Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Language: English
Published by LAP LAMBERT Academic Publishing, 2019
ISBN 10: 6200306923 ISBN 13: 9786200306920
Seller: California Books, Miami, FL, U.S.A.
Condition: New.
Condition: new.
Condition: New.
Paperback. Condition: New. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.
US$ 41.71
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Add to basketPAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by LAP LAMBERT Academic Publishing, 2019
ISBN 10: 6200306923 ISBN 13: 9786200306920
Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Condition: New. 2020. Paperback. . . . . .
Language: English
Published by LAP LAMBERT Academic Publishing 2019-09-04, 2019
ISBN 10: 6200306923 ISBN 13: 9786200306920
Seller: Chiron Media, Wallingford, United Kingdom
US$ 29.42
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Add to basketPaperback. Condition: New.
Condition: New. pp. 375.
Condition: As New. Unread book in perfect condition.
Condition: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.
Language: English
Published by Diaphanes AG, Zurich, 2020
ISBN 10: 3035802408 ISBN 13: 9783035802405
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
US$ 39.38
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Add to basketPaperback. Condition: Brand New. 256 pages. 7.50x4.75x1.00 inches. In Stock.
Condition: New. pp. 375.
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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Condition: New. Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidiz.
Language: German
Published by Turia + Kant, Verlag -, 2025
ISBN 10: 3985140987 ISBN 13: 9783985140985
Seller: Chiron Media, Wallingford, United Kingdom
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Add to basketPaperback. Condition: Brand New. 240 pages. German language. 6.30x0.71x9.49 inches. In Stock.
Language: Spanish
Published by Ediciones Nuestro Conocimiento, 2022
ISBN 10: 6204920189 ISBN 13: 9786204920184
Seller: moluna, Greven, Germany
Condition: New.
Taschenbuch. Condition: Neu. Neuware - Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as topoi such as the break, the marginalization, the tearing and opening indicate. However, these multifarious attempts to 'build on the structure through demolition' (Benjamin) testify to the dependence of all articulation on the forms of (re)presentation ['Darstellung']. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated which generate their critical statements less argumentatively than through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects and instruments, visibly enters the critical scene-whereas the theatrical scene as a stage of critique has been contested intensively during the 20th century. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.
Taschenbuch. Condition: Neu. Critique: The Stakes of Form | Critical Stances | Beate Söntgen | Taschenbuch | 352 S. | Englisch | 2020 | DIAPHANES AG | EAN 9783035802405 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu.
US$ 36.66
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Language: German
Published by Turia + Kant, Verlag Okt 2025, 2025
ISBN 10: 3985140987 ISBN 13: 9783985140985
Seller: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. Neuware -''Kants Genie ist letztlich kein Begriff von Fülle, Macht und Können, sondern markiert die Abgründigkeit des ästhetischen Subjekts, seine Unmöglichkeit.''Kants Theorie der Kunst ist nicht nur eine der Geburtsstätten der modernen Ästhetik, seine Kritik der Urteilskraft ist auch ein Komplex aus Brüchen, Diskontinuitäten und Widersprüchen.Jan Sieber zeigt, dass sich darin weniger ein Scheitern der Theorie bezeugt, sondern vielmehr eine Ästhetik des Realen ankündigt. In seiner minutiösen Lektüre von Kants Werk erweisen sich die 'Urteilskraft' und die 'Kunst' als in der Erfahrung eines grundlosen Aktes verbunden, in dem sich die ästhetische Subjektivität der Moderne konstituiert.Auf diesem Weg liefert 'Das ästhetisch Unbewusste' eine Neuinterpretation von Kants Geniebegriff. In seinen Aporien verweist er auf das 'Kunstwerk' als unmögliches Objekt, dessen Konturen sich erst in Lacans Theorie vom 'objet a' abzeichnen werden und das für eine Auseinandersetzung mit Kunst und Ästhetik der Gegenwart unabdingbar ist. 240 pp. Deutsch.
Language: German
Published by Turia + Kant, Verlag Okt 2025, 2025
ISBN 10: 3985140987 ISBN 13: 9783985140985
Seller: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Germany
Taschenbuch. Condition: Neu. Neuware -''Kants Genie ist letztlich kein Begriff von Fülle, Macht und Können, sondern markiert die Abgründigkeit des ästhetischen Subjekts, seine Unmöglichkeit.''Kants Theorie der Kunst ist nicht nur eine der Geburtsstätten der modernen Ästhetik, seine Kritik der Urteilskraft ist auch ein Komplex aus Brüchen, Diskontinuitäten und Widersprüchen.Jan Sieber zeigt, dass sich darin weniger ein Scheitern der Theorie bezeugt, sondern vielmehr eine Ästhetik des Realen ankündigt. In seiner minutiösen Lektüre von Kants Werk erweisen sich die 'Urteilskraft' und die 'Kunst' als in der Erfahrung eines grundlosen Aktes verbunden, in dem sich die ästhetische Subjektivität der Moderne konstituiert.Auf diesem Weg liefert 'Das ästhetisch Unbewusste' eine Neuinterpretation von Kants Geniebegriff. In seinen Aporien verweist er auf das 'Kunstwerk' als unmögliches Objekt, dessen Konturen sich erst in Lacans Theorie vom 'objet a' abzeichnen werden und das für eine Auseinandersetzung mit Kunst und Ästhetik der Gegenwart unabdingbar ist. 240 pp. Deutsch.
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Add to basketPaperback. Condition: New. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.
Language: English
Published by Diaphanes AG, Zurich, 2020
ISBN 10: 3035802408 ISBN 13: 9783035802405
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.