About this Item
First Edition. Small Octavo. [3 unnumbered], 224, [8 unnumbered] pages. Original full leather. Binding in very porr condition but still in its original state. Needs repair. Interior very good + with pre-owner's name in ink on titlepage: "RMA Mainish (?) - 1825"]. Extremely scarce publication. Price reflects condition. Giles Jacob (1686 8 May 1744) was a British legal writer whose works include a well-received law dictionary that became the most popular and widespread law dictionary in the newly independent United States. Jacob was the leading legal writer of his era, according to the Yale Law Library. The literary works of Giles Jacob did not fare as well as his legal ones, and he feuded with the poet Alexander Pope both publicly and in literary form. Pope named Jacob as one of the dunces in his 1728 Dunciad, referring to Jacob as "the blunderbuss of the law". Jacob is remembered well for his legal writing, though not so much for his poetry and plays. Giles was born in Romsey, Hampshire, and was baptized on 22 November 1686. Among eight children, Giles was the only son of Henry and Susannah Jacob. Henry Jacob was a maltster who lived until 1735. Giles Jacob's legal training included employment by Thomas Freke, and then as a secretary to Sir William Blathwayt. Working for Blathwayt, he engaged in litigation and dispensation, probably in manorial courts. Jacob's first book, The Compleat Court-Keeper (1713), gives detailed and practical instructions for how to administer estate matters. He combined this with a chronological summary of statute law, and the combination was financially successful. Jacob always had an interest in contemporary poetry and the literary life, and in 1714 he wrote a farce called Love in a Wood, or, The Country Squire. This play was never produced. He persisted, however, and in 1717 he wrote a satire of Alexander Pope's The Rape of the Lock in the form of The Rape of the Smock. The poem was low and bawdy, and the next year he wrote a serious work titled Tractatus de hermaphroditis about the legal status of intersex people, published by Edmund Curll in 1718 (along with the first English-language publication of Ioannes Henricus Meibomius's A treatise of the use of flogging in venereal affairs). Title page from an 1811 edition of Jacob's The New Law Dictionary. In 1719, two works appeared by Jacob, both very successful. The first was Lex constitutionis, which was a thoroughly researched compendium of statute law, common law, and criminal law, schematized according to which powers of the executive branch of the government were involved. While the work's fame and usefulness were surpassed in a few years, Jacob's book was a well regarded analysis. The same year, he produced the first volume of the Poetical Register, with a second volume in 1720. This work provided biographies of contemporary authors as well as earlier ones. According to the literary editor Stephen Jones: [H]e is generally accurate and faithful, and affords much information to those who have occasion to consult him. It cannot be denied that he possessed very small abilities; but he was fully equal to a task where plodding industry, and not genius, must be deemed the essential qualification. In the Poetical Register, Jacob criticized the play Three Hours After Marriage (1717), which had been written by John Gay with anonymous assistance from John Arbuthnot and Alexander Pope. Jacob wrote that its scenes "trespass[ed] on Female Modesty". He subsequently criticized that play for "obscenity and false Pretence". Jacob had admired Pope, had been on good terms with him, and had submitted the biographical entry of Pope (in the Poetical Register) to Pope himself for correction. Jacob likely did not realize that Three Hours After Marriage had been anonymously co-authored by Pope. In The Dunciad of 1728, Pope pounced: Jacob, the scourge of grammar, mark with awe, Nor less revere him, blunderbuss of law. Pope explained Jacob's offense as follows: "he very.
Seller Inventory # 31757AB
Contact seller
Report this item
