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Dante Alighieri

Published by In Venezia Antonio Zatta 1757-1758 (1758)

Used Hardcover First Edition

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From: Buddenbrooks, Inc. ABAA (Newburyport, MA, U.S.A.)

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Item Description: In Venezia Antonio Zatta 1757-1758, 1758. 5 volumes. (4 volumes bound in 5 as preferred). First Edition and first edition of the complete works. Magnificently and profusely illustrated in each volume with very fine full page copperplate engravings and exquisite decorations throughout, including a great profusion of finely executed large engraved head and tail -pieces. (See collation below). Also with engraved titles to each volume, the first of which is printed in red and black. 4to (285 by 205 mm), splendid and proper original bindings of Italian polished calf over marbled boards, the spines with raised bands bordered in gilt, central gilt ornamental devices within the compartments. Lettered in gilt on tan morocco lettering labels. Vol.I: half-title, frontispiece engraving, engraved title, portrait engraving of Elisabetta Petrowna, noble statement dedicatory, engraved portrait of Dante , 12 pp unnumbered, engraved portraits leaf, engraved scene with Dante, I -XLVIII; I - CCCCVIII (including Catalogo De’ Signori Associati) numbered, 35 very fine copperplate engravings, as called for. Vol.II: CCCCXIII numbered pages comprising the half-title, the engraved title-page, 33 other very fine copperplate engraving + Catalogo. . Vol.III: CCCCLII - (2 ff.) -103 pages numbered, (1), engraved title-page and 33 very fine copperplate engravings. Vol.IV: engraved title-page, half-title, XII - (1) - 408 numbered pages, 4 engraved plates. Vol.V: Engraved title-page, (1) - 264; (I) - LXXXIV - (1)pages numbered, + 3 engraved illustrated plates and an engraved folding plan. Collated complete textually and with the 114 plates. A fine and fresh set in an very pleasing state of preservation, the calf bindings attractive and in excellent original state, only light evidence of age, the text-blocks crisp, clean and unpressed, the engraved plates all in fine condition, bright and clean and with strong impressions. RARE AND IMPORTANT. THE FIRST EDITION OF THE COMPLETE WORKS OF DANTE AND THE GREATEST ILLUSTRATED DANTE EVER CONCEIVED. Zatta’s Dante, a supreme production of the press and one of the great Italian illustrated books of the 18th century, also represents the first complete offering of Dante’s work. It is considered the most perfect and complete of Dante ever printed. And generally speaking, it is considered the most beautiful edition of Dante ever produced. Most copies were bound in period vellum and have suffered significantly. This copy, bound in rare period calf over boards has survived in a fine state of preservation. "Dante’s theme, the greatest yet attempted in poetry, was to explain and justify the Christian cosmos through the allegory of a pilgrimage. To him comes Virgil, the symbol of philosophy, to guide him through the two lower realms of the next world, which are divided according to the classifications of the ‘Ethics’ of Aristotle. Hell is seen as an inverted cone with its point where lies Lucifer fixed in ice at the centre of the world, and the pilgrimage from it a climb to the foot of and then up the Purgatorial Mountain. Along the way Dante passes Popes, Kings and Emperors, poets, warriors and citizens of Florence, expiating the sins of their life on earth. On the summit is the Earthly Paradise where Beatrice meets them and Virgil departs. Dante is now led through the various spheres of heaven, and the poem ends with a vision of the Deity. The audacity of his theme, the success of its treatment, the beauty and majesty of his verse, have ensured that his poem never lost its reputation. The picture of divine justice is entirely unclouded by Dante’s own political prejudices, and his language never falls short of what he describes." PMM. Bookseller Inventory # 23600

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The Divina Commedia of Dante Alighieri, Consisting: Dante Alighieri; Rev.

Dante Alighieri; Rev. Henry Boyd, translator

Published by A. Strahan for T. Cadell, London (1802)

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Item Description: A. Strahan for T. Cadell, London, 1802. First English language edition. A lovely set of the first complete translation into English of Dante's "Divine Comedy." Full contemporary polished calf by "J. Bohn" (not later than 1809). Boards ruled in gilt with a blindstamped mosaic border, raised bands with decorative gilt and titling on the spine, all edges marbled, with marbled end-papers. Spines a little faded and trivial flaking along the outer hinges, but a fantastic set in an unrestored and strictly contemporary binding. Three 8vo volumes (pages 228 x 140 mm), taller than many copies, collating: vi, [2], 408; [ii], 56, [ii (divisional title)], 57-62, 65-384 (complete); [ii], 420pp., engraved frontispiece portrait plate of Dante by Thomas Stothard in vol.1, bound without the half-titles in volumes 2 and 3, otherwise complete (despite the funky numbering sequence in volume 2). A few pages very slightly foxed, but on the whole a Fine set internally and with only trivial wear on the original bindings. One of the world's great masterpieces and a foundational text of Italian literature. The Comedy took over a decade for Dante to write, he worked on it in exile, having been sent out of his native Florence in 1302, when his political faction fell out of favor. The work's genius was quickly recognized -- Boccaccio himself was so obsessed with it that he was responsible for adding the prefix "Divine." Over the years, it has influenced countless writers, among them Ezra Pound, T. S. Eliot, and James Joyce. Borges claimed it was "the best book literature has achieved."Boyd (1748/49 - 1832), a member of the Irish clergy, was responsible for the first English translation of the Inferno in 1785 as well as the complete work in this 1802 edition. His translation would help bring Dante back into literary circles after he had fallen by the critical wayside in the aftermath of the Renaissance and Enlightenment. The "Divine Comedy" soon regained its popularity; before the 19th century was up Longfellow would also try his hand at a translation and William Blake would make drawings of some of its more famous passages. Bookseller Inventory # 1832

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DANTE, ALIGHIERI:

Published by Modena/Luzern, Panini/Faksimile Verlag Luzern, (2006)

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From: Anton Pfeiler (Simbach, Germany)

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Item Description: Modena/Luzern, Panini/Faksimile Verlag Luzern, 2006. 257 x 370mm. 396 Seiten. 115 Miniaturen und 3 große Bildinitialen, reich mit gehöhtem Gold verziert und teilweise ziseliert. Entstehung: vermutlich zwischen 1440 und 1450 in Siena für König Alfons I. von Neapel. Der prachtvolle Bilderzyklus in der Göttlichen Komödie ist das Werk zweier unterschiedlicher Künstler aus Siena: Lorenzo di Pietro, genannt der Ältere (Vecchietta), der sämtliche Initialen sowie die Szenen des Inferno und der Hölle geschaffen hat; sowie Giovanni di Paolo, der in der Ausstattung des Paradieses die spirituelle Seite gedanken- wenn nicht traumverloren in märchenhaft, irreale Stimmungen übersetzte. Faksimile + Kommentar (italienisch) + deutsche Kurzfassung. Samt auf Holzdeckel mit 4 vergoldeten Beschlägen und 2 vergoldeten Silberschließen sowie einem Medaillon aus massiven Silber in seidenbezogenen Schmuckschuber mit Pergamentrücken und 4 Eckbeschlägen. Limitierte Auflage 700 Exemplare, davon 100 Exemplare für den deutschsprachigen Raum. Editionsnummer: 191. Neuwertiges und unbenutztes Exemplar. Sprache: de Gewicht in Gramm: 0. Bookseller Inventory # 10509

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Dante Alighieri

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Item Description: Padua: Salmin, 1878. 64mo (550 x 350 mm, 2 1/4 x 1 3/4 ins.), 500 pp. Portrait frontispiece. Original printed wrappers, a perfect copy as issued in a new protective box. An impossibly fine copy as issued of this tiny fragile book. One of the most renowned of miniature books, Spielmann thought the type (known as "flies' eyes" and measuring about two-point) was "the smallest ever employed." The Grolier Club's "Miniature Books: 4,000 Years of Tiny Treasures" reports that working with this miniscule type, "is said to have injured the eyesight of both the compositor and corrector. It took one month to print 30 pages, and new types were necessary for every new form." Spielmann 114; Bondy p.95. Bromer and Edison: Grolier Catalogue, pp. 47-49 (rebound, illus.). The Hauck copy (rebound) fetched $5760 in 2006. Exceptionally scarce in trade. Fosberg, Multum in Parvo, p. 427 et seq. (BSA Papers Dec. 2016). Bookseller Inventory # 107914

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Alighieri Dante (1265-1321) - Dal" Salvador (1904-1989)

Published by Arte e Scienze Salani 1963-1964, Firenze (1963)

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Item Description: Arte e Scienze Salani 1963-1964, Firenze, 1963. Alcune naturali screpolature ai dorsi delle custodie cartonate. Interni e tavole in perfetto stato di conservazione La nostra copia fa parte della tiratura di 100 esemplari impressi dalla Stamperia Valdonega di Verona su carta a mano dei Fratelli Magnani di Pescia, e arricchiti di una seconda serie di tutte le tavole. Le incisioni e le 100 tavole a colori sono state eseguite a Parigi sotto la direzione del Maestro Raymond Jacquet su carta Rives. Confezione eseguita dalla Legatoria Torriani di Milano. Ns esemplare numero XCVII 159; 160-327; 163; 164-329; 163; 164-321 corredata da 100 tavv.a colori f.t. p. 6 voll + volume delle tavole 355x280 mm a fascicoli sciolti conservati in brossura edit. con sovraccoperta, custodie cartonate e cofanetti. Bookseller Inventory # 31358

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Alighieri, Dante:

Published by Rom, Biblioteca Apostolica Vaticana, (1965)

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From: Anton Pfeiler (Simbach, Germany)

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Item Description: Rom, Biblioteca Apostolica Vaticana, 1965. 387 x 241mm. 594 Seiten. 3 ganzseitige und 117 große, reich mit Gold verzierte Miniaturen und 97 Zierleisten. Entstehung: vor 1482 durch Guglielmo Giraldi aus Ferrara. Halbpergament/Moiréeseide. Limitierte Auflage. Die Gesamtauflage wurde nie vollständig produziert. Buchblock neu aufgebunden. Sehr selten! Kommentar von Eberhard König, Berlin. Neuwertiges Exemplar. Unter den unzähligen Prachthandschriften der Renaissance nimmt Dantes Göttliche Komödie einen ganz besonderen Platz ein: Codex Urb. lat. 365 aus der Biblioteca Apostolica Vaticana. Mit Fug und Recht hat man dieses Exemplar des berühmten Textes als die schönste Abschrift bezeichnet. Als Buch übertrifft es selbst Botticellis unvollendete Göttliche Komödie, die etwa zur selben Zeit angelegt wurde. Insgesamt 120 phantastische Miniaturen erzählen die ungeheuerlichen Visionen, drastisch und fesselnd von Dante in seinem Text beschrieben. Bereits 1965 wurde diese einmalige Edition von der Biblioteca Apostolica Vaticana faksimiliert, jedoch im deutschen Sprachraum noch nie angeboten. Die Qualität ist heute noch beeindruckend! Die 296 Blätter des Dante aus Urbino wurden im Originalformat von 378 x 241mm wiedergegeben. Ein eingefärbter Halbpergament-Einband mit Moirée-Seide schützt die wertvolle Faksimile-Edition, die in einem Schuber ausgeliefert wird. Der wissenschaftliche Kommentarband, neu erstellt von Prof. Eberhard König aus Berlin, erläutert ausführlich die Miniaturen der Handschrift und gibt einen profunden Überblick über die spannende Geschichte und das kunsthistorische Umfeld der Entstehung der großartigen Handschrift. "Verlagsfrisch" Sprache: de Gewicht in Gramm: 0. Bookseller Inventory # 10276

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Item Description: Padova Tipografia della Minerva 1822, 1822. 5 volumes. First of the edition, and first with the fundamental work edited by Baldassarre Lombardi. With beautiful engraved illustrations of Inferno, the Montagna del Purgatorio, the Cieli del Paradiso and with a fine portrait of Dante. Royal, thick 8vo (264x174 mm), large and with exceedingly wide margins, luxuriously bound in full red morocco, the covers with central panel formed at the borders by three gilt fillet lines, elaborate gilt corner pieces, the borders of the covers with triple gilt fillet lines surrounding the whole, the spines with compartments fully gilt with elaborate panel designs and fine borders enclosing central tooled decorations in gilt, two compartments with dark green morocco lettering labels gilt, t.e.g., turnovers with dense gilt roll-tooled decorations. pp. XXXIV, f. (1), plate of Inferno, pp. 747, (1, blank); ff. (2), plate with Montagna del Purgatorio, pp. 799, (1); ff. (2), plate with Cieli del Paradiso, f. (1, blank), pp. 845, (1); ff. (3), pp. 430, f. (1); pp. XII, portrait of Dante, pp. 574, ff. (2). A truly excellent copy of this very important edition with full grand margins, fine strong bindings, clean text-blocks and an especially handsome presentation overall. EXCEEDINGLY SCARCE IN FINE BINDING AND BEAUTIFULLY PRESERVED SET OF THE FIRST EDITION of this great classic and fundamental critical work edited by Baldassarre Lombardi, quite probably the best edition of Dante of all time, surrounded by a monumental philological and critical apparatus that collects the commentaries of the previous major scholars: Magalotti, Lami, Bottari, Torelli e Scolari. Bookseller Inventory # 24879

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LA DIVINA COMMEDIA. Illustrazioni di Dalì.: Dante Alighieri, Salvador

Dante Alighieri, Salvador Dalì

Published by Salani, Arti e Scienze, Firenze, Roma (1964)

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Item Description: Salani, Arti e Scienze, Firenze, Roma, 1964. Sei volumi (35x32 cm) contenenti l'Inferno, il Purgatorio e il Paradiso, ciascuno in due volumi, con 100 illustrazioni a colori di Dalì, su carta Magnani. A quaderni sciolti, in custodia cartonata e cofanetto. Paginazione dei singoli volumi: Inferno (1), 158 pagine, 17 illustrazioni. Inferno (2): pagine 173-326 con le illustrazioni 18-34. Purgatorio (1): 162 pagine, e 17 illustrazioni. Purgatorio (2): pagine 173-328 e illustrazioni 18-33. Paradiso (1): 163 pagine e 17 illustrazioni. Paradiso (2): pagine 173-320 e illustrazioni 18-33. Tiratura numerata di 2900 esemplari stampati nella Stamperia Valdonega. Fascette di controllo conservate. Ex libris al verso dei piatti. Qualche rara fioritura al dorso delle legature o ai tagli. Ma ottime condizioni. Nascita di questa impresa editoriale: "Parigi, 1950. In vista della commemorazione del 700º anniversario della nascita di Dante Alighieri, il governo italiano commissiona a Salvador Dalì l'illustrazione della Divina Commedia. L'artista vi lavora per quasi nove anni, dando vita a 100 acquerelli che nel 1960 vengono esposti al Musée Galliera di Parigi e trasposti in xilografia a cura del Maestro Stampatore Raymond Jacquet. Per la perfetta riproduzione degli acquerelli vengono impiegati 3000 legni e fino a 35 colori per ogni tavola. Firenze, 1962. Adriano Salani Editore, nella persona di Mario Salani, progetta, insieme alla casa editrice Arti e Scienze di Roma, un'edizione della Commedia in sei libri, due per ogni cantica, corredati dalle tavole di Dalì. I partner scelti allo scopo sono quanto di meglio offra il panorama tipografico e cartario dell'epoca: il Maestro Tipografo Giovanni Mardersteig della Stamperia Valdonega di Verona, le Cartiere Enrico Magnani di Pescia e le Cartiere francesi di Rives. Della supervisione scientifica all'Opera viene incaricato "il principe della lingua italiana", Giovanni Nencioni, Presidente dell'Accademia della Crusca". Bookseller Inventory # 017479

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Alighieri, Dante:

Published by Rom, Biblioteca Apostolica Vaticana, (1965)

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From: Anton Pfeiler (Simbach, Germany)

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Item Description: Rom, Biblioteca Apostolica Vaticana, 1965. 387 x 241mm. 594 Seiten. 3 ganzseitige und 117 große, reich mit Gold verzierte Miniaturen und 97 Zierleisten. Entstehung: vor 1482 durch Guglielmo Giraldi aus Ferrara. Faksimile + Kommentar. Limitierte Auflage. Sehr selten! Kommentar von Eberhard König, Berlin. Vorzugsausgabe. Weißer Kalbspergamenteinband mit goldener Deckel- und Rückenprägung in Schuber. Editionsnummer: 175. Sehr schönes Exemplar. Unter den unzähligen Prachthandschriften der Renaissance nimmt Dantes Göttliche Komödie einen ganz besonderen Platz ein: Codex Urb. lat. 365 aus der Biblioteca Apostolica Vaticana. Mit Fug und Recht hat man dieses Exemplar des berühmten Textes als die schönste Abschrift bezeichnet. Als Buch übertrifft es selbst Botticellis unvollendete Göttliche Komödie, die etwa zur selben Zeit angelegt wurde. Insgesamt 120 phantastische Miniaturen erzählen die ungeheuerlichen Visionen, drastisch und fesselnd von Dante in seinem Text beschrieben. Bereits 1965 wurde diese einmalige Edition von der Biblioteca Apostolica Vaticana faksimiliert, jedoch im deutschen Sprachraum noch nie angeboten. Die Qualität ist heute noch beeindruckend! Die 296 Blätter des Dante aus Urbino wurden im Originalformat von 378 x 241mm wiedergegeben. Ein eingefärbter Halbpergament-Einband mit Moirée-Seide schützt die wertvolle Faksimile-Edition, die in einem Schuber ausgeliefert wird. Der wissenschaftliche Kommentarband, neu erstellt von Prof. Eberhard König aus Berlin, erläutert ausführlich die Miniaturen der Handschrift und gibt einen profunden Überblick über die spannende Geschichte und das kunsthistorische Umfeld der Entstehung der großartigen Handschrift. Sprache: de Gewicht in Gramm: 0. Bookseller Inventory # 10691

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Alighieri, Dante

Published by Imago (Rimini) (2015)

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From: Libro Co. Italia Srl (San Casciano Val di Pesa, FI, Italy)

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Item Description: Imago (Rimini), 2015. Edizione Facsimile del manoscritto miniato su pergamena SC-MS 1162 (D II 41). Esemplare n. 30 di 599, di cui 529 a numeri arabi, 50 in numeri romani, 20 HC fuori commercio. Miniature attribuite a Giacomo Gradenigo, ad un bolognese prossimo al Maestro delle iniziali di Bruxelles e al veneto Cristoforo Cortese. Rimini, 2015; ril. in pelle, pp. 252, ill. col., tavv. col., cm 20,5x28. (Ars illuminandi). L'illustre codice gambalunghiano della Divina Commedia (Sc-Ms. 1162) è generalmente noto come Dante gradenighiano o gradonighiano dal nobile veneziano Giacomo Gradenigo (ca. metà XIV secolo-ante 1420), diplomatico letterato e fine poeta cortigiano, che copiò il poema dantesco, lo corredò di un commento che ripropone in forma accresciuta e più organica quello di Jacopo della Lana, e premise alle cantiche alcune epitomi in terzine di Menghino Mezzani, Jacopo Alighieri e Giovanni Boccaccio. Egli svela la propria identità e il proprio ruolo di copista nel sonetto caudato posto nel contropiatto superiore, dove così apostrofa il lettore: "Se saper vol letor cui il libro scrisse, gli capiversi il nome non fallisse". E in effetti le iniziali di ciascun verso, lette in acrostico, compongono il nome "IACOMO GRADONICO". Il codice (c. 2r) si fregia delle armi dei Sanudo accompagnate dagli emblemi di Giacomo Gradenigo: scudo con banda azzurra in campo d'argento, sormontato da due cartigli bianchi con motto ora illeggibile e da due elmi con padiglioni frangiati color rosso e cimieri rispettivamente a grifo coronato e a busto virile nudo e barbato con benda bianca svolazzante. Evidenti segni di manomissione indicano che lo stemma dei Sanudo fu eseguito sopra quello dei Gradenigo, di rosso alla banda d'argento scalinata. Le armi dei Sanudo figurano anche impresse sul piatto inferiore della coperta in pelle, che dunque è sicuramente antica ma forse non originale. Il manoscritto deve essere passato precocemente ai Sanudo e in quel momento dotato del loro stemma familiare. Certamente si trovava presso di loro già nei primi decenni del Quattrocento, perché alla Bodleian Library di Oxford si conserva un Inferno di Dante (Can. Ital. 115), datato 1422 e sottoscritto da Marino Sanudo, che ne ripete in maniera maldestra e parziale i disegni (quattordici su ventiquattro). Con buona probabilità pervenne ai Sanudo grazie agli stretti vincoli di amicizia e parentela che legarono Giacomo Gradenigo a Filippo Sanudo, la cui figlia Candiana nel 1390 aveva sposato Pietro, figlio di Giacomo. Il Dante gradenighiano è un codice membranaceo fortemente mutilo: mancano i canti XI (eccetto le prime due terzine)-XIII, XVII-XXIX e le prime quattro terzine del XXX dell'Inferno; i canti VI-XIV, i primi 20 versi del XV, i canti XX-XXIII, XXVIII (eccetto le prime venti terzine)-XXXIII del Purgatorio; le epitomi (?) e i canti XVI (eccetto i primi 19 versi)-XXXIII del Paradiso. È corredato da un originale e raffinato apparato illustrativo, che si interrompe ai primi otto canti dell'Infernoma che doveva coprire l'intero codice, come dimostrano gli spazi bianchi riservati a iniziali e vignette: a c. 2r, in sede di epitome, fregio a foglie d'acanto sui quattro margini con stemma dei Sanudo nel bas-de-page; da c. 2r a c. 22r, cioè all'inizio delle epitomi e dei primi 8 canti, 22 iniziali decorate, di cui le prime 5 conformi al fregio, le altre 17 di tipo diverso e qualità inferiore; a cc. 3r-23v, 24 vignette figurate che illustrano i primi otto canti dell'Inferno. Apre la serie la vignetta a tempera con "Dante e Virgilio nella selva oscura". Seguono 23 disegni a penna, acquerellati in tinte leggere e contornati da una sottile cornice rossa, accurati nei primi fogli poi via via più frettolosi e sommari. Si rileva la cancellatura per mano vandalica di alcune miniature e la totale campitura in nero delle raffigurazioni dei diavoli, forse per sovrapposizione successiva (cc. 8r, 13v, 16v, 18v, 20r, 23r-v). Dati preziosi sulla struttura originaria, la confezione e la datazion. Bookseller Inventory # 3042515

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Dante Alighieri

Published by Salani, Firenze (1964)

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Item Description: Salani, Firenze, 1964. Cartonato. Le tre cantiche sono illustrate da 100 tavv. a colori, create da Salvador Dali', incise e stampate da Raymond Jacquet a Parigi, su carta di Rives. Importante edizione impressa dalla Stamperia Valdonega di Verona, su carta a mano Magnani. Tiratura di 2900 esemplari.Le misure sono relative a tutti i 6 volumi assieme. Numero di tavole: 100 pp.326; 327; 319 altezza 35 larghezza 32 Esemplare in 6 volumi in ottimo stato. Ogni volume à in cofanetto. Bookseller Inventory # NARCIT1000028-3717

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DANTE ALIGHIERI

Published by PER NICOLO BETTONI, BRESCIA (1810)

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From: Librería de Lance La Dulcinea (MADRID, Calle Hermosilla Nº, 132, Spain)

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Item Description: PER NICOLO BETTONI, BRESCIA, 1810. Encuadernación de tapa dura. Book Condition: Bien. Dust Jacket Condition: Bien. Formato en 16º menor. SOBERBIA EDICION MINIATURA DE LA DIVINA COMEDIA (en 2 Volúmenes) Poema Epico considerado como una de las obras fundamentales de la transición del pensamiento medieval al renacentista, y sin lugar a dudas, obra maestra de la literatura italiana y una de las cumbres de la literatura universal. Escrita en torno al año 130? La edición que se ofrece, impresa en Brescia en el año 1810 por NICOLO BETTONI y presentada esta edición en dos pequeños volúmenes (Piccioli, formato en 32º mayor) tiene los esplendorosos textos del genial tipógrafo BODONI, conteniendo las noticias del erudito veronés Giovan Jacopo DIONISI sobre DANTE (fieles a la espléndida edición de Parma de 1795) así como toda la RIMA del insigne Poeta. EDICION MUY RARA Y ESCASA. Encuadernación en plena piel marrón con solapa (a modo de cierre) con cierres de plata. Buen estado general de conservación. Textos en Italiano. Tamaño 10 cm x 7 cm. TOMO I- LIII + 1 hoja + 487 págs., TOMO II- 533 págs. Bookseller Inventory # 003939

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La Divina Commedia di Dante: ALIGHIERI Dante 1265-1321

ALIGHIERI Dante 1265-1321

Published by Ulrico Hoepli, Milano (1879)

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From: Madoc Books (ABA-ILAB) (Llandudno, CONWY, United Kingdom)

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Item Description: Ulrico Hoepli, Milano, 1879. Hardcover. Book Condition: Very Good Plus. 64mo - up to 3" tall. 1879, VG+, Hoepli Milano, Miniature. In full red morocco, contemporary upper cover decorative gilt tooling, corners brushed. New lower cover w doublure to style.Spine, relaid, raised bands, gilt titles and tooling. Internally, decorative board edges and turn-ins, red marbled endpapers, a.e.g, half title, portrait tissue guarded frontis, tp text in red and black, [6], [1], 2-499 pp, [1] limitation, 1 pl (frontis). Uncommon Milano Hoepli edition. 5*3cm. or 2*1.25 inches. (Welsh 2169. Mikrobiblion 76. Spielmann 114). The type for this microscopic edition was cast in 1850, when an attempt was made to set up the Divina commedia. The work was abandoned shortly, but was resumed in 1873. The colophon records the names of those concerned in the work. 1,000 copies were printed and the type destroyed. cf. Cornell Dante catalogue. Giuseppe Geche - typesetter. Luigi Baldan - printer. Bookseller Inventory # 005818

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La Divina Commedia di Alfonso d'Aragona Re: DANTE ALIGHIERI.

DANTE ALIGHIERI.

Published by Panini,, Modena, (2006)

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From: Studio Bibliografico Benacense (riva del garda, Italy)

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Item Description: Panini,, Modena, 2006. Cm. 39, cc. (3) 190 (3). Con magnifiche miniature e centinaia di capolettera. Legatura in legno rivestito di velluto blu in seta pura con lo stemma di Ferrante d'Aragona in argento massiccio sbalzato e smaltato a quattro colori al centro del piatto anteriore. Piatti con otto borchie in argento dorato e fermagli egualmente in argento dorato. Tagli dorati. Entro custodia in mezza pergamena, piatto ricoperti in seta e protezioni angolari in metallo lavorato. Ottimo stato di conservazione. Tiratura limitata ed unica di 750 copie numerate (ns. n. 122) certificate e stampate con speciale retino stocastico con riproduzione degli ori, delle tinte in madreperla e delle bulinature. Il testo riproduce celeberrimo codice, fra i più splendidi mai realizzati della Commedia ed è decorato con oltre 100 miniature di altissima fattura ed è conservato presso la British Librar di Londra. Realizzato in Toscana intorno alla metà del Quattrocento su committenza del Re di Napoli, Alfonso d'Aragona detto il Magnanimo, il codice fu decorato da svariati miniatori, anche se l'incarico di decorare le tre cantiche venne probabilmente conferito a un unico artista identificato con il senese Lorenzo di Pietro, detto il Vecchietta. Bookseller Inventory # 55538

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DANTE ALIGHIERI

Published by Milano, Ulrico Hoepli, 1878 (Padova, f.lli Salmin). (1878)

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From: Maria Calabrò Studio Bibliografico (TREVIGNANO ROMANO, RM, Italy)

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Item Description: Milano, Ulrico Hoepli, 1878 (Padova, f.lli Salmin)., 1878. (mm. 52x34), 1 c.b. + cc. 4 nn. + pp. 500, con un ritratto di Dante inciso in antip. Legatura coeva in pieno marocchino scuro, dorso a cinque scomparti con titoli in oro. Sguardie marmorizzate, tagli colorati in rosso. Lievissima abrasione al dorso, altrimenti molto ben conservato. Uno dei 1000 esemplari del celebre "Dantino" stampato a Padova, dai fratelli Salmin, per U.Hoepli. "Antonio Farina de Plaisance, qui fut parmi les plus habiles graveurs que l'Italie ait jamais eut, gravait en 1834 les poinons de corps 2 sur 3 points d'un caractŽre microscopique, qui a ŽtŽ fondu seulement en 1850 pour le compte de Giacomo Gnocchi. Aprs des efforts inutiles pour l'utiliser, le caractre passa aux frres Salmin de Padoue, qui l'employre ˆ imprimer en 1878 mille exemplaires du fameux Dantino, livre qui est gŽnŽralement appelŽ Le Plus Petit Livre du Monde ˆ cause plutot de la petitesse du caractre que des dimensions de la page" (Fumagalli, Lexicon, pag. 276). Cfr. anche Mikrobiblion n. 77. La libreria offre per un periodo limitato uno sconto del 20% su tutti i suoi libri. Il prezzo originale dell'articolo era 3800 euro. Bookseller Inventory # 88998

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Alighieri, Dante [editors Mario Casella and H. F. Cary]

Published by Nonesuch Press, London (1928)

Used Hardcover

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From: Books Tell You Why - ABAA/ILAB (Mount Pleasant, SC, U.S.A.)

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Item Description: Nonesuch Press, London, 1928. Hardcover. Book Condition: Fine. Limited Edition. Small Folio. One of 1475 numbered copies, this one being number 546. An rather clean, bright and pleasing copy in orange colored vellum, lettered and designed in gilt. No fading to spine and no warping. With 42 illustrations, measuring each about 18 1/2 by 12 1/2 inches, that have been reproduced in Berlin and Rome from earlier drawings by Sandro Boticelli. This edition has been printed on Van Gelder paper. The text has been printed in Volume is housed In a double layered slip-case; wrap around stiff boards in quarter leather slip-case ; The preeminent contribution to Italian literature by Dante Alighieri (ca.1265-1321) , poet, writer, and political thinker. Dante's travels through Hell, Purgatory, and Paradise or Heaven; ; iv, 324, [4] pages. Bookseller Inventory # 26767

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Dante, Alighieri;

Published by o.J., o.O.

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From: Antiquariat Narrenschiff (Chur, Switzerland)

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Item Description: o.J., o.O. ca. 160 Kupferstiche(13.5 x 19) von F.Fonchuso, F. Zempini, B. Crivellari , G. Ticiani et al. Deckel lose. 2°. Hldr. marm. Illustrierte Bücher. Bookseller Inventory # 14860

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La Divine Comédie (La divina commedia): Alighieri, Dante

Alighieri, Dante

Published by Jacques Beltrand, Paris (1922)

Used Hardcover

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From: Parigi Books, ABAA/ILAB (Schenectady, NY, U.S.A.)

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Item Description: Jacques Beltrand, Paris, 1922. Hardcover. Limited/Numbered Edition. In three volumes. xii, 319pp; 320pp; 313pp. Edition published to celebrate the six hundredth anniversary of Dante's death and limited to 225 numbered copies, this being copy #190. Full vellum with gilt decorations and rules on covers, gilt lettering on spines, gilt inside dentelles; top edges gilt, others uncut, marbled endpapers. Printed on Arches paper with a "1321 Dante 1921" watermark. Illustrated with numerous wood engravings by Jacques Beltrand and his brothers Camille and Georges based on the drawings by Sandro Botticelli. Text in Italian and French. Translation from the Italian by André Pératé. Covers are a bit soiled and spines slightly darkened. Internally clean. A wonderful and well preserved set in a simple and stylish binding. ; Folio. Bookseller Inventory # 12894

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Alighieri, Dante

Published by Presso Antonio Fulgoni, Roma (1791)

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Quantity Available: 1

From: Andersens Antikvariat (Glostrup, Denmark)

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Item Description: Presso Antonio Fulgoni, Roma, 1791. 502+ 523+ 541 pages p. Title page illustrations with two medallions and one engraving in each volume. With a fine owners bookplate on inside frontboards and smaller name on titelpages Bound in 3 contemporaty half calf with golddecoration and titellabels with goldtext on spines. With minor general wear to all bindings. 1 spine repaired. Bookseller Inventory # 14011408

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La Divina Commedia, or The Divine Vision: Dante Alighieri; Mario

Dante Alighieri; Mario Casella (Editor); H.F. Cary (Translator); Sandro Boticelli (Illustrations)

Published by The Nonesuch Press, [London] (1928)

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Quantity Available: 1

From: Swan's Fine Books, ABAA, ILAB, IOBA (Walnut Creek, CA, U.S.A.)

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Item Description: The Nonesuch Press, [London], 1928. Vellum. Book Condition: Near Fine. Boticelli, Sandro (illustrator). Limited Edition. 4to - over 9" - 12" tall. 331 p. Limited edition of 1475 copies for sale, this No. 723, wonderfully illustrated throughout with silverpoint designs by Sandro Boticelli (Alessandro de Mariano di Vanni Felipepi, 1445-1510); perhaps his best-known work is "The Birth of Venus". Boticellli's drawings for Dante are represented here by 42 collotype reproductions, almost all of them double-page and inserted on a stub so that one can view the entire illustration. The translation in blank verse by the Rev. Henry Francis Cary (1772-1844) is well-known, passing through four editions in the translator's lifetime (N.B., much of above info from Wiki). ***DESCRIPTION: Bound in full bright orange vellum, both boards having a double ruled border and a central design in gilt, gilt lettering, design and rules at head and tail on the spine, top edge is gilt over a rough-cut edge, fore- and bottom edges uncut, text presented in two columns with Italian on the left and the English translation on the right, illustrations bound in on stubs throughout the text; type Poliphilus roman and Blado italic on Van Gelder mould-made paper, printed by the Westminster Press, the illustrations printed by Daniel Jacomet, pages quarto size (just about 12" tall), pagination: (i-iv), 1-325, blank (326), colophon (327), limited edition of 1475 copies for sale, this no. 723. ***CONDITION: Binding is in near fine condition, the orange colour remains strong and deep on the spine and the boards, with none of the common fading on the spine, the gilt is bright, not rubbed; there is some light rubbing to the two bottom corners and the tail of the spine, and the boards have the usual warping, else fine. Internally the volume is fine, with a strong, square text block, solid hinges, the pages are all clean and bright, and it is entirely free of prior owner markings; there is one crease to the contents page, else fine. All illustrations are present as called for, each in fine condition. ***CITATION: Ransom pg. 168. ***POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please contact us for details. ***Swan's Fine Books is pleased to be a member of the IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help. Bookseller Inventory # CNJL510

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Item Description: 0. Druck der Officina Serpentis in 200 Exemplaren. Die gesamten Holzschnitte des Buches, 86 Faksimileholzschnitte nach den Zeichnungen Botticellis und 108 typographische Holzschnitte, sind die fünfjährige Arbeit von Bruno Rollitz. Das umfangreichste und schwierigste Werk der Presse. Komplett sehr selten. Schönes Exemplar. - Backe 110. - Rodenberg 114 u 516. Schauer Bd. II,76. Bookseller Inventory # 8516AB

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Natalino Sapegno - G.D.Giani (Dante Alighieri)

Published by Cetra (1964)

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Quantity Available: 1

From: Librodifaccia (Alessandria, AL, Italy)

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Item Description: Cetra, 1964. Book Condition: Buone. italiano. Bookseller Inventory # LBCAR_035140

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Item Description: In Venezia: presso Giambatista Pasquali, 1772. In-16 (17 cm) (1) (1) c. (di ritratto in antiporta) (1) c. (tavola dell'inferno) 296 292 320. Al frontespizio marca incisa con figura allegorica (rappresentante la letteratura) e motto: "La felicità delle lettere". Piena pergamena d'epoca. Ottimo esemplare. 18mo secolo. Bookseller Inventory # ANT1785

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La Divina Commedia or The Divine Vision: Alighieri, Dante; Cary,

Alighieri, Dante; Cary, Henry Francis (translator); Botticelli, Sandro (illustrator)

Published by The Nonesuch Press, [London] (1928)

Used Hardcover First Edition

Quantity Available: 1

From: Honey & Wax Booksellers, ABAA (Brooklyn, NY, U.S.A.)

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Item Description: The Nonesuch Press, [London], 1928. Splendid example of the Nonesuch Dante, number 622 of 1475 copies, with illustrations after drawings by Sandro Botticelli. Composed in the fourteenth century, Dante's Commedia first appeared in print in 1472; Cary's blank verse translation, beloved by the English Romantics, was published in 1814: "In the midway of this our mortal life, / I found me in a gloomy wood, astray / Gone from the path direct." This striking edition, featuring Dante's Italian text and Cary's English translation in facing columns, was issued by the Nonesuch Press, and designed by press founder Francis Meynell. The forty-two sepia collotypes, many of them double-page, reproduce a series of drawings that Botticelli produced for his patron, Lorenzo di Pierfrancesco de' Medici, in the late fifteenth century. A fine copy, vellum bright and unbowed. Folio: [4] 1-324 [4]. Original full orange vellum, boards double-ruled with central medallions in gilt, spine lettered and ruled in gilt, top edge gilt on the rough, other edges uncut. Printed on Van Gelder paper, illustrated with forty-two collotypes printed in sepia. Lightest rubbing to corners. Bookseller Inventory # 1001768

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Item Description: Ex Officina Serpentis, Wessobrunner Verlag UND: Lüttke, Berlin, 1940. Hardcover. 2°. 115 Bll sowie 21 Seiten. Halbpergamentband mit Büttenpapier, mit orangefarben marmoriertem Bezugspapier und kleinen Pergamentecken. mit 86 Faksimileholzschnitten nach den Zeichnungen Botticellis und 107 typographischen Holzschnitten von Bruno Rollitz (diese Holzschnittinitialen in rot) sowie mit montierten Abbildungen auf 5 Tafeln. (Einleitung), Bibliotheksschildchen auf vorderem Buchdeckel oben links (zumeist auf dem Pergament, Ablösungsversuch möglich), Buch außen in schönem Erhaltungszustand, Klosterstempel auf Titelblatt der Einleitung von Friedrich Schneider-Jena, sonst auch innen nur sehr geringe Alters- bzw. Lagerspuren, schönes Exemplar - - - Es handelt es sich um eines der 200 mit roten Initialen gedruckten Exemplar. Wie im Begleittext (letzte Seite) angegeben handelt es sich um 107 Holzschnitte von Bruno Rollitz. 2560 Gramm. Buch. Bookseller Inventory # 150827824

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La Divina Commedia. Immagini di Amos Nattini.: ALIGHIERI DANTE.

ALIGHIERI DANTE.

Published by Chance du Bibliophile., Milano. (1959)

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Item Description: Chance du Bibliophile., Milano., 1959. 3 voll., in 4°, p. vitellino rosso, pp. 442 + 433 + 467, l'opera è arrichita da ben 100 tavv. a colori di Amos Nattini. Edizione speciale tirata in 999 copie, esempl. n. 863. Cofanetto in pesante cartonatura marmorizzata. Ottimo e raro. Bookseller Inventory # 22434

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DIVINA COMMEDIA Illustrata di Note Da Romualdo: Dante Alighieri

Dante Alighieri

Published by London Presso di R. Zotti 1819-1820 (1820)

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From: Buddenbrooks, Inc. ABAA (Newburyport, MA, U.S.A.)

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Item Description: London Presso di R. Zotti 1819-1820, 1820. 3 volumes. The second of Zotti’s two rare Italian editions printed in England, revised and with expanded notes and commentary. With an engraved portrait frontispiece of Dante in volume one. 8vo, full contemporary dark calf, the boards with a rolled frame in blind, the spines gilt tooled flat bands creating compartments with either gilt lettering or central gilt tooled devices, fine marbled endpapers and blind stippled turn-ins and board edges. lii, 463; 455; 491 pp. A fine and beautiful set, internally as fresh, clean and solid as could be found, appearing nearly unused and beautifully preserved. The contemporary calf bindings very handsome and proper, also beautifully preserved, one hinge of volume three quite tender, easily repairable. RARE, OF ZOTTI’S TWO PRINTINGS OF DANTE THE TOTAL NUMBER LISTED IN LIBRARY HOLDINGS IS ONLY 43 COPIES, AND THIS EDITION BEING ONLY 23 OF THOSE. Of these listed, some are incomplete and most do not have the portrait of Dante. Zotti, an Italian printer living in London but publishing in Italian was an important figure in the importation of Italian literature into the English speaking world. It is in no way surprising that this, Zotti’s second edition of Dante, was printed the same year as the first complete modern English translation. Zotti’s Dante includes important notes and commentary, Zotti’s introduction, and a ‘Vita’ edited from that of Girolamo Tiraboschi. Bookseller Inventory # 25071

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La Divina Commedia di Dante Alighieri Corretta: Dante Alighieri, 1265-1321.
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Item Description: Roma: Nella Stamperia de Romanis. Con Licenza de' Superiori. [Vol. I] MDCCCXV. [Vol. 2] MDCCCXVI. [Vol. III] MDCCCXVI. [Vol. IV] MDCCCXVII., , 1815. FOUR VOLUMES. Quarto, 265x195mm. In original tan half-calf bindings, a little scuffed, with marbled sides. Five raised bands on spines with decorative blind roll outline and gilt roll on the bands; black lettering pieces and volume number gilt. Vol. I Inferno, 1815: inner front hinge cracked; li, [1], 486, [2] pages; signatures: *-5*4, 6*6, A-Z4, 2A-2Z4, 3A-3P4, the final leaf is blank; with plate facing p.1. Vol. II Purgatorio, 1816: [2], iii-vii, [1], 519, [1] pages; signatures: [4], A-Z4, 2A-2Z4, 3A-3T4; small tear, possibly a paper fault, in lower margin of 2T4 far away from text; with plate facing p.1. Vol. III Paradiso, 1816: inner front hinge starting; [4], v-vii, [1], 522 pages; signatures: [4], A-Z4, 2A-2Z4, 3A-3T4, V1; with plate facing p.1. Vol. IV Le Principali Cose Appartenenti alla Divina Commedia, 1817: inner front hinge starting; [2], iii-viii, [2], 3-132, [2], 3-116, [1], 118-167, [3], 171-184, [2], 3-58, [1], 60-164 pages; signatures: a4, A-P4, Q6; A-Z4, A-U4, [2]; with plate facing p.1. Well laid out with broad margins. An exceptionally crisp, clean and tight set. (Additional information and photographs available on request.). Bookseller Inventory # 14393

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La Divina Commedia manoscritta da Boccaccio.: DANTE ALIGHIERI.

DANTE ALIGHIERI.

Published by Negli Occhi Santi di Bice,, Roveta, (1820)

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From: Studio Bibliografico Benacense (riva del garda, Italy)

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Item Description: Negli Occhi Santi di Bice,, Roveta, 1820. Tre volumi di cm. 25, pp. 612 (8) complessive. Antiporta incisa con la raffigurazione di Dante, Petrarca e Boccaccio, graziosa marca tipografica che rappresenta un elefantino. Brossura originale con cornici e titoli a stampa. Qualche leggero alone limitato alle brossure, peraltro esemplare genuino e marginoso, ben conservato ed a fogli chiusi. Edizione eseguita sul celebre manoscritto autografo del Boccaccio e postillato dal Petrarca (cui il codice sarebbe appartenuto - cod. Vaticano 3199) e del quale l'editore Fantoni trasse copia fedele a Parigi prima che il codice venisse restituito. Cfr. De Batines,148 e Mambelli (126): "Edizione che fu eseguita con precisione che Karl Witte chiamò diplomatica". Rara ed assai stimata edizione. Bookseller Inventory # 44624

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La Divina commedia di Dante Alighieri con: ALIGHIERI, Dante.

ALIGHIERI, Dante.

Published by Nella Tipografia all’Insegna dell’Ancora, Firenze (1817)

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Item Description: Nella Tipografia all’Insegna dell’Ancora, Firenze, 1817. Book Condition: Condizione esemplare: Tav. calcogr. disegnate da Luigi Adamolli e incise dallo stesso e da Giovanni Paolo Lasinio. Splendido esempio di illustrazione libraria della Divina Commedia dedicata dagli editori allo scultore Antonio Canova. Completa di tutte le 125 tavole. Formato: 3 v. ([5], 208 p., XLIV c. di tav.; [2], 210, [2] p., XL c. di tav.; [2], 206, [2] p., XLI c. di tav.), 47 cm, mezza pelle con punte con dorso a cinque nervi, fregi e titoli oro dei primi del Novecento. Buono, ordinari segni d'uso e del tempo, fioriture anche estese più evidenti ad alcune pagine. La libreria offre per un periodo limitato uno sconto del 15% su tutti i suoi libri. Il prezzo originale dell'articolo era 1250.00 euro. Bookseller Inventory # 62865

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