Published by Judson Press, 2019
ISBN 10: 0817017976 ISBN 13: 9780817017972
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.35.
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Published by Kodansha USA Inc, 1998
ISBN 10: 1568362463 ISBN 13: 9781568362465
Seller: Ashcrest Books, Bothell, WA, U.S.A.
First Edition
Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. Story of Japan's self-modernization with the political and cultural revolution that brought the Emperor back to power. Ex-library with the usual stamps and stickers. Plastic cover over the colorful jacke.
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Published by Judson Press, 2016
ISBN 10: 0817017690 ISBN 13: 9780817017699
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 0.65.
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ISBN 10: 0263322386 ISBN 13: 9780263322385
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
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Published by ABC Pictures Corporation, 1971
Seller: AcornBooksNH, New Harbor, ME, U.S.A.
Soft cover. Condition: VG+. A VGF or better folded pressbook with no cuts or missing pages. HC-1. Size: 11" X 14". Book.
Published by ABC Pictures Corporation, 1971
Seller: AcornBooksNH, New Harbor, ME, U.S.A.
Soft cover. Condition: VG+. A VGF or better pressbook with no cuts or missing pages. HC-1. Size: 11" X 14". Book.
Published by P.S. 1 / Institute for Art and Urban Resources, Inc. Long Island City, NY, 1982
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[52] pp.; 21 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with a series of building ways shows titled "Critical Perspectives," held at P.S.1, Long Island City, Queens, January 17 - March 14, 1982, and featuring different curators throughout the building. Foreword by Alanna Heiss. Includes texts by the curators of each show. "Self-Indulgence," curated and with an essay by Linda Burnham, Artists include Edie Ellis, Marc Kreisel, Jeffrey Vallance ; "Energism," curated by Ronny Cohen, artists include Nancy Arlen, Richard Beckett, Lynda Benglis, Jonathan Borofsky, Tom Butter, Arthur Cohen, Peggy Cyphers, Cynthia Gallagher, Dina F. Ghen, Deborah Kass, Kathryn Kennedy, Robert Kitchen, Elizabeth Murray, Marilla Palmer, Suzan Pitt, Barbara Quinn, Randal Rupert, Takao Saito, Frank Schröder, Leora Klaymer Stewart, Robin Tewes, Jeff Way; "Untitled," curated and with an essay by Edit deAk, artists include Futura 2000, James Nares, Yoko Ono, Pat Place, Alan Vega; "The Frame As Stage," curated and with an essay by John Howell, artists include Ericka Beckman, Julia Heyward, Pooh Kaye, Tony Mascaterello, Michael McClard, Robin Winters; "Untitled," curated and with an essay by Thomas Lawson, Artists include Eric Fischl, Jack Goldstein, Thomas Lawson, Nachume Miller, Gerry Morehead, Walter Robinson, Salomé, Michael Zwack; "Untitled," curated and with an essay by Joseph Masheck, artists include Jeremy Gilbert-Rolfe, Sharon Gold, Richard Hennessy, Stewart Hitch, Vered Lieb, Thomas Nozkowski, Catherine Porter-Scully, Sean Scully, Andrew Spence, Thornton Willis; "Untitled," curated and with an essay by Peter Plagens, artists include Laurie Fendrich, Patrick Hogan, Ron Linden, Carol Lindsey, John Phillips "Untitled," curated and with an essay by Marcia Tucker, artists include Billy Copley, John Hull, Kristin Hodson, Kent Shell, Kenneth Shorr, Kevin Teare, and Paul Wong. Includes an exhibition checklist and exhibition map. Very Good. Light yellowing of covers, 3 mm. and 2 mm. tear to top edge of recto, and additional light edge-wear. Contents clean and unmarked.
Published by AVCO Embassy Pictures, Los Angeles, 1970
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Collection of 20 vintage black and white reference photographs from the 1970 film. A cautionary tale following a suburban couple who discover their teenage daughter is addicted to LSD and cocaine. Set in New York. 8 x 10 inches. Near Fine.
Published by SoHo News New York, NY, 1981
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
63 pp.; 38.3 x 27.4 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; February 25 - March 3, 1981 issue of SoHo News. Issue edited by Josh Friedman. Cover stories include: "N.Y.T.B. Tuberculosis is Spreading," by David Weinberg; "L.A.Rocks," by Mick Farren/Roy Trakin; "Bucking Bonzo's Art Budget," by Gerald Marzorati. Art reporting includes "New York/New Wave," by John Perreault; "Art Reviews," William Zimmer on Robin Winters, Lawrence Weiner, Mary Beth Edelson, and Ida Applebroog, and others and "Photography Reviews," Andy Grundberg on Deborah Turbeville, Geoffrey Leather, and Richard Prince. Cover photograph by Timothy Greenfield-Sanders. Good / Very Good. Folded in two. Light yellowing of paper from age and a 4.5 cm. dog-ear to page 49. Contents otherwise clean and unmarked.
Published by Cinema Shares International, Los Angeles, 1978
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage borderless matte reference photograph from the 1977 film. With a printed mimeo snipe on the verso, along with a provenance stamp. An exploitative horror film, late on the coattails of cautionary drug movies of the 1960s, about a string of violent murders in Los Angeles linked to a dangerous LSD strain called "Blue Sunshine." Set and shot on location in Los Angeles. 8 x 10 inches. Near Fine. Thrower, Nightmare USA.
Published by American Broadcasting Company [ABC], Burbank, CA, 1971
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage oversize, double weight, borderless still photograph of Walter Matthau and a fetching Deborah Winters from the 1971 film, based on the 1965 novel by Katharine Topkins. Nominated four Academy Awards, including a Best Actor nod for Matthau, starring in his friend Jack Lemmon's first and only directorial effort. Although not indicated, shot, struck, and mounted by the film's still photographer, Bob Willoughby. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 9.25 x 13.5. Fine.