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Published by Brepols (distributed), 2011
ISBN 10: 250351684XISBN 13: 9782503516844
Seller: booksXpress, Bayonne, NJ, U.S.A.
Book
Hardcover. Condition: new.
Published by Brepols Publishers, 2013
ISBN 10: 250351684XISBN 13: 9782503516844
Seller: ISD LLC, Bristol, CT, U.S.A.
Book First Edition
hardcover. Condition: New. 1st.
Published by Brepols publishers, 786, 2013
ISBN 10: 250351684XISBN 13: 9782503516844
Seller: Luigi De Bei, PREGANZIOL, TV, Italy
Book First Edition
Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Title: Re-Making the Margin: The MASTER OF THE DAVID SCENES and Flemish Manuscript Painting around 1500 Author: As-Vijvers, Anne Margreet Price: Euro 222.00 ISBN: 9782503516844 Description: Turnhout: Brepols, 2013. 30cm., hardcover, 786pp., 72 color, 355 b&w illus. Summary: The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. The author traces how this decorative system was created by the Master of the David Scenes in the Grimani Breviary, a prolific inventor of appealing borders, how it was applied by his closest collaborators, and how it was imitated and adapted by other illuminators. Among these were Simon Bening, the Carmelite sister Cornelia van Wulfschkercke, and a number of anonymous masters, including several whose oeuvres are identified here for the first time. (Ars Nova: Studies in Late Medieval and Renaissance Northern Painting and Illumination - Coll. Bibl.Jardin Language : English text.
Published by Brepols Publishers, 2011
ISBN 10: 250351684XISBN 13: 9782503516844
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Book
Condition: New.
Published by Brepols N.V., Turnhout, 2013
ISBN 10: 250351684XISBN 13: 9782503516844
Seller: CitiRetail, Stevenage, United Kingdom
Book
Hardcover. Condition: new. Hardcover. The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. The author traces how this decorative system was created by the Master of the David Scenes in the Grimani Breviary, a prolific inventor of appealing borders, how it was applied by his closest collaborators, and how it was imitated and adapted by other illuminators. Among these were Simon Bening, the Carmelite sister Cornelia van Wulfschkercke, and a number of anonymous masters, including several whose oeuvres are identified here for the first time. The author elucidates the sources for the isolated motifs and demonstrates how the codicological structure of the manuscripts provides insight into the use and the dispersion of various models for border decorations. The book discusses the famous strewn-flower borders and other types of fully decorated borders as well. The author analyses the isolated motifs in relationship to the page layout and the decorative programme of Ghent-Bruges standardised books of hours. The stylistic examination of both the miniatures and the borders of the manuscripts under discussion completes the integrated approach of this study. The author demonstrates how the illuminators collaborated with each other and exchanged artistic models for the illumination of these precious manuscripts. The subject of the present publication is the working practices of the Ghent-Bruges illuminators, active in Flanders in the decades around 1500. Its focus is on manuscripts featuring freestanding, isolated motifs painted in the margins of text pages. The author traces how this decorative system was created by the Master of the David Scenes in the Grimani Breviary, a prolific inventor of appealing borders, how it was applied by his closest collaborators, and how it was imitated and adapted by other illuminators. Among these were Simon Bening, the Carmelite sister Cornelia van Wulfschkercke, and a number of anonymous masters, including several whose oeuvres are identified here for the first time. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Brepols Publishers, 2011
ISBN 10: 250351684XISBN 13: 9782503516844
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Book
Condition: New.