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MORPURGO Lucia.

Published by Roma, 1927. (1927)

Used Softcover

Quantity Available: 1

From: Libreria Gullà (Roma, ROMA, Italy)

Seller Rating: 4-star rating

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About this Item: Roma, 1927., 1927. In-4° pp. da 197 a 243 con 1 tav. f.t., bross. edit. intonso. Seller Inventory # RI13861

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SCAMOZZI OTTAVIO BERTOTTI

Published by EDITRICE DEDALO ROMA (2012)

ISBN 10: 8895913310 ISBN 13: 9788895913315

Used Broché ITALIEN

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From: Librairie Descours (Lyon, France)

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About this Item: EDITRICE DEDALO ROMA, 2012. Broché ITALIEN. Ouvrage Neuf Fac-similé de l'étude d'Ottavio Bertotti Scamozzi (1719-1790), architecte, historien et critique de l'architecture classique de la Renaissance.Son étude de l'oeuvre d'Andrea Palladio reste une des plus pénétrante de cette époque. 290x210mm 510g. Ouvrage Neuf. Seller Inventory # 9788895913315

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Le terme dei romani disegnate da Andrea: PALLADIO, Andrea.

About this Item: Per Giovanni Rossi, In Vicenza., 1797. Condition: Condizione esemplare: Contiene 25 tavole incise in rame da Antonio Mugnoni: Tav. I-II Terme di Agrippa; Tav. III-IV Terme di Nerone; Tav. V- VI Terme di Vespasiano; Tav. VII-VIII Terme di Tito; Tav. IX-X Terme di Antonino; Tav. XI-XII Terme di Diocleziano; Tav. XIII Spaccato Terme di Diocleziano; Tav. XIV-XV Terme di Cistantino; Tav. XVI Pezzo pianta Terme di Vespasiano; Tav. XVII-XVII-XVIII Altre piante di varieTerme; Tav. XIX-XX-XXI-XXII-XXIII-XXIV-XXV con splendidi disegni di capitelli. Prima edizione in lingua italiana de Les Thermes des Romains (Vicenza 1785), opera che si basa sui disegni dell’architetto scozzese Charles Cameron a loro volta cavati dall’edizione Burlinghton, con l’aggiunta di osservazioni. Scamozzi «fece cosa nobile e grandiosa nel produrre queste grandi opere palladiane» [Cicognara 598 per l’edizione francese delle Fabbriche in Vicenza 1776]. Cfr. Olschki X, 15267. Esemplare molto buono. Formato: 55, [1] p., [1], XXV c. di tav. in gran parte ripieg., 4°(25 cm), m.p. Esemplare con buon margine con ordinari segni d'uso e del tempo, privo di legatura. Seller Inventory # 68977

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About this Item: per Giovanni Rossi,, In Vicenza, 1797. Condition: Very Good. In-4° (cm. 22,7), legatura coeva in m. pelle con titolo in oro su tassello e fregi in oro al dorso, tagli spruzzati, piatti e risguardi marmorizzati (abrasioni ai piatti); pp. 55 con 1 antiporta f.t. (ritratto del Palladio in rame in elaborata cornice architettonica) e soprattutto 25 tavole numerate incise in rame f.t. da Antonio Mugnon in fine, anche ripiegate; antico timbro araldico al frontespizio e di iniziali al foglio di guardia, lievi fioriture sparse. Prima edizione in lingua italiana de Les Thermes des Romains (Vicenza 1785), opera che si basa sui disegni dell'architetto scozzese Charles Cameron a loro volta cavati dall'edizione Burlinghton, con l'aggiunta di osservazioni. Scamozzi «fece cosa nobile e grandiosa nel produrre queste grandi opere palladiane» [Cicognara 598 per l'edizione francese delle Fabbriche in Vicenza 1776]. Cfr. Olschki X, 15267. Esemplare molto buono. Seller Inventory # 6332

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About this Item: .: Vicenza, Da Tommaso Parise, 1810, small in-4°, 23.5 cm, engraved frontispiece with the bust of Palladio within aedicule + title (verso blank) + pp 3-48 + 18 folding engraved plates, bound in contemporary supple vellum over boards, vellum with minor soiling, a handsome copy. This is the fourth edition. The first edition appeared also in Vicenza , by Francis Modena in 1785. The plates in our in-4° edition are drawn and engraved by Mugnon. The second edition ( Vicenza, Rossi, 1797) is considered as the 5th volume to Scamozzi's '' Le fabbriche e i disegni di Andrea Palladio.''. In our edition plates 18-25 are not present. Allthough they are still mentioned in the text and were included in previous editions they were omitted here. These 7 plates depict capitals to be found in other works of Palladio and have as such nothing to do with the subject of this book. Seller Inventory # 36062

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Le Terme dei Romani diegnate da Andrea: PALLADIO (Andrea)
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About this Item: In Vicenza Per Giovanni Rossi, 1797. Small 4to, 237 x 178 mms., pp. 55, engraved frontispiece, 17 folding engraved plates, 8 full-page engraved plates, contemporary marbled boards, paper spine of marbled paper; spine defective with cords exposed, and covers holding on for dear life. The title-page refers to the publication in 1730 of Fabriche Antiche disegnate da Andrea Palladion Vicentinoi by Richard Boyle, Third Earl of Burlington and Fourth Earl of Cork (1694 - 1753), the architect, collector, and patron of the arts. Alexander Pope responded with his epistle "Of Taste: An Epistle to the Earl of Burlington" in 1731, the fourth of the so-called Moral Essays, or Epistles to Several Persons. The plates here, of the plans and elevations of the Roman Baths, were engraved by Antonio Mugnoni after drawings by Palladio. Seller Inventory # 8271

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About this Item: Per Giovanni Rossi, In Vicenza, 1797. 4°, 25 cm, rilegatura coeva in mezza pelle, p. 55, 25 belle tavole fuori testo di cui 17 ripiegate e 8 a piena pagina. Bello e fresco esemplare esemplare. Cfr. Choix Olschki, X 15267, manca al Folwer Molto buono. Seller Inventory # 2463-g

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About this Item: cm. 18 x 23, buona legatura successiva in piena pergamena di ottima qualit? d'epoca anonima, interno e tavole in buone condizioni salvo lievi macchioline, pp.55 di testo esplicativo piu' le straordinare XXV tavole più volte ripiegate (incisore MUGNON) che magnificano i disegni del PALLADIO. All'antiporta ritratto di Ricardo Conte di Burlington. Ecco il dettaglio delle tavole : Tav. I- II Terme di Agrippa. Tav. III-IV Terme di Nerone. Tav. V- VI Terme di Vespasiano Tav. VII-VIII Terme di Tito. Tav. IX-X Terme di Antonino. Tav. XI- XII- Terme di Diocleziano. Tav. XIII- Spaccato Terme di Diocleziano. Tav. XIV- XV Terme di Costantino. Tav. XVI Pezzo pianta Terme di Vespasiano. Tav. XVII-XVII-XVIII Altre piante di varieTerme Tav. XIX- XX- XXI- XXII-. XXIII- XXIV - XXV con splendidi disegni di capitelli. L'opera, assai rara, viene offerta a. Seller Inventory # 40579

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Le Terme dei Romani disegnate da Andrea: Archi. ]. Scamozzi

Archi. ]. Scamozzi ( Ottavio- Bertotti- ).

Published by In Vicenza, Giovanni Rossi. (1797)

Used Hardcover

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From: Thierry Gauville (Gatteville- le- Phare, France)

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About this Item: In Vicenza, Giovanni Rossi., 1797. Couverture rigide. Condition: Assez bon. In-4, 55-(1)pp.-1 pl.(buste de Palladio)-25pl.(dont 17 dépl.), 1/2 basane brune, dos à nerfs orné, rel. de l' ép. 3ème éd. italienne, la 1ère publiée par Rossi. Livre rare et important, une des sources du triomphe du néo-palladianisme en Grande-Bretagne, puis en Europe et en Amérique. La gravure représentant le buste de Palladio, placée ici en tête des pl., devait normalement servir de frontispice. 1/2 rel. modeste du temps, défauts mineurs, bon ex. Seller Inventory # ABE-6451480063

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About this Item: Vicenza Francois Modena, 1732. Halbleder der Zeit. 0. Zwei in einem Band. 50 x 36,5 cm. 32, 35 Seiten. Halbleder der Zeit. Gering bestoßen. Fowler 234; Millard IV, 72; Ornamentstichkatalog Bln. 1877. -- Mit gestochenem Porträtfrontispiz, 25 (17 doppelblattgroßen) Kupfertafeln und 2 gest. Vignetten. Erste Ausgabe in der Bearbeitung von Scamozzi, italienischer und französischer Text. Die Kupfer mit Grund- und Seitenrissen der Thermen des Agrippa, Nero, Vespasian, Titus, Diocletian u.a., sowie einigen architektonischen Details. - Breitrandig. Teilweise etwas stockfleckig, äußere Tafelränder gering gebräunt. ---- First edition by Scamozzi, based an Lord Burlington,s "Fabbriche antiche" of 1730. "Though the title page of the above work lists Burlington,s edition as Impresso in Londra l`anno 1732, the title page of that work is dated 1730 (Fowler9. Italien and French text. - Some foxing. Contemporary half-calf. Seller Inventory # 6311AB

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Palladio, Andrea

Published by Giovanni Rossi, Vicenza, Vicenza (1797)

Used Hardcover

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From: Garland Books (Chichester, United Kingdom)

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About this Item: Giovanni Rossi, Vicenza, Vicenza, 1797. Hardcover. Condition: Very Good. No Jacket. Palladio, Andrea; Mugnoni,Antonio (illustrator). 3rd Edition. Small volume contained in later (early 19th Century?) calf binding with a small titled label to spine, marbled endpapers. Decorative title and numerous engravings within, illustrating the plans and elevations of Roman Baths after the drawings by Andrea Palladio, engraved by Antonio Mugnoni. A later edition. Attractive engravings and descriptions of the baths of Nero, Vespasian, Diocleatian and other Roman Emperors, contributing baths to the city of Rome. First edition circa 1785, this copy 1797. From a private collection. Binding age worn as would be expected, hinges repaired with linen strips, contents age yellowed and a little brittle, previous owner's bookplates inside front cover and on the later free blanks. Due to the age of this volume, it is essential to obtain photographs and a detailed description as only so much information can be uploaded to ABE. Please confirm availability and postage costs prior to ordering. It is essential to confirm availability prior to ordering, as ABE books is not our only sales channel. We are here to help and look forward to hearing from you should you have any questions. We aim to answer all queries within 48 hours or sooner. Please bear with us while the website is under construction. We are in the progress of updating our catalogue to ABE Books, and appreciate your patience. Photographs will be provided via email in the meanwhile. We look forward to hearing from you and hope that you will find the perfect copy of your wonderful book. Seller Inventory # 000026

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About this Item: In Vicenza Per Giovanni Rossi 1796 and 1797, 1797. 5 volumes bound in four. First Edition by Rossi and a RARE complete copy of the Rossi printing of the architectural works of Palladio. Profusely illustrated throughout with 236 fine engravings. Book I with engraved portrait of Palladio as the frontispiece and 52 other finely engraved plates, many of which are folding. Book II with 51 beautifully engraved plates, many of which are folding. Book III with 52 engraved plates of which a number are folding. Book IV with 54 engraved plates. The RARE Volume V with an additional engraved portrait of Palladio at the front and 25 additional engraved plates of which most are folding. Quarto, handsomely bound at the time in three-quarter antique Italian calf over marbled boards, the spines with gilt bands and contrasting sepia and dark green morocco labels, lettered and numbered and decorated in gilt. viii, 128, 52 engraved plates; iv, 76, 51 engraved plates; iv, 60, 52 engraved plates; iv, 80, 54 engraved plates; portrait + 59, 25 engraved plates pp. An unusually fine survival, complete with the RARE 5th volume and beautifully preserved. The spines and bindings in very pleasing order, the text blocks and illustrations crisp, clean and unpressed. A fresh and handsome copy gently aged. AN UNUSUALLY FINE AND HANDSOME COPY OF THIS RARE BOOK. THE FIFTH VOLUME IS RARELY ENCOUNTERED AND SETS OF THE FOUR ARE OFTEN LACKING A VOLUME OR A NUMBER OF PLATES. THIS IS AN ESPECIALLY DESIRABLE COPY, COMPLETE IN ALL RESPECTS. Rossi’s printing of 1796-1797 is a fine and beautiful quarto edition of the master’s four books on architecture with additions provided in the fifth volume. Palladio's designs and work to this day remain the central pillar of classical architecture and all architecture which followed. Such early antique editions are truly scarce and here retains its original sophistication. ‘Palladio’s lasting influence on architectural style in many parts of the world was exercised less through his actual buildings than through this, his textbook. The book is divided into four sections: orders and elementary problems, domestic building, public building and own planning and temples. Palladio’s style was directly inspired by Roman classical models through the writings of Vitruvius and Alberti. Its characteristics are those of classicism: symmetry, order, fixed mathematical relations of the parts to each other and to the whole, logic and monumentality. Palladio followed the rules of classical Roman architecture more closely than any other architect.In spite of the vogue for the baroque and the fact that Palladio left no immediate successors, his book exerted a powerful influence on contemporary architecture and classical ideals until the end of the eighteenth century. As a practicing architect Palladio worked mainly in Vicenza, Venice and the Venetian countryside, especially along the Brenta River. His Villa Capra (known as La Rotonda) near Vicenza became virtually a prototype of the Palladian style, and it was widely and faithfully copied. At the end of his life he left plans for the tour de force of trompe l’oeil, the Teatro Olimpico in Vicenza, which was finished by his pupil Vincenzo Scamozzi.’ PMM 92 In 1732-1733, Ware’s English edition was produced with the assistance of Lord Burlington and it surpassed all earlier English editions in its faithfulness to the original. A very skilled draughtsman and engraver, Ware exactly traced and engraved the plates for his edition from Palladio’s original drawings in Burlington’s collection. The additional fifth volume, here provided emanates from these drawings in Lord Burlington’s collection. As for the Englishman Ware (d. 1766)--he is reported "to have been originally a chimney-sweeper's boy whom an unknown patron found drawing with chalk at Whitehall. He was sketching the elevation of the banquet house upon the basement walls of the building itself, and is said to have made similar sketches of the portico at St. Martin's-in-the-Fields" (DNB). He developed i. Seller Inventory # 23549

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