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Lacassagne, Professor A. [ Wilson, Herbert, Translated ]

Published by John Bale, Sons & Danielson, Ltd., London (1923)

First Edition

Quantity Available: 1

From: Lazarus Books Limited (Blackpool, LANCS, United Kingdom)

Seller Rating: 4-star rating

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About this Item: John Bale, Sons & Danielson, Ltd., London, 1923. Cloth Bound Boards. Condition: Very Good. 1st Edition. 1923 First Edition. Size Octavo, 8.75" X 5.25", 321 Pages. Dark Green Cloth Covered Boards With Gilt Titles To The Front Cover And Spine. Condition Very Good, Corners And Spine Ends Rubbed, Previous Owner's Name And Address Label To Front End-Paper, Else Contents Clean Throughout. With 17 Black And White Illustrations And Photographs. Seller Inventory # 013680

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REDOUTÉ, Pierre-Joseph (1759-1840)

Published by Firmin Didot, Paris (1824)

Art / Print / Poster
First Edition

Quantity Available: 1

From: Donald A. Heald Rare Books (ABAA) (New York, NY, U.S.A.)

Seller Rating: 5-star rating

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About this Item: Firmin Didot, Paris, 1824. Stipple engraving printed in black, after Redouté, printed by Rémond. Very good condition apart from some overall light soiling and slight rippling. A rare uncoloured impression from the first edition of 'Les Roses': Redouté's most famous work, and perhaps the most celebrated flower book of all time. Pierre-Joseph Redouté, the most successful flower painter of all time, produced a work that was not only of great artistic merit, but also formed an invaluable scientific recordl. Redouté described and figured almost all the important roses known in his day, and included were many of the ancestors of today's roses. "The plates in 'Les Roses' have artistic value, botanical and documentary value, both for the species and cultivars still surviving and for those that have disappeared' (Gisele de la Roche). The roses used as specimens for the work were taken from the collections of Thory, the Malmaison gardens, and from other collections around Paris. Many of the flowers were novelties in Redouté's time, and a number were dedicated to the memory of his friends and acquaintances, such as l'Héritier de Brutelle and Ventenat. The plates of 'Les Roses' were executed by means of stipple engraving, a method ideally suited to render the nuances of tone found in Redouté's original water-colours. During a trip to London, he met the renowned engraver Francesco Bartolozzi and learned that the most successful impressions of stipple engravings came from well-used plates. Redouté's printers therefore struck a limited number of black plates to take the edge off the plate before printing in colours. This print was printed in black on ochre-tinted paper. The ochre tint has subsequently been removed to reveal Redouté's full mastery of the stipple-engraving technique that this image so effortlessly demonstrates. Cf. Cleveland Collections 807; cf. Dunthorne p 232; cf. Hunt, Redoutéana 19; Hunt, Printmaking in the Service of Botany 25; Nissen BBI 1599; Pritzel 7455; Ray, French 89; Stafleu & Cowan TL2 8747. Seller Inventory # 9331

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