Matthew Barney Cremaster Cycle by Nancy Spector (20 results)

Hardcover. Condition: Good. 1st Edition. First edition, first issue without the Hugo Boss notice of sponsorship, oversized satin covered hardcover. The issue fully in English, there are also German and possibly French editions. Soiling to covers, a small abrasion to the spine, some rubbing and scratches to covers. Internally a fine clean tight unmarked copy. Lacking the clear dust jacket. A massive work, 558 pages, richly illustrated throughout. Extremely heavy volume that may require additional shipping.

Rilegato. Condition: ottimo. prima edizione. 4°,PP.528,LEG.EDIT.FIG.IN TELA SOTTILE,AL MOTTO "SOLO UNA FANTASIA PERVERSA CI PUO'SALVARE" I CINQUE FILM DI BARNEY, UN'EPOPEA SURREALE DAI RISVOLTI ONIRICI,UN'ORGIA DI IMMAGINI DI STUPEFACENTE BELLEZZA NELL'UNIVERSO DELLA CULTURA AMERICANA.

paperback. Condition: fine. Matthew Barney (illustrator). Many photographic illustrations. Tall 4to, stiff embossed white silk wrappers. New York: Guggenheinm Museum, 2002. A fine copy, as new in the original shrinkwrap.

Hardcover. Condition: gut. 2002. Ausstellungskataloge Kunst Guggenheim Museum New York Installation Künstler Museen Musee d'Art Moderne de la Ville de Paris Museum Ludwig Köln Matthew Barney ist zu Recht der "Erzähler des Schöpfungskultes" genannt worden, denn seine extrem assoziativen Arbeiten thematisieren durchgängig die menschliche Reproduktion und den künstlerischen Schaffensakt. Barney selbst hat nach eigener Aussage sein Körper "immer als Instrument und Werkzeug gedient". In seiner Kunst beobachtet er dieses Phänomen und hinterfragt die Instrumentalisierung eines nicht zuletzt auch selbst erschaffenen Körpers. Immer wieder zeigt Barney in seinen sezierenden, fremd und unterkühlt wirkenden Bilderwelten und doch poetischen und humorvollen Filmen deren absolute Ausrichtung auf Leistung und Perfektion. In deutscher Sprache. pages. 32,8 x 24 x 6,2 cm.

Couverture rigide. Condition: Très bon. br. couv. rig. jaq.sple. vinyle translucide 23,5x32cm. 522pp. onglets ill. n&b coul. texteangl excellent état.

Paris : Musee d'Art Moderne de la Ville de Paris, 2002 (New York : Guggenheim Museum, 2002). Thick quarto, embossed silk wrappers, pp. xv, 522, diecut edges, a fine copy. Text in English Published on the occasion of the exhibition Matthew Barney: the Cremaster Cycle, Musueum Ludwig, Cologne, June 6-September 1, 2002; Musee d'Art Moderne de la Ville de Paris, October 10, 2002-Jan 5, 2003; Solomon R. Guggenheim Museum, New York, February 14-May 11, 2003. The mammoth illustrated photobook conceived as part of Barney's epic five part filmic immersionThe Cremaster cycle (1994 - 2002), the climactic exhibition at theGuggenheim Museum and publication written bycurator Nancy Spector who describes the work as "a self-enclosed aesthetic system". This is the softcover edition published for the Paris showing of the exhibition.

Hardcover. Condition: Fine. Matthew Barney (illustrator). Signed by the Artist in black marker on the title page; Cream cloth, silver & black spine title, covers decoration, plastic dust jacket with green & black cover title, pale green endpapers / pastedown + 3.5 illustrated feps marching fore & aft, moderately bizarre illustrations in color throughout, & white satin page marker; A fine copy in a fine dust jacket; 523 pages.

Hardcover. Condition: Very Good. Nice clean copy with a tight binding!.

Soft cover. Condition: Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated, debossed silk-covered wrappers; no dust jacket as issued. Photographs and stills by Matthew Barney. Text by Nancy Spector. Glossary by Neville Wakefield. Includes personal perspectives from people involved with the films, film credits, an exhibition history, bibliography and a screening history. 524 pp., with hundreds of color reproductions and numerous color reference illustrations, extraordinarily well-printed by Dr. Cantz'sche Druckerei, Ostfildern-Ruit. 12-1/2 x 9 inches. Published on the occasion of the 2002 exhibition Matthew Barney: The Cremaster Cycle, organized by Nancy Spector, at Museum Ludwig, Cologne (also traveled to Paris and New York). Fine. A near-mint copy. This catalogue documents Matthew Barney's eight-year Cremaster project. Beginning with work from before the Cremaster films, Nancy Spector's text (accompanied by dozens of illustrations), establishes the importance of Barney's 5 films, not only grappling with his rigorous sexual logic, but delving into the roles geography, identity and form serve in his film--and ultimately, art--cycle. Although the Cremaster cycle was made out of order (4, 1, 5, 2, 3), the book is organized numerically, featuring stills, details and plans for films 1 through 5.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. SPECTOR, Nancy [522] pp. The Guggenheim Museum 2002 12 5/8" x 9 1/4" Guggenheim Museum Publications. Distributed by Harry N. Abrams, New York, 2002. Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition, first printing. Hardcover. Gray silk cover with debossed imagery on front and back covers, title stamped in silver and gray on spine, with printed acetate dust jacket. Photographs and stills by Matthew Barney. Text by Nancy Spector. Glossary by Neville Wakefield. Includes personal perspectives from people involved with the films, film credits, an exhibition history, bibliography and a screening history. 524 pp., with hundreds of color reproductions and numerous color reference illustrations, extraordinarily well-printed by Dr. Cantz'sche Druckerei, Ostfildern-Ruit. 12-3/4 x 9-1/4 inches. Published on the occasion of the 2002 exhibition Matthew Barney: The Cremaster Cycle, organized by Nancy Spector, at Museum Ludwig, Cologne (also traveled to Paris and New York). Fine in Near Fine dust jacket (light crinkle at lower front fold, else Fine). This catalogue documents Matthew Barney's eight-year Cremaster project. Beginning with work from before the Cremaster films, Nancy Spector's text (accompanied by dozens of illustrations), establishes the importance of Barney's five films, not only grappling with his rigorous sexual logic, but delving into the roles geography, identity and form serve in his film--and ultimately, art--cycle. Although the Cremaster cycle was made out of order (4, 1, 5, 2, 3), the book is organized numerically, featuring stills, details and plans for films 1 through 5. A necessary comprehensive volume for anyone interested in Barney's work.