Published by The White Signature, 2015
ISBN 10: 0957590032 ISBN 13: 9780957590038
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Published by The White Signature, 2015
ISBN 10: 0957590040 ISBN 13: 9780957590045
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Published by White Pine Press Signature Editions, 1996, 1996
Seller: Longhouse, Publishers & Booksellers, Brattleboro, VT, U.S.A.
Broadside One of 50, 11 x 17. Quite attractive all around broadside with illustration. Beautifully balanced on the sheet. Ideal for mounting and framing.
Published by [ENGLISH: "Haaken Gulleson, sculptor", in Swedish. Illustrated in black & white. Gulleson was a Swedish painter and workshop leader in the early 16th century. His signature is found on six sculptures in southern Norrland. He has long been considered to be solely a sculptor, but recent research has seen him as a painter with a workshop. Stapled as issued, printed wrappers, fine.]
Seller: Hatt Rare Books ILAB & CINOA, Hägersten, Sweden
Klammerhft., dek. omslag. Gott skick. Stockholm, Statens historiska museum, 1968. 8:o. [48] s., inkl. 19 planschblad i svartvitt. Haaken Gulleson död efter 1520, var en svensk målare och verkstadsledare. Haaken Gulleson samverkade med flera idag till namnet okända skulptörer. Han bodde i byn Fläcka i Enångers socken och Gullesons signatur återfinns på sex skulpturer i södra Norrland. Haaken Gulleson har länge i litteraturen ansetts vara skulptör, men den senaste forskningen har sett honom som verkstadsledare och målare. I Haaken Gullesons verkstad utvecklades en speciell stil som blandade äldre, romanska stildrag med den samtida gotiken. Resultatet blev skulpturer av hög kvalitet. Den mest kända skulpturen av Haaken Gullesons verkstad är Anna själv tredje i Enångers gamla kyrka, signerad och daterad 1520. Andra kända skulpturer är en liten madonnabild i Bollnäs kyrka, en signerad madonnabild i Forsa kyrka och altarskåp i Njutångers kyrka, Bjuråkers kyrka och på Hälsinglands museum. Den tidigare i särklass mest uppmärksammade skulpturen, den större Bollnäsmadonnan, har på senare tid av forskningen avskrivits från Haaken Gullesons verksförteckning, vad gäller skulpturen, dock anses att skulpturen är målad av Haaken Gullesons verkstad. Platsen där han bodde och verkade finns ännu kvar i Fläcka by.
Published by [ENGLISH: - - - "Haaken Gulleson and his Workshop. A contribution to the Study of Late Medeival Sculpture of Northern Sweden", in Swedish. Richly illustrated in black & white. Gulleson was a Swedish painter and workshop leader in the early 16th century. His signature is found on six sculptures in southern Norrland. He has long been considered to be solely a sculptor, but recent research has seen him as a painter. Sewn as issued, printed wrappers, very fine.]
Seller: Hatt Rare Books ILAB & CINOA, Hägersten, Sweden
Häftad, tryckta omslag. Gott skick. Hudiksvall, Hälsinglands Fornminnessällskap, 1956. 8:o. 104 s. Rikt illustrerad. Med litteraturförteckning. Haaken Gulleson var en svensk målare och verkstadsledare i början av 1500-talet. Han bodde i byn Fläcka i Enångers socken och hans signatur återfinns på sex skulpturer i södra Norrland. Haaken Gulleson har länge ansetts vara skulptör, men den senaste forskningen har sett honom som verkstadsledare och målare. Haaken Gulleson står för vår enda individuella medeltidskonst. Den mest kända skulpturen av hans verkstad är Anna själv tredje i Enångers gamla kyrka, signerad och daterad 1520. Andra kända skulpturer är en liten madonnabild i Bollnäs kyrka, en signerad madonnabild i Forsa kyrka och altarskåp i Njutångers kyrka, Bjuråkers kyrka och på Hälsinglands museum. (Gammal hälsingekultur. Meddelanden från Hälsinglands Fornminnessällskap 1956.).
Published by Published by S.R. Publishers Ltd, Wakefield, 1969 (reprint of 1898 original). Red cloth boards, gilt lettering to spine under mainly white dustwrapper. 9ins x 5.5ins, [viii], 283pp plus 9pp plates. Previous owners signature to front pastedown (under the flap of the dw). Dw creased to head of spine and a liitle browned. VG / G+., 1969
Published by S.R. Publishers Ltd, Wakefield, 1969 (reprint of 1898 original). Red cloth boards, gilt lettering to spine under mainly white dustwrapper. 9ins x 5.5ins, [viii], 283pp plus 9pp plates. Previous owners signature to front pastedown (under the flap of the dw). Dw creased to head of spine and a liitle browned. VG / G+.
Published by [ENGLISH: - - - Sewn as issued, pictorial wrappers in colour. Very fine. With Grate's signature to title. Poems illustrated with photographs in black & white.]
Seller: Hatt Rare Books ILAB & CINOA, Hägersten, Sweden
Häftad, dek. omslag i färg. Fint skick. Med Grates namnteckning på förtitelsidan. Lund, Bo Cavefors bokförlag, 1976. Liten 8:o. [36] s. Dikter och svartvita fotografier i förening.
Published by Grey Spider Press [for] White Pine Press Signature Editions, NP, 1996
Seller: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
Art / Print / Poster First Edition Signed
Single Sheet Printed Recto. Condition: Near Fine. Limited Edition. Single poem printed recto measuring 16 x 11 inches. The poem is printed in black; Hansen's collection of Chinese seals, or chops, are printed in red, along with their meanings printed in black. Lower left corner slightly bumped, now mellowed. Corners sharp, Signed by Hansen in his calligraphic style. Of an edition limited to 50 copies, this is hand-numbered copy number 6. A bright, presentable copy of the poet-translator's poem, an explication of his Chinese chops, vibrantly printed on Ingres-Fabriano paper by Chris Stern and Jules Remedios Faye at their renowned Grey Spider Press. Scarce. Broadside is now housed in a removable, clear, archival sleeve with acid-free backing.
Published by Published by Chatto & Windus, London, 19091st edition. Blue cloth boards with gilt lettering and decoration (including portrait of Magnus Erasmus) to spine and front board, no dustwrapper.Teg. 9ins x 6ins, decorated endpapers, xi, (i), 664pp plus 20 full page colour plates (all except the frontis tissue guarded) and 10pp black and white line drawn plates.Title page printed in red and black. Previous owners signature and date (1913) to top of half-title page. A little light foxing. G+ nr VG., 1913
First Edition
Published by Chatto & Windus, London, 19091st edition. Blue cloth boards with gilt lettering and decoration (including portrait of Magnus Erasmus) to spine and front board, no dustwrapper.Teg. 9ins x 6ins, decorated endpapers, xi, (i), 664pp plus 20 full page colour plates (all except the frontis tissue guarded) and 10pp black and white line drawn plates.Title page printed in red and black. Previous owners signature and date (1913) to top of half-title page. A little light foxing. G+ nr VG.
Published by White Pine Press Signature Editions, NP, 1996
Seller: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
Art / Print / Poster First Edition Signed
Single Sheet Printed Recto. Condition: Near Fine. Limited Edition. Single poem printed recto on heavy stock measuring 11 x 22 inches. Monochromatic illustration by Wendy Mark. Top right corner bumped; slight striation at top left corner. Corners sharp, Signed by the poet and initialed by the artist, both in pencil. Of an edition limited to 50 copies, this is hand-numbered copy number 1. A bright, presentable copy of St. John's poem with his bold signature beneath his printed name. Artist and printmaker Wendy Mark is best known for her collaborations with poets: other than St. John, she's illustrated works by Charles Simic, Mark Strand, Paul Muldoon, et al. Scarce. Broadside is now housed in a removable, clear, archival sleeve with acid-free backing.
Published by White Pine Press Signature Editions, NP, 1996
Seller: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
Art / Print / Poster First Edition Signed
Single Sheet Printed Recto. Condition: Near Fine. Lois Eby (illustrator). Limited Edition. Single poem printed recto on heavy stock measuring 11 x 17 inches. Monochromatic brushwork illustration by Lois Eby. Slight bump to lower right corner, now mellowed. Corners sharp, Signed by the poet and the artist, both in pen. Of an edition limited to 50 copies, this is hand-numbered copy number 2. Occasionally David Budbill (1940-2016) wrote under the pen name Judevine Mountain or even East Judevine Mountain, the former being self-described as "a hermit poet and crank who lives in a remote mountainous area of northern Vermont." A bright, presentable copy of his poem with Budbill's signature as Judevine beneath the printed name. Artist Lois Eby, who was married to Budbill, contributed the calligraphic flourish that frames the poem. Scarce. Broadside is now housed in a removable, clear, archival sleeve with acid-free backing. .
Published by White Pine Press Signature Editions, NP, 1996
Seller: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
Art / Print / Poster First Edition Signed
Single Sheet Printed Recto. Condition: Fine. Joan Lyons (illustrator). Limited Edition. Single poem printed recto on heavy stock measuring 11 x 14.75 inches. Broadside illustrated with a Joan Lyons montage presenting South Seas imagery. Corners sharp, Signed by both Alvarez and Lyons in full. Of an edition limited to 50 copies, this is hand-numbered copy 4. An autobiographical poem by the Dominican-American poet-author, using the lightly-clad Tahitian women in a Gauguin print, hanging in her grandmother's dining room, as the catalyst for rumination on the potential futures for women, among other themes. A bright, presentable copy of Alvarez's poem, handsomely printed. Now housed in a removable, clear archival sleeve with acid-free backing. Scarce.
Published by Grey Spider Press [for] White Pine Press Signature Editions, 1996
Seller: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
Art / Print / Poster First Edition Signed
Single Sheet Printed Recto. Condition: Near Fine. Limited Edition. Single poem printed recto, in red ink, on heavy stock measuring 10.5 x 15 inches. Hieroglyph-like imagery accompanies the free-form typography. With two light stains on either side of the colophon (please see photo). Corners sharp; withal, a bright copy. Signed by Brandi. Of an edition limited to 50 copies, this is hand-numbered copy 4. A bright, presentable copy of Brandi's poem, vibrantly printed by Chris Stern and Jules Remedios Faye at their renowned Grey Spider Press. Scarce. Broadside is now housed in a removable, clear, archival sleeve with acid-free backing.
Published by White Pine Press Signature Editions, NP, 1996
Seller: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
Art / Print / Poster First Edition Signed
Single Sheet Printed Recto. Condition: Near Fine. Akio Saito (illustrator). Limited Edition. Single poem printed recto on heavy stock measuring 9.25 x 13 inches. Broadside illustrated with Akio Saito pen-and-ink reproduction with his chop in red. With slight crimping at top edge. Corners sharp, Signed by Shiffert in full, along with her name in Japanese characters. Of an edition limited to 50 copies, this is hand-numbered copy 3. Shiffert's poetry is marked by her abiding affinity with nature and spartan imagery. She studied under Roethke at the University of Washington, and was then drawn, increasingly, to Japan and Japanese poetry. In 1963 she moved to Kyoto. Her poetry was published widely, along with her translations of Japanese poetry and a groundbreaking study of Buson. A bright, presentable copy of Shiffert's poem, now housed in a removable, clear archival sleeve with acid-free backing, Scarce.
Published by Printed by Mowbray and Co, Oxford, 1896, 1st edition. Half leather binding with white cloth boards. Gilt lettering to front cover. 8.25ins x 6.75ins, [viii], 164pp. Free endpapers browned. Previous owners signature to front pastedown. Also an old antique shop sticker (with price of one pound, one shilling). Top front corner worn, otherwise a VG copy of a scarce work in the original form., 1896
First Edition
Printed by Mowbray and Co, Oxford, 1896, 1st edition. Half leather binding with white cloth boards. Gilt lettering to front cover. 8.25ins x 6.75ins, [viii], 164pp. Free endpapers browned. Previous owners signature to front pastedown. Also an old antique shop sticker (with price of one pound, one shilling). Top front corner worn, otherwise a VG copy of a scarce work in the original form.
Published by White Pine Press Signature Editions, NP, 1996
Seller: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
Art / Print / Poster First Edition Signed
Single Sheet Printed Recto. Condition: Fine. Kazuaki Tanahashi (illustrator). Limited Edition. Single poem printed recto on heavy stock measuring 16.5 x 20 inches. Broadside illustrated with Kazuaki Tanahashi brushwork. Corners sharp, Signed by both Hirshfield (in full) and Tanahashi (as "Kaz") in pencil, with the latter adding "1996". Of an edition limited to 50 copies, this is hand-numbered copy 5. A spare nature-poem that evokes a Buddhistic worldview, exquisitely enhanced by Tanahashi's abstract wash. Hirshfield, a chancellor emerita of the Academy of American Poets, has published nine or ten poetry collections and two collections of essays. Master calligrapher Tanahashi studied under Shunryu Suzuki. A pioneer of the one-stroke genre, that may well be the technique presented here: A bold work in which the action of the stroke continues to convey that dynamism. A bright, presentable copy of Hirshfield's poem, handsomely printed. Scarce. The broadside will ship carefully roll with protective sheet within a sturdy cardboard box. .