Language: English
Published by Cleveland Center for Contemporar, 2002
ISBN 10: 1880353202 ISBN 13: 9781880353202
Seller: HPB-Emerald, Dallas, TX, U.S.A.
Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Language: English
Published by Cleveland Center for Contemporar, 2002
ISBN 10: 1880353202 ISBN 13: 9781880353202
Seller: HPB-Diamond, Dallas, TX, U.S.A.
paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Language: English
Published by Cleveland Center for Contemporary Art, 2002
ISBN 10: 1880353202 ISBN 13: 9781880353202
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Cleveland Center for Contemporary Art, 2002
ISBN 10: 1880353202 ISBN 13: 9781880353202
Seller: Blue Vase Books, Interlochen, MI, U.S.A.
Condition: acceptable. The item is very worn but is perfectly usable. Signs of wear can include aesthetic issues such as scratches, dents, worn and creased covers, folded page corners and minor liquid stains. All pages and the cover are intact, but the dust cover may be missing. Pages may include moderate to heavy amount of notes and highlighting, but the text is not obscured or unreadable. Page edges may have foxing age related spots and browning . May NOT include discs, access code or other supplemental materials.
Softcover, 88 pages; good condition; creases to front and rear covers; no internal marks.
Language: English
Published by Cleveland Center for Contemporary Art, Cleveland, OH, 2001
ISBN 10: 1880353202 ISBN 13: 9781880353202
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
First Edition
Paperback. Condition: Fine. 1st. 95 pages, chiefly colour illustrations; 25 cm. Catalogue of an exhibition held at the Cleveland Center for Contemporary Art, December 13, 2001 to March 3, 2002; and other venues. Firm binding, clean inside copy. *** "This catalogue documents a body of work created by Hammond following a unique collaboration with the renowned poet John Ashbery. In 1993, Hammond commissioned Ashbery to create a set of unique titles that would act as catalysts for her recombinative paintings. Ashbery provided 44 such titles that employ his characteristically eclectic use of language, such as Confessions of a Fop, A Parliament of Refrigerator Magnets, Freezer Burn, and others. Since 1993, these titles have been the initial source of Hammond's creative process. The 60 paintings created to date in this series are, like all of her work, produced from a controlled iconographic pool of 276 pictorial representations, drawn from such texts as 19th-century technical manuals, old children's books, pornographic comics, and the like. The relationships between titles and paintings range from obscure to playfully evident, yet all derive from the lively intersection between language and image." - Publisher. *** CONTENTS: Untitled, by John Ashbery; Dear reader, on Jane Hammond's collaboration with John Ashbery, by Ingrid Schaffner; Inside the Soapstone Factory, by Jill Snyder. Size: 8vo. Collectible.
Language: English
Published by Cleveland Center for Contemporary Art, Cleveland, Ohio, U.S.A., 2001
ISBN 10: 1880353202 ISBN 13: 9781880353202
Soft cover. Condition: Very Good. 96 page softcover exhibition catalog with many color illustrations. Exhibition was at several museums in 2001 or 2002. Unmarked, tight and clean.
Language: English
Published by Aldrich Museum of Contemporary Art, Ridgefield, CT, 1997
ISBN 10: 1888332050 ISBN 13: 9781888332056
Softcover. White wraps. 82 pp. Numeorus color & bw plates. Exhibition held May 4 to Aug. 31, 1997 at Aldrich Museum of Contemporary Art and the Cleveland Center for Contemporary Art February 27-April 19, 1998. Includes a prologue by Jill Snyder and a sixteen-page essay by Ingrid Shaffner, "Circling Oblivion/Bruce Naumann through Samuel Beckett", along with the excellent illustrations and a checklist of works. Good+ (call sticker on front & back, donor bookplate and library stamp inside, scuffing, shelf-wear & markings to cover).
Language: English
Published by Cleveland Center for Contemporary Art, 2002
ISBN 10: 1880353202 ISBN 13: 9781880353202
Seller: Poverty Hill Books, Mt. Prospect, IL, U.S.A.
paperback. Condition: New. BRAND NEW, Perfect Shape, No Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!
Language: English
Published by Univ Pennsylvania Inst of, 2007
ISBN 10: 0884541053 ISBN 13: 9780884541059
Seller: Revaluation Books, Exeter, United Kingdom
US$ 21.55
Quantity: 1 available
Add to basketPaperback. Condition: Brand New. illustrated edition. 80 pages. 7.50x5.25x0.50 inches. In Stock.
Language: English
Published by Independent Curators Inc.,U.S., 2007
ISBN 10: 0916365751 ISBN 13: 9780916365752
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
US$ 31.54
Quantity: 9 available
Add to basketPaperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Language: English
Published by Institute of Contemporary Art, University of Pennsylvania, 2004
ISBN 10: 0884541053 ISBN 13: 9780884541059
Seller: NUDEL BOOKS, New York, NY, U.S.A.
Soft cover. Condition: Very Good. 12mo, small white wrappers, no d.j, scarce.vv8/2/3.
Language: English
Published by Institute of Contemporary Art, University of Pennsylvania, 2004
ISBN 10: 0884541053 ISBN 13: 9780884541059
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
paperback. Condition: New. In shrink wrap. Looks like an interesting title!
Language: English
Published by Cleveland Center for Contemporary Art, 2002
ISBN 10: 1880353202 ISBN 13: 9781880353202
Seller: Signedbookman, Aurora, IL, U.S.A.
Soft cover. Condition: Fine. Dust Jacket Condition: No Jacket as Issued. Signed and inscribed by the artist "For Joyce + Gary - Warmly, Jane Hammond" on the free front endpaper. The book is in fine condition. Signed By Artist.
Language: English
Published by Cleveland Center for Contemporary Art, 2002
ISBN 10: 1880353202 ISBN 13: 9781880353202
Seller: Schindler-Graf Booksellers, Westlake, OH, U.S.A.
Condition: New. New softcover. Bright, glossy and clean, with no marks or writing in book. No signs of wear.
Language: English
Published by Cleveland Center for Contemporary Art, 2002
ISBN 10: 1880353202 ISBN 13: 9781880353202
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
Paperback. Condition: New. In shrink wrap. Looks like an interesting title!
Hard cover. Sewn binding. Cloth over boards. 304 p. Contains: Illustrations. Audience: General/trade. Very good in very good dust jacket.
Language: English
Published by University of Pennsylvania,Institute of Contemporary Art, Philadelphia, 2004
ISBN 10: 0884541053 ISBN 13: 9780884541059
Seller: CitiRetail, Stevenage, United Kingdom
US$ 28.07
Quantity: 1 available
Add to basketPaperback. Condition: new. Paperback. Conceptions of nothing are one of the driving themes of twentieth-century art. One thinks of Piet Mondrian's reductivist approach to abstraction, Marcel Duchamp's contention that art resides in ideas, not objects, Mark Rothko's painterly reach for the sublime, Andy Warhol's affirmations of the vacuity of Pop culture. The Big Nothing will focus on themes of nothing, nothingness and negation in contemporary art and culture, surveying the legacy of these and other manifestations of absence made manifest in contemporary art. Artist include Gareth James, Jutta Koether, Louise Lawler, Richard Prince, Yves Klein, Bernadette Corporation, John Miller and James Welling, among others. Given its broad connotations, nothing provides general audiences with immediate access to looking at and thinking about the art of today. Part of a pan-Philadelphia cultural event initiated by the ICA, in which the city gives itself over to the art of nothing. Conceptions of "nothing" are one of the driving themes of twentieth-century art. One thinks of Piet Mondrian's reductivist approach to abstraction, Marcel Duchamp's contention that art resides in ideas, not objects, Mark Rothko's painterly reach for the sublime, Andy Warhol's affirmations of the vacuity of Pop culture. "The Big Nothing" will focus on themes of nothing, nothingness and negation in contemporary art and culture, surveying the legacy of these and other manifestations of absence made manifest in contemporary art. Artist include Gareth James, Jutta Koether, Louise Lawler, Richard Prince, Yves Klein, Bernadette Corporation, John Miller and James Welling, among others. Given its broad connotations, "nothing" provides general audiences with immediate access to looking at and thinking about the art of today. Part of a pan-Philadelphia cultural event initiated by the ICA, in which the city gives itself over to the art of nothing. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.