steidl national gallery of art (61 results)

Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 3.97.

Condition: good. Used book in good and clean conditions. Pages and cover are intact. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks. Fast Shipping.

Paperback. Condition: Very Good. Book has mild rubbing and surface scratches to covers, a hint of bumping to the top edge and bottom right corner of front cover. Otherwise, the book is in very good condition with strong binding and clean, crisp, unmarked pages with vivid photography throughout. A handsome copy overall.

Condition: Fine in fine jacket. First edition of this stunning, large-format survey of Dine's drawings from the 1970s onward. 12.25'' x 11.5''. Original silver cloth, brown-lettered spine. In original color pictorial jacket. Illustrated throughout in color and black and white. 192 pages. Clean.

Hardback. First Edition. 31 x 32cm near fine shrinkwrapped hardback. A major survey of Dine's drawings from the 1970s to 2003 that brings together works highlighting his skills as a draftsman and underscores his traditional underpinnings, even as he has broken new ground. Near fine in near fine dustjacket.

Soft cover. Condition: Fine. No Jacket. As new. Still shrinkwrapped.

Condition: Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 7.3.

Soft cover. Condition: Very Good Plus. Robert Frank (illustrator). First Edition. 2009. xxii, 374pp. "First published in France in 1958, then in the United States in 1959, Robert Frank's The Americans changed the course of twentieth-century photography. In 83 photographs, Frank looked beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians and rendered numb by a rapidly expanding culture of consumption. Yet he also found novel areas of beauty in simple, overlooked corners of American life. And it was not just his subject matter--cars, jukeboxes and even the road itself--that redefined the icons of America; it was also his seemingly intuitive, immediate, off-kilter style, as well as his method of brilliantly linking his photographs together thematically, conceptually, formally and linguistically, that made The Americans so innovative. More of an ode or a poem than a literal document, the book is as powerful and provocative today as it was 50 years ago. Published to accompany a major exhibition at the National Gallery of Art, the San Francisco Museum of Modern Art and the Metropolitan Museum of Art, Looking In: Robert Frank's "The Americans" celebrates the fiftieth anniversary of this prescient book. Drawing on newly examined archival sources, it provides a fascinating in-depth examination of the making of the photographs and the book's construction, using vintage contact sheets, work prints and letters that literally chart Frank's journey around the country on a Guggenheim grant in 1955-1956. Curator and editor Sarah Greenough and her colleagues also explore the roots of The Americans in Frank's earlier books, which are abundantly illustrated here, and in books by photographers Walker Evans, Bill Brandt and others. The 83 original photographs from The Americans are presented in sequence in as near vintage prints as possible. The catalogue concludes with an examination of Frank's later reinterpretations and deconstructions of The Americans, bringing full circle the history of this resounding entry in the annals of photography. This richly illustrated paperback edition of Looking In: Robert Frank's "The Americans" contains several engaging essays by curator Sarah Greenough that explore the roots of this seminal book, Frank's travels on a Guggenheim fellowship, the sequencing of The Americans and the book's impact on his later career. In addition, essays by Anne Wilkes Tucker, Stuart Alexander, Martin Gasser, Jeff L. Rosenheim, Michel Frizot and Luc Sante offer focused analyses of Frank's relationship with Louis Faurer, Edward Steichen, Gotthard Schuh, Walker Evans, Robert Delpire and Jack Kerouac, while Philip Brookman writes about his work with Frank on several exhibitions in the last 30 years. This paperback edition also reproduces many of Frank's earlier photographic sequences, as well as all of the photographs in The Americans and selected later works. Show less" Minor bump to bottom of spine and a slight crease to top outer corner of front cover. Otherwise the book is in excellent condition with no inscriptions. PLEASE NOTE: heavy book so extra will be needed for shipping to non-UK customers.

Hardcover. Condition: Very Good. Revised.

Hardcover. Condition: Fine. Dust Jacket Condition: Very good. First printing. Dust jacket has light shelfwear.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. As new. Still shrinkwrapped.

First edition and first printing. Hardcover. 506 pages. An expanded edition of this catalog. Published in conjunction with a major traveling exhibition. Features text by Sarah Greenough, Stuart Alexander, Philip Brookman, Michel Frizot, Martin Gasser, Jeff L. Rosenheim, Luc Sante, and Anne Wilkes Tucker. Includes 168 tritones, 210 duotones, and 114 color images and features all of the images from Frank's seminal book "The Americans" along with contact sheets and variations. A clean near fine copy in red cloth boards and in a very near fine dust jacket and with a very good plus obi that has some creasing and minor wear. Please note that this is a heavy and oversized book and will require extra shipping.

Soft cover. Condition: Very Fine. Robert Frank (illustrator). 1st Edition. 1st. Edition , 1st. Printing 2009 , Illustrated soft cover in French wrap , 374 page book with black & white photo illustrations . A large book on Frank work and getting scarce in this condition . Condition : Very Fine with the lightest of shelf ware . Size: Folio - over 12" - 15" tall. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Red cloth covered boards, embossed on front, black printing on spine. Large format. 506 pages. Boards clean, unmarked, slight shelf wear.Tips pushed. Pages clean, unmarked, no writing.Binding tight. Outer text block clean, tiny spots on top edge, a few faint small blue spots on upper fore edge and bottom. Dust jacket clean, light edge wear. Solid clean copy. First printing, full number line include 1. Will require additional mailing charges.

First Edition. Reproduction of Frank's early portfolio comprised of 40 photos from before his emigration to the United States from Switzerland, put together to showcase his work to prospective magazines. Near Fine, housed in a Very Good cardboard envelope. Saddle-stapled quarto with printed red backstrip adhered over staples in black textured pictorial wraps. [40]pp.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Gray cloth binding by WELL-KNOWN PUBLISHER STEIDL (Germany). No markings and is CLEAN, COMPLETE, AND TIGHT. Colorful pictorial dust-Jacket is also in FINE CONDITION. Inside DJ Flap: "Jim Dine has purposely embraced drawing since the 1970's and is today considered one of America's greatest living draftsmen. His images of tools , his self-portraits, and his studies from nature and after antiquity are among the most accomplished and beautiful drawings of our time." "This exhibition was organized by the National gallery of Art, Washington. Exhibition dates 21 March - 1 August 2004." Also accompanying book is an inserted card stating" "Please accept this catalogue with the compliments of the Trustees of the National Gallery of Art. This book came from a private collector who has art by Jim Dine. Steidl is a world renown publisher. First Edition as stated.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine first edition thus hardcover, first printing. Black cloth, deep gray lettering. Jacket fine. Slight crimp bottom at spine. All photographs taken 1955 / 1956. Book design by Robert Frank, Gerhard Steidl, Claas Moller. Unpaginated. M06070.

National Gallery of Art / Steidl 2018 - Co-published with the Gordon Parks Foundation and the National Gallery of Art 352 pages - Half cloth ORIGINALEINBAND - ORIGINAL PUBLISHERS WRAPPERS Mint ! New ! Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Large 4to. 272pp. Original grey cloth ( no dustwrapper issued). Numerous colour and black and white illustrations; a fine copy. Heavy book. Please contact seller direct for accurate overseas shipping charge. First edition. English text. Contributions by Henry Louis Gates, Deborah Willis, Gordon Parks et al.

Large 4to. 272pp. Original grey cloth ( no dustwrapper issued). Numerous colour and black and white illustrations; a fine copy. Heavy book. Please contact seller direct for accurate overseas shipping charge. First edition. English text.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Red cloth covered boards, embossed on front, black printing on spine. Large format. 506 pages. Boards clean, unmarked, little shelf wear. Pages clean, unmarked, no writing. Binding tight. Outer text block clean. Dust jacket. Beautiful clean copy. First printing, full number line includes 1. Very heavy book, will require additional mailing charges.

First 50th Anniversary edition of the photographer's classic work. Oblong quarto, illustrated throughout. Boldly signed by Robert Frank on the half-title page. Fine in a fine dust jacket. Introduction by Jack Kerouac. Uncommon signed. Jack Kerouac wrote in his preface of The Americans, "Robert Frank he sucked a sad poem out of America onto film, taking rank among the tragic poets of the world. To Robert Frank I now give this message. You got eyes." Frank's Américains eventually achieved legendary status as "the most renowned photobook of all It struck a chord with a whole generation of American photographers Many memorable photobooks have been derived from this mass of material. None has been more memorable, more influential, nor more fully realized than Frank's masterpiece" (Parr & Badger I:247). "From the more than 20,000 images that resulted, Frank eventually chose 83 of them and arranged them into four chapters 'With these photographs,' he later wrote, 'I have attempted to show a cross-section of the American population. My effort was to express it simply and without confusion. The view is personal' Such a simple intention for a book that would so alter the course of modern photography" (Roth, 150).