d a p distributed art publishers (55 results)

Condition: Used - Like New. Fine. Hardbound, No D-j. 2000. Originally published at $30.00.

Condition: Used - Like New. Brosche, Beate (illustrator). Cloth. 4to.

First Edition. 1st thus ed. used book in VG condition. The cover is shelf worn and there is edge wear present. The internal pages are clean and the binding is tight.

Condition: Good. Ships SAME or NEXT business day. We Ship to APO/FPO addr. Choose EXPEDITED shipping and receive in 2-5 business days within the United States. See our member profile for customer support contact info. We have an easy return policy.

Hardcover. Condition: As New. Dust Jacket Condition: As New. Color illustrations. ; 8vo 8" - 9" tall; 208 pp.

Condition: Used - Very Good. 2001. Hardcover. Cloth, d.j. 4to. Profusely illus. Some shelf-wear. Else clean copy. Very Good.

Paperback. Condition: Very Good. Clean and solid. ; Color IIllustrations; 8vo; 302 pages.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 4to.

Hard Cover, Pictorial Boards. Condition: Very Good. Excellent overall, with no markings. Light bumping to corners of boards.

Condition: Used - Like New. Distributed Art Publishers/D. A. P. New York, NY, 2000. Original Wraps. Book is As New. No Jacket.

hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Cover has a dent in it else a copy; Always Delivery Confirmation. 35 Years Fast Excellent Service. We Know How To Pack Books.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.31.

19.0 x 14.5cms, 168pp, duotone illusts, very good+ hardback & dustwrapper Taylor unpacks Rembrandt's ability to paint 'impossibly vital' portraits. 'He describes precisely how our eyes take in the paintings so that we begin to see more in each image, right up to the last defining highlight on the tip of a nose'.

Condition: Used - Very Good. . Pap. Minor shelf-wear, else very sound. Very Good.

Hardcover. Condition: Very Good-. Dust Jacket Condition: Very Good. Stated First Edition. Color Photographs; 238 pages; Foxing (very light) to exterior edge of pages. Very Good condition otherwise. No other noteworthy defects. No markings.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Hardcover. Condition: Fine. First Edition. Clean and pristine, with no markings or signs of prior use. Gift quality! Fast shipping, careful packing, with tracking number privided. ; 6.75 X 1.2 X 9.5 inches; 256 pages.

23.0 x 30.0cms, 48pp, b/w & colour illusts, very good+ paperback & cover (ed of 3 750) The essays are: from house to museum 1897-1996; design for the Museum of Contemporary Art, San Diego; Davies & Ontorato interview Venturi.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 8vo 8" - 9" tall; 224 pages.

Softcover, 128 pages, in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. New York: D.A. P. / Distributed, Art Publishers, 2005. 10 1/4 x 7 1/4 inches: pp. viii, 308. Black and white lettering to red jacket. Black lettering to spine of crimson, cloth-covered boards. Black and white pictorial endpapers. Numerous black and white illustrations. Includes twelve essays, with notes, contributors, index and photographic credits. Dust jacket has light edge and corner wear, sticker on back panel. Light bumping on bottom edges of boards. Text is unmarked. Clean, tight, bright. National Gallery of Art, Center for Advanced Study in the Visual Arts. The studies of artists and concepts in this volume present Dada as a prodigiously creative avant-garde that coheres, for all its diversity, around a radical reinvention of the nature of the art object.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. First Edition; First Printing. Half black cover over green boards has light wear to extremities but clean, bright, and in very good+ condition. Boards and spine are straight. Binding is tight. Pages are clean and near pristine. Dust jacket has . Modest wear along top edge but clean, bright, and very good+. Publisher's price of $27.50 on DJ flap. DJ protected by a brand new, clear, acid-free mylar cover. We add mylar covers to all books with DJs to preserve the DJs and add luster to magnify their beauty. (If pictured, shown without the mylar cover for an accurate representation of dust jacket. ); 9.1 X 6.6 X 1.1 inches; 160 pages.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Oversized cloth. Trace shelfwear. Tight and square. The DJ in mylar is mildly creased to edges. ; 10.5 X 1 X 12.5 inches; 208 pages.

Paperback. Condition: Very Good. This book is in very good condition; no remainder marks. It does have some cover shelfwear. Inside pages are clean. ; 343 pages.

First Edition. The works presented in Shy Boy, She Devil, and Isis: The Art of Conceptual Craft, from the well-known California collection of Ronald C. And Anita L. Wornick, capture an exciting shift in the evolution of contemporary sculptural arts. Beginning in 1985, the Wornicks assembled a major collection of contemporary decorative arts, primarily by Americans but also including European, Australian, and Asian artists. This collection features works created after 1980 and represents a coming of age of the studio craft movement across the world. Working in clay, glass, metal, wood and fiber, the 107 artists featured in this book--including Dale Chihuly, Viola Frey, Peter Voulkos, John Cederquist and Mary Van Cline--are distinct in their move away from the functional and toward the "purely" sculptural. Matthew Kangas' introductory essay notes how these works surpass and overturn the arbitrary, misleading category of craft, while Gerald W. R. Ward and Julie Muniz discuss the material innovations shown by these artists, whose works, taken together, define the cutting edge of craft. The pieces in Shy Boy, She Devil, and Isis exemplify the skills and individualities of their makers; as a group, they suggest a bold conceptual shift and an erasure of the boundaries separating craft from fine art. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 8vo 8" - 9" tall; 183 pages; Description: 183 p. : col. Ill. ; 25 x 30 cm. Published on the occasion of an exhibition held at the Museum of Fine Arts, Boston, Sept. 11, 2007-Jan. 6, 2008. Includes bibliographical references (p. 180-181) and index. Subjects: Wornick, Ronald C. , 1932- --Art collections --Exhibitions. Wornick, Anita L. --Art collections. Museum of Fine Arts, Boston --Exhibitions 2 Kg.

First Edition. The works presented in Shy Boy, She Devil, and Isis: The Art of Conceptual Craft, from the well-known California collection of Ronald C. And Anita L. Wornick, capture an exciting shift in the evolution of contemporary sculptural arts. Beginning in 1985, the Wornicks assembled a major collection of contemporary decorative arts, primarily by Americans but also including European, Australian, and Asian artists. This collection features works created after 1980 and represents a coming of age of the studio craft movement across the world. Working in clay, glass, metal, wood and fiber, the 107 artists featured in this book--including Dale Chihuly, Viola Frey, Peter Voulkos, John Cederquist and Mary Van Cline--are distinct in their move away from the functional and toward the "purely" sculptural. Matthew Kangas' introductory essay notes how these works surpass and overturn the arbitrary, misleading category of craft, while Gerald W. R. Ward and Julie Muniz discuss the material innovations shown by these artists, whose works, taken together, define the cutting edge of craft. The pieces in Shy Boy, She Devil, and Isis exemplify the skills and individualities of their makers; as a group, they suggest a bold conceptual shift and an erasure of the boundaries separating craft from fine art. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 8vo 8" - 9" tall; 183 pages; Description: 183 p. : col. Ill. ; 25 x 30 cm. Published on the occasion of an exhibition held at the Museum of Fine Arts, Boston, Sept. 11, 2007-Jan. 6, 2008. Includes bibliographical references (p. 180-181) and index. Subjects: Wornick, Ronald C. , 1932- --Art collections --Exhibitions. Wornick, Anita L. --Art collections. Museum of Fine Arts, Boston --Exhibitions 2 Kg.

Second Edition. Fine cloth copy in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 599 pages; Description: 559 p. : ill. (chiefly col.) ; 26 cm. Subjects: Museum of Modern Art (New York, N. Y.) --Catalogs. Arts, Modern --20th century --Arts --New York (State) --New York --Catalogs. Summary: Updated and Revised In a lively panorama of stimulating juxtapositions, sequences, and cross references, this new edition of Modern Contemporaryprovides a cornucopia of 590 works of key contemporary art (37 more than in the original edition). Thought-provoking page spreads juxtapose Jia Zhang Ke, Matthew Barney and Kara Walker; Gabriel Orozco, Chris Ofili, and Jeanne Dunning; Philippe Starck and Rineke Dijkstra; Jenny Holzer and Robert Gober; Mona Hatoum and Teiji Furuhashi; Philip-Lorca diCorcia, Juan Snchez, Raymond Pettibon, and Rosemarie Trockel; Gary Hill, General Idea and Lari Pittman; and David Wojnarowicz and Bruce Nauman, to name a few. Addressing the extensive holdings of contemporary art in the collection of The Museum of Modern Art, New York, Modern Contemporarycovers an international spectrum of art in a variety of mediums, all made in the last two decades of the 20th century and the first few years of the 21st. Organized chronologically and encompassing a prime selection of painting, sculpture, architecture, design, photography, drawings, prints, film, and video, this rich and varied array of art from 1980 until now offers a virtual compendium of the visual culture of our own time. 3 Kg.

Paperback. Condition: Near Fine. Uncorrected Galley Proof. NrF. Uncorrected galley proof. Paperback. (i),288pp. TOGETHER WITH FOUR LOOSELY INSERTED COLOUR IMAGES FOR FOUR OF THE SHORT STORIES. A career retrospective for Tillman, a collection of innovative stories from the last twenty years follows a cast of artists from a vanishing New York City bohemia. A near fine copy of a SCARCE uncorrected galley proof. NO inscriptions.

First Edition. The works presented in Shy Boy, She Devil, and Isis: The Art of Conceptual Craft, from the well-known California collection of Ronald C. And Anita L. Wornick, capture an exciting shift in the evolution of contemporary sculptural arts. Beginning in 1985, the Wornicks assembled a major collection of contemporary decorative arts, primarily by Americans but also including European, Australian, and Asian artists. This collection features works created after 1980 and represents a coming of age of the studio craft movement across the world. Working in clay, glass, metal, wood and fiber, the 107 artists featured in this book--including Dale Chihuly, Viola Frey, Peter Voulkos, John Cederquist and Mary Van Cline--are distinct in their move away from the functional and toward the "purely" sculptural. Matthew Kangas' introductory essay notes how these works surpass and overturn the arbitrary, misleading category of craft, while Gerald W. R. Ward and Julie Muniz discuss the material innovations shown by these artists, whose works, taken together, define the cutting edge of craft. The pieces in Shy Boy, She Devil, and Isis exemplify the skills and individualities of their makers; as a group, they suggest a bold conceptual shift and an erasure of the boundaries separating craft from fine art. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 8vo 8" - 9" tall; 183 pages; Description: 183 p. : col. Ill. ; 25 x 30 cm. Published on the occasion of an exhibition held at the Museum of Fine Arts, Boston, Sept. 11, 2007-Jan. 6, 2008. Includes bibliographical references (p. 180-181) and index. Subjects: Wornick, Ronald C. , 1932- --Art collections --Exhibitions. Wornick, Anita L. --Art collections. Museum of Fine Arts, Boston --Exhibitions 2 Kg.

First Edition. The works presented in Shy Boy, She Devil, and Isis: The Art of Conceptual Craft, from the well-known California collection of Ronald C. And Anita L. Wornick, capture an exciting shift in the evolution of contemporary sculptural arts. Beginning in 1985, the Wornicks assembled a major collection of contemporary decorative arts, primarily by Americans but also including European, Australian, and Asian artists. This collection features works created after 1980 and represents a coming of age of the studio craft movement across the world. Working in clay, glass, metal, wood and fiber, the 107 artists featured in this book--including Dale Chihuly, Viola Frey, Peter Voulkos, John Cederquist and Mary Van Cline--are distinct in their move away from the functional and toward the "purely" sculptural. Matthew Kangas' introductory essay notes how these works surpass and overturn the arbitrary, misleading category of craft, while Gerald W. R. Ward and Julie Muniz discuss the material innovations shown by these artists, whose works, taken together, define the cutting edge of craft. The pieces in Shy Boy, She Devil, and Isis exemplify the skills and individualities of their makers; as a group, they suggest a bold conceptual shift and an erasure of the boundaries separating craft from fine art. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new; 8vo 8" - 9" tall; 183 pages; Description: 183 p. : col. Ill. ; 25 x 30 cm. Published on the occasion of an exhibition held at the Museum of Fine Arts, Boston, Sept. 11, 2007-Jan. 6, 2008. Includes bibliographical references (p. 180-181) and index. Subjects: Wornick, Ronald C. , 1932- --Art collections --Exhibitions. Wornick, Anita L. --Art collections. Museum of Fine Arts, Boston --Exhibitions 2 Kg.

Softcover. Condition: Near Fine. Small closed tear to front cover at base of spine. Otherwise Fine. ; Stiff wraps with flaps. Glossy paper, color illustrations. Due to size, ships within US only and only by media rate mail. ; 4to 11" - 13" tall; 304 pp.