steidl international center of photography (100 results)

Paperback. Condition: Good. First Edition. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.

Paperback. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.8.

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. First edition, first printing. AS NEW hardcover in dust jacket in the publisher's shrink wrap. A retrospective monograph published to accompany an exhibition of work by Barbara Bloom, held at the International Center of Photography, NYC, in 2008. "Photographer, designer, and installation artist Barbara Bloom has built her career on questioning appearances, exploring the desire for possessions, and commenting on the act of collecting. The Collections of Barbara Bloom explores all aspects of her oeuvre, including works from past multimedia installations and newly made pieces, as well as objects from her vast personal archive of ephemera and advertisements." Essays by Dave Hickey and Susan Tallman. 272 pages; color illustrations throughout; 9.75 x 11.75 inches. Ships the next business day, wrapped in padding, in a box. Due to size and weight, international and expedited shipping may be more than quoted.

Condition: Used - Very Good. 2006. Hardcover. Cloth, no dj. Minor shelf wear. Else a bright, clean copy. Very Good.

Condition: Used - Very Good. 2006. Hardcover. Cloth, d.j., in an acetate cover. Oblong 4to. Profusely illus. Some shelf-wear. Else clean copy. Very Good.

Hardcover with dustjacket, 142 pages; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Hardcover. Good condition. A few minor scores on dust jacket. Jacket spine head and upper leading corner of front jacket are a little bumped and creased. Hardcover spine head, upper edge of front board and upper leading corner of front board are a little bumped and creased. Pages are clean, and the text and illustrations are clear. AF. Used.

Hardcover, in dust jacket. First edition, first printing. With contributions by Melissa Chiu, Lisa Corrin, and Stephanie Smith. In collaboration with Museum of Contemporary Art, Chicago and Asia Society, New York. Near fine in near fine dust jacket with small closed tear to front panel, in mylar cover.

Condition: As New. Hbk, square small 4to, 196pp, profusely illustr throughout in color, no dj as issued, fine pictorial laminated boards, a new and unread copy, excellent clean, tight and unmarked, as new.

Hard Cover. Condition: Near Fine. First Edition. This is a near fine hardcover copy without dust jacket as issued, with virtually no wear. Completely clean. Stated First Edition. This monograph was prepared to accompany the exhibition at the International Center of Photography in New York from March 12 through May 30, 2004. Illustrated in color and black & white. Checklist. Bibliography. 12" high X 10" wide, 255 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and shipped with tracking.

Hardcover. Condition: Like New. Dust Jacket Condition: Like New. First Edition. First Edition, First Printing. Published by ICP/Steidl, 2006. Quarto. Book is like new. Dust jacket is like new. An excellent copy of this book of photos capturing by Korean photographer Atta Kim. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Hardcover. Condition: New. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Compilation, photographs and text by Susan Meiselas. 196 pp., profusely illustrated. 10-3/4 x 8-1/4 inches. New in publisher's shrink wrap. From the publisher: "Piecing together over 60 years of verbal and visual traces, photographer Susan Meiselas constructs a history of outsiders' encounters with the Dani, an indigenous people of the highlands of Papua in Indonesia.".

Hard Cover. Condition: New. NEW, unopened in publisher's shrinkwrap. [No International shipping on this item] Size: Folio - over 12" - 15" tall.

First Edition. First Edition. Near Fine, with no dust jacket as issued. Oversize volume, shipping billed at cost.

Hardcover without dustjacket as issued, 356 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Fine. First Edition. A very nice copy, tight binding, sharp corners, clean interior. A Fine copy issued without a dust jacket. 255pp., with b/w and color reproductions throughout. // Between the Public and the Private is the first English-language publication to address the work of the pioneering Constructivist artist, designer, photographer and photomontagist Gustav Klutsis.

First edition and first printing. Hardcover. 141 pages. A collection of images by Zheng who spent a decade traveling throughout China taking portraits that were inspired by Diane Arbus and August Sander. Features an introduction and acknowledgements by Christopher Phillips, an essay by Gu Zheng, the text of Meg Maggio's interview of Liu Zheng and artist statement as well. Includes numerous black and white images. A fine copy in a fine dust jacket.

Hardcover. Condition: Fine. 1st Edition. 149 Pp.Illustrated Boards, Hardcover. First Edition Stated, 2006. Fine. No Marks Or Wear.

Hardcover. Condition: Fine. 1st Edition. Göttingen/NY: Steidl/International Center of Photography, 2003. First edition. 195pp; illus; plates. Large 8vo. Photo-illustrated boards, lacking a jacket as issued. A fine copy, signed, dated, and inscribed by Meiselas and editor Lubben to front endpaper. An ethno-photographic history "piecing together over 60 years of verbal and visual traces" of Western contact with the Dani peoples of the West Papuan highlands of Indonesia. Put together by the noted American documentary photographer and current president of the Magnum Foundation. Published in conjunction with the 2003 ICP exhibition Strangers: The First ICP Triennial of Photography and Video. Inscribed by Author(s).

Softcover, 248 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Hardcover. Condition: New/Sealed in Publisher's Wrap. pictorial boards w/ black, white & orange printing. 255 pgs w/ color & bw illustrations. "Gustav Klutsis and Valentina Kulagina: Photography and Montage After Constructivism is an in-depth study of the work of Gustav Klutsis, the pioneer of photomontage in the Soviet Union and a central figure in the transition from the formalism of the early Soviet avant-garde to the increasingly state-sponsored art production of the 1930s. Also presented is the work of Klutsis's wife and colleague, Valentina Kulagina, an innovative poster, book, and exhibition designer, who participated in such seminal exhibitions as the 1928 Pressa exhibition in Cologne. Photography and Montage After Constructivism includes the artists' important public works - street displays, posters, and book and magazine desigs - as well as intimate family portraits and experimental photographs and photomontages. Drawing from her research at Russian archives and on previously unavailable information contained in the artists' letters and diaries - many translated here for the first time - art historian Margarita Tupitsyn offers new insights on the artists and the political and cultural climate in which they were working."--Jacket.

Softcover. 4°, 30,5 x 25 cm. Two original brochures, minimally bumped to the edges, in the original illustrated paper slipcase. 160 / 431 pages with many b/w and some colored illustrations. Clean and in good condition. --- Zwei Originalbroschuren, minimal randbestoßen, zusammengefasst im originalen bebilderten Papierschuber. 160 / 431 Seiten mit vielen s/w und einigen farbigen Abbildungen. Sauberes, gutes Exemplar. History of over 4000 film negatives created during the Spanish Civil War by photographers David Seymour, Gerda Taro and Robert Capa. --- Geschichte von über 4000 Filmnegativen , die während des Spanischen Bürgerkriegs von den Fotografen David Seymour , Gerda Taro und Robert Capa erstellt wurden. // Shipping to Non-Eu countries is much more expensive, please ask for detailed information. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den Sommeranfang! Die passende Lektüre finden Sie bei uns. Foto.

Hardcover. Condition: Near Fine. 1st Edition. First Edition, 2004. 255 pages. Book measures 10 x 12 inches. Illustrative boards. No dust jacket as issued. An in depth study of the groundbreaking work of Gustav Klutsis, the pioneer of photomontage in the Soviet Union and a central figure in the transition from the formalism of the early Soviet avant-garde to the increasingly state-sponsored art production of the 1930. Also presented is the work of Klutsis' wife and colleague, Valentina Kulangina, an innovative poster, book, and exhibition designer. This book features their public works, street displays, poster, book, and magazine designs-as well as intimate family portraits and experimental photographs and photomontages. A Near Fine copy in solid binding.

First edition. 20.5 cm x 20.5 cm. 310 pages with many illustrations. Softcover. Front cover photograph - 'Blue Cinema in the Woods' 2006 Kenji Yanobe. Very good condition with only minor signs of external wear. An exhibtion catalogue from 2008 with contents including: Director's Foreword / 'terminally neurotic delicacy' Makoto Aida / 'this is Japan' Naoki Kajtani / 'a flower is mystic mountain' Yukio Kakagawa / 'the phantom state' Risaku Suzuki / 'a time machine to the end of the future' Kenji Yanobe / etc. Also includes artists' biographies. Japanese contemporary artists have mined some distinctive territory in the past decade or two--from the Superflat movement, to the referencing of traditional art objects like scrolls or contemporary pop phenomena like manga. Within these conventions, certain themes continually surface--nature in conflict with the manmade world, costuming and the search for personal identity and the child as cultural icon. Heavy Light identifies these themes as they are evidenced in recent Japanese photo-based art, and examines how they are reshaping Japanese tradition. This volume is published in conjunction with the major Spring 2008 exhibition at New York's International Center of Photography, which includes a diverse selection of artists: Makoto Aida, Naoya Hatakeyama, Naoki Kajitani, Hiroh Kikai, Midori Komatsubara, Yukio Nakagawa, Asako Narahashi, Tsuyoshi Ozawa, Tomoko Sawada, Risaku Suzuki, Miwa Yanagi, Kenji Yanobe and Masayuki Yoshinaga. Also featured in this volume are extensive interviews with the artists, offering accounts of their working methods and their thoughts on the influence of contemporary art on Japanese culture during the last several decades of rapid change. In addition, art historian Linda Nochlin and writer Akiko Otake provide invaluable essays. Sprache: english.

Pappband. 25,5 x 21,0 cm. 267 Seiten. Illustrierter Originalpappband. Sprache: Englisch, Mit zahlreichen Abbildungen. - Rücken unten etwas gestaucht, sonst gutes Exemplar. Englische Ausgabe. - Published in conjunction with the exhibition "America and the Tintype" organized by Stephen Kasher and Brian Wallis for the International Center of Photography, New York. - Contents: Director's Foreword and Acknowledgments. - Geoffrey Batchen, The Art of Business. - Karen Halttunen, Democratic Visages: The Tintype and America. - Bibliography. - Exhibition Dates: September 19, 2008 - January 4, 2009. - "Dieser Band bietet einen Überblick über diese vergleichsweise kurze Periode amerikanischer Fotogeschichte und darüber, wie die Tintype die Fotografie beeinflusst hat" (Verlagstext). Versandhinweis: Die Versandkostenpauschalen basieren auf Sendungen mit einem durchschnittlichen Gewicht. Falls das von Ihnen bestellte Buch besonders schwer oder sperrig sein sollte, werden wir Sie informieren, falls zusätzliche Versandkosten anfallen.

First edition. Oblong hardcover. 159 pages. Monograph on African American photographer Alonzo Jordan. Published in conjunction an exhibition that ran January 21 through May 8, 2011. Features texts by Bob Ray Sanders and Alan Govenar. Includes numerous black and white images by Alonzo Jordan. A fine copy in photo-illustrated boards with a cloth spine. No dust jacket as issued. Signed and inscribed by Alan Govenar on the title page in the year of publication. Uncommon as such.

Hardcover. Illustrated Ivory cloth covers. 299 pages; chiefly illustrations. The photographs of Ralph Eugene Meatyard defy convention: they have been called visionary, surrealistic, and meditative. Whatever the label, these evocative images of friends and family and the natural world around his home illustrate a delicate psychology of human interaction. Meatyard was trained as an optician, a profession that he maintained all his life in Lexington, Kentucky; he bought a camera in 1950 for the sole purpose of photographing his first-born son. But shortly thereafter, he joined the Lexington Camera Club and developed a friendship with his photography teacher Van Deren Coke, as well as a circle of local writers and photographers, including Guy Davenport, Thomas Merton, Wendell Berry, Jonathan Williams, and Minor White. Family and friends freely participated in Meatyard's staged and mysterious images, which often involve masks and abandoned spaces, and obliquely reference social, political, and cultural issues. A key subject in Meatyard's work is the natural environment, which is featured in his Light on Water series, in which long exposures seem to create calligraphic texts, and his No-Focus series, in which he deliberately photographed stems and twigs out of focus. In one of his last series titled Motion-Sound, the pictures were made by moving the camera gently, creating multiple exposures of the woodland scenes that suggest abstract sound patterns. The book accompanies an exhibition organized by ICP Assistant Curator Cynthia Young with acclaimed writer and Meatyard friend, Guy Davenport, who also wrote the text. Also included are the exhibition history, chronology, and bibliography. Contents as follows: Ralph Eugene Meatyard / Guy Davenport -- Interview with Guy Davenport / Cynthia Young -- My aims / Ralph Eugene Meatyard -- Early work -- Georgetown Street -- Sculptures -- No-focus -- Abstractions -- Light on water -- Zen twigs -- Romances -- Motion-sound -- Portraits -- The family album of Lucybelle Crater -- Self-portraits. VG: Exlibrary book. Some wear/stains to the covers. Stamp on front free end page. Stamp on back free end page, sticker and due date card on back pasted end page. Stamp on top text block.

hardcover. Condition: Perfetto (Mint). Prima edizione (First Edition). Volume pubblicato in occasione della mostra tenutasi presso l'International Center of Photography, New York 15 maggio - 7 settembre. Fotografie in bianco e nero di Bill Wood. Testi di Diane Keaton e Marvin Hiferman . 8vo (cm 25,5x29,5). pp. 272. . Perfetto (Mint). . Prima edizione (First Edition). . L'attività di Bill Wood era la fotografia e produsse decine di migliaia di immagini nel corso della sua carriera. Alto, snello, lavoratore, padre di famiglia con un debole per i papillon, Wood (1913-1979) è nato, vissuto e morto nella zona di Fort Worth, Texas, e la sua fotografia ha giocato un ruolo centrale nel modo in cui i suoi clienti hanno scelto di vedere e ritrarre se stessi e la loro città. Bill Wood's Business presenta circa 300 fotografie di Wood, insieme a saggi di Diane Keaton e Marvin Heiferman che rendono omaggio alle capacità che Wood (e i fotografi professionisti come lui) hanno portato al business della fotografia. Book.

160 and 431 pages. Original softcover in original slipcase in orig. transport box (the transport box somewhat bumped, otherwise very good and clean copies). 30 x 25 cm. First edition. ----- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland.