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Mignon Nixon

Published by The MIT Press (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: The MIT Press, 2002. Condition: Very Good. 1 Edition. Former Library book. Great condition for a used book! Minimal wear. Seller Inventory # GRP74769635

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Nixon, Mignon

Published by The MIT Press, U.S.A. (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: The MIT Press, U.S.A., 2002. Soft cover. Condition: Near Fine. Paperback. Nice, clean and bright copy. Seller Inventory # 41666

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Nixon, Mignon

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: 2002. PAP. Condition: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Seller Inventory # TM-9780262640497

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Published by MIT Press Ltd, United States (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: MIT Press Ltd, United States, 2002. Paperback. Condition: New. Language: English . Brand New Book. A critical primer on the work of artist Eva Hesse.Eva Hesse s distinctive process-based art exerted a powerful influence on minimalist artists of the 1960s and continues to inspire artists today. Using industrial materials such as latex and fiberglass, she exploited their flexibility to produce works with an unsettling psychic and corporeal resonance. Hesse, who was born in Germany in 1936 and raised in New York City, died of cancer in New York in 1970. Eva Hesse focuses on the body of criticism that has developed since the last major retrospective of Hesse s work, at the Yale University Art Gallery in 1992. The book s publication coincides with a major exhibition organized jointly by the San Francisco Museum of Art and the Wiesbaden Museum. Eva Hesse contains a 1970 interview by Cindy Nemser, a discussion between Mel Bochner and Joan Simon, and essays by Briony Fer, Rosalind Krauss, Mignon Nixon, and Anne M. Wagner. Seller Inventory # AAS9780262640497

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Published by MIT Press Ltd, United States (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: MIT Press Ltd, United States, 2002. Paperback. Condition: New. Language: English . Brand New Book. A critical primer on the work of artist Eva Hesse.Eva Hesse s distinctive process-based art exerted a powerful influence on minimalist artists of the 1960s and continues to inspire artists today. Using industrial materials such as latex and fiberglass, she exploited their flexibility to produce works with an unsettling psychic and corporeal resonance. Hesse, who was born in Germany in 1936 and raised in New York City, died of cancer in New York in 1970. Eva Hesse focuses on the body of criticism that has developed since the last major retrospective of Hesse s work, at the Yale University Art Gallery in 1992. The book s publication coincides with a major exhibition organized jointly by the San Francisco Museum of Art and the Wiesbaden Museum. Eva Hesse contains a 1970 interview by Cindy Nemser, a discussion between Mel Bochner and Joan Simon, and essays by Briony Fer, Rosalind Krauss, Mignon Nixon, and Anne M. Wagner. Seller Inventory # AAS9780262640497

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Published by MIT Press Ltd, United States (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: MIT Press Ltd, United States, 2002. Paperback. Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. A critical primer on the work of artist Eva Hesse.Eva Hesse s distinctive process-based art exerted a powerful influence on minimalist artists of the 1960s and continues to inspire artists today. Using industrial materials such as latex and fiberglass, she exploited their flexibility to produce works with an unsettling psychic and corporeal resonance. Hesse, who was born in Germany in 1936 and raised in New York City, died of cancer in New York in 1970. Eva Hesse focuses on the body of criticism that has developed since the last major retrospective of Hesse s work, at the Yale University Art Gallery in 1992. The book s publication coincides with a major exhibition organized jointly by the San Francisco Museum of Art and the Wiesbaden Museum. Eva Hesse contains a 1970 interview by Cindy Nemser, a discussion between Mel Bochner and Joan Simon, and essays by Briony Fer, Rosalind Krauss, Mignon Nixon, and Anne M. Wagner. Seller Inventory # BTE9780262640497

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Nixon, Mignon

Published by MIT Press, Cambridge, MA (2005)

ISBN 10: 0262140896 ISBN 13: 9780262140898

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About this Item: MIT Press, Cambridge, MA, 2005. Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Cloth, xi, 338 pp., illus., bib. notes, index; 24 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar book cover. "The art of Louise Bourgeois stages a dynamic encounter between modern art and psychoanalysis, argues Mignon Nixon in the first full-scale critical study of the artist's work. A pivotal figure in twentieth-century art, Louise Bourgeois (b. 1911, France) emigrated to New York in 1938 and is still actively working and exhibiting today. From Bourgeois's formative struggle with the 'father figures' of surrealism, including Andre Breton and Marcel Duchamp, to her galvanizing role in the feminist art movement of the 1970s, to her subsequent emergence as a leading voice in postmodernism, this book explores the artist's responses to war, dislocation, and motherhood, to the predicament of the 'woman artist' and the politics of sexual and social liberation, as a dialogue with psychoanalysis. Convinced that she could express 'deeper things in three dimensions,' Bourgeois abandoned painting for sculpture in the 1940s, founding her art in one of the twentieth century's most radical and controversial accounts of subjectivity, the object relations psychoanalysis of Melanie Klein. Rejecting the Oedipal narratives of Freud and the dream imagery of surrealism for the object world of the infantile drives, Bourgeois turned to the child analysis pioneered by Klein, the figure Julia Kristeva has called 'the boldest reformer in the history of modern psychoanalysis.' With Klein, Bourgeois thinks the negative -- fragmentation, splitting, and formlessness -- where we might least expect to find it, in the corporeal fantasies of mother and child. This turn to the mother and the death drive at once in child psychoanalysis, Nixon contends, not only finds powerful expression in Bourgeois's art, but is echoed in the work of other artists, including Marcel Duchamp, Jasper Johns, Yayoi Kusama, and Eva Hesse, and in a return to Klein in recent art. 'Fantastic reality,' Bourgeois calls the condition of her art. Starting from Bourgeois's investigation, through a multiplicity of forms and materials, of the problem of subjectivity on the very threshold of emergence, this book argues for a new psychoanalytic story of modern art. / Mignon Nixon is Professor of Art History at the Courtauld Institute of Art, University of London." - Publisher. Size: 8vo - over 7¾" - 9¾" tall. Seller Inventory # 035752

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Published by The MIT Press (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: The MIT Press, 2002. Condition: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Seller Inventory # 026264049X-2-4

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Editor-Mignon Nixon

Published by The MIT Press (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: The MIT Press, 2002. Paperback. Condition: Used: Good. Seller Inventory # SONG026264049X

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Mignon Nixon (editor)

Published by The MIT Press 2002-11-01, Cambridge, Mass. |London (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: The MIT Press 2002-11-01, Cambridge, Mass. |London, 2002. paperback. Condition: New. Seller Inventory # 9780262640497

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Nixon, Mignon (edited by)

Published by MIT Press, Cambridge (2002)

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About this Item: MIT Press, Cambridge, 2002. Couverture souple. Condition: Très bon. Coll. October Files no 3, 222 p. Ill. 15x23 cm. Seller Inventory # 018718

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Published by The MIT Press (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: The MIT Press, 2002. Paperback. Condition: New. book. Seller Inventory # M026264049X

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Mignon Nixon (Editor)

Published by The MIT Press (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: The MIT Press, 2002. Paperback. Condition: New. Seller Inventory # DADAX026264049X

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Mignon Nixon

Published by MIT Press Ltd, United States (2008)

ISBN 10: 0262640708 ISBN 13: 9780262640701

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About this Item: MIT Press Ltd, United States, 2008. Paperback. Condition: New. Language: English . Brand New Book. A critical study of Louise Bourgeois s art from the 1940s to the 1980s: its departure from surrealism and its dialogue with psychoanalysis.The art of Louise Bourgeois stages a dynamic encounter between modern art and psychoanalysis, argues Mignon Nixon in the first full-scale critical study of the artist s work. A pivotal figure in twentieth-century art, Louise Bourgeois (b. 1911, France) emigrated to New York in 1938 and is still actively working and exhibiting today. From Bourgeois s formative struggle with the father figures of surrealism, including Andre Breton and Marcel Duchamp, to her galvanizing role in the feminist art movement of the 1970s, to her subsequent emergence as a leading voice in postmodernism, this book explores the artist s responses to war, dislocation, and motherhood, to the predicament of the woman artist and the politics of sexual and social liberation, as a dialogue with psychoanalysis.Convinced that she could express deeper things in three dimensions, Bourgeois abandoned painting for sculpture in the 1940s, founding her art in one of the twentieth century s most radical and controversial accounts of subjectivity, the object relations psychoanalysis of Melanie Klein. Rejecting the Oedipal narratives of Freud and the dream imagery of surrealism for the object world of the infantile drives, Bourgeois turned to the child analysis pioneered by Klein, the figure Julia Kristeva has called the boldest reformer in the history of modern psychoanalysis. With Klein, Bourgeois thinks the negative -- fragmentation, splitting, and formlessness -- where we might least expect to find it, in the corporeal fantasies of mother and child. This turn to the mother and the death drive at once in child psychoanalysis, Nixon contends, not only finds powerful expression in Bourgeois s art, but is echoed in the work of other artists, including Marcel Duchamp, Jasper Johns, Yayoi Kusama, and Eva Hesse, and in a return to Klein in recent art. Fantastic reality, Bourgeois calls the condition of her art. Starting from Bourgeois s investigation, through a multiplicity of forms and materials, of the problem of subjectivity on the very threshold of emergence, this book argues for a new psychoanalytic story of modern art. Seller Inventory # AAS9780262640701

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Mignon Nixon

Published by MIT Press

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: MIT Press. Paperback. Condition: New. New copy - Usually dispatched within 2 working days. Seller Inventory # B9780262640497

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Mignon Nixon

Published by MIT Press Ltd, United States (2008)

ISBN 10: 0262640708 ISBN 13: 9780262640701

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About this Item: MIT Press Ltd, United States, 2008. Paperback. Condition: New. Language: English . Brand New Book. A critical study of Louise Bourgeois s art from the 1940s to the 1980s: its departure from surrealism and its dialogue with psychoanalysis.The art of Louise Bourgeois stages a dynamic encounter between modern art and psychoanalysis, argues Mignon Nixon in the first full-scale critical study of the artist s work. A pivotal figure in twentieth-century art, Louise Bourgeois (b. 1911, France) emigrated to New York in 1938 and is still actively working and exhibiting today. From Bourgeois s formative struggle with the father figures of surrealism, including Andre Breton and Marcel Duchamp, to her galvanizing role in the feminist art movement of the 1970s, to her subsequent emergence as a leading voice in postmodernism, this book explores the artist s responses to war, dislocation, and motherhood, to the predicament of the woman artist and the politics of sexual and social liberation, as a dialogue with psychoanalysis.Convinced that she could express deeper things in three dimensions, Bourgeois abandoned painting for sculpture in the 1940s, founding her art in one of the twentieth century s most radical and controversial accounts of subjectivity, the object relations psychoanalysis of Melanie Klein. Rejecting the Oedipal narratives of Freud and the dream imagery of surrealism for the object world of the infantile drives, Bourgeois turned to the child analysis pioneered by Klein, the figure Julia Kristeva has called the boldest reformer in the history of modern psychoanalysis. With Klein, Bourgeois thinks the negative -- fragmentation, splitting, and formlessness -- where we might least expect to find it, in the corporeal fantasies of mother and child. This turn to the mother and the death drive at once in child psychoanalysis, Nixon contends, not only finds powerful expression in Bourgeois s art, but is echoed in the work of other artists, including Marcel Duchamp, Jasper Johns, Yayoi Kusama, and Eva Hesse, and in a return to Klein in recent art. Fantastic reality, Bourgeois calls the condition of her art. Starting from Bourgeois s investigation, through a multiplicity of forms and materials, of the problem of subjectivity on the very threshold of emergence, this book argues for a new psychoanalytic story of modern art. Seller Inventory # AAS9780262640701

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Mignon Nixon

Published by MIT Press Ltd, United States (2008)

ISBN 10: 0262640708 ISBN 13: 9780262640701

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About this Item: MIT Press Ltd, United States, 2008. Paperback. Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. A critical study of Louise Bourgeois s art from the 1940s to the 1980s: its departure from surrealism and its dialogue with psychoanalysis.The art of Louise Bourgeois stages a dynamic encounter between modern art and psychoanalysis, argues Mignon Nixon in the first full-scale critical study of the artist s work. A pivotal figure in twentieth-century art, Louise Bourgeois (b. 1911, France) emigrated to New York in 1938 and is still actively working and exhibiting today. From Bourgeois s formative struggle with the father figures of surrealism, including Andre Breton and Marcel Duchamp, to her galvanizing role in the feminist art movement of the 1970s, to her subsequent emergence as a leading voice in postmodernism, this book explores the artist s responses to war, dislocation, and motherhood, to the predicament of the woman artist and the politics of sexual and social liberation, as a dialogue with psychoanalysis.Convinced that she could express deeper things in three dimensions, Bourgeois abandoned painting for sculpture in the 1940s, founding her art in one of the twentieth century s most radical and controversial accounts of subjectivity, the object relations psychoanalysis of Melanie Klein. Rejecting the Oedipal narratives of Freud and the dream imagery of surrealism for the object world of the infantile drives, Bourgeois turned to the child analysis pioneered by Klein, the figure Julia Kristeva has called the boldest reformer in the history of modern psychoanalysis. With Klein, Bourgeois thinks the negative -- fragmentation, splitting, and formlessness -- where we might least expect to find it, in the corporeal fantasies of mother and child. This turn to the mother and the death drive at once in child psychoanalysis, Nixon contends, not only finds powerful expression in Bourgeois s art, but is echoed in the work of other artists, including Marcel Duchamp, Jasper Johns, Yayoi Kusama, and Eva Hesse, and in a return to Klein in recent art. Fantastic reality, Bourgeois calls the condition of her art. Starting from Bourgeois s investigation, through a multiplicity of forms and materials, of the problem of subjectivity on the very threshold of emergence, this book argues for a new psychoanalytic story of modern art. Seller Inventory # BTE9780262640701

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OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey & Rachel Churner, Editors

Published by MIT Press Journals, Cambridge, MA (2007)

ISBN 10: 0262752697 ISBN 13: 9780262752695

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About this Item: MIT Press Journals, Cambridge, MA, 2007. Printed Wrappers. Condition: Fine. First Edition. 160pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Editor's Note - Mignon Nixon, o + x - Mignon Nixon, Eva Hesse and Color - Briony Fer, No Exit: Video and the Readymade - David Joselit, Jean Dubuffet: The Butterfly Man - Sarah K. Rich, Klein's Relevance for Today - Yve-Alain Bois, "Frank Stella is a Constructivist" - Maria Gough, Robert Ryman's Pragmatism - Suzanne Hudson, and October Portfolio Three - Sophie Calle, Tacita Dean, Renée Green, Gabriel Orozco, Andrea Robbins, Max Becher, Martha Rosler. A most handsome example. Journal. Seller Inventory # 012641

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OCTOBER). Krauss, Rosalind, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H.D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey, Lisa Pasquariello & Catherine de Zegher, Editors

Published by MIT Press Journals, Cambridge, MA (2003)

ISBN 10: 0262752549 ISBN 13: 9780262752541

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About this Item: MIT Press Journals, Cambridge, MA, 2003. Printed Wrappers. Condition: Fine. First Edition. 162pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Girl Love - Kaja Silverman; Reanimations (I) - George Baker; The Projected Image in Contemporary Art - Round Table featuring Malcolm Turvey, Hal Foster, Chrissie Iles, George Baker, Matthew Buckingham, Anthony McCall; The Revolutionary Energy of the Outmoded - Christian Thorne; Beauty and the Status of Contemporary Criticism - Suzanne Perling Hudson; The Jesse Helms Theory of Art - Richard Meyer; Eva Hesse Retrospective: A Note on Milieu - Mignon Nixon; Letters and Responses: Juan Ignacio Vidarte and Allan Sekula. A most handsome copy. Journal. Seller Inventory # 014348

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Hesse, Eva (Editor)/ Nixon, Mignon/ Nemser, Cindy (Editor)/ Nixon, Mignon (Editor)

Published by Mit Pr (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: Mit Pr, 2002. Paperback. Condition: Brand New. illustrated edition. 232 pages. 9.25x6.00x0.50 inches. In Stock. Seller Inventory # z-026264049X

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Nixon, Mignon [Editor]

Published by The MIT Press (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: The MIT Press, 2002. Paperback. Condition: Used: Good. Seller Inventory # 14853792

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Nixon, Mignon [Editor]

Published by The MIT Press (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: The MIT Press, 2002. Paperback. Condition: Used: Good. Seller Inventory # SKU9939007

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Nixon, Mignon

Published by MIT Press, Cambridge USA (2002)

ISBN 10: 0262140802 ISBN 13: 9780262140805

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About this Item: MIT Press, Cambridge USA, 2002. Hard Back. Condition: Very Good. Dust Jacket Condition: No DJ. 1st Ed.. Black cloth cover- silver writing--222 pages-- various interviews with Eva Hesse - abstract painter/artist. Size: 15 x 160 x 235 Mm. Seller Inventory # 0053534

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Mignon Nixon

Published by MIT Press Ltd

ISBN 10: 0262640708 ISBN 13: 9780262640701

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About this Item: MIT Press Ltd. Paperback. Condition: new. BRAND NEW, Fantastic Reality: Louise Bourgeois and a Story of Modern Art, Mignon Nixon, The art of Louise Bourgeois stages a dynamic encounter between modern art and psychoanalysis, argues Mignon Nixon in the first full-scale critical study of the artist's work. A pivotal figure in twentieth-century art, Louise Bourgeois (b. 1911, France) emigrated to New York in 1938 and is still actively working and exhibiting today. From Bourgeois's formative struggle with the "father figures" of surrealism, including Andre Breton and Marcel Duchamp, to her galvanizing role in the feminist art movement of the 1970s, to her subsequent emergence as a leading voice in postmodernism, this book explores the artist's responses to war, dislocation, and motherhood, to the predicament of the "woman artist" and the politics of sexual and social liberation, as a dialogue with psychoanalysis. Convinced that she could express "deeper things in three dimensions," Bourgeois abandoned painting for sculpture in the 1940s, founding her art in one of the twentieth century's most radical and controversial accounts of subjectivity, the object relations psychoanalysis of Melanie Klein. Rejecting the Oedipal narratives of Freud and the dream imagery of surrealism for the object world of the infantile drives, Bourgeois turned to the child analysis pioneered by Klein, the figure Julia Kristeva has called "the boldest reformer in the history of modern psychoanalysis." With Klein, Bourgeois thinks the negative -- fragmentation, splitting, and formlessness -- where we might least expect to find it, in the corporeal fantasies of mother and child. This turn to the mother and the death drive at once in child psychoanalysis, Nixon contends, not only finds powerful expression in Bourgeois's art, but is echoed in the work of other artists, including Marcel Duchamp, Jasper Johns, Yayoi Kusama, and Eva Hesse, and in a return to Klein in recent art. "Fantastic reality," Bourgeois calls the condition of her art. Starting from Bourgeois's investigation, through a multiplicity of forms and materials, of the problem of subjectivity on the very threshold of emergence, this book argues for a new psychoanalytic story of modern art. Seller Inventory # B9780262640701

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Mignon Nixon

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: 2002. Paperback. Condition: New. Paperback. Eva Hesse's distinctive process-based art exerted a powerful influence on minimalist artists of the 1960s and continues to inspire artists. Using industrial materials such as .Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 234 pages. 0.336. Seller Inventory # 9780262640497

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HESSE). NIXON, Mignon (ed).

Published by Cambridge & London: The MIT Press, [2002]. (2002)

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About this Item: Cambridge & London: The MIT Press, [2002]., 2002. 8vo. pp. 222. b/w illus. cloth. (bit rubbed). Seller Inventory # stela2516

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Mignon Nixon

Published by The MIT Press (2002)

ISBN 10: 026264049X ISBN 13: 9780262640497

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About this Item: The MIT Press, 2002. Paperback. Condition: Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!. Seller Inventory # 026264049X

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de Zegher, Catherine

Published by The Drawing Center, New York (2006)

ISBN 10: 0300116187 ISBN 13: 9780300116182

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About this Item: The Drawing Center, New York, 2006. Cloth. Condition: New. 344 pp., 232 illustrations 195 in color. Still in publisher's shrinkwrap. Additional essays by Benjamin H. D. Buchloh, Bracha L. Ettinger, Briony Fer, Mignon Nixon, Elisabeth Sussman, Kathryn A. Tuma, and Anne M. Wagner. Published on the occasion of the exhibition from The Drawing Center, New York NY May 6-July 15, 2006 and the Menil Collection, Houston TX February 3-April 23, 2006. Biography. Seller Inventory # 018840

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About this Item: Softcover. Condition: As New. Eva Hesseâs distinctive processbased art exerted a powerful influence on minimalist artists of the 1960s and continues to inspire artists today Using industrial materials such as latex and fiberglass she exploited their flexibility to produce works with an unsettling psychic and corporeal resonance Hesse who was born in Germany in 1936 and raised in New York City died of cancer in New York in 1970 Eva Hesse focuses on the body of criticism that has developed since the last major retrospective of Hesseâs work at the Yale University Art Gallery in 1992 The bookâs publication coincides with a major exhibition organized jointly by the San Francisco Museum of Art and the Wiesbaden Museum Eva Hesse contains a 1970 interview by Cindy Nemser a discussion between Mel Bochner and Joan Simon and essays by Briony Fer Rosalind Krauss Mignon Nixon and Anne MWagnerThere are special shipping conditions for larger orders, for rare books plaese ask shipping and availability,we will contact the customer should there be any delays, shipping time can vary by countryMostly New and packaged by Magazin Aziya. Seller Inventory # 6184056RuAB

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About this Item: Softcover. Condition: As New. The art of Louise Bourgeois stages a dynamic encounter between modern art and psychoanalysis argues Mignon Nixon in the first fullscale critical study of the artist's work A pivotal figure in twentiethcentury art Louise Bourgeois emigrated to New York in 1938 and is still actively working and exhibiting today From Bourgeois's formative struggle with the father figures of surrealism including Andre Breton and Marcel Duchamp to her galvanizing role in the feminist art movement of the 1970s to her subsequent emergence as a leading voice in postmodernism this book explores the artist's responses to war dislocation and motherhood to the predicament of the woman artist and the politics of sexual and social liberation as a dialogue with psychoanalysisConvinced that she could express deeper things in three dimensions Bourgeois abandoned painting for sculpture in the 1940s founding her art in one of the twentieth century's most radical and controversial accounts of subjectivity the object relations psychoanalysis of Melanie Klein Rejecting the Oedipal narratives of Freud and the dream imagery of surrealism for the object world of the infantile drives Bourgeois turned to the child analysis pioneered by Klein the figure Julia Kristeva has called the boldest reformer in the history of modern psychoanalysis With Klein Bourgeois thinks the negative fragmentation splitting and formlessness where we might least expect to find it in the corporeal fantasies of mother and child This turn to the mother and the death drive at once in child psychoanalysis Nixon contends not only finds powerful expression in Bourgeois's art but is echoed in the work of other artists including Marcel Duchamp Jasper Johns Yayoi Kusama and Eva Hesse and in a return to Klein in recent artFantastic reality Bourgeois calls the condition of her art Starting from Bourgeois's investigation through a multiplicity of forms and materials of the problem of subjectivity on the very threshold of emergence this book argues for a new psychoanalytic story of modern artThere are special shipping conditions for larger orders, for rare books plaese ask shipping and availability,we will contact the customer should there be any delays, shipping time can vary by countryMostly New and packaged by Magazin Aziya. Seller Inventory # 6182230RuAB

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