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Published by Gale ECCO, Print Editions

ISBN 10: 1170183417ISBN 13: 9781170183410

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From: Phatpocket Limited (Waltham Abbey, HERTS, United Kingdom)

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About this Item: Gale ECCO, Print Editions. Condition: Like New. Used - Like New. This is a reproduction of an out of print title. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-C-089-01957

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About this Item: Gale Ecco, Print Editions, United States, 2010. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)P000172Editor and principal engraver: John Walker. Title pages are engraved. Alternative titles vary slightly. Imprints undated; years of publication from monthly issues. Imprints vary slightly; Harrison and Co. appears on v. 1 only. Each volume has introductory leaf. Descriptive text on recto is interleaved with engraved plate, numbered on facing page of text. Text leaves include issue number from which plate and text were cumulated, but are otherwise unnumbered. Later volumes have volume number on direction line of text pages. Plates include great houses and significant architectureal structures from various places in the British Isles. Each plate includes names of engraver and artist, but these are not indexed.London [England]: printed for Harrison and Co. Pater-Noster Row. J[ohn]. Walker, engraver. No. 16. Rosomans Street. Clerkenwell, [1792-1802]. 5 v., 250 plates; obl. 2. Seller Inventory # AAV9780699164078

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About this Item: Gale Ecco, Print Editions, 2010. PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # IQ-9780699164078

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About this Item: Gale Ecco, Print Editions, United States, 2010. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)P000172Editor and principal engraver: John Walker. Title pages are engraved. Alternative titles vary slightly. Imprints undated; years of publication from monthly issues. Imprints vary slightly; Harrison and Co. appears on v. 1 only. Each volume has introductory leaf. Descriptive text on recto is interleaved with engraved plate, numbered on facing page of text. Text leaves include issue number from which plate and text were cumulated, but are otherwise unnumbered. Later volumes have volume number on direction line of text pages. Plates include great houses and significant architectureal structures from various places in the British Isles. Each plate includes names of engraver and artist, but these are not indexed.London [England]: printed for Harrison and Co. Pater-Noster Row. J[ohn]. Walker, engraver. No. 16. Rosomans Street. Clerkenwell, [1792-1802]. 5 v., 250 plates; obl. 2. Seller Inventory # AAV9781171235248

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About this Item: Gale Ecco, Print Editions, 2010. PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # LQ-9781171235248

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About this Item: Gale Ecco, Print Editions, United States, 2010. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT109900The plates are dated: March 30, 1792.London: printed for J. and W. Watkins, [1792?]. vi, [2],128p., plates; 8. Seller Inventory # AAV9781140678236

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About this Item: Gale Ecco, Print Editions, 2010. PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # LQ-9781140678236

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About this Item: Gale Ecco, Print Editions, United States, 2010. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)P000172Editor and principal engraver: John Walker. Title pages are engraved. Alternative titles vary slightly. Imprints undated; years of publication from monthly issues. Imprints vary slightly; Harrison and Co. appears on v. 1 only. Each volume has introductory leaf. Descriptive text on recto is interleaved with engraved plate, numbered on facing page of text. Text leaves include issue number from which plate and text were cumulated, but are otherwise unnumbered. Later volumes have volume number on direction line of text pages. Plates include great houses and significant architectureal structures from various places in the British Isles. Each plate includes names of engraver and artist, but these are not indexed.London [England]: printed for Harrison and Co. Pater-Noster Row. J[ohn]. Walker, engraver. No. 16. Rosomans Street. Clerkenwell, [1792-1802]. 5 v., 250 plates; obl. 2. Seller Inventory # AAV9781171236382

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About this Item: Gale Ecco, Print Editions, 2010. PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Seller Inventory # LQ-9781171236382

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Multiple Contributors, See Notes

Published by Gale ECCO, Print Editions (2010)

ISBN 10: 0699164079ISBN 13: 9780699164078

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About this Item: Gale ECCO, Print Editions, 2010. Condition: New. Printed on demand. Seller Inventory # I-9780699164078

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Multiple Contributors

Published by Gale Ecco, Print Editions, United States (2010)

ISBN 10: 1170734383ISBN 13: 9781170734384

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From: Book Depository International (London, United Kingdom)

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About this Item: Gale Ecco, Print Editions, United States, 2010. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++John Rylands University Library of ManchesterT172292Westminster: printed, by A. Campbell, for the author, B. Creake, 1731. [10],119, [1]p., plates; 2. Seller Inventory # AAV9781170734384

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Multiple Contributors

Published by Gale Ecco, Print Editions, United States (2010)

ISBN 10: 1170183417ISBN 13: 9781170183410

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About this Item: Gale Ecco, Print Editions, United States, 2010. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT154195Edited by Edward Oakley. The titlepage and first recto of the dedication are engraved. The text is continuous despite the pagination.Westminster: printed by A. Campbell, for the author, B. Creake, 1730. [10],76, [1],80-119, [1]p., plates; 2. Seller Inventory # AAV9781170183410

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About this Item: Gale Ecco, Print Editions, United States, 2010. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Bodleian Library (Oxford)P000172Editor and principal engraver: John Walker. Title pages are engraved. Alternative titles vary slightly. Imprints undated; years of publication from monthly issues. Imprints vary slightly; Harrison and Co. appears on v. 1 only. Each volume has introductory leaf. Descriptive text on recto is interleaved with engraved plate, numbered on facing page of text. Text leaves include issue number from which plate and text were cumulated, but are otherwise unnumbered. Later volumes have volume number on direction line of text pages. Plates include great houses and significant architectureal structures from various places in the British Isles. Each plate includes names of engraver and artist, but these are not indexed.London [England]: printed for Harrison and Co. Pater-Noster Row. J[ohn]. Walker, engraver. No. 16. Rosomans Street. Clerkenwell, [1792-1802]. 5 v., 250 plates; obl. 2. Seller Inventory # AAV9780699165082

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Multiple Contributors, See Notes

Published by Gale ECCO, Print Editions (2010)

ISBN 10: 0699165083ISBN 13: 9780699165082

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About this Item: Gale ECCO, Print Editions, 2010. Condition: New. Printed on demand. Seller Inventory # I-9780699165082

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Multiple Contributors, See Notes

Published by Gale ECCO, Print Editions (2010)

ISBN 10: 1171235240ISBN 13: 9781171235248

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About this Item: Gale ECCO, Print Editions, 2010. Condition: New. Printed on demand. Seller Inventory # I-9781171235248

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About this Item: Gale ECCO, Print Editions. Condition: Like New. Used - Like New. Book is new and unread but may have minor shelf wear. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Seller Inventory # Z1-U-007-00941

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About this Item: December 30, 1826., London, 1826. Disbound. Condition: Fair. First Edition. With woodcuts. Staining and some foxing throughout. Note; this is an original article separated from the volume, not a reprint or copy. Size: Octavo (standard book size). 16 pages. Item Type: Magazine/Periodical. Multiple copies available this title. Quantity Available: 2. Category: Mechanics' Magazine; Inventory No: 265830. 23 years of serving customers on ABE. A seller you can rely on. Seller Inventory # 265830

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Published by The Saturday Magazine., Johh William Parker, London. (1843)

Magazine / Periodical
Used
Softcover
First Edition

Quantity available: 2

From: Cosmo Books (Shropshire., United Kingdom)

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About this Item: The Saturday Magazine., Johh William Parker, London., 1843. Disbound. Condition: Very Good. First Edition. 8 pages, some browned. Approximately A4 size, with 1 woodcut. Size: Small Folio. Item Type: Magazine/Periodical. Multiple copies available this title. Quantity Available: 2. Category: Saturday Magazine; Inventory No: 281322. 23 years of serving customers on ABE. A seller you can rely on. Seller Inventory # 281322

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Curtis, William

Published by W. Curtis

Art / Print / Poster
Softcover

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From: LOE BOOKS (Launceston, United Kingdom)

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About this Item: W. Curtis. Condition: Very Good. A fine original hand-coloured copper engraving , dated 1798; a very early plate from this famous work, size approx. 14 x 24cm. The condition is very good, colours bright and fresh, paper a little toned, plate mark close to edge at bottom left corner, but still very acceptable for framing. (supplied without accompanying text, and without mount). The quality of the illustrations in the Botanical Magazine is outstanding, both accurate and decorative, the colours vibrant. William Curtis (1746-1799) was a trained apothecary living in London, although his passion was for natural history, particularly plants and insects. He maintained a large well-stocked garden and began the publication of the Botanical Magazine in February 1787, which has gone on to become the most famous and influential botanical publication of its type; it is still published today, making it the longest running scientific periodical of all time. Curtis edited the first 13 volumes, and was then succeeded by John Simms (1800-1826), William Jackson Hooker (1827-1865) and Joseph Dalton Hooker (1865-1904), the current editor of the magazine is Martyn Rix. The fine illustrations were by many artists including Sydenham Edwards, William Graves, James Sowerby, John Curtis, William Jackson Hooker, W.H. Fitch, J. N. Fitch, Matilda Smith, Lillian Snelling and Stella Rose Craig. The plates were hand-coloured up to 1948!, all being copper engravings to around 1840, and then stone or zinc lithography until the introduction of color printing in 1948. References: Blunt;The Art of Botanical Illustration, Great Flower Books pp 156 - 157, Nissen BPI 2350, Staflue 1290. (Please Note: we do not break books for plates, nor do we condone this practice. Our plates have either been purchased loose or have come from books that are so defective or incomplete that they are irreparable). Seller Inventory # 019748

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Curtis, William

Published by W. Curtis (1810)

Art / Print / Poster
Softcover

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From: LOE BOOKS (Launceston, United Kingdom)

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About this Item: W. Curtis, 1810. Condition: Very Good. A fine original hand-coloured copper engraved plate from this famous work, size approx. 14 x 24cm. The condition is very good, colours bright and fresh, paper bright (supplied without accompanying text, and without mount). The quality of the illustrations in the Botanical Magazine is outstanding, both accurate and decorative, the colours vibrant. William Curtis (1746-1799) was a trained apothecary living in London, although his passion was for natural history, particularly plants and insects. He maintained a large well-stocked garden and began the publication of the Botanical Magazine in February 1787, which has gone on to become the most famous and influential botanical publication of its type; it is still published today, making it the longest running scientific periodical of all time. Curtis edited the first 13 volumes, and was then succeeded by John Simms (1800-1826), William Jackson Hooker (1827-1865) and Joseph Dalton Hooker (1865-1904), the current editor of the magazine is Martyn Rix. The fine illustrations were by many artists including Sydenham Edwards, William Graves, James Sowerby, John Curtis, William Jackson Hooker, W.H. Fitch, J. N. Fitch, Matilda Smith, Lillian Snelling and Stella Rose Craig. The plates were hand-coloured up to 1948!, all being copper engravings to around 1840, and then stone or zinc lithography until the introduction of color printing in 1948. References: Blunt;The Art of Botanical Illustration, Great Flower Books pp 156 - 157, Nissen BPI 2350, Staflue 1290. (Please Note: we do not break books for plates, nor do we condone this practice. Our plates have either been purchased loose or have come from books that are so defective or incomplete that they are irreparable.). Seller Inventory # 019805

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Curtis, William

Published by W. Curtis (1810)

Art / Print / Poster
Softcover

Quantity available: 1

From: LOE BOOKS (Launceston, United Kingdom)

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About this Item: W. Curtis, 1810. Condition: Very Good. A fine original hand-coloured copper engraved plate from this famous work, size approx. 14 x 24cm. The condition is very good, colours bright and fresh, paper bright (supplied without accompanying text, and without mount). The quality of the illustrations in the Botanical Magazine is outstanding, both accurate and decorative, the colours vibrant. William Curtis (1746-1799) was a trained apothecary living in London, although his passion was for natural history, particularly plants and insects. He maintained a large well-stocked garden and began the publication of the Botanical Magazine in February 1787, which has gone on to become the most famous and influential botanical publication of its type; it is still published today, making it the longest running scientific periodical of all time. Curtis edited the first 13 volumes, and was then succeeded by John Simms (1800-1826), William Jackson Hooker (1827-1865) and Joseph Dalton Hooker (1865-1904), the current editor of the magazine is Martyn Rix. The fine illustrations were by many artists including Sydenham Edwards, William Graves, James Sowerby, John Curtis, William Jackson Hooker, W.H. Fitch, J. N. Fitch, Matilda Smith, Lillian Snelling and Stella Rose Craig. The plates were hand-coloured up to 1948!, all being copper engravings to around 1840, and then stone or zinc lithography until the introduction of color printing in 1948. References: Blunt;The Art of Botanical Illustration, Great Flower Books pp 156 - 157, Nissen BPI 2350, Staflue 1290. (Please Note: we do not break books for plates, nor do we condone this practice. Our plates have either been purchased loose or have come from books that are so defective or incomplete that they are irreparable.). Seller Inventory # 019806

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Curtis, William

Published by W. Curtis (1811)

Art / Print / Poster
Softcover

Quantity available: 1

From: LOE BOOKS (Launceston, United Kingdom)

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About this Item: W. Curtis, 1811. Condition: Very Good. A fine original hand-coloured copper engraved plate from this famous work, size approx. 14 x 24cm. The condition is very good, colours bright and fresh, paper bright (supplied without accompanying text, and without mount). The quality of the illustrations in the Botanical Magazine is outstanding, both accurate and decorative, the colours vibrant. William Curtis (1746-1799) was a trained apothecary living in London, although his passion was for natural history, particularly plants and insects. He maintained a large well-stocked garden and began the publication of the Botanical Magazine in February 1787, which has gone on to become the most famous and influential botanical publication of its type; it is still published today, making it the longest running scientific periodical of all time. Curtis edited the first 13 volumes, and was then succeeded by John Simms (1800-1826), William Jackson Hooker (1827-1865) and Joseph Dalton Hooker (1865-1904), the current editor of the magazine is Martyn Rix. The fine illustrations were by many artists including Sydenham Edwards, William Graves, James Sowerby, John Curtis, William Jackson Hooker, W.H. Fitch, J. N. Fitch, Matilda Smith, Lillian Snelling and Stella Rose Craig. The plates were hand-coloured up to 1948!, all being copper engravings to around 1840, and then stone or zinc lithography until the introduction of color printing in 1948. References: Blunt;The Art of Botanical Illustration, Great Flower Books pp. 156 - 157, Nissen BPI 2350, Staflue 1290. (Please Note: we do not break books for plates, nor do we condone this practice. Our plates have either been purchased loose or have come from books that are so defective or incomplete that they are irreparable.). Seller Inventory # 019815

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Curtis, William

Published by W. Curtis (1811)

Art / Print / Poster
Softcover

Quantity available: 1

From: LOE BOOKS (Launceston, United Kingdom)

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About this Item: W. Curtis, 1811. Condition: Very Good. A fine original hand-coloured copper engraved plate from this famous work, size approx. 14 x 24cm. The condition is very good, colours bright and fresh, minimal spotting (supplied without accompanying text, and without mount). The quality of the illustrations in the Botanical Magazine is outstanding, both accurate and decorative, the colours vibrant. William Curtis (1746-1799) was a trained apothecary living in London, although his passion was for natural history, particularly plants and insects. He maintained a large well-stocked garden and began the publication of the Botanical Magazine in February 1787, which has gone on to become the most famous and influential botanical publication of its type; it is still published today, making it the longest running scientific periodical of all time. Curtis edited the first 13 volumes, and was then succeeded by John Simms (1800-1826), William Jackson Hooker (1827-1865) and Joseph Dalton Hooker (1865-1904), the current editor of the magazine is Martyn Rix. The fine illustrations were by many artists including Sydenham Edwards, William Graves, James Sowerby, John Curtis, William Jackson Hooker, W.H. Fitch, J. N. Fitch, Matilda Smith, Lillian Snelling and Stella Rose Craig. The plates were hand-coloured up to 1948!, all being copper engravings to around 1840, and then stone or zinc lithography until the introduction of color printing in 1948. References: Blunt;The Art of Botanical Illustration, Great Flower Books pp. 156 - 157, Nissen BPI 2350, Staflue 1290. (Please Note: we do not break books for plates, nor do we condone this practice. Our plates have either been purchased loose or have come from books that are so defective or incomplete that they are irreparable.). Seller Inventory # 019816

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Curtis, William

Published by W. Curtis (1812)

Art / Print / Poster
Softcover

Quantity available: 1

From: LOE BOOKS (Launceston, United Kingdom)

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About this Item: W. Curtis, 1812. Condition: Good. A fine original hand-coloured copper engraved plate from this famous work, size approx. 14 x 24cm. The condition is good, colours bright and fresh, paper slightly toned, and chipped to left edge just outside the plate mark (supplied without accompanying text, and without mount). The quality of the illustrations in the Botanical Magazine is outstanding, both accurate and decorative, the colours vibrant. William Curtis (1746-1799) was a trained apothecary living in London, although his passion was for natural history, particularly plants and insects. He maintained a large well-stocked garden and began the publication of the Botanical Magazine in February 1787, which has gone on to become the most famous and influential botanical publication of its type; it is still published today, making it the longest running scientific periodical of all time. Curtis edited the first 13 volumes, and was then succeeded by John Simms (1800-1826), William Jackson Hooker (1827-1865) and Joseph Dalton Hooker (1865-1904), the current editor of the magazine is Martyn Rix. The fine illustrations were by many artists including Sydenham Edwards, William Graves, James Sowerby, John Curtis, William Jackson Hooker, W.H. Fitch, J. N. Fitch, Matilda Smith, Lillian Snelling and Stella Rose Craig. The plates were hand-coloured up to 1948!, all being copper engravings to around 1840, and then stone or zinc lithography until the introduction of color printing in 1948. References: Blunt;The Art of Botanical Illustration, Great Flower Books pp. 156 - 157, Nissen BPI 2350, Staflue 1290. (Please Note: we do not break books for plates, nor do we condone this practice. Our plates have either been purchased loose or have come from books that are so defective or incomplete that they are irreparable.). Seller Inventory # 019821

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Published by John William Parker., London (1843)

Magazine / Periodical
Used
Softcover
First Edition

Quantity available: 1

From: Tony Hutchinson (Seale, United Kingdom)

Seller Rating: 5-star rating

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About this Item: John William Parker., London, 1843. Paper Cover. Condition: Good. First Edition. This listing is for an original complete edition of the weekly newspaper The SATURDAY MAGAZINE. A weekly educational publication which started in 1832 & continued till 1844. Each issue is 8 pages. Illustrated with fine woodcuts. Most issues contain a mixture of general interest articles usually including visits to famous or exotic places, scientific, topographical, art, etc. Supplement issues are usually entirely on the one subject. It is 150+ years old & thus may have occasional light foxing or age discolouration. In the title I have listed articles or pictures of specific interest in this issue. It has been disbound from a compilation & is therefore still unfolded & in nice clean condition. It will be despatched in a board back envelope. P&P will be HALF the standard quoted price. If ordering more than one issue further reductions on P&P on request. Size: 11 x 7 Inch. Magazine/Periodical. Seller Inventory # sm727

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Curtis, William

Published by W. Curtis, London (1792)

Art / Print / Poster
Softcover
First Edition

Quantity available: 1

From: LOE BOOKS (Launceston, United Kingdom)

Seller Rating: 4-star rating

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About this Item: W. Curtis, London, 1792. Condition: Very Good. First Edition. A fine original hand-coloured copper engraving, dated 1792, an early plate from this famous work. The condition is very good, minimal toning to the paper. The plate has been expertly trimmed to the plate mark retaining the plate number and text. Supplied with accompanying text, but without mount) The quality of the illustrations in the Botanical Magazine is outstanding, both accurate and decorative, the colours vibrant. William Curtis (1746-1799) was a trained apothecary living in London, although his passion was for natural history, particularly plants and insects. He maintained a large well-stocked garden and began the publication of the Botanical Magazine in February 1787, which has gone on to become the most famous and influential botanical publication of its type; it is still published today, making it the longest running scientific periodical of all time. Curtis edited the first 13 volumes, and was then succeeded by John Simms (1800-1826), William Jackson Hooker (1827-1865) and Joseph Dalton Hooker (1865-1904), the current editor of the magazine is Martyn Rix. The fine illustrations were by many artists including Sydenham Edwards, William Graves, James Sowerby, John Curtis, William Jackson Hooker, W.H. Fitch, J. N. Fitch, Matilda Smith, Lillian Snelling and Stella Rose Craig. The plates were hand-coloured up to 1948!, all being copper engravings to around 1840, and then stone or zinc lithography until the introduction of color printing in 1948. References: Blunt;The Art of Botanical Illustration, Great Flower Books pp 156 - 157, Nissen BPI 2350, Staflue 1290. (Please Note: we do not break books for plates, nor do we condone this practice. Our plates have either been purchased loose or have come from books that are so defective or incomplete that they are irreparable) Size: 12 x 20cm. Seller Inventory # 023265

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Curtis, William

Published by W. Curtis (1835)

Art / Print / Poster
Softcover

Quantity available: 1

From: LOE BOOKS (Launceston, United Kingdom)

Seller Rating: 4-star rating

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About this Item: W. Curtis, 1835. Condition: Very Good. An original hand-coloured copper engraving - one of the first to appear in Curtis's Botanical Magazine. Size: approx. 14 x 23cm. The condition is very good with minimal or no off-setting, paper slightly toned, a few small stains near the bottom of the print. (supplied without text and without mount). The quality of the illustrations in the Botanical Magazine is outstanding, both accurate and decorative, the colours vibrant. William Curtis (1746-1799) was a trained apothecary living in London, although his passion was for natural history, particularly plants and insects. He maintained a large well-stocked garden and began the publication of the Botanical Magazine in February 1787, which has gone on to become the most famous and influential botanical publication of its type; it is still published today, making it the longest running scientific periodical of all time. Curtis edited the first 13 volumes, and was then succeeded by John Simms (1800-1826), William Jackson Hooker (1827-1865) and Joseph Dalton Hooker (1865-1904), the current editor of the magazine is Martyn Rix. The fine illustrations were by many artists including Sydenham Edwards, William Graves, James Sowerby, John Curtis, William Jackson Hooker, W.H. Fitch, Matilda Smith, Lillian Snelling and Stella Rose Craig. The plates were hand-coloured up to 1948!, all being copper engravings to around 1840, and then stone or zinc lithography until the introduction of color printing in 1948. References: Blunt The Art of Botanical Illustration, Great Flower Books pp 156 - 157, Nissen BPI 2350, Staflue 1290. (Please Note: we do not break books for plates, nor do we condone this practice. Our plates have either been purchased loose or have come from books that are so defective or incomplete that they are irreparable) Size: 12 x 20cm. Seller Inventory # 024291

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Curtis, William

Published by W. Curtis (1835)

Art / Print / Poster
Softcover

Quantity available: 1

From: LOE BOOKS (Launceston, United Kingdom)

Seller Rating: 4-star rating

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About this Item: W. Curtis, 1835. Condition: Very Good. An original hand-coloured copper engraving - one of the first to appear in Curtis's Botanical Magazine. Size: approx. 14 x 23cm. The condition is very good with minimal or no off-setting, paper slightly toned. (supplied without text and without mount). The quality of the illustrations in the Botanical Magazine is outstanding, both accurate and decorative, the colours vibrant. William Curtis (1746-1799) was a trained apothecary living in London, although his passion was for natural history, particularly plants and insects. He maintained a large well-stocked garden and began the publication of the Botanical Magazine in February 1787, which has gone on to become the most famous and influential botanical publication of its type; it is still published today, making it the longest running scientific periodical of all time. Curtis edited the first 13 volumes, and was then succeeded by John Simms (1800-1826), William Jackson Hooker (1827-1865) and Joseph Dalton Hooker (1865-1904), the current editor of the magazine is Martyn Rix. The fine illustrations were by many artists including Sydenham Edwards, William Graves, James Sowerby, John Curtis, William Jackson Hooker, W.H. Fitch, Matilda Smith, Lillian Snelling and Stella Rose Craig. The plates were hand-coloured up to 1948!, all being copper engravings to around 1840, and then stone or zinc lithography until the introduction of color printing in 1948. References: Blunt The Art of Botanical Illustration, Great Flower Books pp 156 - 157, Nissen BPI 2350, Staflue 1290. (Please Note: we do not break books for plates, nor do we condone this practice. Our plates have either been purchased loose or have come from books that are so defective or incomplete that they are irreparable) Size: 12 x 20cm. Seller Inventory # 024292

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Curtis, William

Published by W. Curtis (1807)

Art / Print / Poster
Softcover

Quantity available: 1

From: LOE BOOKS (Launceston, United Kingdom)

Seller Rating: 4-star rating

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About this Item: W. Curtis, 1807. Condition: Very Good. A fine original hand-coloured copper engraved plate from this famous work, size approx. 14 x 24cm. The condition is very good, colours bright and fresh, (supplied without accompanying text, and without mount). The quality of the illustrations in the Botanical Magazine is outstanding, both accurate and decorative, the colours vibrant. William Curtis (1746-1799) was a trained apothecary living in London, although his passion was for natural history, particularly plants and insects. He maintained a large well-stocked garden and began the publication of the Botanical Magazine in February 1787, which has gone on to become the most famous and influential botanical publication of its type; it is still published today, making it the longest running scientific periodical of all time. Curtis edited the first 13 volumes, and was then succeeded by John Simms (1800-1826), William Jackson Hooker (1827-1865) and Joseph Dalton Hooker (1865-1904), the current editor of the magazine is Martyn Rix. The fine illustrations were by many artists including Sydenham Edwards, William Graves, James Sowerby, John Curtis, William Jackson Hooker, W.H. Fitch, J. N. Fitch, Matilda Smith, Lillian Snelling and Stella Rose Craig. The plates were hand-coloured up to 1948!, all being copper engravings to around 1840, and then stone or zinc lithography until the introduction of color printing in 1948. References: Blunt;The Art of Botanical Illustration, Great Flower Books pp 156 - 157, Nissen BPI 2350, Staflue 1290. (Please Note: we do not break books for plates, nor do we condone this practice. Our plates have either been purchased loose or have come from books that are so defective or incomplete that they are irreparable.). Seller Inventory # 019787

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Curtis, William

Published by London (1805)

Art / Print / Poster
Softcover
First Edition

Quantity available: 1

From: LOE BOOKS (Launceston, United Kingdom)

Seller Rating: 4-star rating

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About this Item: London, 1805. Condition: Very Good. Sydenham Edwards (illustrator). First Edition. An original hand-coloured copper engraving after Sydenham Edwards, dated 1805; an early plate from this famous work, size approx. 232 x 145 mm. The condition is very good, colours bright and fresh, slight toning, faint contemporary institutional library stamp (see attached image). Supplied with accompanying text, [but without mount). The quality of the illustrations in the Botanical Magazine is outstanding, both accurate and decorative, the colours vibrant. William Curtis (1746-1799) was a trained apothecary living in London, although his passion was for natural history, particularly plants and insects. He maintained a large well-stocked garden and began the publication of the Botanical Magazine in February 1787, which has gone on to become the most famous and influential botanical publication of its type; it is still published today, making it the longest running scientific periodical of all time. Curtis edited the first 13 volumes, and was then succeeded by John Simms (1800-1826), William Jackson Hooker (1827-1865) and Joseph Dalton Hooker (1865-1904). The fine illustrations were by many artists including Sydenham Edwards, William Graves, James Sowerby, John Curtis, William Jackson Hooker, W. H. Fitch, J. N. Fitch, Matilda Smith, Lillian Snelling and Stella Rose Craig. The plates were hand-coloured up to 1948, all being copper engravings to around 1840, and then stone or zinc lithography until the introduction of color printing in 1948. References: Blunt;The Art of Botanical Illustration, Great Flower Books pp 156 - 157, Nissen BPI 2350, Staflue 1290. Size: 232 x 145 mm. Fine Art Print. Seller Inventory # 033115

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