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Published by University Microfilms, Ann Arbor, MI, 1966
Seller: Classic Book Shop, Royal Oak, MI, U.S.A.
Book
Hardcover. Condition: Fine. Bell, Robert Anning - illustrator (illustrator). Facsimile Edition. A Legacy Library facsimile reprint of the J. M. Dent & Co, London, 1895 edition -- see our other titles in this series.
Published by Fall River Press 2018-10-25, New York, 2018
ISBN 10: 1435166744ISBN 13: 9781435166745
Seller: Blackwell's, London, United Kingdom
Book
hardback. Condition: New. Language: ENG.
Published by University Microfilms, 1966
Seller: A Squared Books (Don Dewhirst), South Lyon, MI, U.S.A.
Book
Hardcover. Condition: Very Good. Ann Arbor, 1966; facsimile reprint as originally published by J. M. Dent & Co. 1895; tan cloth covered boards; gold illustration in red back ground; minimal shelf wear; spine title scuffed; 8vo - over 7 3/4" to 9 3/4" tall; interior clean and unmarked; 128 pages.
Published by Freemantle, 1890
Seller: Redux Books, Grand Rapids, MI, U.S.A.
Book
Hardcover. Condition: Fair. Fair+ hardcover, no DJ. 1901, Robert Anning Bell. Previous owner's name on end paper, text is otherwise unmarked. Pages are foxed. Binding is tight, hinges are cracked. Covers are rubbed and fading and show some wear to edges.; 100% Satisfaction Guaranteed! Ships same or next business day!.
, 128 pages including index at rear, edited with an introduction by Israel Gollancz, black and white illustrations throughout First Thus , boards and spine a little faded and spotted, internally clean, good condition , cloth cover with gilt titles and decoartive floral illustration , 21.5 x 17 cms Hardback ISBN:
Published by J. M. Dent and Co. Aldine House, E.C., London, 1895
Seller: Marrins Bookshop, Folkestone, KENT, United Kingdom
8vo. 8.25 x 6.75 inches. li + [iii] + 128 pp. Title page in red and black. Act and Scene headings and index initials in red. Bound in olive green cloth, gilt, with decorative gilt block on front board. Rough cut edges. A few pages uncut. Minor wear and light sunning, but otherwise a very good copy. Signatures of W. R. McConnell on front endpapers. Illustrated throughout by engravings, including frontispiece, title page and whole page in text. Decorated by half title, scene heading and tailpiece vignettes, by initials, by some black letter type and by printer's colophon. Decorated endpapers with ex libris design. With a long introduction by Israel Gollancz (1863-1930), Shakespeare scholar and Professor of English Language and Literature at King's College, London, 1903-30. Illustrated by Robert Anning Bell, RA (1863-1933), artist and designer who taught at the Glasgow School of Art and later the Royal College of Art, and designed mosaics for the Palace of Westminster. SHAKESPEARE DRAMA DRAMA 16TH CENTURY 19TH CENTURY ILLUSTRATED SHAKESPEARE.
Cloth. Condition: Very Good Indeed. Robert Anning Bell (illustrator). An illustrated edition of Shakespeare's popular work, with artwork by Robert Anning Bell. Illustrated throughout by Robert Anning Bell with monochrome vignettes and full page illustrations.In the publisher's original gilt cloth.With an introduction by Israel Gollancz.This work features William Shakespeare's popular play, 'A Midsummer Night's Dream', which revolves around the marriage of Theseus and Hippolyta. This edition of the play includes beautiful illustrations by English artist and designer Robert Anning bell. In the publisher's original cloth. Externally very smart with fading to the spine and extremities to the boards, bumping to the extremities of the boards and scattered spotting to the spine and extremities to the front board. Offsetting to the free endpapers. Internally firmly bound with clean and lightly age toned pages. Very Good Indeed. book.
Published by Freemantle, 1901
Seller: Books on the Boulevard, Sherman Oaks, CA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Illustrated by Robert Anning Bell (illustrator). Reprint. Pictorial boards show light soiling, foxing to pictorial endpapers. Deckled pages, b/w illust. Binding is sound, inner pages age-toned, clean and unmarked.
Published by J.M. Dent, London, 1895
Seller: Bud Plant & Hutchison Books, Cedar Ridge, CA, U.S.A.
First Edition
Hardcover. Condition: Near Fine. Bell, Robert Anning (illustrator). 1st edition thus. 8vo, full yellow cloth with elaborate decorative gilt to cover and spine, illustrated in line by Robert Anning Bell.
. Illustrateur : ANNING BELL (Robert). (illustrator). Decorated by Robert ANNING BELL. London, Freemantle & Co. 1901, in-8, percaline éditeur verte, estampée en noir d'un bateau, d'un gobelin et d'une fée, 106 pp, 1 f. Robert ANNING-BELL (1863-1933) est un des derniers représentants du préraphaélisme, où le corpus shapespearien est très prisé ; membre des Arts and Craft, il pratique la mosaïque, la peinture, le vitrail et l'illustration. L'illustration de La Tempête (publiée en 1611), lettrines, bandeaux, pleine-page, foisonne d'inventivité. Les N° de l'acte et de la scène sont inscrtis en rouge en haut de chaque page. Coins émoussés, petites brunissures et déchirures. Livres.
Published by London: Freemantle & Co.,, 1901, 1901
Seller: David Brass Rare Books, Inc., Calabasas, CA, U.S.A.
Signed
"Hell is Empty and all the Devils are Here" (The Tempest, William Shakespeare) Illustrated by Robert Anning Bell One of 174 Numbered Copies Signed by the Artist BELL, Robert Anning, illustrator. SHAKESPEARE, William. The Tempest. A Comedy by William Shakespeare. Decorated by Robert Anning Bell. London: Freemantle & Co., 1901. First edition thus. One of 174 copies (this being No 94) signed by the artist. Quarto ( 10 1/16 x 7 1/4 inches; 256 x 184 mm.). [xii], 106, [1], [1, imprint] pp. With a frontispiece, pictorial title-page, twenty-five full-page illustrations, numerous half-page illustrations, head and tailpieces and initial letters all by Robert Anning Bell. Publisher's yap-edged vellum, front cover pictorially stamped in gilt, spine decoratively stamped and lettered in gilt, pictorial end-papers printed in green, top edge gilt, others uncut, three (of four) silk ties missing. A near fine copy housed in a custom made black cloth clamshell case. Robert Anning BELL, R.A., R.W.S. (1863-1933) was educated at University College School in London. At the age of fifteen he was articled for two years to an architect uncle before studying at the Royal Academy Schools, the Westminster School of Art (under Fred Brown), in Paris (under Aimé Morot) and, later, in Italy. On his return from Paris, he shared a studio with portrait sculptor George Frampton and together they developed a line in hand-colored plaster reliefs, in imitation of Della Robbia. His early architectural training and his close friendship with architects and sculptors made him the ideal artist for decorative schemes, and by the eighteen-nineties he had become an important figure in the Arts and Crafts Movement. His early illustrative work, in pen and ink and watercolor, includes a number of Shakespeare-related volumes: Lamb's Tales from Shakespeare (1899), A Midsummer Night's Dream (1895), The Tempest (1901) and Shakespeare's Heroines (1901). These display a concern for the page as a whole of flatness and lightness similar to those found in Walter Crane and Charles Ricketts. From 1894, he was on the staff of the School of Architecture, University College, Liverpool, later becoming a Professor of both University College, Liverpool, later becoming a Professor of both Glasgow School of Art (1918-24). He was also an honorary associate of the Royal Institute of British Architects (1916), and Master of the Art Workers' Guild (1921).ß He began to exhibit at the Royal Academy in 1885 (ARA 1914, RA 1922) and at the New English Art Club in 1888 (NEAC 1892), while his solo shows included one at the Fine Art Society in 1907. He was also organized a number of international exhibitions of arts and crafts. His paintings were worked in both oil and tempera, but with an increasing preference for watercolor he became an active member of the Royal Society of Painters in Water-Color (ARWS 1901, RWS 1904) and, in 1925, wrote an essay in praise of the medium (Old Water-Color Society's Club, Volume 11). His death on 27 November 1933 was followed in March 1934 by a memorial exhibition at the Fine Art Society.