROCI: Chile" by Robert Rauschenberg, Signed Offset Lithograph printed in 1985. The overall size of the Offset Lithograph is 34.5 x 24 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Offset Lithograph: First printing exhibition poster created for Rauschenberg's Overseas Culture Interchange (ROCI), signed in pencil by Rauschenberg. Not Numbered. Signed. Art, Prints & Posters. Bookseller Inventory # YY8331-B

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Robert Rauschenberg-ROCI: Venezuela-1985 Offset Lithograph-SIGNED: Rauschenberg, Robert

Rauschenberg, Robert

Used First Edition Signed

Quantity Available: 8

From: Rare Posters (Brooklyn, NY, U.S.A.)

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Item Description: 1985. Book Condition: Fine. 34.5 x 24 inches. "ROCI: Venezuela" by Robert Rauschenberg, Signed Offset Lithograph printed in 1985. The overall size of the Offset Lithograph is 34.5 x 24 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Offset Lithograph: First printing exhibition poster created for Rauschenberg's Overseas Culture Interchange (ROCI), signed in pencil by Rauschenberg. Not Numbered. Printed for the Museuo de Arte Contemporaneo de Caracas, Venezuela. Signed. Art, Prints & Posters. Bookseller Inventory # YY8332-B

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Robert Rauschenberg-Earth Day, American Eagle-1970 Offset Lithograph-SIGNED: Rauschenberg, Robert

Rauschenberg, Robert

Used Signed

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From: Rare Posters (Brooklyn, NY, U.S.A.)

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Item Description: 1970. Book Condition: Fine. 33.5 x 25.25 inches. "Earth Day, American Eagle" by Robert Rauschenberg, Signed Offset Lithograph printed in 1970. The overall size of the Offset Lithograph is 33.5 x 25.25 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Offset Lithograph: Signed and dated by Rauschenberg in felt pen.Earth Day - April 22, 1970. Offset Lithograph on heavy paperMuseum fur Kunst und Gewerbe, HamburgEarth Day poster, 1970. This is an original design by Rauschenberg to help bring awareness of the changes to our environment in the early 70"s. The Bald Eagle was in jeopardy of being extinct and represented a strong symbol of our need to act and protect our future. Signed. Art, Prints & Posters. Bookseller Inventory # GH1013-B

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Oppenheimer, Joel L. (verse by); Rauschenberg, Bob (drawing by) [Robert Rauschenberg]

Published by The Sad Devil Press (1951), Black Mountain College, NC (1951)

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Item Description: The Sad Devil Press (1951), Black Mountain College, NC, 1951. "JARGON TWO is for Katherine Litz, & on the occasion of her dance recital at the YMHA in New York, 12 23 51." This uncommon early JARGON issue was printed in an edition of 150 by the designer and publisher of the JARGON series: Jonathan Williams. -- CONDITION NOTE - THERE APPEARS TO BE SOME DISCOLORATION (Offsetting) to the exposed parts. Happy to provide images. very good+, Bristol paper card, inscribed by the poet SEE NOTE. Bookseller Inventory # 053383

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Blind Spot #1-48 (Photography Journal), Complete Set: CAPUTO, Kim Zorn,

CAPUTO, Kim Zorn, BEARD, Peter, MCDERMOTT & MCGOUGH, FUSS, Adam, GINSBERG, Allen, SERRANO, Andres, STARN, Doug and Mike, STERN, Bert, WELLING, James, RAUSCHENBERG, Robert, BYRNE, David, CASEBERE, James, CREWDSON, Gregory, EGGLESTON, William, MODICA, Andrea, PIERSON, Jack, SHRAGER, Victor, WITKIN, Joel-Peter, STRUTH, Thomas, SUGIMOTO, Hiroshi, BALDESSARI, John, BERMAN, Zeke, BOLTANSKI, Christian, CAMPUS, Peter, FAIGENBAUM, Patrick, FRIEDLANDER, Lee, LEVINTHAL, David, MANN, Sally, MICHALS, Duane, THORNE-THOMSEN, Ruth, DAVIS, Lynn, FONTCUBERTA, Joan, FRANK, Robert, HILLIARD, David, MARK, Mary Ellen, WALL, Jeff, WEBER, Bruce, BARNEY, Tina, GROOVER, Jan, KELLEY, Mike, MISRACH, Richard, MORELL, Abelardo, SULTAN, Larry, TAAFFE, Philip, YAMAMOTO, M

Published by Blind Spot Inc, New York and Annandale-on-Hudson (1993)

Used Soft cover First Edition

Quantity Available: 1

From: Vincent Borrelli, Bookseller (Albuquerque, NM, U.S.A.)

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Item Description: Blind Spot Inc, New York and Annandale-on-Hudson, 1993. Soft cover. Book Condition: As New. 1st Edition. Price is net to all; promotional discounts do not apply.1993-2014. First edition, first printing. Complete set of issues (1-48) from 1993-2014 (the magazine ceased publication with volume 48). All of the issues share the following format: Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. 10-1/2 x 9 inches. As New. A Mint set. Issue 1 (Premiere Issue), 1993: features Peter Beard, Barbara Ess, McDermott and McGough, Adam Fuss, Allen Ginsberg, Andres Serrano, Doug & Mike Starn, Bert Stern, James Welling and Robert Rauschenberg. Issue 2, 1993: features Oliver Wasow, Andrea Modica, Vik Muniz, Doug and Mike Starn, Hiroshi Sugimoto, Louise Lawler, Candida Höfer, Zoe Leonard, Oliver Richon, Thomas Struth, Leslie Thornton and Tom Zummer, Tom Collicott, Robert Flynt, Victor Schrager, James Casebere, Gregory Crewdson, James Casebere and Gregory Crewdson, Alberto Caputo, David Byrne, Frank Schram, Sally Gall, William Eggleston, Charles Griffin, Jack Pierson, Larry Bercow, Andres Serrano & Joel-Peter Witkin and Joel-Peter Witkin. Issue 3, 1994: features Robert Selwyn, Yuji Saiga, Peter Campus, Gabriel Orozco, Vik Muniz, Lee Friedlander, Jerald Frampton, Duane Michals, Vernon Reid, Todd Weinstein, Ruth Thorne-Thomsen, David Levinthal, John Baldessari, Christian Boltanski, John Baldessari & Christian Boltanski, Patrick Faigenbaum, Zeke Berman, Sally Mann, Kenneth Shorr, Kim Zorn Caputo. Issue 4 (1994): features: Charles Griffin, David Hilliard, Vik Muniz, Susan Derges, Cheryl Koralik, Jeff Wall, Lynn Davis, Adam Fuss, Mary Ellen Mark, Luc Sante, Beverly Semmes, Carrie Mae Weems, Walter Chapell, Boyd Webb, Pradip Malde, Christopher Giglio, Robert Frank, Duane Michals, Bruce Weber, Christopher Bucklow, Tim Porter, Todd Watts, Joan Fontcuberta & Pere Formiguera, John Dugdale, Kim Zorn Caputo. Issue 5, 1995: features Masao Yamamoto, Jan Groover, Richard Misrach, David Goldes, John Milisenda, Abelardo Morell, Tina Barney, Kinuyo Hagiwara, Mike Kelley, Cindy Bernard, Jim Lewis, Christopher H. Bailey, Catherine Chalmers, Larry Sultan, Ed Kashi, Gary Schneider, Brian Wood, Philip Taaffe, Peter Garfield, Kim Zorn Caputo. Issue 6, 1995: features Gary Green, Jim Ming, Candida Höfer, Max Becher and Andrea Robbins, Tom Bamberger, Andreas Gursky, James Wojcik, Jeffrey Eugenides, Marianne Courville, Andy Goldsworthy, Eric Rondepierre, Per Bernsten, Jennifer Bolande, Hiroshi Sugimoto, Stan Douglas, Jim Casebere & Stan Douglas, James Whitlow Delano, Kim Zorn Caputo. Issue 7, 1996: features: Alberto Caputo, Roy Arden, Bill Burke, Uta Barth, Ross Bleckner, Gregory Crewdson, Ross Bleckner, and Edward Robinson, Robert Flynt, Roger Newton, Lorna Simpson, Peter Bartlett, Stuart Klipper, Per Maning, Tom Wood, David Mosconi, A.M. Homes, Andrew Bush, Nan Goldin, Kim Zorn Caputo. Issue 8, 1996: features Larry Schwarm, Rineke Dijkstra, John Baldessari, Chuck Close, Wolfgang Tillmans, Laura Larson, Thomas Demand, Vik Muniz, John Dugdale, Philip-Lorca Dicorcia, Kristin Capp, Christopher Bucklow, Sally Mann, Jonathan Franzen, Gerald Slota, Kim Zorn Caputo. Issue 9, 1997: features Ari Marcopoulos, Dorte Eissfeldt, Jim Goldberg, Michael Stipe, William Eggleston, John Riddy, Eve Fowler, Michael Levin, Wim Wenders, A.M. Homes with Wim Wenders, Nobuyoshi Araki, David Armstrong, Lois Conner, Lloyd Ziff, David Lachapelle, Duane Michals, Mark Steinmetz, Joyce Carol Oates, Mitch Epstein, Glenn Ligon, Kim Zorn Caputo. Issue 10, 1997: features Laurent Millet, Teun Hocks, Marilyn Bridges, Steven Heller, Joan Fontcuberta, Larry Sultan, Lou Reed, Lou Reed, Kim Zorn Caputo and Timothy Greenfield-Sanders, Martin Parr, Gregory Crewdson, Richard Misrach, Michael Cunningham, Stepehen Tourlentes, Laurie Simmons, Juan Usle, Laurent Girard, Mike and Doug Starn, Kim Zorn Caputo. Issue 11, 1998: features Catherine Chalmers, Linda Orloff, Zeke Berman, Richard Prince, Glenn O'Brien, Victor Schrager, Sasha Bezzubov, Andrea Gohl, Peter Hedges, Edward Burtynsky, Barba. Bookseller Inventory # 112595

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Rauschenberg, Robert, 1925-2008) Dwan Gallery.

Published by Dwan Gallery,, New York (1965)

Used Poster

Quantity Available: 1

From: R.W. Smith Bookseller (New Haven, CT, U.S.A.)

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Item Description: Dwan Gallery,, New York, 1965. Poster. Book Condition: Very Good. Atlas Folio - over 23 - 25" tall. Original offset color lithograph poster for the exhibition at Dwan Gallery, New York, 22" x 25", folded, as intended, for mailing as an announcement of the exhibition (but unmailed). Title on verso. Listed as No. 34 in Edward A. Foster's catalogue raisonné, Robert Rauschenberg: Prints 1948 / 1970 (Minneapolis Institute of Arts: 1970), and illustrated in Rauschenberg: Graphic Art (Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1970). Fine, clean impression; no tears. From Robert Rauschenberg's great early period of experimentation which began with his involvement with Tatyana Grosman's printmaking workshop Universal Limited Art Editions, where the artist began incorporating photographs and images from other sources in his work. The photograph incorporated in the Dwan Gallery poster is that of the artist himself. Bookseller Inventory # 026403

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RAUSCHENBERG, Robert

Published by City Center Theater, N.Y. 1989 (1989)

Used First Edition Signed

Quantity Available: 1

From: DR FINE ARTS (New York, NY, U.S.A.)

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Item Description: City Center Theater, N.Y. 1989, 1989. No Binding. Book Condition: Good. 1st Edition. This offset b&w poster is hand SIGNED & dated by Robert Rauschenberg (Oct 1925 - May 2008); all Rauschenberg's original posters at this point would be limited edition issues, especially his signed posters (but exact edition size is unknown); paper size: 24 x 36in (61x90.5cm); poster is designed by Rauschenberg; b&w photos of Trisha Brown dancing; some text around poster: Trisha Brown Company, City Center, at bottom are his initials R.R. as was printed in the poster and then next to it is Rasuchenberg's signature and dated '89; ADDITIONAL INFORMATION: In the 2006 at "Posters: To Benefit the Foundation for Contemporary Arts" an unsigned copy sold for $750.00; some small faint semi-circular imprints in poster from it being rolled up in a tube, and a several small creases to the edges, otherwise in GOOD COND. Signed by Author(s). Bookseller Inventory # 4252

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TANYA'S VEIL: WHALE (SIGNED by Robert Rauschenberg: RAUSCHENBERG, Robert

RAUSCHENBERG, Robert

Published by WFUNA, N.Y. 1992 (1992)

Used First Edition Signed

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From: DR FINE ARTS (New York, NY, U.S.A.)

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Item Description: WFUNA, N.Y. 1992, 1992. No Binding. Book Condition: As New. 1st Edition. This lithograph print is hand SIGNED by the artist Robert Rauschenberg (Oct 1925 - May 2008); printed by offset; the print is a reproduction of his canvas painting TANYA'S VEIL (WHALE); hand signed and limited edition to 500 numbered copies; paper size: 11 x 8-1/2in, image size: 10 x 5-1/2in; printed on coventry pure rag fine art paper; printed for the United Nations Ass.; comes with Documentation Certificate; on verso some very faint rubbing at top, otherwise front in EXCELLENT COND. Signed by Author(s). Bookseller Inventory # 5455

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RAUSCHENBERG, Robert.

Published by Pantheon, New York (1981)

ISBN 10: 0394520548 ISBN 13: 9780394520544

Used Hardcover First Edition Signed

Quantity Available: 1

From: Argosy Book Store, ABAA, ILAB (New York, NY, U.S.A.)

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Item Description: Pantheon, New York, 1981. hardcover. Book Condition: near fine. Dust Jacket Condition: near fine. Rauschenberg, Robert (illustrator). First. The first publication of a major body of his work, published in conjunction with an exhibition in Paris. Illustrated with 122 b/w photographs, and 5 photomontages created especially for this publication. Slim 4to, gray cloth, d.w. New York: Pantheon, (1981). First American edition. Light foxing at top of half title, otherwise a fine copy in a very near fine dust wrapper, boldly signed "Bob Rauschenberg" in purple ink at foot of half title. Bookseller Inventory # 268667

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Rauschenberg, Robert (Artist); Hulten, Pontus & Sayag, Alain (Contributors)

Published by New York City, NY: Pantheon Books, 1981

ISBN 10: 0394520548 ISBN 13: 9780394520544

Used Hardcover First Edition Signed

Quantity Available: 1

From: Modern Rare (CHICAGO, IL, U.S.A.)

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Item Description: New York City, NY: Pantheon Books, 1981. Hardcover. Book Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 1st Printing. Signed. 140 pages. Published in 1981. Retrospective collection of photographs. One of the greatest photography books of the 20th century. The first appearance of the title in the United States. Precedes and should not be confused with the Softcover Edition. Published in a small and limited print run as a hardcover original only. The First Edition is now scarce. An austerely elegant production by Robert Rauschenberg and The Sonnabend Gallery: Oversize-volume format. Pale gray hard boards with black titles embossed on spine, as issued. Photographs and Introduction by Robert Rauschenberg. Preface by Pontus Hulten. Interview with the artist by Alain Sayag. List of Plates appended at the end. Printed on pristine-white, thick coated stock paper in Paris, France to the highest standards. In pictorial DJ with black titles on the cover and spine, as issued. Originally published on the occasion of the exhibition, "Rauschenberg Photographe", held at the Musee National d'Art Moderne, Centre Georges Pompidou in 1981. Presents Robert Rauschenberg's "Photographs". The artist's photographic work in its very first retrospective. One of the least well-known facts about Rauschenberg is that he began his career as a photographer. Furthermore, he makes no distinction between his photography and his painting. He has said that he brings the same pair of eyes to both. The photographs, like the paintings, are rigorous, acute, and sensuous. His celebrated method of appropriating "found" images and objects to capture the fabric, tempo, and "feel" of modern life is photographically-inspired and characterizes his large body of work. The idea of appropriation is not unique to Rauschenberg. It is a central tenet of Surrealism, and continues to be the latter Movement's enduring legacy. What makes Rauschenberg's work unique is the way he has "set in motion an interplay of shapes in which the human form is integrated to a rigorous yet flamboyant sense of design, pictures in which art and real life coincide" (Pontus Hulten). The photographs are presented in two parts: The first is the Series taken between 1945 and 1946, in such places as Tangiers, Rome, New York, and North Carolina. The second consists of photographs taken between 1979 and 1980, in Captiva Island (where he lived) as well as Boston, Atlantic City, Baltimore, and Charleston. "A protean genius who showed America that all of life could be open to art. Rauschenberg didn't give a fig for consistency or curating his reputation; his taste was always facile, omnivorous, and hit-or-miss, yet he had a big-ness of soul and a richness of temperament that recalled Walt Whitman" (Robert Hughes). "Mine is the need to be where it will always never be the same again. Photography is the most direct communication of non-violent contacts" (Robert Rauschenberg). An absolute "must-have" title for Robert Rauschenberg collectors. This copy is very prominently and beautifully signed in black pen-marker on the title page by Robert Rauschenberg. It is signed directly on the page itself, not on a tipped-in page. The signature brilliantly matches his facsimile signature on the DJ cover. This title is a great art photography book. As far as we know, this is the only such signed copy of the First American Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Unlike most copies available online, it is not remainder-marked, all of the internal pages are in pristine condition, and the boards are not bumped. According to dealers who knew him, Rauschenberg basically stopped signing books in the 1990's. Signed copies still available online are vintage, not recent, and very few. A rare signed copy thus. 122 duotone plates. One of the greatest artists of the 20th century. A fine collectible copy. (SEE ALSO OTHER ROBERT RAUSCHENBERG TITLES IN OUR CATALOG) ISBN 0394520548. Signed by Author. Bookseller Inventory # 13150

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Rauschenberg, Robert (Artist/Photographer) & Ives, Colta (Contributor)

Published by New York City, NY: ULAE Incorporated, 1982

Used Hardcover First Edition Signed

Quantity Available: 1

From: Modern Rare (CHICAGO, IL, U.S.A.)

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Item Description: New York City, NY: ULAE Incorporated, 1982. Hardcover. Book Condition: Fine. 1st Edition. 1st Printing. Signed. 70 pages. Published in 1982. Retrospective collection of photographs on subject. One of the greatest photography books of the 20th century. The First Hardcover Edition. Precedes and should not be confused with the Softcover Edition. There is no ISBN. The First Edition is now rare. An austerely elegant production by Robert Rauschenberg: Oversize-volume format. White linen cloth boards with metallic-silver titles beautifully embossed on the cover and spine, as issued. Photographs by Robert Rauschenberg. Essay by Colta Ives. Matching white linen cloth slipcase. Printed on pristine-white, thick uncoated stock paper in the United States to the highest standards. Without DJ, as issued. Presents Robert Rauschenberg's "Photos In + Out City Limits: New York". The great artist's collection of black-and-white photographs on New York City. It is the partial fulfillment of his 30-year-old wish to photograph the entire United States, a project he never completed. Showcases his unique approach to photography as a process of discovery, selection, and assemblage of objects from everyday life. One of the least well-known facts about Rauschenberg is that he began his career as a photographer. He makes no distinction between his photography and his painting, and he brings the same acute eye to both. The photographs, like the paintings, are formally rigorous, sensuous, and piercing. His celebrated method of appropriating found images and objects to capture the fabric, tempo, and "feel" of modern life is photographically-inspired and characterizes his large body of work. The idea of appropriation is not unique to Rauschenberg. It is a central tenet of Surrealism and continues to be the latter Movement's enduring legacy. What makes Rauschenberg's work unique is the way he has "set in motion an interplay of shapes in which the human form is integrated to a rigorous yet flamboyant sense of design, pictures in which art and real life coincide" (Pontus Hulten). "A protean genius who showed America that all of life could be open to art. Rauschenberg didn't give a fig for consistency or curating his reputation; his taste was always facile, omnivorous, and hit-or-miss, yet he had a big-ness of soul and a richness of temperament that recalled Walt Whitman" (Robert Hughes). "Mine is the need to be where it will always never be the same again. Photography is the most direct communication of non-violent contacts" (Robert Rauschenberg). An absolute "must-have" title for Robert Rauschenberg collectors. This copy is very prominently and beautifully signed in charcoal pencil by Robert Rauschenberg. It is signed directly on the page, not on a tipped-in page even though it comes from the publisher. The signature beautifully matches the facsimile of his signature on the book's cover and title page. This title is a great art photography book. This is one of very few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Many copies available online have major flaws because the color white soils very easily. According to dealers who knew him, Rauschenberg basically stopped signing books in the 1990's. Signed copies still available online are vintage, not recent, and very few. A rare signed copy thus. 70 tritone plates. One of the greatest artists of the 20th century. A fine collectible copy. (SEE ALSO OTHER ROBERT RAUSCHENBERG TITLES IN OUR CATALOG). Signed by Author. Bookseller Inventory # 13308

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Robert Rauschenberg: RAUSCHENBERG, Robert and

RAUSCHENBERG, Robert and Andrew Forge

Published by New York: Abrams (1969)

Used Hardcover First Edition

Quantity Available: 1

From: Harper's Books, ABAA (East Hampton, NY, U.S.A.)

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Item Description: New York: Abrams, 1969. First Edition. Quarto. Landmark monograph with text by Andrew Forge and book design by Robert Rauschenberg. The use of dryly descriptive text superimposed directly over the image predates a similar design deployed a few years later by Robert Venturi's "Learning from Las Vegas." Significantly, Rauschenberg's overall design concept bridges the art monograph with the artists' book. The publisher's apprehension is apparent in the pamphlet insert reproducing Andrew Forge's text with apology for producing a book "intermittently difficult to read." Uncommon with all components intact, scarce thus. Near fine in photo-illustrated boards with the original acetate jacket lightly chipped at the spine ends and creased on the inner front flap. The thin pamphlet laid in shows occasional pencil marks, else near fine. Housed in a custom clamshell box. Bookseller Inventory # 21322

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Robert Rauschenberg: Rauschenberg, Robert; Solomon,

Rauschenberg, Robert; Solomon, Alan R. (Curated by)

Published by Jewish Museum, New York (1963)

Used Paperback First Edition

Quantity Available: 1

From: LEFT COAST BOOKS (Goleta, CA, U.S.A.)

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Item Description: Jewish Museum, New York, 1963. Paperback. Book Condition: Very Good. 1st. [65] pp., illus., port., biblio.; 25 cm. ASSOCIATION COPY. Signed "Allan Kaprow"/inside front cover. Kaprow, founder of the Happenings, was influenced by Rauschenberg -- both artists were acolytes of John Cage. Acquired in California, this is Kaprow's personal copy of Rauschenberg's first retrospective! Wraps lightly rubbed, expected age toning. Size: Oblong. Exhibition Catalogue. Bookseller Inventory # 004968

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ROBERT RAUSCHENBERG: PHOTOGRAPHS: Rauschenberg, Robert

Rauschenberg, Robert

Published by Pantheon Books, NY (1981)

Used First Edition

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Item Description: Pantheon Books, NY, 1981. Rauschenberg, Robert (illustrator). First American edition. 4to., [xvi], 122 leaves of b&w photographs, [4] pp. A fine copy in the photo-illustrated dust jacket. Boldly SIGNED by the artist on the half-title page. The text is an interview with Robert Rauschenberg by Alain Sayag, on January 9, 1981, at the artist's studio on Captiva Island, Florida. Published in conjunction with the first exhibition of photographs by Robert Rauschenberg, held April 15 to May 27, 1981, at the Centre Georges Pompidou, Paris. Bookseller Inventory # 52039

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RAUSCHENBERG, ROBERT

Published by Abrams, New York (1969)

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Quantity Available: 1

From: Indexbooks/Peter Gidal (london, United Kingdom)

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Item Description: Abrams, New York, 1969. Book-object designed by RR, including his text/photo superimpositions making both equivalently "hard to read". Used to be a £1,500 item in the 1980’s, then became a barely £500 item, split the difference. As this is being written, news of RR’s death. His early paintings and the fantastic immense Barge as well as the wonderful post-dada silkscreens on canvas from the 60’s still exhilarating at times, recalled with a friend perchance three months ago at the Empire Diner (food still inedible, only water) in New York, two weeks prior to RR’s death – so the recollection of his work isn’t sentimentally sudden. Bookseller Inventory # INDE-C70521

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Hoarfrost.: Rauschenberg, Robert.

Rauschenberg, Robert.

Published by Venice, Ace Gallery, 1974. (1974)

Used

Quantity Available: 1

From: M + R Fricke (Berlin, Germany)

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Item Description: Venice, Ace Gallery, 1974., 1974. 42,3:40 cm. Ausstellungseinladung. Siebdruck auf Organza-Baumwolltaschentuch mit weißen Dekostreifen. Beigelegt: Die Einladungskarte zu derselben Ausstellung auf Leichtkarton gedruckt. 16,5:18,2 cm, einseitig bedruckt. Inspiriert von Käseleinen, der gewöhnlich für die Reinigung von Lithosteinen benutzt wurde, produzierte Rauschenberg zwischen 1974 und 1976 eine Serie von Drucken auf Seide , die er mit Hoarfrosts (Rauhreif) betitelte. Diese Einladung auf Stoff nimmt direkten Bezug auf diese neue Produktion. Ex. zweifach gefaltet. Äußerst selten. Exhibition announcement. Screenprint on Organza handkerchief . Enclosure: announcement for the same exhibition printed on light cardboard. Between 1974 and 1976, Robert Rauschenberg produced Hoarfrosts, a group of unique solvent transfer works on silk inspired by the sheets of cheesecloth commonly used to clean ink from lithographic stones between rounds of printing. Folded twice. Scarce. Bookseller Inventory # 0001271

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Rauschenberg, Robert (Artist/Photographer) & Ackley, Clifford (Contributor)

Published by New York City, NY: ULAE Incorporated, 1981

Used Soft cover First Edition Signed

Quantity Available: 1

From: Modern Rare (CHICAGO, IL, U.S.A.)

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Item Description: New York City, NY: ULAE Incorporated, 1981. Soft cover. Book Condition: Fine. 1st Edition. 1st Printing. Signed. 70 pages. Published in 1981. Retrospective collection of photographs on subject. The first of a planned series on American cities, the project ended with a companion volume on New York City. The first and only edition. Published in a small and limited print run as a softcover original only. There is NO Hardcover Edition. There is no ISBN. The First Edition is now rare. An austerely elegant production by Robert Rauschenberg: Oversize-volume format. White softcovers with metallic-silver titles beautifully embossed on the cover and spine, as issued. Photographs by Robert Rauschenberg. Essay by Clifford Ackley. Matching white hard board slipcase. Printed on pristine-white, thick uncoated stock paper in the United States to the highest standards. Without DJ, as issued. Presents Robert Rauschenberg's "Photos In + Out City Limits: Boston". The great artist's collection of black-and-white photographs on Boston. It is the partial fulfillment of his 30-year-old wish to photograph the entire United States, a project he never completed. Showcases his unique approach to photography as a process of discovery, selection, and assemblage of objects from everyday life. One of the least well-known facts about Rauschenberg is that he began his career as a photographer. He makes no distinction between his photography and his painting, and he brings the same acute eye to both. The photographs, like the paintings, are formally rigorous, sensuous, and piercing. His celebrated method of appropriating found images and objects to capture the fabric, tempo, and "feel" of modern life is photographically-inspired and characterizes his large body of work. The idea of appropriation is not unique to Rauschenberg. It is a central tenet of Surrealism and continues to be the latter Movement's enduring legacy. What makes Rauschenberg's work unique is the way he has "set in motion an interplay of shapes in which the human form is integrated to a rigorous yet flamboyant sense of design, pictures in which art and real life coincide" (Pontus Hulten). "A protean genius who showed America that all of life could be open to art. Rauschenberg didn't give a fig for consistency or curating his reputation; his taste was always facile, omnivorous, and hit-or-miss, yet he had a big-ness of soul and a richness of temperament that recalled Walt Whitman" (Robert Hughes). "Mine is the need to be where it will always never be the same again. Photography is the most direct communication of non-violent contacts" (Robert Rauschenberg). An absolute "must-have" title for Robert Rauschenberg collectors. This copy is very prominently and beautifully signed in pencil by Robert Rauschenberg. It is signed directly on the page itself, not on a tipped-in page. This title is a great art photography book. This is one of very few such signed copies of the First Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. Please note: Many copies available online have major flaws because the color white soils very easily. According to dealers who knew him, Rauschenberg basically stopped signing books in the 1990's. Signed copies still available online are vintage, not recent, and very few. A rare signed copy thus. 45 tritone plates. One of the greatest artists of the 20th century. A fine collectible copy. (SEE ALSO OTHER ROBERT RAUSCHENBERG TITLES IN OUR CATALOG). Signed by Author. Bookseller Inventory # 13322

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Rauschenberg, Robert; William Isler; Gao Lei

Published by Beijing/Bay Shore : Da Feng Gallery/Universal Limited Art Productions (2008)

Used Soft cover First Edition

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From: Antiquariaat Digitalis (Groningen, Netherlands)

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Item Description: Beijing/Bay Shore : Da Feng Gallery/Universal Limited Art Productions, 2008. Soft cover. Book Condition: Fine. 1st Edition. Softcover, (36)p : color illustrations ; 22 x 29 cm. Fine. Text in Chinese and English. Extremely scare exhibition catalog of Rauschenberg's final work in China. According to Worldcat not available in any public library. OCLC: 277157329. Bookseller Inventory # 178530905

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Robert Rauschenberg: Combines [SIGNED]: RAUSCHENBERG, Robert, SCHIMMEL,

RAUSCHENBERG, Robert, SCHIMMEL, Paul, CROW, Thomas E., STUCKEY, Charles, JOSEPH, Branden W., HULTEN, Pontus

Published by The Museum of Contemporary Art, Los Angeles (MOCA) and Steidl Verlag, Los Angeles and Göttingen, Germany (2005)

ISBN 10: 3865211453 ISBN 13: 9783865211453

New Hardcover First Edition Signed

Quantity Available: 1

From: Vincent Borrelli, Bookseller (Albuquerque, NM, U.S.A.)

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Item Description: The Museum of Contemporary Art, Los Angeles (MOCA) and Steidl Verlag, Los Angeles and Göttingen, Germany, 2005. Hardcover. Book Condition: New. Dust Jacket Condition: Near Fine. 1st Edition. First edition, first printing. Signed in black ink on the half-title page by Rauschenberg. Hardcover. Beige cloth-covered boards with title debossed on front cover, stamped in white on rear cover, and stamped in black and red on spine; with photographically illustrated dust jacket. Combines by Robert Rauschenberg. Organized by Paul Schimmel. Essays by Thomas Crow, Branden W. Joseph, Paul Schimmel and Charles Stuckey. Afterword by Pontus Hultén. Includes an inventory and exhibition history of Combines, and a selected bibliography of Combine-related works. Designed by Tracey Shiffman with Ari Young and Jenny Yee. 318 pp., with numerous four-color and black-and-white plates beautifully printed in Germany by Steidl.Published on the occasion of an exhibition at The Metropolitan Museum of Art, New York; traveling to The Museum of Contemporary Art, Los Angeles, Musée national d'art moderne, Centre Georges Pompidou, Paris, and Moderna Museet, Stockholm. New in Near Fine dust jacket (1/8-inch closed tear at the top of the front fold, else Fine). From the publisher: "Organized by Chief Curator Paul Schimmel, Robert Rauschenberg: Combines focuses on the Combines created roughly between 1954 and 1964, the most important decade in the artist's 50-year career. The most complete survey of these works ever mounted, the exhibition featured close to eighty key works drawn from major collections. Poetic and lush, the Combines present layers of complex and sometimes conflicting information. This prescient approach has become increasingly relevant in the current age of cascading information, when even the most groundbreaking artists are referencing and sampling disparate elements to create new forms. The Combines suggest the fragility of definitions, the fluidity of materials, and the complexity of forms that is characteristic of Rauschenberg's works. The artist's handling of materials provides a precise physical evolutionary link between the painterliness of Abstract Expressionism and iconographical, subject-driven qualities of early Pop Art. The book constitutes the most complete survey of the Combines ever presented, as well as the most rigorous analysis of their political, social, autobiographical, and aesthetic significance." Signed by Author. Bookseller Inventory # 107163

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Rauschenberg, Robert

Used Signed

Quantity Available: 1

From: Rare Posters (Brooklyn, NY, U.S.A.)

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Item Description: 1978. Book Condition: Fine. 75 x 30 inches. "Ace Gallery, Venice, California" by Robert Rauschenberg, Unsigned Offset Lithograph printed in 1978. The overall size of the Offset Lithograph is 75 x 30 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Offset Lithograph: Large, original release 1978 exhibition poster by Robert Rauschenberg advertising his exhibition at Ace Gallery in Venice, California. Not Signed. Art, Prints & Posters. Bookseller Inventory # YY5006

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