Warhol Andy Billy Name (25 results)

Soft Cover. Condition: Good+. Tight and clean. Solid binding. With a vertical crease to rear cover and thin reading crease to spine, otherwise in better than Good condition. No inscriptions. No remainder mark. Not ex-library. ; 224 full page plates. Edited by Asai Takashi. Published on the occasion of the exhibition at Parco Gallery, Tokyo, April 25 - May 28, 1996.; 4to.

Hardcover without dustjacket as issued; 144 pages; as new condition; clean and crisp, no internal marks. Foreign shipping may be extra.

First Edition. Hardcover. First Edition. Pages lightly toned, else about Fine, with no dust jacket as issued.

Hardcover. 208p., 9.25x11.25 inches, essays, introduction, preface, color plates, b&w photos, very good first edition hardcover monograph bound in black boards and unclipped bright mauve dust jacket with Warhol portrait.

Artist postcard, 4 x 6 inches; very good condition; an unmailed copy.

First Edition. Softcover. First Edition. Near Fine in perfect-bound wrappers.

Erste Auflage. 30 x 23 cm. 127 S. Illustrierter OKarton. Winziger Abrieb an Stoßkante verso unten, innen papierbedingt an den Seiten minimalst lichtrandig, sonst noch sehr gutes Exemplar. Durchgehend mit schwarz-weißen Abbildungen versehen. Mit ausführlichen Textkommentaren zu den einzelnen Filmstills in englischer Sprache. William George Linich (22. Februar 1940 18. Juli 2016), beruflich bekannt als Billy Name, war ein amerikanischer Fotograf, Filmemacher und Lichtdesigner. Von 1964 bis 1970 war er Archivar der Factory. Seine kurze Romanze und spätere Freundschaft mit Andy Warhol führte zu einer wesentlichen Zusammenarbeit an Warhols Werk, darunter seine Filme, Gemälde und Skulpturen. Linich wurde Billy Name in der Clique, die als Warhol-Superstars bekannt war. Er war verantwortlich für die "Versilberung" von Warhols New Yorker Studio, der Factory, wo er bis 1970 lebte. Seine Fotografien der Szene in der Factory und von Warhol sind wichtige Dokumente der Pop-Art-Ära (Wikipedia).

Softcover, unpaginated; very good condition; except creases and a couple scuffs to spine; about 5 page lightly dog-eared at top near center of book; 3 inch crease to rear cover lower corner; no internal marks. Foreign shipping may be extra.

First edition. Large 4to, 128 pp, wraps. Profusely illustrated with black and white stills, photographs and other reproductions. Some minor wear to wraps and a tiny area of laminate lift to one tip, else fine, a handsome copy.

Softcover. Second Edition. About Fine in perfect-bound wrappers.

Softcover, staple-bound; 32 pages; very good condition; clean and crisp; no internal marks.

Hardcover. Condition: Fine. First edition. Introduction by Dave Hickey. Interview by Collier Schorr. Small quarto. 143pp. Heavily illustrated from color photographs. Just about fine in pictorial boards with a tiny bit of wear and the front cover trifle splayed.

Softcover, unpaginated; very good condition; clean and crisp; signed by Billy Name in silver marker on title page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condition: Gut bis sehr gut. 1. Auflage. Z/B : An early Artist Book containing 8 pop-up/out images as follows: Pop-up castle; Harmonic accordion; Pop-up airplane; Paper disc on spring with "the Chelsea Girls" in type; an illustrated dodecahedron attached by string; 45 RPM flexi-disc recording by Lou Reed (Velvet Underground); large fold-out Warhol photograph; Pop-up Hunts Tomato Paste can; sheet of perforated tabs. - The Andy Warhol Index Book, is an important Warhol book and iconic publication of the psychedelic era in New York. It was about The factory , Andy Warhol`s famous (and some say hedonistic) New York City studio where he used to work and shoot his underground films. The Factory was his original New York City studio from 1963 to 1968, although his later studios were known as The Factory as well.

Hardcover. Condition: Near Fine. No Jacket. Andy Warhol (illustrator). 1st Edition. First Edition / First Printing. Black cloth spine, black and white printed boards, with a lenticular (hologram-like) black and silver illustration glued to the front board. Near fine. Issued without dust jacket, clear archival jacket supplied. Pop-ups, fold-outs, attached items and black-and-white photographs. Balloon has melted and fused two pages, also slightly coloring adjacent pages. Tear-out sheet is gone, all other objects are present and in fine condition: a pop-up castle, a fold-out accordion, a pop-up airplane, spring-mounted Chelsea Girls disc, a dodecahedron paper sculpture, Lou Reed flexi-disc is detached but is present, Rainbow nose with overlays, a pop-up Hunt's Tomato Paste can.

Soft cover. Condition: Fine. 1st edition. Near Fine. 4to, 20pp (mimeographed). This issue of The Floating Bear features input by Billy Linich (Billy Name) of Andy Warhol's Factory, plus a text by Gerard Malanga "spoken by the poet for a film tribute by Andy Warhol to the dancer, Freddie Herko." Cover by George Herms, plus writing by Frank O'Hara, Julian Beck, Robert Grosseteste, James Waring, et al. Uncommonly nice copy; horizontal publisher's fold. Not Signed.

[24] pp.; 42 x 29 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Second issue of Other Scenes & The New York Seer, published May 1968, edited by John Wilcock. Content include: word art by Charles Henry Ford; "Eartha, Baby. Who's [sic] Song You Gonna Sing?" by Hakim A. Jamal; "Men Who Can't Come Home"; "Manual for Draft-Age Immigrants to Canada;" "Smug!"; "Other Scenes;" "Tuli: Yiggers, Blonkies & Crackers," by Tuli Kupferberg; "The Antic Art by Ed Ruscha," by Irving Blum; "Taylor Mead: Stoned on Peanut Butter," by Jean-Jacques Lebel, with photos of Taylor Mead by John Chamberlain; "Why I Am Proud to Be an American," by Bingham Young; "Displacement," a two page comic; "Models," art by Sivent Lindblom; "Black Flower," by Ted Joans; a full page collage of photographs of Andy Warhol with an Andy Warhol quote and information about a Warhol exhibition held at Museet in Stockholm, February - March 1968; "Cuba Today," by Philip Russel and Dick Reavis; "Turn the Page;" "Fried Fish Country," Country Joe MacDonald and the Fish interviewed by Distant Drummer; "Censorshit," by Karol Ferster; "3rd Pinacle of Success," by Steve the Hawk; "You Can't Fake the Real Thing," letters; "Alex," by Alex Apostolides; "Those Loveable Peace-Nut," comic strip created by Tom Dunphy and Calypso Joe, drawn by Bill Stout; "Cultural Revolution," by Jimmy Plato; "They're Tearin' Down South Street," by DeMaio; "Love Games," by Dick Bagwell "Krassner," by The Fifth Estate. Cover photo by Billy Name. Fair. Recto, verso, and first page are detached with multiple tears along spine edge. Additional wear to recto including: 3.5 cm. loss to bottom edge, 1.2 cm. area of loss to bottom right corner, 4.2 cm. tear to left side edge, and 2.8 cm. of soiling with additional tears. Pages are yellowed and brittle with multiple tears throughout. Contents otherwise clean and unmarked.

Random House's "First Printing" statement upon title page. Unpaged - 56 pages plus covers. Paperback: H 27.75cm x L 21.5cm. Silver and black paper covers; strong surface abrasion/flaking to covers' and spine coloration; peel off yellow price sticker still affixed at front cover's top right. Several leaves fractionally pulled with slight edge-wear; three tears to pages 29-30. *** Only six of the ten inserts/features are present. MISSING FOUR: the large pop-up castle; the harmonic red accordion; Hunt s Tomato Can pop-up; the twelve-sided geodesic sphere sculpture/mobile lacking but its remnant black sting still present between pages 28-29. *** PRESENT SIX: pop-up bi-plane present between pages 12-13; spring-loaded circular paper cut-out "Andy Warhol's The Chelsea Girls . . ." affixed to page 14; Lou Reed picture record between pages 30-31; rainbow and black noses large foldout between pages 40-41; tab sheet (six of the original ten tabs present) tipped-in at page 51; usual unfortunate melting to the balloon between pages 52-53 causing those two pages to be adhered along a swath of their respective spine gutter margin areas. *** Binding is firm. Only a good copy of a book which is notorious for being found incomplete and worn but remains an iconic artifact of Warhol's pop art concepts and issued when Warhol was experimenting in multimedia productions and, of course, was managing The Velvet Underground. Jpeg images emailed upon request. {Art-Shelf#1}.

Soft cover. Condition: Fair. 1st Edition. Fair copy in softcover. Covers and pages have some waving. Signature with pop-up and accordion have detached and are laid-in. Bi-plane, Chelsea Girls, polyhedron on string, Lou Reed Record, nose foldout, tomato can, warm water sheet all present. Balloon is adhered between last two pages making them un-openable.

Soft cover. Condition: Very Good. 1st edition. VG. 4to, 10pp (mimeographed). This issue of the seminal sixties underground periodical Floating Bear was guest-edited by Billy Linich (Billy Name) of Andy Warhol's Factory; many contributions from and references to the 1962 artistic avant-garde. Brief pieces by Ray Johnson and George Brecht; quotes attributed to Andy Warhol, Leo Castelli, Larry Rivers, and others appear in a parodic collection of art-world sayings. Issue also includes a brief advertisement for the Fluxus Anthology (available from LaMonte Young) as well as one for a tape of Young with Angus MacLise, Tony Conrad, and Marian Zazeela. This copy, addressed to Canadian poet David Cull, is sound with a bit of edge wear and soil. Not Signed.

Hardcover. Condition: Fine condition. 1st Edition. The Deluxe Box edition, number 77 of 85 limited edition sets produced, issued in a black cloth clamshell case with white lettering. Includes four numbered sleeves each containing a vinyl record, three numbered sleeves each containing a compact disc, and a folding enclosure containing descriptive text sheets and 16 album-sized limited issue silkscreen prints on Arches paper. Fourteen of the prints are signed by the artist on the front or back; the Dylan and Gordon prints are stamp signed. The silkscreens are individually printed by Alexander Heinrici, one of Warhol's most trusted silkscreen artists. Heinrici created the original silkscreens for Warhol's world-renowned "Mao," "Flowers" and "Merce Cunningham 1," among others. All sixteen prints are numbered and stamped on the back. Each print has a tissue guard. Each print measures 12 x 12 inches (30.4 x 30.5 cm). The box measures 14 x 14 x 2.5 inches (36 x 36 x 5 cm). The publication accompanied an exhibition of the same title at the Andy Warhol Museum October 1, 2011 - January 8, 2012. It was subtitled as "An Exhibition in Sight and Sound." The set includes music, art and recordings created by a diverse roster of artists, writers, and performers who knew, worked with, were associated with, and/or were inspired by Andy Warhol. Spoken word, sound pieces and music recordings by Ivan Karp, Bob Dylan, Path Soong, John Giorno, Billy Name, Ultra Violet, Lawrence Weiner, Vincent Fremont, Brigid Berlin, Patti Smith, Christopher Makos, Yura Adams, Alexander Heinrici, Carter Ratcliff, Connie Beckley, Nat Finkelstein, Susan Breen, and Jeff Gordon. Artworks were provided by all the artists except for Ivan Karp. The audio works juxtapose each artist's visual image all created in homage to Warhol. The vinyl and Compact Disc recordings include Karp's "The First Time", Dylan's "When I Paint My Masterpiece", Soong's "Titles", Giorno's "Thanx For Nothing", Name's "Maha Mantra", Violet's "Light", Weiner's "Vienna", Fremont and Berlin's "Conversation" (two tracks), Smith's "Edie", Makos' "What About Me?", Adams' "Waiting For My 15 Minutes", Heinrici's "Silkscreen", Ratcliff's "Glitch City", Beckley's "Silk Scream Liz", Finkelstein's "Factory", Breen's (with Arto Lindsay) "Warhol Soundfield 467", and Gordon and Warhol's "Uh Yes Uh No." Bonus material not present in other Deluxe Box (or any other) editions: blue and black silkscreen artwork (depicting Path Soong) titled "6.98" number 9/50 and pencil signed by artist Jeff Gordon (image area 6" wide by 8"); Handmade 24-page poetry book titled "Stillness" dated 2012, signed by Path Soong and numbered 7/10; three compact disc recordings (in tin case - unopened) by contributors; and, an original invitation and 2-person ticket to the 2011 exhibition. Fine condition. Size: Quarto (4to). Inscribed by Illustrator(s). Book.

Condition: Fine. Number of pages: No paginated Size: 28 x 22cm Number of books: 1 book.

Paperback. Condition: Very Good.

Hardcover. Condition: Near Fine. First Printing. First Printing stated. Hardcover, front board golographic, rear board illustrated. Condition near fine with insert baloon melted and several last pages having yellow spot because of that. All inserted objects present.

Softcover. Condition: Gut. 1. Auflage. B : Unpaginated - This early and extensively illustrated exhibition catalogue was produced on the occasion of Andy Warhol s 1968 exhibition at Moderna Museet in Stockholm, the artist s first major museum presentation outside of the United States. The retrospective exhibition featured some of Warhol s most famous motifs Marilyn Monroe, flowers, the electric chair, Brillo boxes and its unconventional installation, which included covering the museum s façade with the artist s now-famous cow wallpaper, offered the public an unforgettable experience. Edited by Warhol, Kasper König, Pontus Hultén, and Olle Granath, the publication contains copious illustrations of Warhol s work, as well as over three hundred black-and-white photographs that capture the artist s life in the late 1960s by photographers such as Rudolph Burckhardt, Billy Name, Eric Pollitzer, John D. Schiff, and Stephen Shore. In lieu of essays, the catalogue contains a selection of short quotes by Warhol, published in both English and Swedish. This is where Warhol s arguably most famous statement was first seen in print: In the future everybody will be world famous for fifteen minutes.