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Seller: Librairie-Bouquinerie Le Père Pénard, Lyon, France
In-4 - N° 47 de 1993 bel état.
Publication Date: 2022
Seller: S N Books World, Delhi, India
Book Print on Demand
LeatherBound. Condition: NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1924 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 280 Language: French Pages: 280.
Published by Editions D'Art Devambez, Paris, 1924
Seller: Kevin T. Ransom- Bookseller, Amherst, NY, U.S.A.
Book First Edition
Hardcover. Condition: Very Good. 1st Edition. 4to. Hardcover. Bound in 3/4 leather. Top edge gilt. 247pp. Profusely illustrated in b&w including 2 fold-out maps. Spine sunned. Frontispiece fold-out map chipped at fore-edge. Interior very good.
Published by Paris, Editions d'Art Devambez, 1924, in-4 broché, 246 pp. Impression en rouge et noir. Racontée par Jean-Paul ALAUX, illustrée de curieuses gravures sur bois par Gustave ALAUX. Préface de Jean CHARCOT. Avec 3 cartes dépliantes (dont 2 planisphères en frontispice); Tirage numéroté à 950 exemplaires, celui-ci un des 820 exemplaires sur vélin de rives à la forme., 1924
Seller: LE SERPENT QUI PENSE, PRECHAC, France
Ouvrage en bel état mais légèrement gauchi. Couverture en bon état, intérieur en très bon état.
Published by Paris, Devambrez, 1924., 1924
Seller: Librairie Ancienne J.-Marc Dechaud, CRISSAY SUR MANSE, France
Association Member: ILAB
1 vol. in-4° br., couv. illustrée. (4) ff., VII pp., (1) p., 246 pp., (1) f., 3 cartes h.-t. repliées, 25 fig. h.-t. (comprises dans la pagination), nombreuses vignettes, bandeaux et culs-de-lampe gravés sur bois par Gustave Alaux.[D49] Edition originale préfacée par Jean Charcot, illustrée de curieux bois gravés par Gustave Alaux, peintre à Montmartre. Exemplaire sur vélin de rives à la forme, filigrané au titre de l'ouvrage (n°585). Monod, 107.
Published by Editions d'Art Devambez, Paris, 1924
Seller: Pietro Panizzi Libraio, Giulianova, Italy
In 4°; bross. edit. illustrata in rosso e nero; pp. (8)-VII-(1)-246-(2); frontespizio in rosso e nero con grande vignetta, antiporta e 24 tavv. a tutta pagina n.t. e 3 carte geografiche su tavv. f.t ripiegate, grandi testate, finali e capilettara xilografici, il tutto per mano di Gustave Alaux. Tiratura numerata di 950 esemplari (515 su papier vélin de Rives). In barbe, ottimo.
Published by Editions D'Art Devambez, Paris, 1924
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Softcover. Condition: Fine. Dust Jacket Condition: Very Good. First edition. Quarto. Illustrated by Gustave Alaux. Fine in French-folded wrappers and lightly chipped, very good glassine. Laid in is a photograph of a painting of the ship *Mayflower* by Gustav Alaux.
Published by Éditions d'art Devambez,, Paris,, 1924
Signed
[ALAUX, Gustave]. (illustrator). 1 vol. in-4, (29 x 21 cm) ; [4] ff., VIII pp., 248 pp. Reliure en plein chagrin noir, dos lisse, auteur et titre doré, avec au premier plat, la signature de Christophe Colomb mosaïquée en pièces de chagrin rouge. Couvertures et dos conservés. Ouvrage illustré de "curieuses gravures sur bois" par Gustave Alaux. Avec une préface de Jean Charcot. Tirage à 950 exemplaires. Un des 820 exemplaires sur paper vélin de Rives à la forme filigrané au titre de l'ouvrage (n° 766). Bel exemplaire, bien relié, non rogné, complet de ses trois cartes dépliantes, avec un joli envoi de l'auteur au faux-titre : "À René Huault-Dupuy, son "frère de la coste" et cousin, Jean-Paul Alaux, avec ses meilleurs v ux". Ex-libris moderne : "J.-Frédéric David, Inspicit". Français.
Published by Paris, 1924
Seller: librairie ESKAL, Douarnenez, France
Les Editions D'Art Devambez. In-4, VIII-247pp, broché, souple à rabats illustrée éditeur - bien complet de ses trois cartes dépliantes, 25 planches gravées sur bois, bandeaux, lettrines et culs-de-lampe par Gustave Alaux, tirage limité à 950 exemplaires numérotés, celui-ci un des 820 exemplaires sur vélin de Rives à la forme filigrané au titre de l'ouvrage (Ex n° 941) - exemplaire très propre, exempt de rousseur, très bel exemplaire, papier cristal.
Published by Paris: Editions d'art Devambez, 1924, 1924
Seller: Peter Harrington. ABA/ ILAB., London, United Kingdom
First Edition Signed
First edition, number 30 of 20 copies (numbered 11-30) printed on Japon paper, with an original signed pen and ink drawing by Gustave Alaux and an additional suite of his wood engravings printed on fine paper. A handsome book, strikingly illustrated, issued by the celebrated printer-publisher Devambez; the total edition numbered 950 copies. The illustrator, Gustave Alaux (1887-1965), came from a family of painters. He studied at the Ecole des Beaux-Arts in Paris, where he was a pupil of Maurice Baschet and in 1914 entered the class of Henri Royer at the Académie Julian. He exhibited at the Salon des artistes françaisand in 1920 won the silver medal for his painting Christophe Colomb arrivant en vue du Nouveau Monde and took the gold medal in 1927. In 1926 he joined Le Sabord ("The Porthole"), a learned society created by Charles Fouqueray. He was later an active member of the Salon de la Marine. For the present work he collaborated with his cousin, Jean-Paul Alaux, himself an architect and accomplished watercolourist; Gustave's illustrations are sophisticated and dynamic, clearly influenced by the vigour of an older woodcut tradition, and compliment perfectly this romanticized biography. The original pen and ink sketch included here shows Columbus's three ships, the Nina, Pinta and Santa Maria, approaching the coast of Hispaniola. Provenance: attractive engraved bookplate of Merillon, showing two coats of arms flanking a palm tree; this is presumably the French lawyer of the same name who in the 1920s started an agricultural company in south Tunisia which "introduced new technologies of cultivating date palms in the oasis of Jemna, made local farmers work in their own land, and started exporting dates to Europe" (Mejdi, p. 27). Ihsan Mejdi, "'The Oasis is ours': What did the 2011 Tunisian Revolution mean at the Margins? Dates, Land, and the State in Jemna", MA thesis, 2019. Quarto (267 x 191 mm). Contemporary red half crushed morocco, spine with raised bands and gilt lettering, marbled sides and endpapers, top edge gilt, original silk marker. Original wrappers (including spine) bound in. Numerous wood-engraved plates, head- and tailpieces, and historiated initials by Gustave Alaux, vignette title page printed in red and black, 3 folding maps. Unobtrusive embossed stamp of Neatham Mill Library to rear endpaper. Light rubbing to joints and corners. A very good copy.