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Shastri P.S.

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S.S. Barlingay; Foreword By E.C.G. Sudarshan

Published by D.K. Printworld (P) Ltd., New Delhi, India (2007)

ISBN 10: 8124603782 ISBN 13: 9788124603789

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About this Item: D.K. Printworld (P) Ltd., New Delhi, India, 2007. Paperback. Condition: New. First Edition. Printed Pages: 400. Size: 15 x 23 Cm. Seller Inventory # 027295

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S.S. Barlingay

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About this Item: D.K. Printworld (P) Ltd., New Delhi, 2007. Soft cover. Condition: New. First Edition. xxvi+375pp. Seller Inventory # 437169

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Barlingay S.S.

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About this Item: D.K. Printworld (P) Ltd. Condition: New. pp. xxvi + 374. Seller Inventory # 7610454

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Mukund Lath

Published by Aditya Prakashan, New Delhi, India (1998)

ISBN 10: 8186471162 ISBN 13: 9788186471166

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About this Item: Aditya Prakashan, New Delhi, India, 1998. Hardcover. Condition: As New. Dust Jacket Condition: Very Good. First Edition. Printed Pages: 369.Rubbed dust jacket. Size: 15 x 23 Cm. Seller Inventory # 019962

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S.S. Barlingay; Foreword By E.C.G. Sudarshan

Published by D.K. Printworld (P) Ltd., New Delhi, India (2007)

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About this Item: D.K. Printworld (P) Ltd., New Delhi, India, 2007. Paperback. Condition: New. First Edition. Printed Pages: 400. Size: 15 x 23 Cm. Seller Inventory # 027295

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Mukund Lath

Published by Aditya Prakashan, New Delhi (1998)

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About this Item: Aditya Prakashan, New Delhi, 1998. Hardcover. Condition: New. Written over a period of two decades, these Essays present an important part of the work of Dr. Lath after his, A Study of Dattilam, published in 1978 and now considered a land-mark in musicology. Lath has since widened his interests and .the essays here cover a Large range of subjects, extending beyond Music into Dance and theatre, on which he has written with equal theoretical sensitivity and historical insight. Moreover, as the reader will discover, the range of his concerns has not only widened but also deepened. He asks himself questions that lead beyond the narrow confines of descriptive Musicology into thought in general. This expansion of the field, however, remains true to the spirit of Indian musicology, which, unlike many other disciplines remains Indian. Lath`s own thinking is creatively rooted in Indian ideas. contents: 1. The `Modern`, the Traditional` and Criticism in the Indian Musical Tradition 2. Transformation as Creation 3. Ancient Indian Music and the Concept of Man 4. Words and Music 5. Why Study Ancient Musical Texts? 6. Tandu : The First Theoretician of Dance 7. Improvisation in Indian Music 8. Bharata and the Fine Art of Mixing Structures 9. Bharata Muni and Hindi Films 10. Bharata and the Hindi Film Revisited 11. An Enquiry into the Raga-Time Association in the Light of History 12. Some Thoughts on the Early History of Ragamala Paintings 13. Some Reflections on the Vina in Gupta Coinage 14. The Music of Gitagovinda and its Antecedents : Some Historical Observations 15. Music in the Thanamga Sutra 16. The Body as an Instrument A Theoretical Choice Made by Sarngadeva 17. Reflections on the Logos of Music : i. The Search of the Apauruseya, or Absolute in Music ii. The Pauruseya Logos, Immanent in Human Seeking Printed Pages: 372. Seller Inventory # 14409

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Lath, Mukund (B.1937)

Published by Aditya Prakashan, New Delhi (1998)

ISBN 10: 8186471162 ISBN 13: 9788186471166

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About this Item: Aditya Prakashan, New Delhi, 1998. N.A. Condition: New. xii,360p., ind., 23cm. Seller Inventory # 530777

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S.S. Barlingay

Published by D.K. Printworld (P) Ltd (2007)

ISBN 10: 8124603782 ISBN 13: 9788124603789

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About this Item: D.K. Printworld (P) Ltd, 2007. Paperback. Condition: New. First edition. The foundation of the Indian aesthetic theory can be traced to Bharatamuni`s Natyashastra where he gave his theory of beauty (theory of rasa) which was later elaborately developed by learned scholars. In this work, Prof. Barlingay examines the development of the rasa theory by various authorities on art and aesthetics and finally presents his own critical understanding of it The volume begins with a survey of the history of Indian art by examining painstakingly the relation between art and beauty, perception of time and space in art, and classification of arts. It then plunges into a detailed study of origin and development of rasa theory: from rasa in the Vedas and Upanishads to Bharata`s rasa theory and perspectives of Abhinavagupta, Bhattatauta, Bhatta Lollata, Kuntaka, Dandin, Mammata, Vamana, Rudrata, Vishvanatha, Bhamaha, Jagannatha and others who enriched it further with their own theories. It explains how principles were employed and re-employed by the masters to reveal various meanings, inter-relationships, symbols, and perceptions of art. It highlights the salient features of each master`s unique manner of interpretation of art concepts. The work is a must for scholars and students keen to study the fundamentals of concept and theory of Indian art, particularly with reference to drama and poetics. Book Contents Foreword Key To Transliteration Preface 1. Prologue Different Arts -- Their Interrelations The Parameters -- Art And Beauty Cultural Traditions In Art -- The Parameters Of Appreciation The Classification Of Arts Time, Music And Dance: Tala, Laya And Svara Perception Of Time And Space In Art Milestones In The History Of Dramaturgy And Poetics 2. Psychology Of Bhavas Bhavas: Meaning And Types Sthayi Bhavas Vyabhicari Bhavas Sattvika Bhavas Sthayi Bhavas And Rasa Sthayi Bhavas And Mental States Sthayi Bhavas And Artha Vibhavas Types Of Vibhavas Anubhavas 3. Theories Of Poetry The Basic Parameters Of Literature Natya Or Drama Rupaka Contents Of Natyashastra Abhinaya And Poetry Dance And Drama The Main Authors and Their Theories Drama Vs. Literature Bharata`s Mode Of Theorization Bharata`s Context : Stage Drama Rupakas Beautiful In The Text Alamkara : A Parameter Of Poetry Rasavat Alamkara : Its Introduction And Elimination Riti And Similar Concepts Vakrokti Aucitya : A Constitutive And Evaluative Parameter Of Beauty Dhvani Types Of Meaning Sphotavada: Abhihitanvayavada And Anvitabhidhanavada Anandavardhana`s View Symbol And Its Interpretation 4. Rasa Theory -- Historical Survey Rasa Theory -- Historical Survey Rasa In Vedas And Upanishads Rasa In Ayurveda Rasa In Different Philosophical Systems Rasa In Natyashastra The Purpose Of Drama : Siddhis The Process Of Art-creation Rasa For Alamkarins Transformation In The Meaning Of Rasa Focus On Appreciation Views Of Lollata, Shankuka And Bhattatauta Abhinavagupta`s View Bhattanayaka`s View 5. Bharata`s Rasa Theory Rasa Theory: Bharata And Abhinavagupta Natya And Nataka Stage Medium: An Aspect Of Natya The Samkhya Theory Rasanirmiti And Rasasvada Prakriyas Employment Of Samkhya Theory In The Indian Theory Of Art Natya And Kavya The Meaning Of Natya Three Stages Of An Art Art As Communication The Three Stages Of Communication The Language Of Natya Evidence From Natyashastra Some Confused Interpretations Bharata On Bhavas Sthayi Bhavas 6. Bharata`s Rasa Theory (Continued) -- Dharmi, Vritti, Pravriti And Siddhi The Element Of Communication In Art Imitation Or Anukarana Types Of Vritti And Pravrittis Classification Of Arts Purpose Of Art: Superworl Printed Pages: 400. Seller Inventory # 3370

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S.S. Barlingay

Published by D.K. Printworld (P) Ltd. (2007)

ISBN 10: 8124603782 ISBN 13: 9788124603789

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S.S. Barlingay; Foreword By E.C.G. Sudarshan

Published by D.K. Printworld (P) Ltd., New Delhi, India (2007)

ISBN 10: 8124603774 ISBN 13: 9788124603772

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About this Item: D.K. Printworld (P) Ltd., New Delhi, India, 2007. Hardcover. Condition: New. Dust Jacket Condition: New. First Edition. Printed Pages: 400. Size: 15 x 23 Cm. Seller Inventory # 027294

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Mukund Lath

Published by Aditya Prakashan, New Delhi, India (1998)

ISBN 10: 8186471162 ISBN 13: 9788186471166

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About this Item: Aditya Prakashan, New Delhi, India, 1998. Hardcover. Condition: As New. Dust Jacket Condition: Very Good. First Edition. Printed Pages: 369.Rubbed dust jacket. Size: 15 x 23 Cm. Seller Inventory # 019962

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S.S. Barlingay; Foreword By E.C.G. Sudarshan

Published by D.K. Printworld (P) Ltd., New Delhi, India (2007)

ISBN 10: 8124603774 ISBN 13: 9788124603772

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About this Item: D.K. Printworld (P) Ltd., New Delhi, India, 2007. Hardcover. Condition: New. Dust Jacket Condition: New. First Edition. Printed Pages: 400. Size: 15 x 23 Cm. Seller Inventory # 027294

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P.S. Shastri

Published by Bharatiya Vidya Prakashan, Delhi, India (1989)

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About this Item: Bharatiya Vidya Prakashan, Delhi, India, 1989. Softcover. Condition: New. Seller Inventory # 103723

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S.S. Barlingay

Published by D.K. Printworld (P) Ltd., New Delhi (2007)

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About this Item: D.K. Printworld (P) Ltd., New Delhi, 2007. Hardcover. Condition: New. First Edition. xxvi+374pp. Seller Inventory # 437170

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Mukund Lath

Published by Aditya Prakashan, New Delhi (1998)

ISBN 10: 8186471162 ISBN 13: 9788186471166

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About this Item: Aditya Prakashan, New Delhi, 1998. Hardcover. Condition: New. Written over a period of two decades, these Essays present an important part of the work of Dr. Lath after his, A Study of Dattilam, published in 1978 and now considered a land-mark in musicology. Lath has since widened his interests and .the essays here cover a Large range of subjects, extending beyond Music into Dance and theatre, on which he has written with equal theoretical sensitivity and historical insight. Moreover, as the reader will discover, the range of his concerns has not only widened but also deepened. He asks himself questions that lead beyond the narrow confines of descriptive Musicology into thought in general. This expansion of the field, however, remains true to the spirit of Indian musicology, which, unlike many other disciplines remains Indian. Lath`s own thinking is creatively rooted in Indian ideas. contents: 1. The `Modern`, the Traditional` and Criticism in the Indian Musical Tradition 2. Transformation as Creation 3. Ancient Indian Music and the Concept of Man 4. Words and Music 5. Why Study Ancient Musical Texts? 6. Tandu : The First Theoretician of Dance 7. Improvisation in Indian Music 8. Bharata and the Fine Art of Mixing Structures 9. Bharata Muni and Hindi Films 10. Bharata and the Hindi Film Revisited 11. An Enquiry into the Raga-Time Association in the Light of History 12. Some Thoughts on the Early History of Ragamala Paintings 13. Some Reflections on the Vina in Gupta Coinage 14. The Music of Gitagovinda and its Antecedents : Some Historical Observations 15. Music in the Thanamga Sutra 16. The Body as an Instrument A Theoretical Choice Made by Sarngadeva 17. Reflections on the Logos of Music : i. The Search of the Apauruseya, or Absolute in Music ii. The Pauruseya Logos, Immanent in Human Seeking Printed Pages: 372. Seller Inventory # 14409

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Barlingay S.S.

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About this Item: D.K. Printworld (P) Ltd. Condition: New. pp. xxvi + 374. Seller Inventory # 7614335

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S.S. Barlingay

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ISBN 10: 8124603782 ISBN 13: 9788124603789

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About this Item: D.K. Printworld (P) Ltd, 2007. Paperback. Condition: New. First edition. The foundation of the Indian aesthetic theory can be traced to Bharatamuni`s Natyashastra where he gave his theory of beauty (theory of rasa) which was later elaborately developed by learned scholars. In this work, Prof. Barlingay examines the development of the rasa theory by various authorities on art and aesthetics and finally presents his own critical understanding of it The volume begins with a survey of the history of Indian art by examining painstakingly the relation between art and beauty, perception of time and space in art, and classification of arts. It then plunges into a detailed study of origin and development of rasa theory: from rasa in the Vedas and Upanishads to Bharata`s rasa theory and perspectives of Abhinavagupta, Bhattatauta, Bhatta Lollata, Kuntaka, Dandin, Mammata, Vamana, Rudrata, Vishvanatha, Bhamaha, Jagannatha and others who enriched it further with their own theories. It explains how principles were employed and re-employed by the masters to reveal various meanings, inter-relationships, symbols, and perceptions of art. It highlights the salient features of each master`s unique manner of interpretation of art concepts. The work is a must for scholars and students keen to study the fundamentals of concept and theory of Indian art, particularly with reference to drama and poetics. Book Contents Foreword Key To Transliteration Preface 1. Prologue Different Arts -- Their Interrelations The Parameters -- Art And Beauty Cultural Traditions In Art -- The Parameters Of Appreciation The Classification Of Arts Time, Music And Dance: Tala, Laya And Svara Perception Of Time And Space In Art Milestones In The History Of Dramaturgy And Poetics 2. Psychology Of Bhavas Bhavas: Meaning And Types Sthayi Bhavas Vyabhicari Bhavas Sattvika Bhavas Sthayi Bhavas And Rasa Sthayi Bhavas And Mental States Sthayi Bhavas And Artha Vibhavas Types Of Vibhavas Anubhavas 3. Theories Of Poetry The Basic Parameters Of Literature Natya Or Drama Rupaka Contents Of Natyashastra Abhinaya And Poetry Dance And Drama The Main Authors and Their Theories Drama Vs. Literature Bharata`s Mode Of Theorization Bharata`s Context : Stage Drama Rupakas Beautiful In The Text Alamkara : A Parameter Of Poetry Rasavat Alamkara : Its Introduction And Elimination Riti And Similar Concepts Vakrokti Aucitya : A Constitutive And Evaluative Parameter Of Beauty Dhvani Types Of Meaning Sphotavada: Abhihitanvayavada And Anvitabhidhanavada Anandavardhana`s View Symbol And Its Interpretation 4. Rasa Theory -- Historical Survey Rasa Theory -- Historical Survey Rasa In Vedas And Upanishads Rasa In Ayurveda Rasa In Different Philosophical Systems Rasa In Natyashastra The Purpose Of Drama : Siddhis The Process Of Art-creation Rasa For Alamkarins Transformation In The Meaning Of Rasa Focus On Appreciation Views Of Lollata, Shankuka And Bhattatauta Abhinavagupta`s View Bhattanayaka`s View 5. Bharata`s Rasa Theory Rasa Theory: Bharata And Abhinavagupta Natya And Nataka Stage Medium: An Aspect Of Natya The Samkhya Theory Rasanirmiti And Rasasvada Prakriyas Employment Of Samkhya Theory In The Indian Theory Of Art Natya And Kavya The Meaning Of Natya Three Stages Of An Art Art As Communication The Three Stages Of Communication The Language Of Natya Evidence From Natyashastra Some Confused Interpretations Bharata On Bhavas Sthayi Bhavas 6. Bharata`s Rasa Theory (Continued) -- Dharmi, Vritti, Pravriti And Siddhi The Element Of Communication In Art Imitation Or Anukarana Types Of Vritti And Pravrittis Classification Of Arts Purpose Of Art: Superworl Printed Pages: 400. Seller Inventory # 3370

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S.S. Barlingay

ISBN 10: 8124603782 ISBN 13: 9788124603789

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Barlingay, S S

ISBN 10: 8124603774 ISBN 13: 9788124603772

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S.S. Barlingay

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ISBN 10: 8124603774 ISBN 13: 9788124603772

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About this Item: D. K. Printworld (P) Ltd, 2007. Hardcover. Condition: New. First edition. The foundation of the Indian aesthetic theory can be traced to Bharatamuni?s Natyashastra where he gave his theory of beauty (theory of rasa) which was later elaborately developed by learned scholars. In this work, Prof. Barlingay examines the development of the rasa theory by various authorities on art and aesthetics and finally presents his own critical understanding of it. The volume begins with a survey of the history of Indian art by examining painstakingly the relation between art and beauty, perception of time and space in art, and classification of arts. It then plunges into a detailed study of origin and development of rasa theory: from rasa in the Vedas and Upanishads to Bharata?s rasa theory and perspectives of Abhinavagupta, Bhattatauta, Bhatta Lollata, Kuntaka, Dandin, Mammata, Vamana, Rudrata, Vishvanatha, Bhamaha, Jagannatha and others who enriched it further with their own theories. It explains how principles were employed and re-employed by the masters to reveal various meanings, inter-relationships, symbols, and perceptions of art. It highlights the salient features of each master?s unique manner of interpretation of art concepts. The work is a must for scholars and students keen to study the fundamentals of concept and theory of Indian art, particularly with reference to drama and poetics. Printed Pages: 400. Seller Inventory # 1844

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S.S. Barlingay

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ISBN 10: 8124603774 ISBN 13: 9788124603772

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Barlingay S.

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About this Item: D.K. Printworld Ltd, 2006. Condition: New. book. Seller Inventory # MB00ZM2JUIY

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Barlingay S.

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About this Item: D.K. Printworld Ltd, 2006. Paperback. Condition: New. Seller Inventory # DADAX8124603782

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Barlingay S.

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S S Barlingay

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About this Item: D K Printworld, New Delhi, 2007. Hardbound. Condition: As New. New. Contents Foreword. Preface. 1. Prologue. 2. Psychology of Bhavas. 3. Theory of poetry. 4. Rasa theory historical survey. 5. Bharata's Rasa theory. 6. Bharata's Rasa theory (continued) Dharmi Vrtti Pravrti and Siddhi. 7. Rasa theory additional evidence continued. 8. Rasa theory Bhattanayak and Abhinavagupta. 9. Post Abhinavagupta development of Rasa theory. 10. Abhinaya. 11. Medium language and parameters. 12. Observations and remarks distinction between Rasa dhvani and Rasa siddhi. 13. Epilogue. Appendices. Bibliography. Index. The foundation of the Indian aesthetic theory can be traced to Bharatamuni's Natyasastra where he gave his theory of beauty (theory of Rasa) which was later elaborately developed by learned scholars. In this work Prof. Barlingay examines the development of the Rasa theory by various authorities on art and aesthetics and finally present his own critical understanding of it. The volume begins with a survey of the history of Indian art by examining painstakingly the relation between art and beauty perception of time and space in art and classification of arts. It then plunges into a detailed study of origin and development of Rasa theory from Rasa in the Vedas and Upanisads to Bharata's Rasa theory and perspectives of Abhinavagupta Bhattatauta Bhatta Lollata Kuntaka Dandin Mammata Vamana Rudrata Visvanatha Bhamaha Jagannatha and others who enriched it further with their own theories. It explains how principles were employed and re employed by the masters to reveal various meanings inter relationships symbols and perceptions of art. It highlights the salient features of each master's unique manner of interpretation of art concepts. The work is a must for scholars and students keen to study the fundamentals of concept and theory of Indian art particularly with reference to drama and poetics. 374 pp. Seller Inventory # 62454

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About this Item: paperback. Condition: Good. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Philosophers of ancient Aesthetics Theory (May 1979 Edition 1 Indian) 8.5 products 63-69Four Satisfaction guaranteed,or money back. Seller Inventory # RC036632

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About this Item: paperback. Condition: Good. Pub Date :1998-12 Pages: 355 Publisher: Chinese Press book of literary ontology characters theory. the theory of Chinese tragedy. realism literary theory these aesthetics. literary theory. the fundamental problem is divided into three parts twenty chapter. Some chapters have been Xinhua Digest. China Renmin University data center reprinted in information reprint. (West). Seller Inventory # DK057145

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S.S. Barlingay

ISBN 10: 8124603774 ISBN 13: 9788124603772

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From: University Bookstore (DELHI, DELHI, India)

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About this Item: Condition: New. This is Brand NEW. Seller Inventory # Dk Print-03052018-1369

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S.S. Barlingay

Published by DK Printworld (2006)

ISBN 10: 8124603782 ISBN 13: 9788124603789

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From: Revaluation Books (Exeter, United Kingdom)

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About this Item: DK Printworld, 2006. Paperback. Condition: Brand New. 1st edition. 374 pages. 8.20x5.40x0.90 inches. In Stock. Seller Inventory # zk8124603782

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