Published by Fulcrum Publishing, 2008
ISBN 10: 1555916295 ISBN 13: 9781555916299
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by Fulcrum Publishing, 2008
ISBN 10: 1555916295 ISBN 13: 9781555916299
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.55.
Published by Fulcrum Publishing, 2008
ISBN 10: 1555916295 ISBN 13: 9781555916299
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.55.
Published by Fulcrum Publishing, 2008
ISBN 10: 1555916295 ISBN 13: 9781555916299
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 0.55.
Published by Fulcrum, Golden, Colorado, 2008
ISBN 10: 1555916295 ISBN 13: 9781555916299
Seller: Monroe Bridge Books, MABA Member, Houlton, ME, U.S.A.
Association Member: MABA
First Edition Signed
Soft cover. Condition: Very Good. Shpilenok, Igor (illustrator). First Edition. [6], 328pp, bound in illustrated stiff paper covers, with binding and hinges tight. SIGNED by the Author on the title page. NO LABELS, INSCRIPTIONS, NOR MARKINGS. The author shares her story of working in the remote Bryansk Forest Nature Reserve in Russia, and falling in love with its Director. BOOK SIGNED BY THE AUTHOR.
Published by Snoeck, 2020
ISBN 10: 3864423252 ISBN 13: 9783864423253
Seller: moluna, Greven, Germany
Condition: New. TextarbeitDer Reader, herausgegeben und mit einer Einleitung versehen von der bekannten Kunsthistorikerin und -kritikerin Gilda Williams, versammelt die zentralen Texte zu den wichtigsten Arbeiten der Kuenstlerin im Spiegel von Kunstgeschichte, postkoloni.