Ask Again, First Edition (49 results)

hardcover. Condition: Very Good. First Edition. Used - Very Good.

Condition: Good. 1st Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Soft cover. Condition: New. 1st Edition. New, never read. Trade size.

n/a (illustrator). Very Good + First Edition Printing Not Spec. 12mo = 7-9" Very Good DJ 211pp Hardcover. Clean interior and exterior. No highlights or markings in text. Strong and tight binding. DJ is glossy, clean, crisp. 0-06-018821-9.

Soft Cover. Condition: Fine. 1st Edition/1st Printing softcover edition. SIGNED and inscribed by author on title page. Signed by Author.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. First Edition. in jacket over orange cloth, 8vo, 323pp. (staining to lower corner of rear endpapers). Size: 8vo - over 7¾" - 9¾". Book.

Trade Paperback. Condition: Very Good. First Edition. Trade Paperback - VG - Book is clean and tight with light wear - (Advanced Reading Copy - First Edition) - 244 pages. Advanced Reading Copy (ARC).

Paperback. Condition: Very good condition. First edition. 246pp. 22 cm. Uncorrected proof. Signed by the author.

Soft cover. Condition: As New. No Jacket. First Edition. By the author of Girls Poker Night. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author(s). Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First edition in very good used condition. The Friends of the Bridgeport Public Library use these funds to promote literacy in the community and in the Bridgeport Public Schools.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Scribner, New York, 2019. A fine, signed collectible first edition copy of this well-received novel. First Edition, First Printing, as designated by "First Scribner hardcover edition May 2019" and full number line (beginning with 1) printed on copyright page. A fine, signed hardcover copy, blue covered boards with sharp corners, blue covered spine with silver lettering. Book is solid, spine is straight. Not ex-library, no previous owner markings, book plates, or remainder marks. Unread and looks new. Author autograph only on full-title page in black ink. Bright, unclipped dust jacket ($27.00 price intact) encased in Brodart Quik-Fold polyester acid-free dustjacket cover. Shipped in well-padded box. Signed by Author(s).

Condition: New. 2020. 01st Edition. Paperback. . . . . .

Condition: Wie neu. 1. Auflage. 310 S. Gebundenes Buch. Das Buch ist in exzellentem, sauberen Zustand. -----Inhalt:. This monograph is the first extensive survey of the most important works by Czech-born Canadian artist Vera Frenkel. Her contemplative, transdisciplinary projects have been a presence on the international scene since the 1970s. Her installations, videos, writings, and websites address central issues in an age that is more affected by human migration, and violence than any other. Among her topics are politics of the archive, the impact of media on the shaping of cultural memory and forgetting, and the interplay of institutional and individual narratives. Among the works featured are String Games: Improvisations for Inter-City Video, No Solution: A Suspense Thriller; The Secret Life of Cornelia Lumsden (1979/1986); and from the Transit Bar, (first seen at documenta IX 1992), Body Missing, (1994), and recent works such as ONCE NEAR WATER (2008-09) and The Blue Train (work in progress, 2012). (English edition ISBN 978-3-7757-3247-5). ISBN: 9783775732468 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 1900 4° Gebundene Ausgabe, Maße: 0 cm x 0 cm x 0 cm.

First Edition. 8vo, pp. 211. Illustrated with photographs. A very good copy in dj. An autobiography of the noted actress.

Paperback. First Edition, 1/300. [28pp.] Octavo [25 cm] Black handmade string bound wrappers with Japanese tissue endsheets. One of only 300 produced. Letterpress edition. New.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. 1ST EDITION/1ST PRINTING STATED hardback book LIKE NEW/dustjacket LIKE NEW brodart covered, SIGNED in PERSON on the FULL title page by author/actress/sister to presidental canidate Michael Dukakis OLYMPIA DUKAKIS. Signed by Author(s).

Hardcover. Condition: Fine. 1st Edition. Lovely copy of this rare, limited edition work. Poems by the poet and artist Alexis Rotella, a longtime and current resident of Greensboro, North Carolina. Printed and bound by Diane Katz of Rosenberry Books, makers of handcrafted and innovatively designed books in Pittsboro, North Carolina. Printed on eucalyptus paper with a Thai mulberry stab binding and a Murillo cotton cover.Poems and drawings by the American poet and artist Alexis Rotella, a practitioner of haiku and other Japanese poetic forms written in English. NO current listings in WorldCat. Suitable condition for presentation as a gift, or for adding to a library collection. Ships from NC. All books are sealed in recycled plastic, packaged securely, and shipped promptly with tracking information. (E-2.).

Soft cover. Condition: Very Good. 1st Edition.

Soft Cover. Condition: Near Fine. First Edition. Near fine in original wrappers with small wear on the rear cover.

Full-Leather. Condition: As New. First Edition; First Printing. A special Limited first edition of 1,150 copies preceding the trade edition, SIGNED by the author and Oscar-winning actress, Olympia Dukakis. A wonderful scarce book in As New condition, never taken out of its original shrink-wrap; Olympia Dukakis, the internationally renowned film and stage star reveals in this biography her struggle as a first-generation Greek-American, her alienation from her mother, her battles with addiction and her relationships, and the efforts to overcome this all and achieve excellence in her profession. Contains all of the classic Easton Press trimmings: premium leather, silk moiré end leaves, distinctive cover design, raised bands, accented in real 22KT gold, satin ribbon page marker, gilded page edges, long-lasting, high quality acid-neutral paper, sewn pages for strength and durability; 8vo; Signed by Author.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. FIRST BRITISH EDITION, First Printing (001), 2019. A bright, clean square copy, free from markings or inscriptions, in like dustwrapper - unclipped (£14.99). Now in clear, protective sleeve. (F/F) From the front cover: THE NEW YORK TIMES BESTSELLER. 'A powerful and moving novel of family, trauma, and the defining moments in people's lives from a writer of extraordinary depth, feeling and wit' - Meg Wolitzer. PLEASE SEE ACCOMPANYING IMAGES. A lovely, as new copy. FREE p&p within the U.K. Additional postage may be requested from buyers outside the U.K. where necessary. (25% of all proceeds from FARRAGO sales donated to the Motor Neurone Disease Association).

Soft cover. Condition: Fine. 1st Edition. About the book: Softcover. First Printing. Inscribed by poet to poet Jay Macpherson. George Johnston has been credited as being a mentor to Jay Macpherson. Book is in fine condition. Additional photos available upon request. We're not satisfied unless you are. Inscribed by Author(s).

Full-Leather. Condition: As New. First Edition. As new unread copy. Still in publisher's shrinkwrap. Bound in dark blue leather, with all spine lettering in 22kt gold gilt, hubbed spine, satin bookmark, gold gilt to page edges, spine and front and back boards. One of 1,150 signed and numbered copies. Includes the Easton Press Certificate of Authenticity, signed by the publisher, the author and a witness. Signed by Author.

Full Leather. Condition: Fine. Limited Numbered First Edition. A beautiful dark blue leather Limited Numbered First Edition signed by the author on the limitation page. Numbered 921 of 1150 Limited Edition copies. With gold gilt cover designs and page edges, moire silk endpapers and bound-in silk bookmark. With publisher's Certificate of Authenticity and Note laid in. A memoir by the well-known American actress.

Hardcover. Condition: As New. Dust Jacket Condition: Near Fine. 1st Edition. Inscribed to pianist Van Cliburn on Title page. First Edition of the actress' intense personal memoir recounting her dedicated journey from the NY stage to her Oscar-winning performance in Moonstruck and beyond, punctuated with memorable bumps in the road. A beautiful UNread copy in an UNclipped jacket with minor soiling at the top of the front right panel. Book#Pv4318. $125. We specialize in Rare Ayn Rand, history, and science. Signed by Author(s).

No Binding. Condition: Fine. 1st Edition. Original Trial Print For Her Christmas Poster, By Jae Carmichael, Image 19" X 10 5/8". Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Condition: Fine. 1st Edition. Original Trial Print For Her Christmas Poster, By Jae Carmichael, Image 19" X 10 5/8". Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Condition: Fine. 1st Edition. Original Trial Print For Her Christmas Poster, By Jae Carmichael, Image 19" X 10 5/8". Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Condition: Fine. 1st Edition. Original Trial Print For Her Christmas Poster, By Jae Carmichael, Image 19" X 10 5/8". Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.

No Binding. Condition: Fine. 1st Edition. Original Trial Print For Her Christmas Poster, By Jae Carmichael, Image 19" X 10 5/8". Jae Carmichael (1925-2005) Was A Pasadena Area Artist And Art Educator Known For Her Watercolors, Sculpture, Murals, Oils And Films. She Studied At Mills College (Oakland) 1942-1944, Then At Claremont Graduate School, Mfa 1955; And Then At The University Of Southern California, Where She Received A Bfa In 1951, And A Phd In Art History And Cinematography In 1972. Carmichael Studied Art With Francis De Erdely, Millard Sheets, Phil Dike, Dong Kingman And William Gaw. In 1953, She Became A Member (And Later Member Of The Board 1959-1960 & 1970-1972); Director Of The California Water Color Society And Exhibited In The Annual Shows Thereafter. She Was A Director Of The Pasadena School Of Fine Arts, Member Of The Board Of The Pasadena Society Of Artists 1958-1960, 1962, And 1963, And President 1970-1972, A Member Of The Board Of The Los Angeles Art Association 1965-1969, And A Member Of The American Watercolor Society. In 1962-1966 She Owned And Operated The Wooden Horse Gallery In Laguna Beach, With Shows For Many Well-Known California Artists, Including An Early One-Woman Show For Sister Mary Corita (Kent). Carmichael Taught As An Instructor Of Drawing And Painting At The Palos Verdes Arts Assn, And Art History And Cinematography At The Otis Art Institute And The University Of Southern California, Where She Was An Adjunct Professor. She Was Associated With The Long Beach Museum Of Art, Mills College, Scripps College, The Charles And Emma Frye Museum, Computer Measurements Corporation, And Many Other Institutions And Private Collections. (Old) Pasadena Art Museum And Was The Founding Director Of Its Successor, The Pacific-Asia Museum (Pacificulture Foundation). Carmichael Was A Descendant Of The Pioneering Giddings Family, Which Founded Mountain View Cemetery And Mausoleum In Altadena In 1882, And She Created An Art Presence There Including A Long-Standing Series Of Exhibitions Of Contemporary Art. Carmichael Staged More Than 200 Solo Exhibitions In Galleries In Los Angeles, Japan And Europe. Her Work Has Been Featured In Many Impressive Solo And Group Exhibitions Worldwide, Including Over 100 International, National & Regional Shows And 21 Solo Shows, 1945-1973, And Can Be Found In Permanent Collections Throughout The Country. Her 1976 Film Heritage Of Hope, Made For The Los Angeles Unified School District, Was Nominated For An Emmy. Her Work Is Included In Permanent Collections Of The Oakland Museum Of California, The Long Beach Museum Of Art And The San Francisco Museum Of Modern Art, Among Others. She Produced Exhibitions And A Film About The Work Of Her Friend Claire Falkenstein.