University of Washington Press December 2001 (4 results)

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    • Language: English

      Published by University of Washington Press December 2001, 2001

      0930741714 / 9780930741716

      • Softcover

      Seller: Organic Books, Albuquerque, NM, U.S.A.Organic Books

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      Condition: Used - Very good

      US$ 11.49

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      Quantity: 1 available

      Trade Paperback. Condition: Used - Very Good.

    • Language: English

      Published by University of Washington Press December 2001, 2001

      0930741706 / 9780930741709

      • Hardcover

      Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.Hennessey + Ingalls

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      Condition: Used - Very good

      US$ 42.50

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      Hardcover. Condition: Used - Very Good. Intrigued with the possibility of integrating texture in his work, American landscape photographer Robert Glenn Ketchum has a long-standing collaboration with the Suzhou Embroidery Research Institute (SERI) in China. This volume describes the history of SERI with illustrations of its tradi

    • Language: English

      Published by University of Washington Press December 2001, 2001

      0930741471 / 9780930741471

      • Softcover

      Seller: Second Chances Used Books, Sebastopol, CA, U.S.A.Second Chances Used Books

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      Condition: Used - Very good

      US$ 65.00

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      Trade Paperback. Condition: Very Good. A very good minus copy. Edge wear to upper edge of front cover, with moderate crease at fore corner that also affects a few pages. Otherwise bright and clean. Includes a four-page brochure from an exhibition of Haitian Vodou Banners.

    • Language: English

      Published by University of Washington Press December 2001, 2001

      0930741633 / 9780930741631

      • Softcover

      Seller: Hennessey + Ingalls, Los Angeles, CA, U.S.A.Hennessey + Ingalls

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      Condition: Used - Very good

      US$ 150.00

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      Trade Paperback. Condition: Used - Very Good. The sights and sounds of the Yoruba cosmos are made manifest through the pervasive use of beads. This spectacular book represents a collaboration between art historian Henry John Drewal and Yoruba priest John Mason. From the forests of Africa a thousand years ago to the bustling citi