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D.N. Shukla

Published by Munshiram Manoharlal Publishers Pvt Ltd, New Delhi (2003)

ISBN 10: 8121506123 ISBN 13: 9788121506120

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About this Item: Munshiram Manoharlal Publishers Pvt Ltd, New Delhi, 2003. Hardcover. Condition: New. Reprint. 824pp. Dedication Preface Part I : By Pt. B.N. Jha, Vice-Chancellor, Gorakhpur University Introductory I. The Principal Texts on the Canons of Painting-Citra-sastra II. Painting-its aim, origin and scope III. Elements, Constituents and Types IV. The Vartika and the Background (the canvas) V. The Andaka Measurements and the Proportionate Measurements VI. Plasters and ointments VII. Colours and Brushes; Shades and other Delineations VIII. How to paint-Convention in Painting IX. Painting and Aesthetics X. Styles of Painting in relation to Colours, Patras and Kantakas XI. Painting and Painter XII. An outline History of Indian Painting Section I. Archaeological Evidence Section II. Literary Evidence Appendices : 1. Quotations from Kavyas 2. Illustrations 3. Citralaksanam (ii) the 12 Samyuta-Hastas (iii) the 21 Nrtta-Hastas Representation in art: Abhaya, Varada, Dhyana-yoga, Samadhi, Jnana, Gin, Dharamacakra, Katyavalambita or Katisam-hasta, Kataka or Simha-karna, Danda or Gaja-hasta, Suci, Tarjani etc. and Vismaya, Kayotsarga and Bhusparsa II. Poses of the Body-nine attitudes III. Postures of the legs-Vaisnavam, Samapadam Vaisakham, Mandalam, Alidham, Pratyalidham along with Abhanga, Tribhanga and Atibhanga IV. Mudras (continued) Reoriented doctrine of Mudras taking objects, seats, Drapery, and Decorations etc. also as Mudras I. Objects-weapons and implements A. (i) Weapons-25 ayudhas tabulated; 36 ayudhas of the Aparajita-praccha (ii) Implements and other symbols-enumeration and association B. Musical instruments (as improvised weapons) II. Seats (i) Asana 143-44 & (ii) Vahana III. Abhusana-Drapery and Decorations A. Costumes-Drapery B. Ornaments of various limbs Sodasabhusanas of the Aparajita-praccha C. Headgear i. e. Mauli (Manasara) The ideology under-lying these mudras VII. Iconographical astheticism and the Installation of the images-Prasada and Pratima A. Iconographical alstheticism B. Installation (i) Ritualistic : Its different varieties, Punah-prati tha and Jirnoddhara etc. (ii) Architectural-sculptural and iconometrical Appendix A Part II. EXPOSITION OF PRATIMA-IAKSANAS : Introductory Appendix to page 24, Pt. II, Ch. VIII--D. Buddhas I. Trimurti etc. Brahma-pratima-laksana : 1. Trimurti 2. Panca-murti 3. Caturmurti 4. Dvimurtis 5. Brahma : i. Hiscorical resume-Vedic etc. ii. Iconographical accounts iii. Iconographical implications iv. Illustrations (a) Independent images 185 (6) Reliefs v. Brahmas shrine and parivara-devatas II. Vaisnava-pratima-laksana : 1. Introduction History: 2. Vedic 3. Epic and Puranic 4. Pancaratric 5. Pratima-laksanas-seven-fold icons 1. The ordinary Visnu-images 2. Extraordinary forms of visnu : i. Anantasay ii. Vasudevas D. & M iii. Trailokya-mohana iv. Visvarups v. Vaikuntha vi. Ananta vii. Yogesvara viii. Laksminarayana 3. Dhruva Beras : Introduction i. Standing attitude : a. Yagasthanaka b. Bhogasthanaka c. Virasthanaka d. Abhicarikasthanaka ii. Sitting attitude : e. Yogasana f. Bhogasana g. Virasana h. Abhicarikasana iii. Reclining attitude : a. Yogasayana b. Bhogasayana c. Virasayana d. Abhicarikasayana 4. Dasavataras-The Ten Incarnations : Introduction & Defferent lists of Avataras : i. Matsya ii. Kurma iii. Varaha : a. Nrvaraha b. Yajna and c. Pralaya iv. Narasimha : a. Girija b. Sthanu c. Yanaka d. Laksmi-Narasimha v. Vamana and Trivikrama vi-viii. Three Ramas : i. Parasurama ii. Raghava iii. Balarama ix. Krsna x. Buddha (See Buddhist Iconography) xi. kalkim 5. Caturvimsati-Murtayah : i. Introductory ii. The twenty four Murtis tabulated and commented 6. Minor Forms of Visnu : i. Raos classification and comment on it ii. Purua iii. Vyasa iv. Hayagriva v. Kapila vi. Dhanvantari vii. Dharma viii. Yajna-murti ix. Dattatreya x. Varadraja etc. Garuda-art-motif and iconographical description and illustrations thereof 7. Ayudhapurusas i. Introduction ii. Sculptural forms, the underlying theology of the ten iii. Ayudhas iv. Vaisnavi Dvaravati v. Vaisnava-vividha-pratima-pujana-phalam vi. Vaisna. Seller Inventory # 395850

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Shukla, D.N.

Published by Munshiram Manoharlal Publishers

ISBN 10: 8121506123 ISBN 13: 9788121506120

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About this Item: Munshiram Manoharlal Publishers. Hardcover. Condition: New. 8121506123 *BRAND NEW* Ships Same Day or Next!. Seller Inventory # NATARAJ2-0003920

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D.N. Shukla

Published by Munshiram Manoharlal Publishers Pvt. Ltd. (2003)

ISBN 10: 8121506123 ISBN 13: 9788121506120

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About this Item: Munshiram Manoharlal Publishers Pvt. Ltd., 2003. Hardcover. Condition: New. 5th or later edition. Dedication Preface Part I : By Pt. B.N. Jha, Vice-Chancellor, Gorakhpur University Introductory I. The Principal Texts on the Canons of Painting-Citra-sastra II. Painting-its aim, origin and scope III. Elements, Constituents and Types IV. The Vartika and the Background (the canvas) V. The Andaka Measurements and the Proportionate Measurements VI. Plasters and ointments VII. Colours and Brushes; Shades and other Delineations VIII. How to paint-Convention in Painting IX. Painting and Aesthetics X. Styles of Painting in relation to Colours, Patras and Kantakas XI. Painting and Painter XII. An outline History of Indian Painting Section I. Archaeological Evidence Section II. Literary Evidence Appendices : 1. Quotations from Kavyas 2. Illustrations 3. Citralaksanam (ii) the 12 Samyuta-Hastas (iii) the 21 Nrtta-Hastas Representation in art: Abhaya, Varada, Dhyana-yoga, Samadhi, Jnana, Gin, Dharamacakra, Katyavalambita or Katisam-hasta, Kataka or Simha-karna, Danda or Gaja-hasta, Suci, Tarjani etc. and Vismaya, Kayotsarga and Bhusparsa II. Poses of the Body-nine attitudes III. Postures of the legs-Vaisnavam, Samapadam Vaisakham, Mandalam, Alidham, Pratyalidham along with Abhanga, Tribhanga and Atibhanga IV. Mudras (continued) Reoriented doctrine of Mudras taking objects, seats, Drapery, and Decorations etc. also as Mudras I. Objects-weapons and implements A. (i) Weapons-25 ayudhas tabulated; 36 ayudhas of the Aparajita-praccha (ii) Implements and other symbols-enumeration and association B. Musical instruments (as improvised weapons) II. Seats (i) Asana 143-44 & (ii) Vahana III. Abhusana-Drapery and Decorations A. Costumes-Drapery B. Ornaments of various limbs Sodasabhusanas of the Aparajita-praccha C. Headgear i. e. Mauli (Manasara) The ideology under-lying these mudras VII. Iconographical astheticism and the Installation of the images-Prasada and Pratima A. Iconographical alstheticism B. Installation (i) Ritualistic : Its different varieties, Punah-prati tha and Jirnoddhara etc. (ii) Architectural-sculptural and iconometrical Appendix A Part II. EXPOSITION OF PRATIMA-IAKSANAS : Introductory Appendix to page 24, Pt. II, Ch. VIII--D. Buddhas I. Trimurti etc. Brahma-pratima-laksana : 1. Trimurti 2. Panca-murti 3. Caturmurti 4. Dvimurtis 5. Brahma : i. Hiscorical resume-Vedic etc. ii. Iconographical accounts iii. Iconographical implications iv. Illustrations (a) Independent images 185 (6) Reliefs v. Brahma`s shrine and parivara-devatas II. Vaisnava-pratima-laksana : 1. Introduction History: 2. Vedic 3. Epic and Puranic 4. Pancaratric 5. Pratima-laksanas-seven-fold icons 1. The ordinary Visnu-images 2. Extraordinary forms of visnu : i. Anantasay ii. Vasudevas D. & M iii. Trailokya-mohana iv. Visvarups v. Vaikuntha vi. Ananta vii. Yogesvara viii. Laksminarayana 3. Dhruva Beras : Introduction i. Standing attitude : a. Yagasthanaka b. Bhogasthanaka` c. Virasthanaka d. Abhicarikasthanaka ii. Sitting attitude : e. Yogasana f. Bhogasana g. Virasana h. Abhicarikasana iii. Reclining attitude : a. Yogasayana b. Bhogasayana c. Virasayana d. Abhicarikasayana 4. Dasavataras-The Ten Incarnations : Introduction & Defferent lists of Avataras : i. Matsya ii. Kurma iii. Varaha : a. Nrvaraha b. Yajna and c. Pralaya iv. Narasimha : a. Girija b. Sthanu c. Yanaka d. Laksmi-Narasimha v. Vamana and Trivikrama vi-viii. Three Ramas : i. Parasurama ii. Raghava iii. Balarama ix. Krsna x. Buddha (See Buddhist Iconography) xi. kalkim 5. Caturvimsati-Murtayah : i. Introductory ii. The twenty four Murtis tabulated and commented 6. Minor Forms of Visnu : i. Rao`s classification and comment on it ii. Purua iii. Vyasa iv. Hayagriva v. Kapila vi. Dhanvantari vii. Dharma viii. Yajna-murti ix. Dattatreya x. Varadraja etc. Garuda-art-motif and iconographical description and illustrations thereof 7. Ayudhapurusas i. Introduction ii Printed Pages: 824. Seller Inventory # 445

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D.N. Shukla

Published by Mrml (2003)

ISBN 10: 8121506123 ISBN 13: 9788121506120

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About this Item: Mrml, 2003. Hardcover. Condition: New. Seller Inventory # ART-9788121506120

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D.N. Shukla

Published by Munshiram Manoharlal Publishers Pvt. Ltd.? (2003)

ISBN 10: 8121506123 ISBN 13: 9788121506120

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About this Item: Munshiram Manoharlal Publishers Pvt. Ltd.?, 2003. Hardcover. Condition: New. Reprint. Dedication preface part i : by pt. B.n. Jha, vice-chancellor, gorakhpur university introductory i. The principal texts on the canons of painting-citra-sastra ii. Painting-its aim, origin and scope iii. Elements, constituents and types iv. The vartika and the background (the canvas) v. The andaka measurements and the proportionate measurements vi. Plasters and ointments vii. Colours and brushes; shades and other delineations viii. How to paint-convention in painting ix. Painting and aesthetics x. Styles of painting in relation to colours, patras and kantakas xi. Painting and painter xii. An outline history of indian painting section i. Archaeological evidence section ii. Literary evidence appendices : 1. Quotations from kavyas 2. Illustrations 3. Citralaksanam (ii) the 12 samyuta-hastas (iii) the 21 nrtta-hastas representation in art: abhaya, varada, dhyana-yoga, samadhi, jnana, gin, dharamacakra, katyavalambita or katisam-hasta, kataka or simha-karna, danda or gaja-hasta, suci, tarjani etc. And vismaya, kayotsarga and bhusparsa ii. Poses of the body-nine attitudes iii. Postures of the legs-vaisnavam, samapadam vaisakham, mandalam, alidham, pratyalidham along with abhanga, tribhanga and atibhanga iv. Mudras (continued) reoriented doctrine of mudras taking objects, seats, drapery, and decorations etc. Also as mudras i. Objects-weapons and implements a. (i) weapons-25 ayudhas tabulated; 36 ayudhas of the aparajita-praccha (ii) implements and other symbols-enumeration and association b. Musical instruments (as improvised weapons) ii. Seats (i) asana 143-44 & (ii) vahana iii. Abhusana-drapery and decorations a. Costumes-drapery b. Ornaments of various limbs sodasabhusanas of the aparajita-praccha c. Headgear i. E. Mauli (manasara) the ideology under-lying these mudras vii. Iconographical astheticism and the installation of the images-prasada and pratima a. Iconographical alstheticism b. Installation (i) ritualistic : its different varieties, punah-prati tha and jirnoddhara etc. (ii) architectural-sculptural and iconometrical appendix a part ii. Exposition of pratima-iaksanas : introductory appendix to page 24, pt. Ii, ch. Viii--d. Buddhas i. Trimurti etc. Brahma-pratima-laksana : 1. Trimurti 2. Panca-murti 3. Caturmurti 4. Dvimurtis 5. Brahma : i. Hiscorical resume-vedic etc. Ii. Iconographical accounts iii. Iconographical implications iv. Illustrations (a) independent images 185 (6) reliefs v. Brahma's shrine and parivara-devatas ii. Vaisnava-pratima-laksana : 1. Introduction history: 2. Vedic 3. Epic and puranic 4. Pancaratric 5. Pratima-laksanas-seven-fold icons 1. The ordinary visnu-images 2. Extraordinary forms of visnu : i. Anantasay ii. Vasudevas d. & m iii. Trailokya-mohana iv. Visvarups v. Vaikuntha vi. Ananta vii. Yogesvara viii. Laksminarayana 3. Dhruva beras : introduction i. Standing attitude : a. Yagasthanaka b. Bhogasthanaka' c. Virasthanaka d. Abhicarikasthanaka ii. Sitting attitude : e. Yogasana f. Bhogasana g. Virasana h. Abhicarikasana iii. Reclining attitude : a. Yogasayana b. Bhogasayana c. Virasayana d. Abhicarikasayana 4. Dasavataras-the ten incarnations : introduction & defferent lists of avataras : i. Matsya ii. Kurma iii. Varaha : a. Nrvaraha b. Yajna and c. Pralaya iv. Narasimha : a. Girija b. Sthanu c. Yanaka d. Laksmi-narasimha v. Vamana and trivikrama vi-viii. Three ramas : i. Parasurama ii. Raghava iii. Balarama ix. Krsna x. Buddha (see buddhist iconography) xi. Kalkim 5. Caturvimsati-murtayah : i. Introductory ii. The twenty four murtis tabulated and commented 6. Minor forms of visnu : i. Rao's classification and comment on it ii. Purua iii. Vyasa iv. Hayagriva v. Kapila vi. Dhanvantari vii. Dharma viii. Yajna-murti ix. Dattatreya x. Varadraja etc. Garuda-art-motif and iconographical description and illustrations thereof 7. Ayudhapurusas i. Introduction ii. Sculptural forms, the underlying theology of the ten iii. Ayudhas iv. Vaisnavi dvaravati v. Vaisnava-vividha-pratima-pujana-phalam vi. Vaisnava-l. Seller Inventory # MRML-9788121506120

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D.N. Shukla

Published by Munshiram Manoharlal Publishers Pvt. Ltd. (2003)

ISBN 10: 8121506123 ISBN 13: 9788121506120

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About this Item: Munshiram Manoharlal Publishers Pvt. Ltd., 2003. Hardcover. Condition: New. 5th or later edition. Dedication Preface Part I : By Pt. B.N. Jha, Vice-Chancellor, Gorakhpur University Introductory I. The Principal Texts on the Canons of Painting-Citra-sastra II. Painting-its aim, origin and scope III. Elements, Constituents and Types IV. The Vartika and the Background (the canvas) V. The Andaka Measurements and the Proportionate Measurements VI. Plasters and ointments VII. Colours and Brushes; Shades and other Delineations VIII. How to paint-Convention in Painting IX. Painting and Aesthetics X. Styles of Painting in relation to Colours, Patras and Kantakas XI. Painting and Painter XII. An outline History of Indian Painting Section I. Archaeological Evidence Section II. Literary Evidence Appendices : 1. Quotations from Kavyas 2. Illustrations 3. Citralaksanam (ii) the 12 Samyuta-Hastas (iii) the 21 Nrtta-Hastas Representation in art: Abhaya, Varada, Dhyana-yoga, Samadhi, Jnana, Gin, Dharamacakra, Katyavalambita or Katisam-hasta, Kataka or Simha-karna, Danda or Gaja-hasta, Suci, Tarjani etc. and Vismaya, Kayotsarga and Bhusparsa II. Poses of the Body-nine attitudes III. Postures of the legs-Vaisnavam, Samapadam Vaisakham, Mandalam, Alidham, Pratyalidham along with Abhanga, Tribhanga and Atibhanga IV. Mudras (continued) Reoriented doctrine of Mudras taking objects, seats, Drapery, and Decorations etc. also as Mudras I. Objects-weapons and implements A. (i) Weapons-25 ayudhas tabulated; 36 ayudhas of the Aparajita-praccha (ii) Implements and other symbols-enumeration and association B. Musical instruments (as improvised weapons) II. Seats (i) Asana 143-44 & (ii) Vahana III. Abhusana-Drapery and Decorations A. Costumes-Drapery B. Ornaments of various limbs Sodasabhusanas of the Aparajita-praccha C. Headgear i. e. Mauli (Manasara) The ideology under-lying these mudras VII. Iconographical astheticism and the Installation of the images-Prasada and Pratima A. Iconographical alstheticism B. Installation (i) Ritualistic : Its different varieties, Punah-prati tha and Jirnoddhara etc. (ii) Architectural-sculptural and iconometrical Appendix A Part II. EXPOSITION OF PRATIMA-IAKSANAS : Introductory Appendix to page 24, Pt. II, Ch. VIII--D. Buddhas I. Trimurti etc. Brahma-pratima-laksana : 1. Trimurti 2. Panca-murti 3. Caturmurti 4. Dvimurtis 5. Brahma : i. Hiscorical resume-Vedic etc. ii. Iconographical accounts iii. Iconographical implications iv. Illustrations (a) Independent images 185 (6) Reliefs v. Brahma`s shrine and parivara-devatas II. Vaisnava-pratima-laksana : 1. Introduction History: 2. Vedic 3. Epic and Puranic 4. Pancaratric 5. Pratima-laksanas-seven-fold icons 1. The ordinary Visnu-images 2. Extraordinary forms of visnu : i. Anantasay ii. Vasudevas D. & M iii. Trailokya-mohana iv. Visvarups v. Vaikuntha vi. Ananta vii. Yogesvara viii. Laksminarayana 3. Dhruva Beras : Introduction i. Standing attitude : a. Yagasthanaka b. Bhogasthanaka` c. Virasthanaka d. Abhicarikasthanaka ii. Sitting attitude : e. Yogasana f. Bhogasana g. Virasana h. Abhicarikasana iii. Reclining attitude : a. Yogasayana b. Bhogasayana c. Virasayana d. Abhicarikasayana 4. Dasavataras-The Ten Incarnations : Introduction & Defferent lists of Avataras : i. Matsya ii. Kurma iii. Varaha : a. Nrvaraha b. Yajna and c. Pralaya iv. Narasimha : a. Girija b. Sthanu c. Yanaka d. Laksmi-Narasimha v. Vamana and Trivikrama vi-viii. Three Ramas : i. Parasurama ii. Raghava iii. Balarama ix. Krsna x. Buddha (See Buddhist Iconography) xi. kalkim 5. Caturvimsati-Murtayah : i. Introductory ii. The twenty four Murtis tabulated and commented 6. Minor Forms of Visnu : i. Rao`s classification and comment on it ii. Purua iii. Vyasa iv. Hayagriva v. Kapila vi. Dhanvantari vii. Dharma viii. Yajna-murti ix. Dattatreya x. Varadraja etc. Garuda-art-motif and iconographical description and illustrations thereof 7. Ayudhapurusas i. Introduction ii Printed Pages: 824. Seller Inventory # 445

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D.N. Shukla

Published by Mrml (2003)

ISBN 10: 8121506123 ISBN 13: 9788121506120

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About this Item: Mrml, 2003. Hardcover. Condition: New. Seller Inventory # ART-9788121506120

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D.N. Shukla

Published by Munshiram Manoharlal Publishers Pvt. Ltd. (2003)

ISBN 10: 8121506123 ISBN 13: 9788121506120

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About this Item: Munshiram Manoharlal Publishers Pvt. Ltd., 2003. Hardcover. Condition: New. Reprint. Dedication preface part i : by pt. B.n. Jha, vice-chancellor, gorakhpur university introductory i. The principal texts on the canons of painting-citra-sastra ii. Painting-its aim, origin and scope iii. Elements, constituents and types iv. The vartika and the background (the canvas) v. The andaka measurements and the proportionate measurements vi. Plasters and ointments vii. Colours and brushes; shades and other delineations viii. How to paint-convention in painting ix. Painting and aesthetics x. Styles of painting in relation to colours, patras and kantakas xi. Painting and painter xii. An outline history of indian painting section i. Archaeological evidence section ii. Literary evidence appendices : 1. Quotations from kavyas 2. Illustrations 3. Citralaksanam (ii) the 12 samyuta-hastas (iii) the 21 nrtta-hastas representation in art: abhaya, varada, dhyana-yoga, samadhi, jnana, gin, dharamacakra, katyavalambita or katisam-hasta, kataka or simha-karna, danda or gaja-hasta, suci, tarjani etc. And vismaya, kayotsarga and bhusparsa ii. Poses of the body-nine attitudes iii. Postures of the legs-vaisnavam, samapadam vaisakham, mandalam, alidham, pratyalidham along with abhanga, tribhanga and atibhanga iv. Mudras (continued) reoriented doctrine of mudras taking objects, seats, drapery, and decorations etc. Also as mudras i. Objects-weapons and implements a. (i) weapons-25 ayudhas tabulated; 36 ayudhas of the aparajita-praccha (ii) implements and other symbols-enumeration and association b. Musical instruments (as improvised weapons) ii. Seats (i) asana 143-44 & (ii) vahana iii. Abhusana-drapery and decorations a. Costumes-drapery b. Ornaments of various limbs sodasabhusanas of the aparajita-praccha c. Headgear i. E. Mauli (manasara) the ideology under-lying these mudras vii. Iconographical astheticism and the installation of the images-prasada and pratima a. Iconographical alstheticism b. Installation (i) ritualistic : its different varieties, punah-prati tha and jirnoddhara etc. (ii) architectural-sculptural and iconometrical appendix a part ii. Exposition of pratima-iaksanas : introductory appendix to page 24, pt. Ii, ch. Viii--d. Buddhas i. Trimurti etc. Brahma-pratima-laksana : 1. Trimurti 2. Panca-murti 3. Caturmurti 4. Dvimurtis 5. Brahma : i. Hiscorical resume-vedic etc. Ii. Iconographical accounts iii. Iconographical implications iv. Illustrations (a) independent images 185 (6) reliefs v. Brahma's shrine and parivara-devatas ii. Vaisnava-pratima-laksana : 1. Introduction history: 2. Vedic 3. Epic and puranic 4. Pancaratric 5. Pratima-laksanas-seven-fold icons 1. The ordinary visnu-images 2. Extraordinary forms of visnu : i. Anantasay ii. Vasudevas d. & m iii. Trailokya-mohana iv. Visvarups v. Vaikuntha vi. Ananta vii. Yogesvara viii. Laksminarayana 3. Dhruva beras : introduction i. Standing attitude : a. Yagasthanaka b. Bhogasthanaka' c. Virasthanaka d. Abhicarikasthanaka ii. Sitting attitude : e. Yogasana f. Bhogasana g. Virasana h. Abhicarikasana iii. Reclining attitude : a. Yogasayana b. Bhogasayana c. Virasayana d. Abhicarikasayana 4. Dasavataras-the ten incarnations : introduction & defferent lists of avataras : i. Matsya ii. Kurma iii. Varaha : a. Nrvaraha b. Yajna and c. Pralaya iv. Narasimha : a. Girija b. Sthanu c. Yanaka d. Laksmi-narasimha v. Vamana and trivikrama vi-viii. Three ramas : i. Parasurama ii. Raghava iii. Balarama ix. Krsna x. Buddha (see buddhist iconography) xi. Kalkim 5. Caturvimsati-murtayah : i. Introductory ii. The twenty four murtis tabulated and commented 6. Minor forms of visnu : i. Rao's classification and comment on it ii. Purua iii. Vyasa iv. Hayagriva v. Kapila vi. Dhanvantari vii. Dharma viii. Yajna-murti ix. Dattatreya x. Varadraja etc. Garuda-art-motif and iconographical description and illustrations thereof 7. Ayudhapurusas i. Introduction ii. Sculptural forms, the underlying theology of the ten iii. Ayudhas iv. Vaisnavi dvaravati v. Vaisnava-vividha-pratima-pujana-phalam vi. Vaisnava-l. Seller Inventory # MRML-9788121506120

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D.N. Shukla

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