Published by DOUBLEDAY ANCHOR BOOK
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.65.
Published by Wesleyan University Press, 1995
ISBN 10: 0819512281 ISBN 13: 9780819512284
Seller: Irish Booksellers, Portland, ME, U.S.A.
Condition: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
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Published by DOUBLEDAY ANCHOR BOOK, 1964
Seller: Isle of Books, Bozeman, MT, U.S.A.
Paper Back. Condition: Good.
Published by Doubleday, New York, 1964
Seller: Yes Books, Portland, ME, U.S.A.
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Bookplate on FFEP. Foxing on top of text block, little inside Dj. Otherwise this book with is clean and unmarked in very good condition. Clipped. Billingual French/English. First edition. 242 pages.
Published by Doubleday, 1964
Seller: Hunter Books, Burnham, BUCKS, United Kingdom
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. US hardback stated first edition - no mention of further printings. VG with some toning to page block in VG unclipped jacket with some light rubbing.
Published by Doubleday, 1964
Seller: beat book shop, Boulder, CO, U.S.A.
First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Translated by William Meredith (illustrator). First Edition First Printing. sun faded spine of dust jacket.
Published by Doubleday, 1964
Seller: Glands of Destiny First Edition Books, Sedro Woolley, WA, U.S.A.
Hardcover. Condition: Like New. Dust Jacket Condition: Like New. First American Edition. Publisher: Doubleday, New York, 1964. FINE hardcover book in FINE mylar-protected dust-jacket. Translated by William Meredith. Introduction and notes by Francis Steegmuller. As new. Unread. First Edition Thus, First Printing.
Published by Doubleday & Company, Inc, New York, 1964
Seller: The Old Mill Bookshop, HACKETTSTOWN, NJ, U.S.A.
First Edition Signed
1 vols. 8vo. First Edition of this translation. First Edition of this translation. 1 vols. 8vo. Inscribed on front free endpaper,"For Kitty Thomas With Friendship & Xmas wishes- Bill Merdith Princeton 1965" Black cloth, fine in a fine dust jacket.
Published by Paris, 1947
Seller: TBCL The Book Collector's Library, Montreal, QC, Canada
Association Member: IOBA
First Edition Signed
Hardcover. 1st Edition. 1st Edition. Hardcover. First Edition ALCOOLS [Apollinaire, Guillaume]. Signed by Robert West on the Illustration page in full as well on each of the 20 watercolour artworks. Size: 6 3/4" x 10" No markings. Red snake skin, gilt stamped title on the front as well as the incredibly dynamic front and back gold block stamping. Patterned red, black and brown decorative endpapers with the bindery label of René Kieffer Reliures. A fine example of this handsome collection of hand-lettered poems by Guillaume Apollinaire, [first published in 1913 which is considered one of the most important works of early 20th-century French literature] in black red and green stamping accompanied by the 20 stunning watercolours of Robert West. A very important work especially so due to the extreme rarity of this edition. Some of the poems that are included: Clotilde, Marizibill, La Blanche Neige, L'Adieu, La Tzigane, Saltimbanques, Claire de Lune, Chantre and more. Full list and photos upon request.
Published by Mercure de France, Paris, 1913
Seller: Raptis Rare Books, Palm Beach, FL, U.S.A.
First Edition Signed
First edition of Apollinaire's first collection of poems, signed by him and Pablo Picasso. Octavo, bound in three quarter morocco with gilt titles and raised bands to the spine, patterned endpapers, frontispiece portrait of the poet by Pablo Picasso. Association copy, inscribed by both Apollinaire and Pablo Picasso on front free endpaper, "A A P.N. Roinard son admirateur Guillaume Apollinaire" and "et pour Robert Valançay Picasso Paris Janvier 1940 et I." Apollinaire has also made five corrections to the text in ink on pages 71, 77, 92, 110 and 189. The recipient of Apollinaire's inscription, Paul-Napolà on Roinard, was a French libertarian painter and poet whom Apollinaire befriended in 1903 and considered "one of the most powerful precursors of the new poetry." Apollinaire dedicated his poem Le Brasier (included in the present volume on p. 129) to Roinard. The recipient of Picasso's inscription, Robert Valançay, was a poet, translator and literary critic who worked with and admired many of the artists and poets of the surrealist group. He published two major volumes of poetry but was most appreciated and sought after for his translations. He was considered the official translator of Max Ernst and Hans Arp. In near fine condition. Original wrappers bound in. A remarkable association copy, linking four major figures of the literary and artistic avant-gardes of the 20th century. French poet, playwright, short story writer, novelist, and art critic Guillaume Apollinaire is considered one of the foremost poets of the early 20th century, as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. At the turn of the 20th century, he became one of the most popular members of the artistic community of Paris (both in Montmartre and Montparnasse). His friends and collaborators in that period included Pablo Picasso, Henri Rousseau, Gertrude Stein, Max Jacob, Andrà Salmon, Andrà Breton, Andrà Derain, Faik Konitza, Blaise Cendrars, Giuseppe Ungaretti, Pierre Reverdy, Alexandra Exter, Jean Cocteau, Erik Satie, Ossip Zadkine, Marc Chagall, Marcel Duchamp and Jean Metzinger. He is credited with coining the term "Cubism" in 1911 to describe the emerging art movement, the term Orphism in 1912, and the term "Surrealism" in 1917 to describe the works of Erik Satie.