Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by London: The Sketch January, 1894
Seller: Theatreshire Books, Dacre, NYK, United Kingdom
Extracted page from The Sketch. Very good condition. Theatrical B&W scene illustration of Rosalind and Orlando.
Published by Unknown
Seller: Little Owl Books, Norwich, NORFO, United Kingdom
Book
Paperback. Condition: Good+. Colour postcard, unused, Good+, a little scuffing to corners and edges in places, minor surface marking.
Published by [J. & J. Boydell,] [1798]., [London:], 1798
Seller: Dark Parks Books & Collectibles, Fallon, NV, U.S.A.
Single plate. Trimmed at bottom, lacking publisher and date print. Suitable for framing. Citations: Folger 9205. Cornell.
Published by Henry G. Bohn, London, 1855
Seller: The Kelmscott Bookshop, ABAA, Savage, MD, U.S.A.
Condition: Very Good. From the Second edition. "The Art of John Constable, like that of Hogarth, of Wilson, and of Stothard, was scarcely noticed by those among the titled and the wealthy of his countrymen who put themselves forward as the patrons of Painting; and had he not been independent of his profession for support, he could not have lived by it. But whatever may have been the loss to the artist, the world has been in some degree the gainer; for the apathy of patronage left Constable, as Hogarth had been left, to the free and unrestrained bent of his own genius, and the scenes he most loved became subjects of his pictures" (introduction). This mezzotint was engraved by David Lucas based on a drawing in water-colours by John Constable. Minor chipping to edges of paper and minor browning to margins. A few small extraneous ink marks from when the plate was printed. Suitable for framing. Paper size: 11 x 17. PRINT/021121.
Published by ASSOCIATION DES PROFESSEURS DE LANGUES VIVANTES DE L'ENSEIGNEMENT PUBLIC
Couverture souple. Condition: bon. R260113479: NON DATE. In-16. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 38 pages. Texte en anglais. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.
Publication Date: 1880
Seller: K Books Ltd ABA ILAB, York, YORKS, United Kingdom
Book
No Binding. Condition: Very Good. A splendid antique engraved portrait. Mounted/matted and ready to frame. Attractive and decorative. Printed circa 1880.
Publication Date: 1880
Seller: K Books Ltd ABA ILAB, York, YORKS, United Kingdom
Book
No Binding. Condition: Very Good. A splendid antique engraved portrait. Mounted/matted and ready to frame. Attractive and decorative. Printed circa 1880.
Published by ohne Verlagsangabe um 1850, 1850
Seller: Versandhandel für Sammler, Borna, Germany
schöner alter Stich, im Papprahmen (ca. A4 Größe) mit 2 kleinen Kelebebändern montiert, Maße Stichblatt 27,5 x 20,0 cm gut erhalten, am Rand leicht fleckig de 1 S. 490 g.
Published by Gale ECCO, Print Editions, 2010
ISBN 10: 1170469787ISBN 13: 9781170469781
Seller: dsmbooks, Liverpool, United Kingdom
Book
Paperback. Condition: Like New. Like New. book.
Published by Published by J. and J. Boydell, London, 1791
Seller: Jeffrey H. Marks, Rare Books, ABAA, Rochester, NY, U.S.A.
Original copperplate engraving. Approx. 21 x 27 inches. 1" closed tear to the lower margin; minor spots to margins; otherwise fine.
Published by Published by J. and J. Boydell, London, 1798
Seller: Jeffrey H. Marks, Rare Books, ABAA, Rochester, NY, U.S.A.
Original copperplate engraving. Approx. 21 x 27 inches. Slight tanning to margins; otherwise fine.
Published by Published by J. and J. Boydell, London, 1791
Seller: Jeffrey H. Marks, Rare Books, ABAA, Rochester, NY, U.S.A.
Original copperplate engraving. Approx. 21 x 27 inches. Slight foxing to margins; otherwise fine.
Published by London John and Josiah Boydell . 1803., 1791
Seller: Robert Frew Ltd. ABA ILAB, London, United Kingdom
Art / Print / Poster
Original copper engraving (44 x 60 cm, overall sheet 54 x 66 cm). From "A Collection of Prints . Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).
Published by London John and Josiah Boydell . 1803., 1798
Seller: Robert Frew Ltd. ABA ILAB, London, United Kingdom
Art / Print / Poster
Original copper engraving (44 x 60 cm, overall sheet 54 x 66 cm). Light scattered foxing to lower margin, not affecting plate. From "A Collection of Prints . Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).
Published by London John and Josiah Boydell . 1803., 1791
Seller: Robert Frew Ltd. ABA ILAB, London, United Kingdom
Art / Print / Poster
Original copper engraving (44 x 60 cm, overall sheet 54 x 66 cm). From "A Collection of Prints . Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).
Published by [London: Printed by William Smith for the Author, 1741]. RISM A2002. BUC41. *, 2002
Seller: Travis & Emery Music Bookshop ABA, London, United Kingdom
Sheet Music
Folio (34 x 22cm). 25 pages. Disbound, lacking title-page. Slight water-stain to lower margin; final leaf with slight tear at upper outer corner across text. Singers mentioned in caption titles are Mrs Clive and Mr Lowe.
Published by London: Boydell., 1798
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. Engraving. 17 x 23 inches. Engraved by W.C. Wilson.
Published by London John and Josiah Boydell . 1803., 1800
Seller: Robert Frew Ltd. ABA ILAB, London, United Kingdom
Art / Print / Poster
Original copper engraving (44 x 60 cm, overall sheet 54 x 66 cm). Light foxing to outer edges of margins, 16cm tear along plate mark, not affecting plate. From "A Collection of Prints . Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).
Published by Artist: Thew R Wales; issued in: London; Thew R Wales;
Art / Print / Poster
Technic: Copper print; colorit: colored; condition: Some folds partly restored, some minor tears restored; size (in cm): 42,5 x 50; After the original painting of R. Smirke, William Sakespear: ;All the world's a stage; is the phrase that begins a monologue from William Shakespeare's As You Like It, spoken by the melancholy Jaques in Act II Scene VII. The speech compares the world to a stage and life to a play, and catalogues the seven stages of a man's life, sometimes referred to as the seven ages of man infant, schoolboy, lover, soldier, justice, Pantalone and old age, facing imminent death. It is one of Shakespeare's most frequently quoted passages. All the world's a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages.
Published by J & J Boydell, London, 1793
Seller: Bluebird Books, Brecon, POWYS, United Kingdom
Book First Edition
No Binding. Condition: Very Good. No Jacket. 1st Edition. A selection of prints from an important series of illustrations featuring scenes from Shakespeare's plays. Published by J. & J. Boydell at the Shakspeare Gallery, Pall Mall and at No. 90 Cheapside. Dating from1793 to1801. Size of entire sheet: 42 x 32 cms or 16 1/2 x 12 1/2 inches. Included in the collection: No 1. King Richard II. Act 5. Scene 2. After William Hamilton. Engraved by James Stom. No 2. Love's Labours Lost. Act 4. Scene 2. After F. Weatley. Engraved by J. Neagle. No 3. Titus Andronicus. Act 4. Scene 1. After Thomas Kirk. Engraved by B. Reading. No 4. Richard III. Act 3. Scene 1. After J. Northcote. Engraved by B. Reading. No 5. Much Ado About Nothing. Act 3. Scene 3. After Francis Wheatley. Engraved by George Noble. No 6. First Part of King Henry IV. Act 5. Scene 4. After R. Smirke. Engraved by F Neagle. No 7. First Part of King Henry IV. Act 2. Scene 1. After R. Smirke. Engraved by J. Fittler. No 8. Third Part of King Henry VI. Act 3. Scene 2. After W. Hamilton. Engraved by T. Holloway. No 9. Second Part of King Henry VI. Act 2. Scene 2. After Will Hamilton. Engraved by Anker Smith. No 10. The Tempest. Act 1. Scene 2. After W. Hamilton. Engraved by James. Parker. No. 11. The Taming of The Shrew. Act 4. Scene 5. After I. Ibbetson. Engraved by I. Taylor. No. 12. The Merry Wives of Windsor. Act 2. Scene 1. After William Peters. Engraved by I. Saunders. No. 13. The Merry Wives of Windsor. Act 1. Scene 1. After R. Smirke. Engraved by M. Haughton. No. 14. Much Ado About Nothing. Act 4. Scene 1. After William Hamilton. Engraved by Milton & Testolini. No. 15. King Henry VI. Act 2. Scene 5. After James Northcote. Engraved by Andrew Gray. No. 16. Much Ado About Nothing. Act 4. Scene 2. After Robert Smirke. Engraved by James Heath. No. 17. King Henry VI. Second Part. Act 3. Scene 3. After Sir Joshua Reynolds. Engraved by Andrew Gray. No 18. As You Like It. Act 4. Scene 3. After R. Smirke. Engraved by W. C. Wilson. No. 19. As You Like It. Act 2. Scene 1. After W. Hodges. Engraved by S. Middiman. No. 20. Macbeth. Act 3. Scene 4. After R. Westall. Engraved by James Parker. No. 21. All's Well That Ends Well. Act 2. Scene 2. After F. Wheatley. Engraved by L. Shiavonelti. No. 22. Love's Labour's Lost. Act 5. Scene 2. After F. Wheatley. Engraved by W. Skelton. The prints are based on paintings by important British artists. They were commissioned by John Bodell (1719-1804) for his Shakespeare Gallery. The first set of prints was issued in 1791, the last in 1803. Condition: Very Good. All are tanned at the edges. All are foxed to some degree. The most heavy foxing is on The Merry Wives of Windsor that is included in the photographs. Richard III and Macbeth are creased.This affects the engraved part of the sheets. King Henry VI and Titus Andronicus have creases to a corner. A repair has been made to secure a corner from the reverse side of As You Like It. The Tempest is marked at the edges with black streaks that do not affect the image but discolour the surround. TheTaming of The Shrew has creasing to two corners; a repair has been made to another and to a closed tear from the reverse side. There is loss to another corner. This has been repaired but the paper used is a poor match. A neat repair has been made to a short tears at the edge of the same sheet.