0719035619 - The Art of Interruption: Realism, Photography, and the Everyday Photography: Critical Views by Roberts, John Maddox (10 results)

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780719035616.

Soft cover. Condition: Very Good. 1st Edition. Very Good in lightly rubbed and edgeworn wraps. A few stains noted to edges of text block. A clean, lightly worn copy.

Soft cover. Condition: Very Good. 241pp.

Softcover. Condition: Very Good. First Edition. Size: 8vo - over 7.75 - 9.75" tall. xii + 241pp. Internally clean. Binding firm, spine slightly cocked. Edges slightly foxed and marked. Covers slightly creased. Illustrated. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Photography; Philosophy. ISBN: 0719035619. ISBN/EAN: 9780719035616. Pictures of this item not already displayed here available upon request. Inventory No: 47409.

Paperback. Condition: Near Fine. A bright, attractive copy. Spine not creased. 240 x 170 mm. xii, 244 pp + 12 pages of colour plates. Numerous b&w figures in the text. Includes bibliographical references and index. Book.

Condition: New. Satisfaction Guaranteed or your money back.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; The critical image. Physical description; xii, 241 p., 6 leaves of plates : ill ; 25 cm. Notes; Includes bibliographical references and index. Contents; Introduction - realism, contradiction and interpretation. Photography, the everyday and the Russian Revolution; technique, technology and the everyday - German photographic culture in the 1920s and 1930s; the making of documentary - documentary after factography; the state, the everyday and the archive; Surrealism, photography and the everyday; inside Modernism - American photography and post-war culture; John Berger and Jean Mohr - the return to communality; the rise of theory and the critique of realism - photography in Britain in the 1980s; disfiguring the ideal - the body, photography and the everyday; Jeff Wall - the social pathology of everyday life; Jo Spence - photography, empowerment and the everyday; digital imagery and the critique of realism. Summary; A history of theories of photographic practices, this text sets out to do a number of things: to recover the critical place of the photographic archive within the avant-garde; to defend the philosophic claims of realism in assessing photography this century; and to present a dialogic defence of the naturalistic or documnetary image. Subjects; Berger, John (1926-). Mohr, Jean. Wall, Jeff (1946-). Spence, Jo (1934-1992). Photography, Modern - 20th century. Art - Theory. Human figure in art. Surrealism. Modernism. Realism - 20th century. Photography - Theory - 20th century. Documentary photography - 20th century. Photography & photographs. Photography / History. Art and photography ; Realism in art. 1 Kg. Item is Shipped from Ireland or US locations.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; The critical image. Physical description; xii, 241 p., 6 leaves of plates : ill ; 25 cm. Notes; Includes bibliographical references and index. Contents; Introduction - realism, contradiction and interpretation. Photography, the everyday and the Russian Revolution; technique, technology and the everyday - German photographic culture in the 1920s and 1930s; the making of documentary - documentary after factography; the state, the everyday and the archive; Surrealism, photography and the everyday; inside Modernism - American photography and post-war culture; John Berger and Jean Mohr - the return to communality; the rise of theory and the critique of realism - photography in Britain in the 1980s; disfiguring the ideal - the body, photography and the everyday; Jeff Wall - the social pathology of everyday life; Jo Spence - photography, empowerment and the everyday; digital imagery and the critique of realism. Summary; A history of theories of photographic practices, this text sets out to do a number of things: to recover the critical place of the photographic archive within the avant-garde; to defend the philosophic claims of realism in assessing photography this century; and to present a dialogic defence of the naturalistic or documnetary image. Subjects; Berger, John (1926-). Mohr, Jean. Wall, Jeff (1946-). Spence, Jo (1934-1992). Photography, Modern - 20th century. Art - Theory. Human figure in art. Surrealism. Modernism. Realism - 20th century. Photography - Theory - 20th century. Documentary photography - 20th century. Photography & photographs. Photography / History. Art and photography ; Realism in art. 1 Kg. Item is Shipped from Ireland or US locations.