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Anonioni, Michelangelo

Published by Orion Press, New York (1963)

Used
Softcover

Quantity Available: 1

From: NightsendBooks (Concord, CA, U.S.A.)

Seller Rating: 5-star rating

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About this Item: Orion Press, New York, 1963. Paperback. Condition: Very Good. A FINE copy of this important work. The text is bright, clear, and completely unmarked; tightly bound; but edges show shelfwear. The covers are very good but the back shows a slight bit of age, white turning ivory, and shadow of fold bottom. We have a five star rating because of our fulfilment success and because our descriptions are accurate. We guarantee: NO NASTY SURPRISES. Paperback. Seller Inventory # 004065

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Published by The Orion Press (1963)

Used
Softcover

Quantity Available: 1

From: Palimpsest Scholarly Books & Services (Brooktondale, NY, U.S.A.)

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About this Item: The Orion Press, 1963. Soft cover. Condition: Very Good. Third printing. Softcover volume, measuring approximately 5.25" x 8.25", displays shelfwear, with creasing to spine and light soiling to covers. Binding is sound. Pages are clean and without markings. Work is illustrated with film stills. xviii/360 pages. Seller Inventory # ABE-1530325882476

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Antonioni, Michelangelo

Published by Orion Press / Grossman Publishers, New York (1963)

Used
Softcover

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From: Waugh Books (Lawrence, KS, U.S.A.)

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About this Item: Orion Press / Grossman Publishers, New York, 1963. Paperback. Condition: Very good +. Third printing. Introduction by Antonioni. 8vo. Glossy illustrated wrappers. 361 pages, with b/w stills. Text in English. No names or marks. A crisp, tight, square copy, with sharp corners. Seller Inventory # 4603

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Antonioni, Michelangelo

Published by Orion Press, New York (1963)

Used
First Edition
Hardcover

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From: Second Story Books, ABAA (Rockville, MD, U.S.A.)

Seller Rating: 4-star rating

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About this Item: Orion Press, New York, 1963. Hardcover. Octavo; First Printing; VG-/G-; Hardcover with DJ; Spine, white and brown with white print; DJ has edgewear, spotting/smudging, shelfwear; Boards in grey cloth with black print, slight wear to spine caps otherwise clean and strong; Textblock has spotting on top and bottom edges, name in ink on front flyleaf, otherwise clean and tight; xviii, 361 pages, illustrated. Rockville. Seller Inventory # 7-91-1301637

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ANTONIONI, Michelangelo.

Published by Orion Press / Grossman

Used
Softcover

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From: ThriftBooks - Blue Cloud (Phoenix, AZ, U.S.A.)

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About this Item: Orion Press / Grossman. Paperback. Condition: Good. A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less. Seller Inventory # GB002JMZSCWI3N00

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Published by Orion Press, New York (1963)

Used
First Edition
Hardcover

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From: 3rd Man Books (Los Angeles, CA, U.S.A.)

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About this Item: Orion Press, New York, 1963. Hardcover. Condition: Very Good. No Jacket. 1st Edition. vg cloth no dust jacket. Screenplays are: Ii Grido; L' Avventura; La Notte;L'Eclisse. Seller Inventory # 2698

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Antonioni, Michelangelo

Published by Souvenir Press , London, 1st ed 1963 (1963)

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Hardcover

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From: Page After Page (Box Hill, VIC, Australia)

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About this Item: Souvenir Press , London, 1st ed 1963, 1963. hardcover, no d/j, 361pp, 23x14 couple of minor cover scuffs. Photographically illustrated. Nice cinema resource book. Seller Inventory # 46104

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Antonioni, Micheangelo

Published by Orion Press (1963)

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First Edition
Hardcover

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From: Glands of Destiny First Edition Books (Sedro Woolley, WA, U.S.A.)

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About this Item: Orion Press, 1963. Hardcover. Condition: Very Good. Dust Jacket Condition: DJ. First Edition. Publisher: Orion Press, NYC., 1963. First Edition, First Printing. NEAR FINE hardcover book in NEAR FINE dust-jacket. Previous owner signature on front free end paper. NOT remainder marked. NOT price-clipped. NOT faded. NOT a book club edition. NOT an ex-library copy. All of our books with dust-jackets are shipped in fresh, archival-safe mylar protective sleeves. Seller Inventory # SKU1014337

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Antonioni, Michelangelo.

Published by Orion Press, New York (1963)

Used
First Edition
Hardcover

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From: Compass Rose Books, ABAA-ILAB (Kensington, CA, U.S.A.)

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About this Item: Orion Press, New York, 1963. Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. First American Edition. A Fine copy in dark grey textured paper covered boards, in a Very Good white and brown dustwrapper, price-clipped, with two superfluous tape reinforcements to verso. 361pp with an Introduction by the Author. Three of the screenplays are translated by Louis Brigante, while the fourth (La Notte) is done by Roger J. Moore, who also translates the Introduction. Antonioni was one of the leaders of the post-War Italian New Wave "auteur" directors, whose films were the subject of a good deal of discussion in the 1960's and 1970's, winning many awards as well. Q04300. Seller Inventory # Q04300

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Antonioni, Michelangelo

Published by Penguin Books (1971)

ISBN 10: 0670129445 ISBN 13: 9780670129447

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Softcover

Quantity Available: 2

From: Murray Media (North Miami Beach, FL, U.S.A.)

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About this Item: Penguin Books, 1971. Paperback. Condition: Very Good. Great condition with minimal wear, aging, or shelf wear. Seller Inventory # P020670129445

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Antonioni, Michelangelo

Published by Penguin Books (1971)

ISBN 10: 0670129445 ISBN 13: 9780670129447

Softcover
New

Quantity Available: 1

From: Murray Media (North Miami Beach, FL, U.S.A.)

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About this Item: Penguin Books, 1971. Paperback. Condition: New. Never used!. Seller Inventory # P110670129445

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Antonioni, Michelangelo

Published by Orion Press, New York (1963)

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Hardcover

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About this Item: Orion Press, New York, 1963. First Printing. Near Fine/VG, DJ has some light wear to top edge as well as some surface soil. ; 8vo, grey boards, DJ, 361pp. , photographically illustrated. Seller Inventory # 1253

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ORIGINAL DRAFTS offering insight into the development: Antonioni, Michelangelo; and

Antonioni, Michelangelo; and Wurlitzer, Rudy.

Published by Paris & Los Angeles, CA: Sunshine & Enchanted Mountains, 1986 through 1997. [1997]. [1997]. (1997)

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About this Item: Paris & Los Angeles, CA: Sunshine & Enchanted Mountains, 1986 through 1997. [1997]. [1997]., 1997. - 10 original drafts and treatments of the screenplay by Michelangelo Antonioni & Rudy Wurlitzer demonstrating the cinematic development of Antonioni's 1974 short story "Two Telegrams". The project was promoted by the French producer & director Stephane Tchalgadjieff. Antonioni had originally sought to produce the film with Garance Film in 1986, the rights being subsequently transferred to Tchalgadjieff's Sunshine Films. The story of Louise, an architect, who divides her affections between her husband Robert and her lover "H" was originally titled "Two Telegrams" and credited as a "Screenplay by Michelangelo Antonioni and Rudy Wurlitzer". The archive includes an early draft titled "Two Telegrams / From a story by Michelangelo Antonioni / Screenplay by / Michalangelo Antonioni / and / Rudy Wurlitzer". The screenplay dives right in as the camera fades on to a street scene in the "downtown Business area of a large city" where a business man "H" "maneuvers his gray Chrysler toward an underground garage." As he turns into the garage, Louise driving a white Mercedes passes him heading in the opposite direction. This 87-page draft is followed by a subsequent 78-page draft in which the opening scene is described as a "Flashback" with the action taking place in a "Sports Arena" where Louise and her husband Robert are watching an ice hockey game between the Wolverines and the Memphis Rockets. The scene in the garage described in the previous draft is here described on page 7 following a "dissolve". The screenplay is now titled "Just To Be / (two telegrams) / un film de Michelangelo Antonioni / scenario de / Michelangelo Antonioni / Rudy Wurlitzer" with Stephane Tchalgadjieff's "Sunshine" production company credited at the bottom. A third draft of the screenplay again opens with Robert and Louise attending the hockey game at a sports arena. A fourth draft now called a "work in progress" foregoes the earlier opening scenes. The opening sequence takes place in the evening at Robert and Louise's home near Paris. Wurlitzer's more lyrical style manifests itself in the last line which, up to now, had read: "The street, the entire city, is dark", now reads: "The street, the entire city, is shrouded in darkness". Rudy Wurlitzer muses over, not only the setting for the opening scene, but also Robert's profession. In a typed letter which was likely sent as a fax or e-mail to Michelangelo Antonioni and his wife Enrica, Rudy confesses that "I've been thinking about Robert and what his business might be. I'm not quite satisfied with him being the owner of a basketball team as the script seems too loaded with sports (polo, golf etc.) and basketball is so much of a media cliche these days. It seems to me that Robert comes from old inherited money and so his business might involve many different agendas." He also suggests that "He would also have a portable phone." and thus could be anywhere when conversing with Louise, quoting possible dialog from a phone conversation between Robert and Louise. He concludes: "Also, I think it might be more interesting to have Louise's secretary, Martha, (to be played by Angelica Huston) be Louise's partner. This would give the two women more equality and candor and also be more contemporary in terms of LA life. Two women up against what is essentially a male dominared profession." Another draft now titled "Michelangelo Antonioni's / Just To Be Together / (provisional title)" with the screenplay credited to Michelangelo Antonioni and Rudy Wurlitzer, is indicated to be a "(second draft - work in progress)" and further states that it is "based on an original story from the book: 'That Bowling Alley On The Tiber'." A one page preface describing Antonioni's process of film-making precedes the script: "The attached screenplay is not the final draft, and must be taken as a work in progress. Details and background elements may be added. Michelangelo Antonioni's traditional method has always been to improve his script right thr. Seller Inventory # 36429

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Results (1 - 13) of 13