In this graphic novel that's part memoir and part creativity primer, Lynda Barry serves up comics that delve into the funk and sweetness of love, family, adolescence, race, and the hood. Name that Demon!!! Freaky boyfriends! Shouting Moms! Innocence betrayed! These are some of the pickled demons you'll meet as Lynda Barry mixes the true and the un-true into something she calls "autobificitionalography." From her nattering and intolerant/loving Filipina grandmother to the ex-boyfriend from hell who had lice, Lynda Barry's demons jump out of these pages and double-dare you to speak their names. Called by Time magazine "a work of art as well as literature," One Hundred Demons has been hailed for its shimmering watercolor images and unforgettable stories about life's little monsters.
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Lynda Barry's comic strip Ernie Pook’s Comeek appears in 20 weekly newspapers in the United States and Canada. Her work has been seen in The New York Times, Esquire, Newsweek, and many other publications. She lives in Wisconsin.From School Library Journal:
Adult/High School-Barry uses an Asian painting exercise called "One Hundred Demons" to organize and connect 17 "autobifictionalographic" stories in which she meditates on a variety of demons that include pretentious boyfriends, lost childhood friends, family relationships, and even the 2000 presidential election. The author's keen observation and honesty draw readers to these sometimes painful, often poignant moments. In "Dancing," she explains that almost everyone in her family danced with great pleasure. Then a casually cruel comment from an admired neighbor made her self-conscious enough to stop. "Resilience" explores the mistaken belief of some adults that young children who have experienced a trauma will somehow forget and move past it. Here Barry allows speech balloons to fill in the gaps to which she alludes in her main text, with heart-wrenching effect. A more lighthearted story deals with the unique smells that permeate homes. Most of each story is told in text blocks at the top of the panel, while speech balloons convey specific details and characterizations. Barry's artwork is almost childlike, and the awkwardness of her drawings works well with the emotional tone her tales evoke. In the last few pages, she demonstrates the technique used for the original exercise and encourages readers to draw from their own experiences. This is an amazing collection, and those who connect with it will come away with a deep appreciation for Barry.
Jody Sharp, Harford County Public Library, MD
Copyright 2003 Reed Business Information, Inc.
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Book Description Sasquatch Books, 2002. Paperback. Book Condition: New. 1570614598. Bookseller Inventory # IM241925
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Book Description Sasquatch Books, 2005. Paperback. Book Condition: New. book. Bookseller Inventory # 1570614598