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Mothers of Invention: Film, Media, and Caregiving Labor (Contemporary Approaches to Film and Media Series)
Language: English
Published by Wayne State University Press, 2022
ISBN 10: 0814348521 ISBN 13: 9780814348529
Seller: Sequitur Books, Boonsboro, MD, U.S.A.
Association Member: IOBA
Seller rating 5 out of 5 stars
Paperback. Condition: As New. Softcover. Good binding and cover. Light wear. Clean, unmarked pages.
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1968 and Global Cinema (Contemporary Approaches to Film and Media Series)
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Soft cover. Condition: New. "This volume makes a welcome intervention into scholarship on political cinema, insisting on the centrality of anticolonial struggles and international solidarities to the category of world cinema. The editors have gathered an impressive range of essays which open out the histories and aesthetics of 1968 in genuinely exciting ways." -Rosalind Galt, professor of Film Studies at King's College London. 422 pages. 6 x 1 x 9 inches.
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1968 and Global Cinema (Contemporary Approaches to Film and Media Studies)
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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1968 and Global Cinema
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
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1968 and Global Cinema
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Seller: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, U.S.A.
Seller rating 5 out of 5 stars
Paperback. Condition: Very Good+. Text clean and tight; Contemporary Approaches To Film And Media Studies; 8vo 8" - 9" tall; 216 pages.
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1968 and Global Cinema (Contemporary Approaches to Film and Media Studies)
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Condition: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.
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1968 and Global Cinema (Contemporary Approaches to Film and Media Studies)
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Condition: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.
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1968 and Global Cinema
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Condition: New.
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1968 and Global Cinema (Paperback or Softback)
Language: English
Published by Wayne State University Press 10/17/2018, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Paperback or Softback. Condition: New. 1968 and Global Cinema. Book.
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1968 and Global Cinema
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Condition: As New. Unread book in perfect condition.
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1968 and Global Cinema
Language: English
Published by Wayne State University Press, US, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Seller rating 5 out of 5 stars
US$ 46.65
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Add to basketPaperback. Condition: New. Examines the political cinema of 1968 in relation to global events.1968 and Global Cinema addresses a notable gap in film studies. Although scholarship exists on the late 1950s and 1960s New Wave films research that puts cinemas on 1968 into dialogue with one another across national boundaries is surprisingly lacking. Only in recent years have histories of 1968 begun to consider the interplay among social movements globally. The essays in this volume, edited by Christina Gerhardt and Sara Saljoughi, cover a breadth of cinematic movements that were part of the era's radical politics and independence movements. Focusing on history, aesthetics, and politics, each contribution illuminates conventional understandings of the relationship of cinema to the events of 1968, or ""the long Sixties.""The volume is organized chronologically, highlighting the shifts and developments in ideology in different geographic contexts. The first section examines both the visuals of new cinemas as wellas new readings of the period's politics in various geopolitical iterations. This half of the book begins with an argument that while the impact of Italian Neorealism and the French New Wave on subsequent global new waves is undeniable, the influence of cinemas of the so-called Global South is pivotal for the eras cinema as well. The second section considers the lasting impact of 1968 and related cinematic new waves into the 1970s. The essays in this section range from China's Cultural Revolution in cinema to militancy and industrial struggle in 1070s worker's films in Spain. In these ways, the volume provides fresh takes and allows for new discoveries of the cinemas of the long 1968.1968 and Global Cinema aims to achieve balance between new readings of well-known films filmmakers and movements as well as new research that engages lesser-known bodies of films and film tests. The volume is ideal for graduate and undergraduate courses on the long sixties, political cinema, 1968, and new waves in art history, cultural studies and film and media studies.Contributors: Robert Stam, Lily Saint, Rocco Giansante, Peter Hames, Rita de Grandis, Morgan Adamson, David Desser, Graeme Stout, Mauro Resmini, Man-tat Terence Leung, Allyson Nadia Field, Sarah Hamblin, J. M. Tyree, Victor Fan, Laurence Coderre, Pablo La Parra-Perez, Paula Rabinowitz, Sara Saljoughi, Christina Gerhardt.
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1968 and Global Cinema (Contemporary Approaches to Film and Media Studies)
Language: English
Published by Wayne State University Press 2018-07-30, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
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1968 and Global Cinema (Contemporary Approaches to Film and Media Studies)
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Seller rating 5 out of 5 stars
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1968 and Global Cinema
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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1968 and Global Cinema
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Add to basketPaperback. Condition: Brand New. 384 pages. 8.75x6.00x1.00 inches. In Stock.
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1968 and Global Cinema (Contemporary Approaches to Film and Media Studies)
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814345425 ISBN 13: 9780814345429
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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1968 and Global Cinema
Language: English
Published by Wayne State University Press, US, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
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Add to basketPaperback. Condition: New. Examines the political cinema of 1968 in relation to global events.1968 and Global Cinema addresses a notable gap in film studies. Although scholarship exists on the late 1950s and 1960s New Wave films research that puts cinemas on 1968 into dialogue with one another across national boundaries is surprisingly lacking. Only in recent years have histories of 1968 begun to consider the interplay among social movements globally. The essays in this volume, edited by Christina Gerhardt and Sara Saljoughi, cover a breadth of cinematic movements that were part of the era's radical politics and independence movements. Focusing on history, aesthetics, and politics, each contribution illuminates conventional understandings of the relationship of cinema to the events of 1968, or ""the long Sixties.""The volume is organized chronologically, highlighting the shifts and developments in ideology in different geographic contexts. The first section examines both the visuals of new cinemas as wellas new readings of the period's politics in various geopolitical iterations. This half of the book begins with an argument that while the impact of Italian Neorealism and the French New Wave on subsequent global new waves is undeniable, the influence of cinemas of the so-called Global South is pivotal for the eras cinema as well. The second section considers the lasting impact of 1968 and related cinematic new waves into the 1970s. The essays in this section range from China's Cultural Revolution in cinema to militancy and industrial struggle in 1070s worker's films in Spain. In these ways, the volume provides fresh takes and allows for new discoveries of the cinemas of the long 1968.1968 and Global Cinema aims to achieve balance between new readings of well-known films filmmakers and movements as well as new research that engages lesser-known bodies of films and film tests. The volume is ideal for graduate and undergraduate courses on the long sixties, political cinema, 1968, and new waves in art history, cultural studies and film and media studies.Contributors: Robert Stam, Lily Saint, Rocco Giansante, Peter Hames, Rita de Grandis, Morgan Adamson, David Desser, Graeme Stout, Mauro Resmini, Man-tat Terence Leung, Allyson Nadia Field, Sarah Hamblin, J. M. Tyree, Victor Fan, Laurence Coderre, Pablo La Parra-Perez, Paula Rabinowitz, Sara Saljoughi, Christina Gerhardt.
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Add to basketHardcover. Condition: Brand New. 384 pages. 9.25x6.25x1.25 inches. In Stock.
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An Introduction to Artificial Psychology: Application Fuzzy Set Theory and Deep Machine Learning in Psychological Research using R
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1968 and Global Cinema (Contemporary Approaches to Film and Media Series)
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814345425 ISBN 13: 9780814345429
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An Introduction to Artificial Psychology
Language: English
Published by Springer International Publishing, 2023
ISBN 10: 303131171X ISBN 13: 9783031311710
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1968 and Global Cinema
Language: English
Published by MP-WST Wayne State Uni Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
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Add to basketPAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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1968 and Global Cinema
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
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Add to basketPaperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 598.
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1968 and Global Cinema (Contemporary Approaches to Film and Media Studies)
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Condition: New. Print on Demand pp. 434.
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1968 and Global Cinema (Contemporary Approaches to Film and Media Studies)
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Condition: New. PRINT ON DEMAND pp. 434.
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1968 and Global Cinema
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Examines the political cinema of 1968 in relation to global events. The essays in this volume, edited by Christina Gerhardt and Sara Saljoughi, cover a breadth of cinematic movements that were part of the era s radical politics and independence movements.
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1968 and Global Cinema
Language: English
Published by MP-WST Wayne State Uni Press, 2018
ISBN 10: 0814345425 ISBN 13: 9780814345429
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
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1968 and Global Cinema
Language: English
Published by Wayne State University Press, 2018
ISBN 10: 0814342930 ISBN 13: 9780814342930
Photograph Print on Demand
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 1968 and Global Cinema addresses a notable gap in film studies. Although scholarship exists on the late 1950s and 1960s New Wave films, research that puts cinemas on 1968 into dialogue with one another across national boundaries is surprisingly lacking. Only in recent years have histories of 1968 begun to consider the interplay among social movements globally. The essays in this volume, edited by Christina Gerhardt and Sara Saljoughi, cover a breadth of cinematic movements that were part of the era's radical politics and independence movements. Focusing on history, aesthetics, and politics, each contribution illuminates conventional understandings of the relationship of cinema to the events of 1968, or 'the long Sixties.'The volume is organized chronologically, highlighting the shifts and developments in ideology in different geographic contexts. The first section, 'The Long Sixties: Cinematic New Waves,' examines both the visuals of new cinemas, as well as new readings of the period's politics in various geopolitical iterations. This half of the book begins with an argument that while the impact of Italian Neorealism and the French New Wave on subsequent global new waves is undeniable, the influence of cinemas of the so-called Global South is pivotal for the era's cinema as well. The second section, 'Aftershocks,' considers the lasting impact of 1968 and related cinematic new waves into the 1970s. The essays in this section range from China's Cultural Revolution in cinema to militancy and industrial struggle in 1970s worker's films in Spain. In these ways, the volume provides fresh takes and allows for new discoveries of the cinemas of the long 1968.1968 and Global Cinema aims to achieve balance between new readings of well-known films, filmmakers, and movements, as well as new research that engages lesser-known bodies of films and film texts. The volume is ideal for graduate and undergraduate courses on the long sixties, political cinema, 1968, and new waves in art history, cultural studies, and film and media studies.
