philadelphia museum of art art institute of chicago philadelphia chicago (47 results)

Paperback. Condition: Very Good. 103 pages, illustrations, portrait; 17 cm. Near fine. Tight, clean copy. Age toning. Size: 12mo. Handbook of the Collection.

Paperback. Condition: Very Good. 1st. 96 pages, illustrations (some colour); 28 cm. Catalogue of the exhibition held February 17 to April 14, 1985 at the Philadelphia Museum of Art. Firm binding, gently creased spine. Clean inside copy. Size: 4to.

Trade Paperback. Condition: Good. No Jacket. First Edition. 8vo - over 7¾" - 9¾" tall. A good copy with bumping to edges and corners; creasing to spine; ink marking on inside of front cover; previous owner's ink signature to inside of back cover. 8vo 207pp Catalogue to the exhibits at the Philadelphia Museum of Art, November 3 to December 11, 1966, and at the Art Institute of Chicago, January 13 to February 19, 1967. Illustrated by b/w, color photos.

Paperback. Condition: Very Good. 112 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held at the Philadelphia Museum of Art, October 23, 1988 to January 8, 1989. Firm binding, clean text. Light foxing, dust spotting/edges & endpapers. Age toning. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Size: 4to.

Paperback. Condition: Good. A clean copy showing wear at edges of spine.

Soft cover. Condition: Very Good -. Soft Cover. Very Good -/Issued Without a Jacket. 4to - over 9¾" - 12" tall. Tear in wrapper at spine; some edge wear and creases.

Paperback. Condition: Fine. 125 pages, illustrations (some colour); 24 x 29 cm. Colour photography by Graydon Wood. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. *** "Architecture, art, art history and city politics come together in this lively account of the evolution of the building that houses the Philadelphia Museum of Art. Archival photographs and excellent new color photos are coupled with the text to document this historic structure." - Publisher. Size: Oblong.

Paperback. Condition: Very Good. xiv, 204 pages, illustrations (some colour); 31 cm. With the assistance of Veerle Thielemans. Published on the occasion of an exhibition at the Philadelphia Museum of Art, May 21 to September 17, 1989. Near fine. Firm binding, clean inside copy. Light edgewear. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Size: 4to.

Soft cover. Condition: Very Good. Preface by Evan H Turner. Addenda laid in. A little shelfwear, very good. Exhibition catalog.

Paperback. Condition: Fine. 1st. 80 pages, illustrations (some colour); 28 cm. Published in conjunction with an exhibition held at the Philadelphia Museum of Art, January 24 to April 5, 1998. Firm binding, clean inside copy. *** CONTENTS: Painters' Prints in the 1890s; Japonisme; Mary Cassatt; Camille Pissarro; Edgar Degas; Vincent van Gogh; Paul Gauguin; Odilon Redon; Paul Signac; Pierre Bonnard; Edouard Vuillard; Felix Vallotton; Henri de Toulouse-Lautrec; Posters. Size: 4to. Collectible.

Trade Paperback. Condition: Used: Very Good. Trade Paperback. Good++. Interior very good. Sm tear at spine; edgewear.

Paperback. Condition: Good. 600 pages, illustrations (some colour); 32 cm. Published in conjunction with the exhibition Cezanne, held at the Galleries nationales du Grand Palais, Paris, September 25, 1995 to January 7, 1996; the Tate Gallery, London, February 8 to April 28, 1996; and the Philadelphia Museum of Art, May 30 to August 18, 1996. Good+. Firm binding, spine cocked, with one crease. Clean inside copy. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "The veneration surrounding the French painter Paul Cezanne (1839-1906) for nearly a century has, paradoxically, contributed to the mystery of his genius. His work has been extensively analyzed, but in fundamental respects it remains incompletely understood. As such it is ripe for the reexamination provided by this volume, published on the centenary of the artist's first one-man exhibition, which was mounted in Paris by Ambroise Vollard. More than 240 large colorplates, illuminated by thoughtful commentaries, and 262 black-and-white illustrations of paintings, drawings, watercolors, and sketchbook pages represent all aspects of Cezanne's oeuvre. The book traces the full range of his stylistic evolution: dark and violent canvases of his early period, luminous works in which he came to grips with Impressionism, and the paintings of his maturity that broke entirely new ground. Also explored here is the artist's preoccupation with several themes and motifs - Mont Sainte-Victoire, bathers, and still lifes. Unprecedented in the literature on Cezanne is this volume's comprehensive review of the critical response that the artist's work has evoked, both in his lifetime and afterward. Francoise Cachin, Director of the Musees de France, discusses the years from 1865 to the artist's death in 1906, and Joseph J. Rishel, Curator of European Painting before 1900 at the Philadelphia Museum of Art, writes on the years from 1907 to the present. Their extensive quotations from newspaper reviews, monographs, and journal articles by writers from Emile Zola to Meyer Schapiro offer readers the means to evaluate for themselves the many contradictory interpretations of Cezanne's legacy that have been put forth over the last century. Representing the latest scholarship on Cezanne, the book provides a concordance to the numbering system of John Rewald's forthcoming catalogue raisonne of the paintings. Cezanne also includes the painter's own statements about art and other artists, a fully documented, illustrated chronology by Isabelle Cahn, and an annotated glossary of the collectors who acquired the work of Cezanne, prepared by Walter Feilchenfeldt." - Publisher. Size: Folio.

Softcover exhibition catalog, 272 pages, as new condition; clean and crisp; no other internal marks. Foreign shipping may be extra.

Condition: Near Fine. Hardcover, [xv], 271 pages. Near Fine condition in a Very Good dust jacket. Size 12.25"x10". "Manet made his public debut as a marine painter at the Paris Salon of 1864 with "The Battle of the USS 'Kearsarge' and the CSS 'Alabama'", his dramatic depiction of a US Civil War naval battle off the coast of France, and he continued to paint seascapes throughout his career. These extraordinary works clearly reflect his intimate knowledge of and love for maritime vessels and the sea. "Manet and the Sea" highlights the French master's beautiful and varied seascapes. Essays by leading scholars discuss how Manet completely overturned the established academic conventions of marine painting in France. His provocative approach was equal to that of his contemporary Gustave Courbet, and his bold and innovative techniques inspired many younger artists, including Claude Monet, Berthe Morisot, James McNeill Whistler and Pierre-Auguste Renoir. Essays on these and other artists place their seascapes in relation to Manet's pictures." Includes 132 color and 74 b&w reproductions, Chronology, Bibliography, and Index of Names and Places. Book has light exterior shelfwear, else Fine condition, clean and unmarked. Dust jacket has moderate shelfwear.

Paperback. Condition: Good. 1st. xvi, 136 pages, illustrations (some colour); 28 cm. Catalogue of an exhibition held Philadelphia Museum of Art, May 29 to August 1, 1982; and the Museum of Fine Arts, Boston, September 22 to November 28, 1982. Good+. Firm binding, clean inside copy. Moderate shelfwear to wraps, age toning. Another copy available. Size: 4to.

Condition: Very Good. Dust Jacket Condition: None. 172 pages. Accompanied traveling exhibition. Color and b/w illustrations throughout. Cover and inside very clean, slight soil on edges. A profile of the German artist, with examples of his work, and discussion of his approach to art. Record # 30134.

First edition. Softcover. 207 pages. Exhibition catalog for a show that ran November 3 through December 11, 1966 and traveled to Chicago for January 13 through February 19,1967. Features text by Hanson. Includes some color and numerous black and white illustrations. A very good copy in wrappers with some creasing to the spine and a mark to the top front corner and with laid in addenda sheet.

Soft cover. Condition: Very Good. No Jacket. Art. Edition not noted. Trade paperback near fine and clean, inside and out.

Paperback. Condition: Good. 207 pages, illustrations (some colour); 24 cm. Exhibition held at the Philadelphia Museum of Art, November 3 to December 11, 1966; and the Art Institute of Chicago, January 13 to February 19, 1967. Good+. Firm binding, creased spine. Clean inside copy. Light foxing. Size: 8vo.

Paperback. Condition: Very Good. 2nd. 90 pages, illustrations; 26 cm. Second Edition. Tight, clean copy. Age toning. Profusely illustrated. Size: 4to.

paperback. Condition: Very Good-. Unpaginated; 7 1/2 x 10" Wear to spine; light foxing and wear to cover edges and corners; foxing to page edges.

Paperback. Condition: Very Good. 1st. 132 pages, illustrations; 28 cm. Catalogue of an exhibition held at the Philadelphia Museum of Art from November 1973 to January 1974. Firm binding, clean inside copy. Age toning. Profusely illustrated. Size: 4to.

Trade Paperback. Condition: Used - Very Good. Offers a profile of the German artist, shows examples of his paintings and photographs, and discusses his approach to art. Book is signed by previous owner. Very nice clean, tight copy free of any marks.

Paperback. Condition: Very Good. 1st. 129 pages, illustrations, colour plates, portraits; 26 cm. Exhibition held January 8 to February 23, 1958. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: 4to. Collectible.

29.5 x 26.0cms, 172pp, Colour Illusts, very good paperback & cover (sunned spine) Rosenthal's commentary covers Kiefer's 'developing an outlook (1969-1973); as a German & and artist (1974-1980); formal breakthrough (1980-1982) and visions of a new world (1980-1987). It provides 'an essential tool for our uderstanding of the quotations and iconography that are central to Kiefer's work.

Paperback. 131p., wraps, 7.5x10 inches, profusely illus., wraps lightly worn and soiled, front wrap sunned, else very good condition.

First edition. Softcover. 112 pages. Exhibition catalog for a show that first ran October 29 through December 11, 1955 at the Philadelphia Museum of Art and then January 2 through February 15, 1956 at The Art Institute of Chicago. Illustrated with a few color and numerous black and white illustrations. A very good copy in wrappers with some foxing and other minor wear and with laid in folding brochure from the The Art Institute of Chicago version of the show.

Condition: Used - Very Good. 1988. Paperback. Octavo. Unpaginated accordion-folding brochure. Profusely illustrated. Slight wear. Altogether a copy in Very Good condition. Very Good.

Condition: Good. Good condition. No Dust Jacket 20th Century Section. (Art, art Exhibition, Exhibtion catalog) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Hardcover. Condition: Very Good. 1st. Cloth, 196 pages, illustrations; 27 cm. Firm binding, clean inside copy. Light shelfwear to boards, age toning. Please note: Volume One only. A second volume (not included) was on Pre-Columbian sculpture. Size: 4to.