Published by Cambridge University Press, 1998
ISBN 10: 0521633583 ISBN 13: 9780521633581
Language: English
Seller: HPB-Red, Dallas, TX, U.S.A.
Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority!
Published by Cambridge University Press, 1998
ISBN 10: 0521633583 ISBN 13: 9780521633581
Language: English
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.7.
Published by Cambridge University Press, 1998
ISBN 10: 0521633583 ISBN 13: 9780521633581
Language: English
Seller: Bookmans, Tucson, AZ, U.S.A.
Paperback. Condition: Good. . Satisfaction 100% guaranteed.
Published by Cambridge University Press, 1996
ISBN 10: 0521550467 ISBN 13: 9780521550468
Language: English
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
US$ 12.63
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Add to basketHardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Published by Cambridge University Press, 1996
ISBN 10: 0521550467 ISBN 13: 9780521550468
Language: English
Seller: Better World Books Ltd, Dunfermline, United Kingdom
US$ 13.49
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Add to basketCondition: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Published by Cambridge University Press January 1996, 1996
ISBN 10: 0521550467 ISBN 13: 9780521550468
Language: English
Seller: La Playa Books, San Diego, CA, U.S.A.
Hardcover. Condition: Used - fine. Dust Jacket Condition: Fine. A square, tight, and unmarked copy. Dust jacket now protected in removable mylar.
Published by Cambridge University Press, 1996
ISBN 10: 0521550467 ISBN 13: 9780521550468
Language: English
Seller: HALCYON BOOKS, LONDON, United Kingdom
US$ 9.42
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Add to basketHardcover. Condition: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.
Published by Cambridge University Press, Cambridge, UK, 1996
ISBN 10: 0521550467 ISBN 13: 9780521550468
Language: English
Seller: Book Dispensary, Concord, ON, Canada
US$ 30.00
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Add to basketHardcover. Condition: Good. Dust Jacket Condition: Very Good. GOOD hardcover in VERY GOOD dust jacket, marginalia in light pencil, tight binding, clean exterior. Book.
Published by Cambridge University Press, 1997
ISBN 10: 0521550467 ISBN 13: 9780521550468
Language: English
Seller: George Longden, Macclesfield, United Kingdom
US$ 16.66
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Add to basketHardback. Condition: Very Good. Dust Jacket Condition: Very Good. Reprint. First published 1996. 22 x 14.5 cm. 218pp. Burgundy boards with title in silver to spine. In blue illustrated dustjacket. Includes end-notes, bibliography and index. Book.
Published by Cambridge University Press, 1998
ISBN 10: 0521633583 ISBN 13: 9780521633581
Language: English
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
US$ 54.06
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Add to basketCondition: New.
Published by Cambridge University Press, 1998
ISBN 10: 0521633583 ISBN 13: 9780521633581
Language: English
Seller: California Books, Miami, FL, U.S.A.
Condition: New.
Published by Cambridge University Press, 2000
ISBN 10: 0521633583 ISBN 13: 9780521633581
Language: English
US$ 42.44
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Add to basketCouverture souple. Condition: bon. RO60077025: 2000. In-8. Broché. Très bon état, Couv. fraîche, Dos impeccable, Intérieur frais. 218 pages. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.
Published by Cambridge University Press, Cambridge, 1998
ISBN 10: 0521633583 ISBN 13: 9780521633581
Language: English
Seller: Grand Eagle Retail, Fairfield, OH, U.S.A.
Paperback. Condition: new. Paperback. Why did Shakespeare write drama? Did he have specific reasons for his choice of this art form? Did he have clearly defined aesthetic aims in what he wanted drama to do - and why? Pauline Kiernan opens up a new area of debate for Shakespearean criticism in showing that a radical, complex defence of drama which challenged the Renaissance orthodox view of poetry, history and art can be traced in Shakespeare's plays and poems. This study examines different stages in the canon to show that far from being restricted by the 'limitations' of drama, Shakespeare consciously exploits its capacity to accommodate temporality and change, and its reliance on the physical presence of the actor. This lively, readable book offers an original and scholarly insight into what Shakespeare wanted his drama to do and why. Shakespeare rejected many of the theories of his age on poetry, history and art to create an original theory of drama. This book, first published in 1996, provides a lively, readable but scholarly examination of works from different stages of Shakespeare's career and explores what he wanted his drama to do and why. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Published by Cambridge University Press, 1998
ISBN 10: 0521633583 ISBN 13: 9780521633581
Language: English
Seller: Ria Christie Collections, Uxbridge, United Kingdom
US$ 63.34
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Published by Cambridge University Press 1998-07-23, 1998
ISBN 10: 0521633583 ISBN 13: 9780521633581
Language: English
Seller: Chiron Media, Wallingford, United Kingdom
US$ 58.96
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Add to basketPaperback. Condition: New.
Published by Cambridge University Press, 1998
ISBN 10: 0521633583 ISBN 13: 9780521633581
Language: English
Seller: AHA-BUCH GmbH, Einbeck, Germany
US$ 87.59
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Add to basketTaschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Brian Gibbons presents the idea of multiplicity as a way of understanding the form and style of Shakespeare's plays: Composed of many different codes, woven together in a unique pattern for each play, rather than variations on the fixed notion of comedy or tragedy.
Published by Cambridge University Press, Cambridge, 1998
ISBN 10: 0521633583 ISBN 13: 9780521633581
Language: English
Seller: CitiRetail, Stevenage, United Kingdom
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Add to basketPaperback. Condition: new. Paperback. Why did Shakespeare write drama? Did he have specific reasons for his choice of this art form? Did he have clearly defined aesthetic aims in what he wanted drama to do - and why? Pauline Kiernan opens up a new area of debate for Shakespearean criticism in showing that a radical, complex defence of drama which challenged the Renaissance orthodox view of poetry, history and art can be traced in Shakespeare's plays and poems. This study examines different stages in the canon to show that far from being restricted by the 'limitations' of drama, Shakespeare consciously exploits its capacity to accommodate temporality and change, and its reliance on the physical presence of the actor. This lively, readable book offers an original and scholarly insight into what Shakespeare wanted his drama to do and why. Shakespeare rejected many of the theories of his age on poetry, history and art to create an original theory of drama. This book, first published in 1996, provides a lively, readable but scholarly examination of works from different stages of Shakespeare's career and explores what he wanted his drama to do and why. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Published by Cambridge University Press, Cambridge, 1998
ISBN 10: 0521633583 ISBN 13: 9780521633581
Language: English
Seller: AussieBookSeller, Truganina, VIC, Australia
US$ 87.97
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Add to basketPaperback. Condition: new. Paperback. Why did Shakespeare write drama? Did he have specific reasons for his choice of this art form? Did he have clearly defined aesthetic aims in what he wanted drama to do - and why? Pauline Kiernan opens up a new area of debate for Shakespearean criticism in showing that a radical, complex defence of drama which challenged the Renaissance orthodox view of poetry, history and art can be traced in Shakespeare's plays and poems. This study examines different stages in the canon to show that far from being restricted by the 'limitations' of drama, Shakespeare consciously exploits its capacity to accommodate temporality and change, and its reliance on the physical presence of the actor. This lively, readable book offers an original and scholarly insight into what Shakespeare wanted his drama to do and why. Shakespeare rejected many of the theories of his age on poetry, history and art to create an original theory of drama. This book, first published in 1996, provides a lively, readable but scholarly examination of works from different stages of Shakespeare's career and explores what he wanted his drama to do and why. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Seller: Revaluation Books, Exeter, United Kingdom
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Add to basketPaperback. Condition: Brand New. 230 pages. 8.75x5.50x0.75 inches. In Stock. This item is printed on demand.
Published by Cambridge University Press, 1998
ISBN 10: 0521633583 ISBN 13: 9780521633581
Language: English
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
US$ 63.52
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Add to basketPaperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 350.