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About this Item: ReInk Books, 2017. Softcover. Condition: NEW. Reprinted from edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this reprint is from very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. This paperback book is SEWN, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of paperback binding. It can also be open wide. The pages will not fall out and will be around for a lot longer than normal paperbacks. This print on demand book is printed on high quality acid-free paper. Seller Inventory # 151104805

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Schillinger, Joseph

Published by Witmark, New York (1940)

Used Hardcover First Edition

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From: The Chatham Bookseller (Madison, NJ, U.S.A.)

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About this Item: Witmark, New York, 1940. Hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition. 87pgs.previous owner signature on front endpaper. blue and gray covers. blue lettering. significant staining on endpapers, otherwise internally fine, unmarked. Musical examples throughout. Umclipped jacket has staining on covers, moreso on inside. in mylar sleeve. Size: Quarto. Seller Inventory # 024331

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Schillinger, Joseph

Published by Witmark

Used

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About this Item: Witmark. Condition: Fair. Acceptable condition. Stamped on inside. Seller Inventory # L14N-00468

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Schillinger, Joseph

Published by Clock & Rose Press, Harwich Port (2003)

ISBN 10: 1593860102 ISBN 13: 9781593860103

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About this Item: Clock & Rose Press, Harwich Port, 2003. Cloth. Condition: New. Dust Jacket Condition: New. Reprint. Reprint of the 1940 Revised Edition. 95 pp. Pitch scales in relation to chord structures. Schillinger was the legendary innovator, teacher and composer of music who taught many of the most famous names in American music, including George Gershwin, Glenn Miller and Carmine Coppola. Kaleidohphone is intended as an entirely practical approach to the age-old problem faced by almost all composers and arrangers, the relationship of chords and scales. "Kaleidohphone is intended as an entirely practical approach to the age-old problem faced by almost all composers and arrangers, the relationship of chords and scales. Simple mathematical techniques are applied to the parameters of pitch. Intervals are expressed as numbers representing a quantity of semitone units. For example, a major third is 4 (semitones) and a perfect fifth is 7. Chords are written as number patterns; the major triad is (4+3). Kaleidophone deals with chords consisting of up to five members (pentads). Any chord can be transcribed numerically and linked to its close relatives by a process of reordering; the intervals are arranged in ascending order and then located in Table 1. Table 2, shows chords grouped with their near relatives as members of families. Chords containing semitone intervals are excluded. This smallest interval is treated as arising through a process of melodic elaboration, one that involves the insertion of a 'directional unit' (a kind of leading note) between each of the principle chord tones. For example, in the case of the root and third of the major triad, the interval 4 (a major third) can be bisected in three ways; (1+3) C to D flat;(2+2) C to D; (3+1) C to E flat. By assigning directional units, a scale closely related to the underlying harmony is formed. Each chord yields many alternative scales and these are also listed with their parent chord in Table 1. Schillinger consistently, applies core mathematical procedures to all parameters of music and readers familiar with Schillinger System of Musical Composition or the Mathematical Basis of The Arts will recognise techniques originally applied to matters of rhythm: permutation reveals all the relatives of a particular chord and frequently suggests plausible chord progressions, while subdivision , a process of splitting the original intervals, accounts for the directional units that make up the complex scales. Schillinger's introduction to Kaleidophone is quite extensive and contains a number of illustrations as well as reference to Gershwin's approach to the technique. Kaleidophone describes a potent approach to the composition of melody and harmony. The real spirit of this book is not the promotion of mechanistic composition but a desire to enlighten and expand the reader's knowledge of musical materials. As Schillinger says, "It will open before you a new and fascinating world which is about us, yet remains unseen. It will stimulate your imagination beyond your own expectations because it will provide you with new and alluring experiences." (Jeremy Arden, Oxford 2008). New in new dustjacket. Seller Inventory # 017143

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Schillinger, Joseph

Published by Clock & Rose Press, Harwich Port (2003)

ISBN 10: 1593860102 ISBN 13: 9781593860103

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About this Item: Clock & Rose Press, Harwich Port, 2003. Cloth. Condition: New. Dust Jacket Condition: New. Reprint. Reprint of the 1940 Revised Edition. 95 pp. Pitch scales in relation to chord structures. Schillinger was the legendary innovator, teacher and composer of music who taught many of the most famous names in American music, including George Gershwin, Glenn Miller and Carmine Coppola. Kaleidohphone is intended as an entirely practical approach to the age-old problem faced by almost all composers and arrangers, the relationship of chords and scales. "Kaleidohphone is intended as an entirely practical approach to the age-old problem faced by almost all composers and arrangers, the relationship of chords and scales. Simple mathematical techniques are applied to the parameters of pitch. Intervals are expressed as numbers representing a quantity of semitone units. For example, a major third is 4 (semitones) and a perfect fifth is 7. Chords are written as number patterns; the major triad is (4+3). Kaleidophone deals with chords consisting of up to five members (pentads). Any chord can be transcribed numerically and linked to its close relatives by a process of reordering; the intervals are arranged in ascending order and then located in Table 1. Table 2, shows chords grouped with their near relatives as members of families. Chords containing semitone intervals are excluded. This smallest interval is treated as arising through a process of melodic elaboration, one that involves the insertion of a 'directional unit' (a kind of leading note) between each of the principle chord tones. For example, in the case of the root and third of the major triad, the interval 4 (a major third) can be bisected in three ways; (1+3) C to D flat;(2+2) C to D; (3+1) C to E flat. By assigning directional units, a scale closely related to the underlying harmony is formed. Each chord yields many alternative scales and these are also listed with their parent chord in Table 1. Schillinger consistently, applies core mathematical procedures to all parameters of music and readers familiar with Schillinger System of Musical Composition or the Mathematical Basis of The Arts will recognise techniques originally applied to matters of rhythm: permutation reveals all the relatives of a particular chord and frequently suggests plausible chord progressions, while subdivision , a process of splitting the original intervals, accounts for the directional units that make up the complex scales. Schillinger's introduction to Kaleidophone is quite extensive and contains a number of illustrations as well as reference to Gershwin's approach to the technique. Kaleidophone describes a potent approach to the composition of melody and harmony. The real spirit of this book is not the promotion of mechanistic composition but a desire to enlighten and expand the reader's knowledge of musical materials. As Schillinger says, "It will open before you a new and fascinating world which is about us, yet remains unseen. It will stimulate your imagination beyond your own expectations because it will provide you with new and alluring experiences." (Jeremy Arden, Oxford 2008). New in new dustjacket. Size: 8vo - over 7¾" - 9¾" tall. Limited Edition. Seller Inventory # 013457

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Schillinger, Joseph

Published by Clock & Rose Press, Harwich Port (2003)

ISBN 10: 1593860102 ISBN 13: 9781593860103

New Hardcover

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About this Item: Clock & Rose Press, Harwich Port, 2003. Cloth. Condition: New. Dust Jacket Condition: New. Reprint. Reprint of the 1940 Revised Edition. 95 pp. Pitch scales in relation to chord structures. Schillinger was the legendary innovator, teacher and composer of music who taught many of the most famous names in American music, including George Gershwin, Glenn Miller and Carmine Coppola. Kaleidohphone is intended as an entirely practical approach to the age-old problem faced by almost all composers and arrangers, the relationship of chords and scales. "Kaleidohphone is intended as an entirely practical approach to the age-old problem faced by almost all composers and arrangers, the relationship of chords and scales. Simple mathematical techniques are applied to the parameters of pitch. Intervals are expressed as numbers representing a quantity of semitone units. For example, a major third is 4 (semitones) and a perfect fifth is 7. Chords are written as number patterns; the major triad is (4+3). Kaleidophone deals with chords consisting of up to five members (pentads). Any chord can be transcribed numerically and linked to its close relatives by a process of reordering; the intervals are arranged in ascending order and then located in Table 1. Table 2, shows chords grouped with their near relatives as members of families. Chords containing semitone intervals are excluded. This smallest interval is treated as arising through a process of melodic elaboration, one that involves the insertion of a 'directional unit' (a kind of leading note) between each of the principle chord tones. For example, in the case of the root and third of the major triad, the interval 4 (a major third) can be bisected in three ways; (1+3) C to D flat;(2+2) C to D; (3+1) C to E flat. By assigning directional units, a scale closely related to the underlying harmony is formed. Each chord yields many alternative scales and these are also listed with their parent chord in Table 1. Schillinger consistently, applies core mathematical procedures to all parameters of music and readers familiar with Schillinger System of Musical Composition or the Mathematical Basis of The Arts will recognise techniques originally applied to matters of rhythm: permutation reveals all the relatives of a particular chord and frequently suggests plausible chord progressions, while subdivision , a process of splitting the original intervals, accounts for the directional units that make up the complex scales. Schillinger's introduction to Kaleidophone is quite extensive and contains a number of illustrations as well as reference to Gershwin's approach to the technique. Kaleidophone describes a potent approach to the composition of melody and harmony. The real spirit of this book is not the promotion of mechanistic composition but a desire to enlighten and expand the reader's knowledge of musical materials. As Schillinger says, "It will open before you a new and fascinating world which is about us, yet remains unseen. It will stimulate your imagination beyond your own expectations because it will provide you with new and alluring experiences." (Jeremy Arden, Oxford 2008). New in new dustjacket. Limited Edition. Seller Inventory # 013458

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Schillinger, Joseph

Published by Clock & Rose Press, Harwich Port (2003)

ISBN 10: 1593860102 ISBN 13: 9781593860103

New Hardcover

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About this Item: Clock & Rose Press, Harwich Port, 2003. Cloth. Condition: New. Dust Jacket Condition: New. Reprint. Reprint of the 1940 Revised Edition. 95 pp. Pitch scales in relation to chord structures. Schillinger was the legendary innovator, teacher and composer of music who taught many of the most famous names in American music, including George Gershwin, Glenn Miller and Carmine Coppola. Kaleidohphone is intended as an entirely practical approach to the age-old problem faced by almost all composers and arrangers, the relationship of chords and scales. "Kaleidohphone is intended as an entirely practical approach to the age-old problem faced by almost all composers and arrangers, the relationship of chords and scales. Simple mathematical techniques are applied to the parameters of pitch. Intervals are expressed as numbers representing a quantity of semitone units. For example, a major third is 4 (semitones) and a perfect fifth is 7. Chords are written as number patterns; the major triad is (4+3). Kaleidophone deals with chords consisting of up to five members (pentads). Any chord can be transcribed numerically and linked to its close relatives by a process of reordering; the intervals are arranged in ascending order and then located in Table 1. Table 2, shows chords grouped with their near relatives as members of families. Chords containing semitone intervals are excluded. This smallest interval is treated as arising through a process of melodic elaboration, one that involves the insertion of a 'directional unit' (a kind of leading note) between each of the principle chord tones. For example, in the case of the root and third of the major triad, the interval 4 (a major third) can be bisected in three ways; (1+3) C to D flat;(2+2) C to D; (3+1) C to E flat. By assigning directional units, a scale closely related to the underlying harmony is formed. Each chord yields many alternative scales and these are also listed with their parent chord in Table 1. Schillinger consistently, applies core mathematical procedures to all parameters of music and readers familiar with Schillinger System of Musical Composition or the Mathematical Basis of The Arts will recognise techniques originally applied to matters of rhythm: permutation reveals all the relatives of a particular chord and frequently suggests plausible chord progressions, while subdivision , a process of splitting the original intervals, accounts for the directional units that make up the complex scales. Schillinger's introduction to Kaleidophone is quite extensive and contains a number of illustrations as well as reference to Gershwin's approach to the technique. Kaleidophone describes a potent approach to the composition of melody and harmony. The real spirit of this book is not the promotion of mechanistic composition but a desire to enlighten and expand the reader's knowledge of musical materials. As Schillinger says, "It will open before you a new and fascinating world which is about us, yet remains unseen. It will stimulate your imagination beyond your own expectations because it will provide you with new and alluring experiences." (Jeremy Arden, Oxford 2008). New in new dustjacket. Size: 8vo - over 7¾" - 9¾" tall. Limited Edition. Seller Inventory # 013459

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Schillinger, Joseph

Published by Clock & Rose Press, Harwich Port (2003)

ISBN 10: 1593860102 ISBN 13: 9781593860103

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About this Item: Clock & Rose Press, Harwich Port, 2003. Cloth. Condition: New. Dust Jacket Condition: New. Reprint. Reprint of the 1940 Revised Edition. 95 pp. Pitch scales in relation to chord structures. Schillinger was the legendary innovator, teacher and composer of music who taught many of the most famous names in American music, including George Gershwin, Glenn Miller and Carmine Coppola. Kaleidohphone is intended as an entirely practical approach to the age-old problem faced by almost all composers and arrangers, the relationship of chords and scales. "Kaleidohphone is intended as an entirely practical approach to the age-old problem faced by almost all composers and arrangers, the relationship of chords and scales. Simple mathematical techniques are applied to the parameters of pitch. Intervals are expressed as numbers representing a quantity of semitone units. For example, a major third is 4 (semitones) and a perfect fifth is 7. Chords are written as number patterns; the major triad is (4+3). Kaleidophone deals with chords consisting of up to five members (pentads). Any chord can be transcribed numerically and linked to its close relatives by a process of reordering; the intervals are arranged in ascending order and then located in Table 1. Table 2, shows chords grouped with their near relatives as members of families. Chords containing semitone intervals are excluded. This smallest interval is treated as arising through a process of melodic elaboration, one that involves the insertion of a 'directional unit' (a kind of leading note) between each of the principle chord tones. For example, in the case of the root and third of the major triad, the interval 4 (a major third) can be bisected in three ways; (1+3) C to D flat;(2+2) C to D; (3+1) C to E flat. By assigning directional units, a scale closely related to the underlying harmony is formed. Each chord yields many alternative scales and these are also listed with their parent chord in Table 1. Schillinger consistently, applies core mathematical procedures to all parameters of music and readers familiar with Schillinger System of Musical Composition or the Mathematical Basis of The Arts will recognise techniques originally applied to matters of rhythm: permutation reveals all the relatives of a particular chord and frequently suggests plausible chord progressions, while subdivision , a process of splitting the original intervals, accounts for the directional units that make up the complex scales. Schillinger's introduction to Kaleidophone is quite extensive and contains a number of illustrations as well as reference to Gershwin's approach to the technique. Kaleidophone describes a potent approach to the composition of melody and harmony. The real spirit of this book is not the promotion of mechanistic composition but a desire to enlighten and expand the reader's knowledge of musical materials. As Schillinger says, "It will open before you a new and fascinating world which is about us, yet remains unseen. It will stimulate your imagination beyond your own expectations because it will provide you with new and alluring experiences." (Jeremy Arden, Oxford 2008). New in new dustjacket. Seller Inventory # 014849

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Schillinger, Joseph

Published by Clock & Rose Press, Harwich Port (2003)

ISBN 10: 1593860102 ISBN 13: 9781593860103

New Hardcover

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About this Item: Clock & Rose Press, Harwich Port, 2003. Cloth. Condition: New. Dust Jacket Condition: New. Reprint. Reprint of the 1940 Revised Edition. 95 pp. Pitch scales in relation to chord structures. Schillinger was the legendary innovator, teacher and composer of music who taught many of the most famous names in American music, including George Gershwin, Glenn Miller and Carmine Coppola. Kaleidohphone is intended as an entirely practical approach to the age-old problem faced by almost all composers and arrangers, the relationship of chords and scales. "Kaleidohphone is intended as an entirely practical approach to the age-old problem faced by almost all composers and arrangers, the relationship of chords and scales. Simple mathematical techniques are applied to the parameters of pitch. Intervals are expressed as numbers representing a quantity of semitone units. For example, a major third is 4 (semitones) and a perfect fifth is 7. Chords are written as number patterns; the major triad is (4+3). Kaleidophone deals with chords consisting of up to five members (pentads). Any chord can be transcribed numerically and linked to its close relatives by a process of reordering; the intervals are arranged in ascending order and then located in Table 1. Table 2, shows chords grouped with their near relatives as members of families. Chords containing semitone intervals are excluded. This smallest interval is treated as arising through a process of melodic elaboration, one that involves the insertion of a 'directional unit' (a kind of leading note) between each of the principle chord tones. For example, in the case of the root and third of the major triad, the interval 4 (a major third) can be bisected in three ways; (1+3) C to D flat;(2+2) C to D; (3+1) C to E flat. By assigning directional units, a scale closely related to the underlying harmony is formed. Each chord yields many alternative scales and these are also listed with their parent chord in Table 1. Schillinger consistently, applies core mathematical procedures to all parameters of music and readers familiar with Schillinger System of Musical Composition or the Mathematical Basis of The Arts will recognise techniques originally applied to matters of rhythm: permutation reveals all the relatives of a particular chord and frequently suggests plausible chord progressions, while subdivision , a process of splitting the original intervals, accounts for the directional units that make up the complex scales. Schillinger's introduction to Kaleidophone is quite extensive and contains a number of illustrations as well as reference to Gershwin's approach to the technique. Kaleidophone describes a potent approach to the composition of melody and harmony. The real spirit of this book is not the promotion of mechanistic composition but a desire to enlighten and expand the reader's knowledge of musical materials. As Schillinger says, "It will open before you a new and fascinating world which is about us, yet remains unseen. It will stimulate your imagination beyond your own expectations because it will provide you with new and alluring experiences." (Jeremy Arden, Oxford 2008). New in new dustjacket. Size: 8vo - over 7¾" - 9¾" tall. Seller Inventory # 018602

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Schillinger, Joseph

Published by Witmark & Sons, New York (1940)

Used Softcover

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About this Item: Witmark & Sons, New York, 1940. Softcover. Condition: VG. Very Good; Spiral bound. ; 4to - 11" to 13" tall; 95 pages. Seller Inventory # 122198

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Schillinger, Joseph

Published by M. Witmark & Sons (1940)

Used Hardcover

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About this Item: M. Witmark & Sons, 1940. Hardcover. Condition: Good. Seller Inventory # mon0001097673

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Joseph Schillinger

Published by Clock & Rose Press (2003)

ISBN 10: 1593860102 ISBN 13: 9781593860103

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About this Item: Clock & Rose Press, 2003. Condition: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Seller Inventory # 1593860102-2-4

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Schillinger, Joseph

Published by Clock & Rose Press (2003)

ISBN 10: 1593860102 ISBN 13: 9781593860103

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About this Item: Clock & Rose Press, 2003. Hardcover. Condition: Very Good. Great condition with minimal wear, aging, or shelf wear. Seller Inventory # P021593860102

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Schillinger, Joseph

Published by Clock & Rose Press (2003)

ISBN 10: 1593860102 ISBN 13: 9781593860103

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About this Item: Clock & Rose Press, 2003. Hardcover. Condition: Like New. Almost new condition. Seller Inventory # P011593860102

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Schillinger, Joseph

Published by Clock & Rose Press (2003)

ISBN 10: 1593860102 ISBN 13: 9781593860103

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About this Item: Clock & Rose Press, 2003. Hardcover. Condition: New. Never used!. Seller Inventory # P111593860102

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Schillinger, Joseph

Published by Clock & Rose Press (2003)

ISBN 10: 1593860102 ISBN 13: 9781593860103

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About this Item: Clock & Rose Press, 2003. Hardcover. Condition: New. Brand New!. Seller Inventory # VIB1593860102

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Schillinger, Joseph

Published by Clock & Rose Press

ISBN 10: 1593860102 ISBN 13: 9781593860103

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About this Item: Clock & Rose Press. Hardcover. Condition: Fine. 1593860102 Like New Condition. Seller Inventory # LN7.1648386

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Schillinger, Joseph

Published by Clock & Rose Press

ISBN 10: 1593860102 ISBN 13: 9781593860103

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About this Item: Clock & Rose Press. Hardcover. Condition: New. 1593860102 New Condition. Seller Inventory # NEW7.1648386

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Joseph Schillinger

Published by Clock & Rose Press (2003)

ISBN 10: 1593860102 ISBN 13: 9781593860103

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About this Item: Clock & Rose Press, 2003. Hardcover. Condition: New. Seller Inventory # DADAX1593860102

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Joseph Schillinger

Published by Clock & Rose Press (2003)

ISBN 10: 1593860102 ISBN 13: 9781593860103

Used Hardcover

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About this Item: Clock & Rose Press, 2003. Hardcover. Condition: Good. Reprint. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!. Seller Inventory # 1593860102

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