TOILETPAPER: SEPTEMBER 1971 (ISSUE 8)

TOILETPAPER) (CATTELAN, MAURIZIO). Cattelan, Maurizio & Pierpaolo Ferrari, Editors

ISBN 10: 886208286X / ISBN 13: 9788862082860

Published by Damiani Editore, Bologna, ITALY, 2013

About this Item

np (40pp), profusely illustrated in color and b&w. Art Direction by Micol Talso. "Toilet Paper" is an artists' magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text - each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists mental outbursts. Since the first issue, in June 2010, "Toilet Paper" has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy". A brand new, pristine example of the eighth issue of this fascinating, irregularly issued artist's project. Seller Inventory # 025673

Bibliographic Details

Title: TOILETPAPER: SEPTEMBER 1971 (ISSUE 8)

Publisher: Damiani Editore, Bologna, ITALY

Publication Date: 2013

Binding: Stapled Pictorial Wrappers

Book Condition: As New.

Edition: First Edition.

Book Type: Contemporary Art Periodical

About this title

Synopsis:

Toilet Paper is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.