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Ann Diels

Published by Brepols N.V., Belgium (2010)

ISBN 10: 1905375506 ISBN 13: 9781905375509

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About this Item: Brepols N.V., Belgium, 2010. Hardback. Condition: New. Language: English . Brand New Book. This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time. Seller Inventory # AAJ9781905375509

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About this Item: Condition: New. Seller Inventory # 6501579

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Ann Diels

Published by Brepols N.V., Belgium (2010)

ISBN 10: 1905375506 ISBN 13: 9781905375509

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About this Item: Brepols N.V., Belgium, 2010. Hardback. Condition: New. Language: English . Brand New Book. This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time. Seller Inventory # AAJ9781905375509

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Ann Diels

Published by Brepols N.V. (2009)

ISBN 10: 1905375506 ISBN 13: 9781905375509

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From: Books2Anywhere (Fairford, GLOS, United Kingdom)

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About this Item: Brepols N.V., 2009. HRD. Condition: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Seller Inventory # CA-9781905375509

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Abraham Van Diepenbeeck

Published by Harvey Miller Publishers

ISBN 10: 1905375506 ISBN 13: 9781905375509

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About this Item: Harvey Miller Publishers. Hardcover. Condition: New. New copy - Usually dispatched within 2 working days. Seller Inventory # B9781905375509

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Abraham Van Diepenbeeck, Cornelis Schut, Erasmus Quellinus

Published by Harvey Miller Publishers 2009-12-01 (2009)

ISBN 10: 1905375506 ISBN 13: 9781905375509

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About this Item: Harvey Miller Publishers 2009-12-01, 2009. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Seller Inventory # NU-MAR-00029928

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Diels, A.

Published by Brepols Publishers (2009)

ISBN 10: 1905375506 ISBN 13: 9781905375509

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About this Item: Brepols Publishers, 2009. Hardcover. Condition: New. 1905375506. Seller Inventory # 8990H

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A. Diels

Published by Brepols Publishers (2009)

ISBN 10: 1905375506 ISBN 13: 9781905375509

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From: Ergodebooks (RICHMOND, TX, U.S.A.)

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About this Item: Brepols Publishers, 2009. Hardcover. Condition: New. Seller Inventory # DADAX1905375506

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About this Item: Harvey Miller Pub, 2010. Hardcover. Condition: Brand New. 270 pages. 12.50x9.50x1.00 inches. In Stock. Seller Inventory # __1905375506

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A. Diels

Published by Brepols Publishers 0, Versand an Institutionen auch gegen Rechnung

ISBN 10: 1905375506 ISBN 13: 9781905375509

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About this Item: Brepols Publishers 0, Versand an Institutionen auch gegen Rechnung. Hardcover. Condition: Verlagsfrisch New copy. Versand an Institutionen auch gegen Rechnung (illustrator). Verlagsfrisch New copy Harvey Miller The Print Collection of the Royal Library of Belgium HMPCRLB 2 The Shadow of Rubens: Print Publishing in 17th-century Antwerp A. Diels VIII+271 p., 279 b/w ill., 225 x 305 mm, 2009 ISBN: 978-1-905375-50-9 Languages: English Hardback The publication is available. Retail price: EUR 115,00 How to order? This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time. Ann Diels (1969) works at the Print Room of the Royal Library of Belgium and teaches the History of European Printmaking at the Free University of Brussels. She has published the New Hollstein volumes on the Collaert Family (2005-2006) and 'The Family Collaert (ca. 1555-1630) en de prentkunst in Antwerpen' (2009). Buch. Seller Inventory # 2961

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Ann Diels

Published by Brepols N.V., Belgium (2010)

ISBN 10: 1905375506 ISBN 13: 9781905375509

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About this Item: Brepols N.V., Belgium, 2010. Hardback. Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time. Seller Inventory # BTE9781905375509

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A. Diels

Published by Brepols Publishers (2009)

ISBN 10: 1905375506 ISBN 13: 9781905375509

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From: Irish Booksellers (Portland, ME, U.S.A.)

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About this Item: Brepols Publishers, 2009. Hardcover. Condition: New. book. Seller Inventory # M1905375506

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Abraham Van Diepenbeeck

ISBN 10: 1905375506 ISBN 13: 9781905375509

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From: AussieBookSeller (SILVERWATER, NSW, Australia)

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About this Item: Hardcover. Condition: New. Hardcover. This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apa.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 271 pages. 1.678. Seller Inventory # 9781905375509

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A. Diels

Published by Brepols Publishers (2009)

ISBN 10: 1905375506 ISBN 13: 9781905375509

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From: Books Express (Portsmouth, NH, U.S.A.)

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About this Item: Brepols Publishers, 2009. Hardcover. Condition: Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!. Seller Inventory # 1905375506

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Results (1 - 14) of 14