brand the american ceramic society (3 results)

Softcover. Condition: Good. The perfect resource for individuals wishing to take the next step in their involvement with clay. Written by Steven Branfman, The Potter's Professional Handbook covers topics ranging from determining what a professional is to equipment selection, setting up shop, marketing your work, and much more. This book provides descriptions of the items necessary for a beginning professional potter and includes visual examples of items including sales slips, purchase orders, invoices, credit slips, and even floor plans of well-known potters studios.Are you considering a change in how you practice your pottery craft? Perhaps a move from hobbyist to professional potter? If so, you'll appreciate this expert advice from Steven Branfman, a consummate professional who has distinguished himself as an artist, teacher, and businessman.Steven offers friendly and useful guidance for everything from determining what a professional is to setting up shop and selling your work. His practical tips will help you make the move to professional potter with confidence. You'll also find comprehensive listings of resources for supplies and materials, workshops and schools, computer resources, magazines and journals and much more!.

Hardcover. Condition: Good. Mary Wondrausch examines the history of slipware, narrating its development in many countries and discussing the techniques and practicalities involved. As one of the leading practitioners in the field, she writes with great enthusiasm and knowledge about this most joyous and colorful of ceramic styles.Slipware has a long tradition of being used for commemorative wares and has played an important part in marking historical events both for individuals and nations. This extra role makes this book essential reading both for potters and for ceramic collectors and historians alike. Mary Wondrausch on Slipware is a valuable reference tool as well as a lively read.What is Slipware?It sounds like skating or sliding, not like pottery, and many people seem to be unclear about the meaning of this term.Firstly, it is lead-glazed earthware firing temperature between 1634F and 2012F. Secondly, the pots are decorated with colored slip before they are fired in the the kiln. Slip is clay mixed with water. If it is used for covering the body of the pot, it's called pouring slip or engobe. It has a thin, batter-like consistency and is usually of a contrasting color to the body clay; for example, white on a red clay.Slip trailing is the method of decorating the pot with slip from either a cow-horn, a small clay vessel and quill, or rubber bulb and pipette.All work that is earthenware and decorated in any way with slips before firing is called slipware. This includes sgrafitto, which is the technique of scratching through a leather-hard covering slip to reveal the contrasting clay body underneath, or in some cases to reveal another slip applied below, as in Beauvais ware.There is an additional group of wares that come roughly under the sgraffito heading as the possibilities of the method are explored. For example: brushing different colored slips on to the leather-hard background; cutting out the background to reveal large areas of the body color; painting with oxides such as copper and cobalt to enhance the scratched drawing. A combination of all these techniques can be used together on the same pot. Other decorative techniques normally associated with slipware are marbling and feathering.Slip-decorated earthenware is not be confused with majolica (or Faience or Delft ware), where the painting is done on top of a tin glaze after the first firing. The common feature of majolica and slipware is that they are both earthenware.From earliest times, painted slips were used as decoration. The most familiar of these pots came from China, Ancient Greece, Byzantium, Egypt, Italy and also from Britain during the period of Roman domination when the Castor wares from Northamptonshire were made and decorated, as they were in Germany at this time.Lead-glazed, slip-coated wares were imported to Britain from Beauvais and Saintes in France in the 14th century and are found in quantity in many excavated sites. Literally hundreds of chafing dishes (coal pots) from Saintes, known as Saintonge wares, have been excavated all over Britain, undecorated except for splashes of glaze. La Chapelle des Pots near Saintes was known for its strange barrel-type wine containers, heavily embossed and lead-glazed.

Hardcover. Condition: New. Mary Wondrausch examines the history of slipware, narrating its development in many countries and discussing the techniques and practicalities involved. As one of the leading practitioners in the field, she writes with great enthusiasm and knowledge about this most joyous and colorful of ceramic styles.Slipware has a long tradition of being used for commemorative wares and has played an important part in marking historical events both for individuals and nations. This extra role makes this book essential reading both for potters and for ceramic collectors and historians alike. Mary Wondrausch on Slipware is a valuable reference tool as well as a lively read.What is Slipware?It sounds like skating or sliding, not like pottery, and many people seem to be unclear about the meaning of this term.Firstly, it is lead-glazed earthware firing temperature between 1634F and 2012F. Secondly, the pots are decorated with colored slip before they are fired in the the kiln. Slip is clay mixed with water. If it is used for covering the body of the pot, it's called pouring slip or engobe. It has a thin, batter-like consistency and is usually of a contrasting color to the body clay; for example, white on a red clay.Slip trailing is the method of decorating the pot with slip from either a cow-horn, a small clay vessel and quill, or rubber bulb and pipette.All work that is earthenware and decorated in any way with slips before firing is called slipware. This includes sgrafitto, which is the technique of scratching through a leather-hard covering slip to reveal the contrasting clay body underneath, or in some cases to reveal another slip applied below, as in Beauvais ware.There is an additional group of wares that come roughly under the sgraffito heading as the possibilities of the method are explored. For example: brushing different colored slips on to the leather-hard background; cutting out the background to reveal large areas of the body color; painting with oxides such as copper and cobalt to enhance the scratched drawing. A combination of all these techniques can be used together on the same pot. Other decorative techniques normally associated with slipware are marbling and feathering.Slip-decorated earthenware is not be confused with majolica (or Faience or Delft ware), where the painting is done on top of a tin glaze after the first firing. The common feature of majolica and slipware is that they are both earthenware.From earliest times, painted slips were used as decoration. The most familiar of these pots came from China, Ancient Greece, Byzantium, Egypt, Italy and also from Britain during the period of Roman domination when the Castor wares from Northamptonshire were made and decorated, as they were in Germany at this time.Lead-glazed, slip-coated wares were imported to Britain from Beauvais and Saintes in France in the 14th century and are found in quantity in many excavated sites. Literally hundreds of chafing dishes (coal pots) from Saintes, known as Saintonge wares, have been excavated all over Britain, undecorated except for splashes of glaze. La Chapelle des Pots near Saintes was known for its strange barrel-type wine containers, heavily embossed and lead-glazed.