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Published by Rizzoli, New York, 1993
ISBN 10: 0847817563ISBN 13: 9780847817566
Seller: Heartwood Books, A.B.A.A., Charlottesville, VA, U.S.A.
Book First Edition
Hardcover. Condition: Very Good Plus. Dust Jacket Condition: Good Plus. First Edition. Very Good Plus, internally clean, solid hard cover First Printing with some fading along the edges of the covers in a complete Near Very Good dust jacket with some staining and minor rippling to the rear panel.
Published by Rizzoli, 1991
ISBN 10: 084781341XISBN 13: 9780847813414
Seller: Jackson Street Booksellers, Omaha, NE, U.S.A.
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. Near fine copy in hardcover with near fine glassine jacket. 4to.
Published by Rizzoli, New York, 1992
ISBN 10: 0847815676ISBN 13: 9780847815678
Seller: Orpheus Books, Edmonds, WA, U.S.A.
Book First Edition
Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. First edition / First printing. Black cloth. No pagination. Very fine in very fine dust jacket.
Published by Rizzoli Intl Pubns, 1900
ISBN 10: 0847828271ISBN 13: 9780847828272
Seller: A Book Preserve, Columbus, OH, U.S.A.
Book First Edition
Hardcover. Condition: As New. Dust Jacket Included. 1st Edition. Like new/fine hardcover in like dust jacket. 4to. 48 pp. 29 full-page color plates on cardstock pages.
Published by Rizzoli, New York, 1993
ISBN 10: 0847817563ISBN 13: 9780847817566
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
Book First Edition
hardcover. Condition: fine. Dust Jacket Condition: very good(+). Cindy Sherman (illustrator). First. Illustrated with more than 200 photographs, including 140 in color. 240pp. 4to, glossy printed boards, d.w. N.Y.: Rizzoli, 1993. First edition. Fine in very good(+) dust wrapper.
Published by Rizzoli International Publications, Inc., New York, 1993
ISBN 10: 0847817563ISBN 13: 9780847817566
Seller: Past Pages, Oshawa, ON, Canada
Book First Edition
Hard Cover. Condition: Very Good. Dust Jacket Condition: Good. Cindy Sherman (illustrator). First Edition 1st Printing. BOOK: Corners, Boards Bumped; Moderate Shelf Rub to Boards; Edges Lightly Soiled. DUST JACKET: Repaired; Lightly Creased; Lightly Chipped; In Archival Quality Jacket Cover. SELLER'S NOTE TO INTERNATIONAL (NON CANADA OR USA) BUYERS: Additional shipping charges will be required and requested during the purchase process of this title. SYNOPSIS: Cindy Sherman is unquestionably one of the most significant artists working today. Her career and her art embody two of the most important developments in art of the last decade: the impact of postmodern thinking on the art world and the rise of photography and its mass-media techniques as a powerful means of expression for fine artists. In this first presentation of the artist's complete work, leading contemporary art historian Rosalind Krauss reviews Cindy Sherman's remarkable series of photographic works - in which the artist has notoriously assumed various roles, from B-movie starlet to Old Master model - and the enormous influence these works have had on feminist thinking and on current dialogues about the strategies of contemporary art in general. Almost perversely, Krauss argues, Sherman's unsettling attempts to dissect the formation and perception of images have turned her artworks - and herself - into icons for feminists' and others' agendas. Krauss explores in depth the various approaches to Sherman's work taken by philosophers and art historians and asks if they have not often lost sight of the imagery itself - or, more specifically, the way the images are constructed. Examining Sherman's use of photographic techniques, from camera angles (the famed Centerfolds series, for example) to specific styles of lighting, Krauss suggest that the meanings of Sherman's work can best be derived from her constructive methods and their aesthetic and philosophical ramifications and carefully builds to the notion of Sherman as an artist engaged in a dialogue most particularly with art itself. In a further essay, Norman Bryson, internationally known for his pioneering theories on the semiotics of looking, explores Sherman's most recent, horror-show images of mannequins (known as the Sex Picture) and identifies their place in her continued out-of-body investigations. Along with a bibliography and chronology, more than 200 illustrations (140 in color), including numerous unpublished works, represents Sherman's complete career to date. Rosalind Krauss is Professor of Art History at Columbia University and has been one of the editors of October magazine since 1976. Norman Bryson is Professor of Art History at Harvard University. SELLER'S NOTE TO INTERNATIONAL (NON CANADA OR USA) BUYERS: Canada Post's Priority Worldwide Service Shipping is included in the price of this title. Included in this Service are Insurance, a Tracking Number and Link, and Delivery Confirmation and Signature. Delivery takes approximately 2-3 business days. Shipping charges added during the Checkout process will be fully refunded during processing of your order. Size: Folio - over 12" - 15" tall.
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Published by Rizzoli International Publications, Inc, New York, 1993
Seller: Swan's Fine Books, ABAA, ILAB, IOBA, Walnut Creek, CA, U.S.A.
First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. Sherman, Cindy (illustrator). First Edition. First US edition, folio size, 240 pp. Cindy Sherman (b. 1954), photographer and filmmaker, is known for self-portraits which "offer critiques of gender and identity. What made Sherman famous is the use of her own body in roles or personas in her work, with her seminal series Untitled Film Stills (1977-1980) being particularly important. These black-and-white photographs feature the artist herself as a model in various costumes and poses, and are her portrayals of female stereotypes found in film, television, and advertising. Similar to Barbara Kruger, Sherman examines and distorts femininity as a social construct. 'I like making images that from a distance seem kind of seductive, colorful, luscious and engaging, and then you realize what you're looking at is something totally opposite,' she reflected. 'It seems boring to me to pursue the typical idea of beauty, because that is the easiest and the most obvious way to see the world. It's more challenging to look at the other side' " (n.b., from the web site of ArtNet). This work was the first presentation of her complete work up through 1993, with reviews by contemporary art historian Rosalind Krauss which highlight the "enormous influence these works have had on feminist thinking and on current dialogues about the strategies of contemporary art in general" (n.b., from dust jacket flap). ___DESCRIPTION: Bound in full tan glossy paper over boards, dark green lettering on the front and spine, blue-green endpapers, replete with both black-and-white and colour photographs; folio size (12.25" by 9.25"), pagination: [1-9] 10-240. In a wrap-around dust jacket with images by Cindy Sherman upon a blue-green background, jacket unclipped although no printed price present, summary of the book on the front flap, statements about the authors and publisher's ads on the back flap. ___CONDITION: Fine, with clean boards, straight corners without rubbing, a strong, square text block with solid hinges, the interior is clean and bright, and entirely free of prior owner markings; a few shallow marks on the bottom edges of the boards (from shelving), else fine. The unclipped dust jacket near fine with light overall edgewear, most noticeably at the head and tail of the spine. ___POSTAGE: Please note that this is an unusually heavy book and additional postage may apply; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.
Published by Rizzoli. New York, 1992, 1992
Seller: DR Fine Arts, New York, NY, U.S.A.
First Edition Signed
Hardcover. Condition: Very Good. 1st Edition. This copy is hand SIGNED by Cindy Sherman on title page; colored photographs by the noted photographer " based on a tale by the Brothers Grimm"; first edition, out of print; fine black cloth, gilt deco title on spine, embossed title on front, with dust jacket, no stated edition at this time; 4 to, size: 10x10in., unpaginated; NOTE: eeriephotos illustrations with the text; a little rubbing to the dustjacket, otherwise in VERY GOOD COND. Signed by Author(s).
Published by Rizzoli, New York, 1990
ISBN 10: 084781274XISBN 13: 9780847812745
Seller: Sanctuary Books, A.B.A.A., New York, NY, U.S.A.
Book First Edition
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good+. First American Edition. Black cloth, lettering stamped in silver on spine; b/w photo-illustrated dust jacket; folio; pp. 96, with 40 duotone plates. Book is fine, appearing new. Dust jacket lightly wrinkled along top edge; laminate scuffed and peeling a bit at bottom corner of front panel; VG+ in mylar, not price-clipped.
Published by Rizzoli, New York, 1993
ISBN 10: 0847817563ISBN 13: 9780847817566
Seller: Vincent Borrelli, Bookseller, Albuquerque, NM, U.S.A.
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition, first printing. Hardcover. Printed paper-covered boards; with photographically illustrated dust jacket. Photographs by Cindy Sherman. Essays by Rosalind Krauss and Norman Bryson. Includes a list of works, biography, selected exhibitions, selected bibliography and collections. 240 pp., with numerous four-color and black-and-white plates. 12-1/4 x 9-3/8 inches. Scarce. Near Fine in Near Fine dust jacket (corners bumped). The definitive survey of Sherman's work to the early 1990s, with analytical texts by Krauss and Bryson.
Published by Rizzoli, New York, 1990
ISBN 10: 084781274XISBN 13: 9780847812745
Seller: Design Books, New York, NY, U.S.A.
Book First Edition
Hard Cover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. This is a fine hardcover copy with a fine dust jacket with virtually no wear. Completely clean inside and out. Essay by Arthur Danto. Illustrated in black & white with 40 of Cindy Sherman's photographs. 14" high X 10" wide. Large heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
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Published by Rizzoli, New York, 1990
ISBN 10: 084781274XISBN 13: 9780847812745
Seller: Midway Book Store (ABAA), St. Paul, MN, U.S.A.
Book First Edition
Hardcover. Condition: Fine in Fine dust jacket. First edition. 34.5 x 26.5cm. Folio. 96 pages. 40 duotone plates. With an essay by Arthur C. Danto. Black cloth in dust jacket. Presents early work form the artist taken in the late sventies.