After Berneval (9 results)

Hardcover. Condition: Near Fine. 1st Edition. Number 300 of 400 numbered copies, handmade at the Beaumont Press. Binding square and tight. Pages clean and unmarked. Very minor wear to corners, almost unnoticeable. Otherwise, a fine copy. In a clear acetate jacket, which is fine. Letters written by Wilde to his friend Robert Ross from Italy following Wilde's imprisonment in Reading Gaol. Lovely and scarce.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 82. A perfect gift for your loved ones. Reprinted from 1922 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 82.

Hardcover. Condition: Fine. No Jacket. 1st Edition. First edition. Octavo. Original gilt stamped tan cloth over brown boards with yellow & blue designs by Randolph Schwabe. Preface by More Adey. No dust jacket. Fine (small scrape on rear cover). 66 pages. No signatures or bookplates. #379 of 400 copies. Ramson, page 211. Tomkinson, page 17.

Hardcover. Condition: Near Fine. No Jacket. First Edition. Near fine 1922 hard cover. No. 113 of 400. Size: 8vo - over 7¾" - 9¾" tall.

Auflage von 475 Exemplaren. Gr-8vo. 59 S. Halbleinen-Einband der Zeit mit Goldprägung. Einband leicht berieben und lichtrandig, sonst gut erhaltenes Exemplar. Sprache: englisch.

Limited editions, each number 10 of 75 copies on Japanese Vellum, signed by the illustrator and printer, from total editions of 475; 2 vols, 8vo; woodcut illustrations and decorations by Ethelbert White; original vellum-backed patterned boards, gilt lettering to spines, slight browning to head of covers, else very good. An attractive set, collecting together a series of letters from Wilde to Robert Ross. Each one of 10 copies on Japanese vellum, signed by the illustrator and printer.

Very good copy in the original stiff-card wrappers;and matching dust jacket wrapper.signes on inside front cover by GRAINNIE YEATS previous owner. Wood cuts by Frans Masereel. Flemish painter and graphic artist who worked mainly in France, known especially for his woodcuts focused on political and social issues, such as war and capitalism.12.5 X 19.5 CM.

8vo. 8.75 x 6 inches. 65 pp. + [1] pp. colophon. Title page in gilt and white. With additional blank leaves at beginning and end. Bound in hand tooled brown leather, gilt, decorated gilt; spine in compartments with raised bands. Inner dentelles. Page edges browned and some foxing of flyleaves; otherwise a very good copy. Illustrated by 7 leaves of plates, by facsimile, by title page vignette printed in colour, and by colophon. A sequel to After Reading of 1921, these letters were written by Wilde to Robert Ross (1869-1918) from Naples and Paris, 1897-98, during part of his post-release journey into exile. The preface is by William More Adey (1858-1942), aesthete and editor, friend and supporter of Oscar Wilde during his imprisonment, and also an associate of Robert Ross. Handsomely bound copy on hand made paper with additional black plates, designed and decorated by Randolph Schwabe (1885-1948), artist and illustrator, who was Slade Professor of Fine Art at UCL from 1930 and was a war artist in both World Wars. The Beaumont Press was a private press in existence, 1917-31. ART / LITERATURE LETTERS LIT. NON-FICTION CORRESPONDENCE 19TH CENTURY 20TH CENTURY ILLUSTRATED FINE BINDING ART / LITERATURE.

222 x 152 mm. (8 3/4 x 6"). Two separately issued but companion volumes. Original vellum-backed decorative paper boards. Reading with vignette on title in orange and green, two plates in the same colors, one facsimile of writing in text, device on final page, stylized illustration of a tree on front and rear endpapers; "Berneval" with woodcuts of Naples and Paris printed in blue on the front and rear endpapers, two-color title page woodcut, one plate, a facsimile of a Wilde letter, and printer's woodcut device; our special deluxe version WITH THREE ADDITIONAL WOODCUTS at the back of each volume, all the woodcuts as well as the cover design by Randolph Schwabe. Ransom, p. 211; Tomkinson, p. 17. âBerneval spine just a bit darkened, otherwise FINE, UNWORN COPIES that have obviously been little used, as they open stiffly and are immaculate inside and out. Here, "After Berneval" is offered with "After Reading," its (earlier) companion volume, both of them in their deluxe form on Japanese vellum and including an extra suite of the illustrations. "Reading" comprises a set of letters, also written to Ross, by Wilde during the summer of 1897, after having just been released from two years' imprisonment in Reading Gaol. The preface to its sequel, "After Berneval," says that the earlier collection "was unprocurable almost as soon as it was published." The letters in these volumes tell the story of a tragic literary figure who fell from a precipitous height. Oscar Wilde (1854-1900) was born and raised in Ireland, studied classics at Trinity College, Dublin, and at Magdalen College, Oxford, before settling in London. There, he became famous for his unmatched wit and infamous for his personal eccentricities--long hair, décor at his lodgings that included peacock feathers and blue china, and, ultimately, sexual behavior that was deemed both intolerable and criminal. During the first half of the 1890s, he was enjoying remarkable social prominence and literary success with the staging of "Lady Windermere's Fan" (1892), "A Woman of No Importance" (1893), "An Ideal Husband" (1894), and the incomparable "The Importance of Being Earnest" (1895). But two months after the staging of this last play, he brought a defamation suit against the Marquess of Queensbury, the father of his intimate friend, Lord Alfred Douglas. The suit backfired: in the course of the litigation, Wilde was investigated by police, and his homosexuality was exposed, leaving his reputation destroyed. He was sentenced in May of 1895 to two years of hard labor, spending part of his time behind bars at Reading Gaol, where he produced his powerful poem, "De Profundis." After release, he moved to the Continent and died three years later in Paris of meningitis. As Day says, "Among English men of letters only Byron and Shaw have surpassed Wilde in the craft of conscious posing and self-publicizing," a fact that has made succeeding generations suspicious of the reality behind the legend that the author helped to establish. But after a period when he was treated as a kind of martyr because of his suffering at the hands of squeamish Victorianism, "it is at last possible to evaluate Wilde as the capable literary artist he actually was." In physical terms, these are modest but nevertheless pleasing products of the Beaumont Press, founded by Cyril W. Beaumont in 1917. A special feature of the Press is its patterned paper bindings, each with a design created for one title only. FIRST EDITIONS. EACH ONE OF 75 COPIES ON JAPANESE VELLUM OF THE EDITION DE LUXE SIGNED BY THE PUBLISHER AND ARTIST (of a total of 475 copies).